Legibility Vs. The Fullness Of Expression : Rethinking The Transformation Of Modern Chinese Prose = 正當性 Vs. 表達的完滿 : 反思現代中文文論的轉化,
2011
University of California, Los Angeles
Legibility Vs. The Fullness Of Expression : Rethinking The Transformation Of Modern Chinese Prose = 正當性 Vs. 表達的完滿 : 反思現代中文文論的轉化, Theodore Huters
Journal of Modern Literature in Chinese 現代中文文學學報
No abstract provided.
翻譯與殖民管治 : 早期香港史上的雙面譯者高和爾 (1816-1875) = Translation And Colonial Rule : Daniel Richard Caldwell (1816-1875), The Duplicitous Translator In Early Hong Kong History,
2011
Nanyang Technological University
翻譯與殖民管治 : 早期香港史上的雙面譯者高和爾 (1816-1875) = Translation And Colonial Rule : Daniel Richard Caldwell (1816-1875), The Duplicitous Translator In Early Hong Kong History, Sze Pui, Uganda Kwan
Journal of Modern Literature in Chinese 現代中文文學學報
由於殖民者與被殖民者存在著語言上的隔閡，翻譯往往在殖民管治中扮演十分重要的角色。1842年割讓為英國殖民地的香港，在開埠之初便面對著嚴重的管治問題，其中一個主要原因是港英殖民政府缺乏可堪信賴的雙語人才，能夠處理好殖民者與被殖民者的溝通。本文為一龐大研究計劃「翻譯與香港殖民管治」的部分，透過整理大量原始資料及檔案，重點討論香港開埠初期港英政府裏的一名譯員高和爾（Daniel Richard Caldwell, 1816－1875）。他背景複雜，身份特殊，精通多種語言，儘管最初只是一名寂寂無名的法庭傳譯員，但卻做到法庭沒有他便沒法開庭審案的局面，最終更擢升總登記官以及首任撫華道之職，且遊走於正邪之間，既與上流社會保持密切關係，又跟汪洋海盜相往來。本文分析港英殖民管治初期的特殊政治、文化及語言時空，並闡述作為獨特個案的高和爾，怎樣發揮特殊功能，作出重大的貢獻，也產生深遠影響。
Editor's Note = 編者的話,
2011
Lingnan University
Editor's Note = 編者的話, Zijiang, Chris Song
Journal of Modern Literature in Chinese 現代中文文學學報
No abstract provided.
Bizarre Circuses, Barbaric Costumes : Hong Kong And The Aspirations Of Translation = 詭奇馬戲及蠻裝 : 香港與翻譯之所向,
2011
Chinese University of Hong Kong
Bizarre Circuses, Barbaric Costumes : Hong Kong And The Aspirations Of Translation = 詭奇馬戲及蠻裝 : 香港與翻譯之所向, John Minford
Journal of Modern Literature in Chinese 現代中文文學學報
No abstract provided.
Notes On Contributors = 作者簡介,
2011
Lingnan University
Notes On Contributors = 作者簡介
Journal of Modern Literature in Chinese 現代中文文學學報
No abstract provided.
沉默的她者 : 重探呂赫若，龍瑛宗與翁鬧作品中的女性角色 = The Silent Other : Re-Exploring The Female Characters In The Works Of Lü Heruo, Long Yingzong And Weng Nao,
2011
University of Cambridge
沉默的她者 : 重探呂赫若，龍瑛宗與翁鬧作品中的女性角色 = The Silent Other : Re-Exploring The Female Characters In The Works Of Lü Heruo, Long Yingzong And Weng Nao, Pei Yin Lin
Journal of Modern Literature in Chinese 現代中文文學學報
No abstract provided.
Foreword = 前言,
2011
Nanyang Technological University
Foreword = 前言, Sze Pui, Uganda Kwan, Wang Chi, Lawrence Wong
Journal of Modern Literature in Chinese 現代中文文學學報
No abstract provided.
Omens Of History : Su Tong's Southern Landscape And Dynastic Histories = 歷史的凶兆 : 蘇童的南方景觀和朝代歷史,
2011
City University of Hong Kong
Omens Of History : Su Tong's Southern Landscape And Dynastic Histories = 歷史的凶兆 : 蘇童的南方景觀和朝代歷史, Pui Yin, Vivian Lee
Journal of Modern Literature in Chinese 現代中文文學學報
No abstract provided.
Commodity And Waste As National Allegory In Recent South African And Post-Soviet Fiction,
2011
University of Alaska Fairbanks
Commodity And Waste As National Allegory In Recent South African And Post-Soviet Fiction, Alla Ivanchikova
CLCWeb: Comparative Literature and Culture
In her article "Commodity and Waste as National Allegory in Recent South African and Post-Soviet Fiction" Alla Ivanchikova analyzes the issue of commodity in its relation to identity. The article contains a reading of two novels: The Quiet Violence of Dreams by K. Sello Duiker and Dukhless. Povest o nenastoiaschem cheloveke (Douh-Less: The Tale of an Unreal Person) by Sergey Minaev. Rapid political changes, both in South Africa and the former Soviet Bloc were accompanied both by rapid changes in the practices of consumption and also by often inconsistent cultural efforts to establish the meaning of these practices. Ivanchikova …
Latino Identity In Allende's Historical Novels,
2011
University Diego Portales
Latino Identity In Allende's Historical Novels, Olga Ries
CLCWeb: Comparative Literature and Culture
In her article "Latino Identity in Allende's Historical Novels" Olga Ries analyzes the concept of individual and group identity found in five historical novels by Isabel Allende. Ries argues that while Allende's protagonists come from different backgrounds and different epochs, they share a process of psychological transformation and that affects their identity formation. The result is the formation of a transnational "Hispanic" identity, group as well as individual. In Ries's reading of Allende's texts, transnational Hispanic identity is based simultaneously on the Mexican/Hispanic concept of mestizaje and on the US-American concepts of the "melting pot" and the "American Dream."
Autoethnography And Garcia's Dreaming In Cuban,
2011
University of North Carolina Chapel Hill
Autoethnography And Garcia's Dreaming In Cuban, Samantha L. Mcauliffe
CLCWeb: Comparative Literature and Culture
In her article "Authoethnography and Garcia's Dreaming in Cuban" Samantha L. McAuliffe positions Cristina Garcia's novel as a text of self-discovery and cultural reconciliation. McAuliffe examines multilingualism and hybridity in Dreaming in Cuban and postulates that the novel represents what Marie Louise Pratt calls the "contact zone" where cultures meet and clash. As autoethnography, Dreaming in Cuban allows an insider view of what being Cuban American really means. The reader is able to experience the conflict those with a hybrid identity experience through the eyes of one in the midst of that conflict. Further, McAuliffe suggests in her analysis …
Inanimate Speech From Lovecraft To Žižek,
2011
Seattle University
Inanimate Speech From Lovecraft To Žižek, Apple Z. Igrek
CLCWeb: Comparative Literature and Culture
In his article "Inanimate Speech from Lovecraft to Žižek" Apple Z. Igrek explores an influential line of reasoning associated with our contemporary loss of the Real. The argument describes how the contingencies and nuances of social life have been reduced to an operational, friction-free, and homogeneous realm of signs. Slavoj Žižek contends that our inherently traumatic relationship with the Other is being foreclosed and replaced by an omnipresent technological screen of virtual communication. The danger of this shift, identified as the "digital break," is that it facilitates an extraordinary form of divine violence which strikes back at the social system …
Comparative Literature In Chinese,
2011
Sichuan University
Comparative Literature In Chinese, Xiaolu Wang, Yan Liu
CLCWeb: Comparative Literature and Culture
In their article "Comparative Literature in Chinese" Xiaolu Wang and Yan Liu describe the development of comparative poetics in Chinese by sketching major publications and the general institutional situation of the discipline. Wang and Liu suggest that comparative work remains impulsive while at the same time dynamic. Like other fields in the humanities, the study of poetics — comparative or other — in Chinese is no longer traditional in terms of discursive form but copied from the West. Although the scholarly achievements in the field within the past thirty years are considerable, problems remain including the issue of translation of …
Eliot's The Waste Land And Surging Nationalisms,
2011
University of Toronto
Eliot's The Waste Land And Surging Nationalisms, Pouneh Saeedi
CLCWeb: Comparative Literature and Culture
In her article "Eliot's The Waste Land and Surging Nationalisms" Pouneh Saeedi analyzes T.S. Eliot's poem in the context of the impact of World War I and the emergence of nationalisms. In the midst of the ruins of both his personal life and Europe, Eliot expresses the loss of a universal understanding delineated in the fragmentation of language and a disassociation of sensibility. In The Waste Land, the West and the East — represented in their respective canonical texts — commingle and cohere to present an image of oneness that goes beyond oppositional binaries and leads the egotistical self …
Fernández And Cinematic Propaganda In The U.S. And Mexico,
2011
The Pennsylvania State University
Fernández And Cinematic Propaganda In The U.S. And Mexico, Renae L. Mitchell
CLCWeb: Comparative Literature and Culture
In her article "Fernández and Cinematic Propaganda in the U.S. and Mexico" Renae L. Mitchell discusses the competing ideologies on both sides of the U.S.-Mexican border. As one of the foremost filmmakers of the Mexican Golden Age of cinema, Emilio Fernández established what would is recognized as "Mexicanness" by means of Indigenous characters in his films, most apparent in the film María Candelaria. RKO (Radio-Keith-Orpheum) Pictures, as the principal purveyor of US-American propagandist cinema, led Hollywood into the cinematic market of Mexico revealing its intentions by means of the RKO film The Falcon in Mexico. Fernández sought to …
Comparative Literature In Chinese And An Interview With Yue,
2011
Peking University
Comparative Literature In Chinese And An Interview With Yue, Hui Zhang, Daiyun Yue
CLCWeb: Comparative Literature and Culture
In their article "Comparative Literature in Chinese and an Interview with Daiyun Yue" Hui Zhang and Daiyun Yue present a review of the discipline of comparative literature based on an interview with Yue (2010). Because Yue's work with comparative literature is intertwined with her personal journey, the interview sheds light on other Chinese scholars and their work who would not be known audiences outside China. The interview also touches on the academic and political reasons why the joint dualisms of "ancient/modern" and "Chinese/foreign" continue to be major structuring principles of the discipline in China, as well as how the development …
The Tartu School And Catalan Scholarship: A Book Review Article Of New Work In Reception And Communication Studie,
2011
University of Massachusetts Darthmouth
The Tartu School And Catalan Scholarship: A Book Review Article Of New Work In Reception And Communication Studie, Christopher Larkosh
CLCWeb: Comparative Literature and Culture
No abstract provided.
Academic Discourse And Literacy Narratives As "Equipment For Living",
2011
Ghent University
Academic Discourse And Literacy Narratives As "Equipment For Living", Kris Rutten
CLCWeb: Comparative Literature and Culture
In his article "Academic Discourse and Narratives of Literacy as 'Equipment for Living'" Kris Rutten discusses practices of academic discourse and argues that students entering higher education have to become part of a specific community of institutional discourse. Rutten claims that narratives of and about literacy — narratives that revolve around issues dealing with language and the acquisition of literacy — "dramatize" the tension of moving from one discourse community to another. By charting situations of "type," fictional literacy narratives can be used by students as "equipment for living" in order to reflect on confrontations and difficulties they experience in …
About The Human Condition In The Works Of Dickens And Marx,
2011
University of Oklahoma
About The Human Condition In The Works Of Dickens And Marx, Ami E. Stearns, Thomas J. Burns
CLCWeb: Comparative Literature and Culture
In their article "About the Human Condition in the Works of Dickens and Marx" Ami E. Stearns and Thomas J. Burns contribute to the study of Charles Dickens's Industrial Revolution-era fiction by examining his novels in relation to Karl Marx's social philosophy. Stearns and Burns postulate that Dickens relies on Marxist concepts of class consciousness, sacrifice, revolution, social antitheses, and social injustice to weave his narratives and compare and discuss six of Dickens' novels: A Tale of Two Cities, A Christmas Carol, David Copperfield, Oliver Twist, and Great Expectations with three works of Marx: Grundrisse, The Communist Manifesto, …
Dante's Linguistic Detail In Shelley's Triumph Of Life,
2011
Northumbria University
Dante's Linguistic Detail In Shelley's Triumph Of Life, Anita O'Connell
CLCWeb: Comparative Literature and Culture
In her article "Dante's Linguistic Detail in Shelley's Triumph of Life" Anita O'Connell analyzes Shelley's attention to detail in Dante's poetic style and presents a close textual analysis of the ways Shelley draws on the beauty of Dante's texts. When Dante's Divine Comedy re-emerged into the public sphere in Britain through Henry Cary's 1814 translation, his reputation was as a stern, dark, Medieval poet and readers and writers alike shared a love of the perceived gothicism particularly of The Inferno. Shelley, however, differed from this general view of Dante: despite the grotesque descriptions in his Triumph of Life …
