Comparative Literature Commons^™

Shakespeare Reception In India And The Netherlands Until The Early Twentieth Century, Vikram Singh Thakur

CLCWeb: Comparative Literature and Culture

In his article "Shakespeare Reception in India and The Netherlands until the Early Twentieth Century" Vikram Singh Thakur locates Shakespeare in two different cultural contexts by looking at its reception in The Netherlands and India. His analysis is based on the fact that Shakespeare was a foreign playwright to both cultures yet both have gradually assimilated his works into their respective cultures and made him, probably, the most performed foreign playwright since the 1870s. Thakur aims at understanding how the reception of a work in different cultures is mediated by various social, cultural, historical, and ideological sieves through which the …

The Action Of Grace In Territory Held By The Devil: Flannery O’Connor And Cormac Mccarthy, Scott A. Singleton

The Kennesaw Journal of Undergraduate Research

This paper compares the lives and work of Flannery O’Connor and Cormac McCarthy. The two authors share similarities in their backgrounds, careers, and work. The paper begins with an examination of biographical information of both authors to contextualize their work and note commonalities in their lives and careers. The central idea is that Flannery O’Connor and Cormac McCarthy both create grotesque characters to reveal the depraved condition of humanity in order to highlight the need for redemption and the possibility of divine grace. To prove this, examples are discussed from multiple pieces of work by O’Connor and McCarthy including The …

Women And War: Power Play From Lysistrata To The Present, Shuyang Cynthia Luo

Honors Scholar Theses

"Women and War: Power Play from Lysistrata to the Present" is a three-fold project intent on analyzing the role of women in war and comedy. The intentions are: demonstrating how Aristophanes’ famed comedy, Lysistrata, was a subversive text for its time, as it presented a challenge to men’s authority that otherwise remained unchallenged, creating a modernized retelling of Lysistrata, which she holds would still be a subversive text, because men still have nearly absolute authority in war, and finally, analyzing the comedic nature of Lysistrata in a modern text; namely, why women’s choices constitute a comedy, and the comedic potential …

Constructing Depth Through Jane: Contemporary Interactions Between Austen And Interiority, Nicole Catherine Peters

Renée Crown University Honors Thesis Projects - All

The world is saturated with Jane Austen. She is in the movies, in bookstores, and in college courses. For years “lowbrow” and “highbrow” readers have fought over the “proper” way to read her work. Ian Watt, a popular literary critic, argued that Austen’s value resides in her use of interiority. For years, interiority was held as the measure of a novel’s worth or depth. Deidre Lynch exposed this interiority Watt spoke of as a cultural taste—one which Austen and Watt emerged from and helped to create.

In this project, I look at two contemporary manifestations of Austen—one that is considered …

"Robert Frost Blues”, Gregory Arthur Weiss

Dissertations

Robert Frost Blues collectively argues, stylistically and thematically, that apprehending the world is difficult. If one is able to know the world to some degree, the efficacy of that knowledge will be significantly affected by whether other people agree that that apprehension of the world is correct. But beyond that, Robert Frost Blues, with its casual sestinas and villanelles, colloquial language, found language, prose poems, dialogues, and iambic narratives, implicitly argues that the most important aspect of knowing the world is not the form that knowledge fits into or the literary devices it employs. Instead apprehending the world requires both …

Don't Take Orpheus Without The Lyre: The Intricacies Of Using Pagan Myths For Christian Purposes In The Divine Comedy And Paradise Lost, Rebekah J. Waltmann

Masters Theses

Because of their universal and artistic nature, the classical myths lend themselves well to use in literature, especially poetry. When used properly, as by Dante and Milton, the myths have the ability to enhance the work; when used poorly, they become gaudy ornamentation. It was, and is, this ability to enhance both the artistry and function of literature that pulled so many poets to the myths, despite the difficulties that could arise when the pagan myths did not quite match the Christian setting. My purpose in this thesis is not to explicate every use of myth within The Divine Comedy …

Dickensian Characters In J.K. Rowling's Harry Potter, Alison Mckeever

Graduate Theses and Dissertations

J.K. Rowling includes many Dickensian-esque characters in her Harry Potter series. This thesis compares the characters seen in Rowling's series with many of Charles Dickens's characters, specifically those seen in David Copperfield, Oliver Twist, and Bleak House. Rowling's work is similar to Dickens's novels in many ways. The most interesting connection between the two is how they treat the characters on the periphery of the societies they have created, most notably their orphans, servants, and women.

Orphans are their most obvious comparison. Each author based their texts on the story of an orphan. However, there is more to their orphan …

Whores & More: Selected Stories By Hernán Migoya, Nikki Noreen Settelmeyer

Graduate Theses and Dissertations

This is a collection of short stories written by Hernán Migoya from the books, Todas putas and Putas es poco. The stories have been translated from the original Spanish to English. The selected stories demonstrate the humor, style, and neurosis typical of Migoya's writing.

Richard Rudgley, Lost Civilisations Of The Stone Age., Laina Farhat-Holzman

Comparative Civilizations Review

No abstract provided.

"An Image Comforting The Mind”: Emotion Theory And Tennyson’S In Memoriam, Melanie Pavao

English Student Scholarship

This paper examines Alfred Lord Tennyson’s poem In Memoriam A.H.H. through the lens of Cicero’s stoic theory of emotion. It critically reviews the manner in which Tennyson describes grief in the poem and how he uses the poem to deal with his own grief over the death of his best friend. It continues with a discussion of how the poem is useful for others in learning to deal with their own grief.

Călin-Andrei Mihăilescu's Research, Călin-Andrei Mihăilescu

Research Day (Arts & Humanities, FIMS, and Education)

No abstract provided.

Monsters And Mayhem: Physical And Moral Survival In Stephen King's Universe, Jaime L. Davis

Theses and Dissertations

The goal of my thesis is to analyze physical and moral survival in three novels from King's oeuvre. Scholars have attributed survival in King's universe to factors such as innocence, imaginative capacity, and career choice. Although their arguments are convincing, I believe that physical and moral survival ultimately depends on a character's knowledge of the dark side of human nature and an understanding of moral agency. I have chosen three novels that span several decades of Kings work-'Salem's Lot, Needful Things, and Desperation-to illustrate the relationship between knowledge and survival. In 'Salem's Lot, King uses the main character's interest in …

Queer Love In Woolf's Orlando And Chu's Notes Of A Desolate Man, Pei-Wen Clio Kao

CLCWeb: Comparative Literature and Culture

In her article "Queer Love in Woolf's Orlando and Chu's Notes of a Desolate Man" Pei-Wen Clio Kao analyses Virginia Woolf and T'ien-Wen Chu's novels in the context of gender studies. Kao's reading of Orlando and Notes of a Desolate Man is an elaboration on homosexual sensibilities of both men and women based on the concept of écriture féminine in the context of patriarchy and the former's power of subversion and change. Kao's analysis results in the finding that while Woolf's Orlando is more attuned to the feminist discourse based on an extended Western project in its period and …

The Role Of The Intellectual In Contemporary Turkish Women's Narratives, Adile Aslan

CLCWeb: Comparative Literature and Culture

In her article "The Role of the Intellectual in Contemporary Turkish Women's Narratives" Adile Aslan analyzes the figure of the woman intellectual in two of the most widely praised novels written in Turkish, Adalet Ağaoğlu's 1971 Ölmeye Yatmak (Lying Down to Die) and Leyla Erbil's 1985 Karanlığın Günü (The Day of Darkness). Aslan discusses how the two authors represent in their texts intertwined personal histories with political history. The novels present, as well as surmount the obstacles that the current socio-historical conditions impose on people in general and intellectuals in particular and how these circumstances have a bearing on their …

Nation In Remarque's All Quiet On The Western Front And Eastwood's Flags Of Our Fathers, Brent M. Smith-Casanueva

CLCWeb: Comparative Literature and Culture

In his article "Nation in Remarque's All Quiet on the Western Front and Eastwood's Flags of Our Fathers" Brent M. Smith-Casanueva explores the commonalities between the antiwar narratives of Erich Maria Remarque's novel All Quiet on the Western Front (1929) and Clint Eastwood's film Flags of our Fathers (2006). Taking the position that narration of nation must be considered a site of hegemonic struggle, Smith-Casanueva argues that both texts employ a similar deconstructive logic to subvert the nationalist discourses and dominant war narratives of their respective nations and the national myths constructed through these narratives. In particular, both All …

Imperialist Nostalgia In Masters's To The Coral Strand, Fikret Mehmet Arargüc

CLCWeb: Comparative Literature and Culture

In his article "Imperialist Nostalgia in Masters's To the Coral Strand" M. Fikret Arargüç discusses nostalgia as a resource of identity formation. Arargüç argues that imperialist nostalgia is no innocent emotional attachment to the past; rather, it is an adaptation to changed circumstances and its discursive practices (i.e., eulogizing) evade responsibility. In addition to practices to alleviate or absolve repressed guilt about the past, they often relate to discourses of power and regret that the past is no more. This type of nostalgia is another neo-imperialist form of exploitation by (ab)using or generating fluid, dynamic, and ever-evolving identities. Arargüç …

Homosexual Identity, Translation, And Prime-Stevenson's Imre And The Intersexes, Margaret S. Breen

CLCWeb: Comparative Literature and Culture

In her article "Homosexual Identity, Translation, and Prime-Stevenson's Imre and The Intersexes" Margaret S. Breen examines the role of translation in lesbian, gay, bisexual, and transgender studies. Breen's focus is Edward Prime-Stevenson, who, under the penname Xavier Mayne, wrote two works: a short novel, Imre: A Memorandum (1906), and a general history of homosexuality, The Intersexes: A History of Similisexualism as a Problem of Social Life (1908). Breen argues that Prime-Stevenson's texts are relevant to late nineteenth- and early twentieth-century discussions of (homo)sexuality because they point to the importance of translation in writings concerning sexual and gender identities and …

Bellow's Letters And Biographies About Bellow: A Book Review Article Of New Work By Atlas And Taylo, Gustavo Sánchez-Canales

CLCWeb: Comparative Literature and Culture

No abstract provided.

Trauma, Apocalypse, And Ethics In Israeli Theater, Zahava Caspi

CLCWeb: Comparative Literature and Culture

In her article "Trauma, Apocalypse, and Ethics in Israeli Theater" Zahava Caspi traces the traumatic experience as a point of departure in apocalyptic plays in Israeli literature. Caspi argues that in Israeli apocalyptic plays a critical gap opens up between the fictional narrative that ends with destruction and the theatrical apparatus that creates a sense of continuity. The theatrical text delivers a message to the audience inviting them to increase their engagement with and accountability for continuity not merely during the theatrical event, but more significantly, once the performance is over. The play's moral imperative to provide a "positive" ending …

Aesthetics, Opera, And Alterity In Herzog's Work, Jacob-Ivan Eidt

CLCWeb: Comparative Literature and Culture

In his article "Aesthetics, Opera, and Alterity in Herzog's Work" Jacob-Ivan Eidt analyses Werner Herzog's 1982 film Fitzcarraldo. Eidt's analysis is executed in the context of opera, cinema, and aesthetics. Eidt argues that Herzog uses opera as a romantic motif with which he creates a self-critical process whereby elements of the Romantic vision are called into question thus providing a nuanced reading of the main character and the Indigenous world he encounters. This process, Eidt argues, produces a complex narrative of colonial alterity where colonial self-inscription upon an Other is ultimately doomed to failure.