American Studies Commons^™

The Legend Of Emanuel Loewner “Cap” Klingstein: “The Al Capone Of The Shenandoah Valley?”, Josh Payne

Honors Projects

Emanuel Loewner “Cap” Klingstein (1894-1971) was a notable Jewish entrepreneur in the area, owning multiple businesses and real estate between the 1920s and 1970s.  However, possible shady business practices and criminal activities, such as tax evasion and alcohol possession during prohibition, as well as local stories and legends, have raised questions about how he should be remembered. At times, he was even referred to as “the Al Capone of the Shenandoah Valley.” By utilizing primary source archival letters, genealogical records, court documents, and personal testimonies, as well as secondary sources on Jewish business in the area, organized crime, and the …

Book Bans In U.S. Prisons: A Legacy Of The Prisoners' Rights Movement, Allison Jansen

Honors Projects

The 1950s-1970s saw an unprecedented spike in organized resistance by American prisoners. This long era of rebellion, along with thousands of judicial appeals, made up the “prisoners’ rights movement”-- a political, legal, and social struggle that challenged the conditions of American incarceration and its penological paradigm. The timeline of the movement is abstract and difficult to measure. Nonetheless, what is certain is that it lost its momentum by the 1980s due to overhauling policy changes that quelled prisoner activism without achieving meaningful progress. This research examines the evolution of prison censorship policies within that paradigm shift and how they sought …

"Black History Is Black Horror": Hauntology And Cultural Trauma In 20th And 21st Century Black Women's Gothic Horror, Destini S. Beckwith

Theses

Octavia Butler’s Afrofuturistic, gothic horror, neo-slave narrative Kindred (1979) vividly illustrates the story of a woman, Dana, involuntarily time-traveling from her home in 1976 Los Angeles, California, to a plantation in 19th-century Maryland. The interactions that she has with her ancestors, such as Alice, a free Black woman, and Rufus, a white man who enslaves Alice, leave Dana mentally and physically scarred. The 20th-century novel is meant to graphically reflect on the horrors of enslavement and the mental and physical effects that Black people endured/still endure because of it (i.e., grief, racial violence, and post-traumatic stress disorder). Furthermore, the novel’s …

"Under The Fig-Tree": Anti-Federalist Conceptions Of American National Identity, Clara Kernodle

Tenor of Our Times

The constitutional convention of 1787 gave America some of her most energetic and exciting few months in American history. The Federalists proposed the Constitution as a replacement for existing government, opposed by Anti-Federalists on principled grounds. Thus ensued a mountain of political writing and propaganda that historians still study today. The Anti-Federalists lost the debate, and then were lost to history. Few Americans have even heard of the Anti-Federalists and even fewer scholars study their writings. But reading and evaluating Anti-Federalist writing is an important part of studying the Founding era and Constitutional debates. The Anti-Federalists, as much as their …

Model Woman: Realizing Frances Folsom Cleveland As A Fashion Archetype Of Gilded-Age America, Olivia R. Sweet

Undergraduate Honors Thesis Projects

This paper is an exploration of former First Lady Frances Folsom Cleveland’s position as an influential figure in women’s fashion during her years in the White House, seeking to fill a gap in historical scholarship regarding her legacy. It proposes the term “fashion archetype” to describe the phenomenon of celebrity that Frances experienced in which her public persona was detached from her individual identity and manipulated by the media to influence American women. Analysis of her early-White House wardrobe and the media attention her style and appearance received reveals the power that clothing held in nineteenth-century American society, as well …

Back Yard Lingo: Language As Cultural Identity In American Circus, Aíne Norris

English Theses & Dissertations

This project is an exploration of the deeply insider language of American circus and identifies meaningful patterns and connections between language, identity, and community. Drawing upon the theoretical lenses of cultural studies and community of practice, the study offers a thorough examination of how circus people use insider language for business, performance, and community purposes that enhance belonging, share knowledge, gatekeep, and protect their group identity.

The research employs a mixed-methods, scaffolded design that integrates both qualitative and quantitative data approaches, examining the cultural importance of circus language as written and spoken by the insider community. The design begins with …

Columnas: The Honors Program Newsletter At Bentley University, Amanda Li, Wilson Jan, Michael Raphael, Alexandra Rieckehoff, Karina Wu, Michael Shehata, Nilufar Noorian, Eloise Weintraub

Honors Program

INSIDE THE MODERN WORLD

Page 2: Stepping Out by Amanda Li

Page 3: Inside the Corporate Slop Bowl by Wilson Jan

Page 4: The Silencing: An Evaluation of the Global Attacks on the Right to Protest by Michael Raphael

THE SOUND OF CHANGE

Page 5: The Social, Cultural, and Economic Impact of Bad Bunny by Alexandra Rieckehoff

Page 6: Streaming Changed Music, But Is It Fair to Artists? by Karina Wu

Page 7: Feeling the Music: How Haptic Wearables Are Changing the Way We Experience Sound by Michael Shehata

SHIFTING SYSTEMS

Page 8: The Story Behind Davos, One of the …

America’S First Comic Role, “The Negro”: An Analysis Of Historical Caricatures And Their Influence On African American Characters And Archetypes, Skyla A. Praylow

Senior Theses

A stereotype is defined as “a set of ideas that people have about what someone or something is like, especially an idea that is wrong.”1 Even though stereotypes are understood to be harmful, “contributing to prejudice and discrimination,” they are still believed to have some “kernel of truth,” and are viewed as “overgeneralized beliefs about social groups in society.” These stereotypes are then used as propaganda to reinforce oppressive systems in the US.2 Stereotypes create the basis of opinions that are used to create caricatures. A caricature is “a picture, description, or imitation of a person in which certain striking …

War And Communism In 50s-70s Sci-Fi Movies, Nathaniel Smith

Gateway Reader- Individual Papers

• The Problem: The researcher addresses how 1950s–1970s science fiction cinema reflects prevailing post-war societal anxieties, specifically the fear of nuclear Armageddon and the geopolitical tensions between the United States and the Soviet Union.

• The Method: The framework analyzes thematic elements and narrative structures across a selection of mid-to-late 20th-century speculative fiction films, specifically The Invasion of the Body Snatchers (1956), Fantastic Voyage (1966), Colossus: The Forbin Project (1970), and Godzilla (1954).

• Quantitative Finding: The Soviet Union detonated its first nuclear weapon in 1949; the Bulletin of Atomic Scientists created the Doomsday Clock in 1947; the Soviet Union launched Sputnik in …

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Profound And Absurd Poems By E. Stewart Saunders, E. Stewart Saunders

Libraries Faculty and Staff Creative Materials

A collection of poems written between 2020 and 2026

Mapping A World’S Fair: A Comparative Analysis Of Native American Experience At The Louisiana Purchase Exposition, Margaret Jones

Mendel Sato Research Award Projects

This brief attempt to look into a few historical moments has demonstrated how quickly and dramatically the possibilities open to Native American people in the St. Louis region have changed over time. In 1904, to be a Native person standing at the entrance to the 1904 World’s Fair could mean a number of things, perhaps simultaneously: you were a tourist, you were returning to land you had been Indigenous to, you were visiting a part of the country you had never seen before, or you were a Native person at the largest celebration of American colonialism ever organized. This thesis …

The Ladies' Home Journal: Dormant Seeds Of The Feminine Mystique Pre-Wwii, Isis Santos Villaça

University Honors Theses

At the turn of the 20th century, magazines were becoming increasingly available to the middle class. Throughout the 1890–1930s, the industry put forth an entire new iteration of publications that came to be popular with female readers. One of the most successful publications from this period, The Ladies' Home Journal, distinguished itself through its strong editorial presence on the page. The editors of the Ladies' Home Journal intended to create a "traditional" female identity that reflected domesticity in the journal, which countered the rising notions of the New Woman. Simultaneously, the publication aimed to create an educational product with …

Temporalities Of Translation In Ursula K. Le Guin's The Dispossessed, Rumi Coller-Takahashi

Living in Languages

Ursula K. Le Guin’s 1974 novel, The Dispossessed: An Ambiguous Utopia features two fictional worlds, Urras and Anarres, with distinct political structures and languages. Anarres is created by the revolutionaries who departed capitalistic Urras to create a new anarchist community, and its language was invented so as to have no word for “property” or “class.” However, the artificial distinction in the languages do not hold up the binary of possession and non-possession in these worlds, as the word “possession” permeates interpersonal relationships even on Anarres. To replace the binary approach of the revolution, the novel proposes an alternative mode of …

Super Soapbox

Emerging Writers

American superhero comics have always had some sort of political/socio-political spin to them. During the Golden Age of the 1930's to 50's, characters such as Superman and Captain America appeared in World War II propaganda fighting the Axis Powers. The following Silver Age from the 50's to 70's became infamous for its self-censorship under The Comics Code Authority, which in practice banned LGBTQ+ representation. However, the gradual retirement of the CCA's regulations allowed titles such as Uncanny X-Men and The Dark Knight Returns to cover heavier topics such as racism and political corruption during the Bronze Age of the 70's …

Where Did Her Torch Glow Go?, Josephine Smith

FUSION

This project is a short video presentation with accompanying written reflection connecting the poem "The New Colossus" by Emma Lazarus, a poem about immigration to the United States, to modern events regarding immigration in the country.

The Ghosts Of Times Square: A Zine Exploring Representations Of Times Square Through Film, Kel R. Karpinski

Publications and Research

My zines are often an extension of my research—either a jumping off point or a way to create a more visual project (or both). They are in their own way a form of excess - they are often too scandalous, too smutty, too much — everything that is spilling out of the margins.

My zines and research focus on lesser known queer histories, trying to highlight them and bring them to a new audience and new generations.

Using zines as a creative form of research, I am able to reach a broader audience both inside and outside of academia. I …

Review Of Falling Into God: My Lay Catholic Journey In Spirituality And Ministry From Family And Home To Vatican Ii And The Holy Spirit To Prophetic Work For Justice And Peace, Rosemarie Pace

The Journal of Social Encounters

No abstract provided.

Review Of The Black Practice Of Disbelief, Walter W. Hill Jr.

The Journal of Social Encounters

No abstract provided.

Fabricating Decolonial Futures: The Power Of Afrofuturism And Indigenous Futurism, Albert Stabler

Journal of Social Theory in Art Education

Inspired by important works of speculative fiction, the movements of Afrofuturism and Indigenous Futurism have come to encompass a wide range of works by Black and Indigenous creators, including but not limited to visual artists. In this article I describe my own work as a white high school art teacher in a BIPOC classroom, leading class projects motivated by the fascinating overlaps of traditional practices, social critique, and futuristic fantasy in Afrofuturist art. I then go on to describe speculative creative works by Indigenous and Black artists that have continued to follow this path, particularly using digital tools and new …

Review Of Scattered And Fugitive Things: How Black Collectors Created Archives And Remade History, Kai H. Uchida

Journal of Contemporary Archival Studies

In Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History, historian and archivist Laura E. Helton tells the story of six individuals – Arturo Schomburg, Alexander Gumby, Virginia Lee, Dorothy Porter, Vivian Harsh, and Lawrence Reddick – whose practices of radical collecting revalued and recast the importance of Black history. Helton combines innovative methodological readings of previously undervalued archival sources with a keen understanding of archival practice to illuminate Black archives as a site of radical collecting, intellectual inquiry, and community empowerment. Compellingly written with insights about the theory of their curation and the story of …