American Studies Commons^™

Toni Morrison's New World Black Woman: Refuting, Deconstructing, And Redefining Black Women's Identity, Victoria L. Bell

Master's Theses

Abstract

Through critical analysis of media: literary works, performance, and television, this thesis explores the prejudices, silencing, dehumanizing, sexualization, and marginalization of Black women, their bodies, identity, and trauma inflicted by White-authored texts, specifically the American canon. I analyze the works of Black women authors, scholars, and activists, who counter the false representation of the patriarchy. Their literary works refute, deconstruct, and redefine the canon’s distorted, racial and gendered stereotypes, later to be named controlling images.  While narrating the Black woman’s authentic self, experience, body, and womanhood they reclaim space, authenticity, and agency.

In my research and analysis, the central …

Integrating Embodied Expertise Into Dress History Academia Through Practice-Led Actualistic Recreations: A New Methodology And Test Thereof, Rowan Paramour

Theses

This thesis examines the usage of practice-led methodology for historic dress recreation projects and how to implement and objectively analyze the findings from such research in an academically rigorous fashion. In section one, I examine the distinction between different types of recreation practices, the establishment of embodied practice within historic dress research, address concerns centering practice-led methodology, and develop a methodology for practice-led historic dress recreation projects and rubric for assessment of that methodology. In section two, I fully test the methodology and rubric by utilizing it in my own recreation and present this process using the methodology’s proposed deliverables …

Three Hundred Years In New Mexico’S La Cienega Valley: An Archaeology Of Hispano Occupation From The 17th Through 19th Centuries, Heather Trigg

Anthropology Faculty Publication Series

Beginning in the late 16th century, Hispanic settlers colonized New Mexico’s upper Rio Grande Valley, establishing farms and the village of Santa Fe amid Pueblo peoples. Colonists demanded tribute and labor from the Pueblos, enslaving some and suppressing religions. Less than a century later, Pueblo and Plains peoples rebelled and forced the settlers from the region. Twelve years after the Revolt, settlers returned, but they could not legally collect tribute or force labor. This project explores the changes in labor and land allocation between the Pre-Revolt and Post-Revolt periods.

The Monster On The Hill: "Anti-Hero" And Its Connection To Frankenstein, Alexa B. Rogers

The Manuscript: Journal of Taylor Swift Studies

Taylor Swift’s “Anti-Hero” is known as the leading single from her deeply personal album, Midnights. It is the third track on the album, known for typically being a pop hit yet unexpectedly devastating as it captures her anxieties and sheds light on her relationship with femininity in a way that many women throughout history can relate to and have been expressing in their writing. In exploring these anxieties, Swift sings about feeling like a monster. She is hardly the first woman to compare her femininity to a monster. These lyrics immediately spring Mary Shelley’s Frankenstein, since some of …

Profile And Insights On Core Authors In National Security Intelligence Research：An Analysis Based On The Journal Intelligence And National Security, Yaping Hu, Yongge Xiao

Journal of Scientific Information Research

[Purpose/significance] This study delineates the developmental trajectory and knowledge production characteristics of international national security intelligence research by revealing the collective profile, career development patterns, collaboration network structures, and core research theme evolution of its key scholars. It aims to provide insights and references for promoting the discipline construction of national security intelligence in China. [Method/process] Core authors were selected from the Intelligence and National Security journal based on publication volume criteria. Employing biographical analysis, the information of these international core authors was categorized into four core dimensions—disciplinary background, research direction, research output, and work experience for comparative analysis. Furthermore, …

Female Genital Cutting In American Foreign Policy – Proposal For Harm Reduction, Charlotte Racine

Bates College Journal of Political Studies

Female Genital Cutting/Mutilation (FGC/M) has gained international attention as an issue of human rights and violence against women and girls. The United States, as a leading world power, has openly opposed its practice and actively condemns it in communities and countries of the Global South, yet it fails to oppose or condemn as staunchly identical procedures within its borders. The simultaneous condemnation of FGC when it occurs in “undeveloped” countries and acceptance of American procedures like cosmetic genital modification surgeries, male circumcision, and “corrective” surgeries on intersex infants produces a narrative of cultural superiority and imperialism that harms the international …

Review: Misrecognitions: Plotting Capital In The Victorian Novel By Ben Parker, Suvij Sudershan

CLCWeb: Comparative Literature and Culture

No abstract provided.

Review: The Poetics Of Science: Marx’S Literary Style By Ludovico Silva, Thomas A. Laughlin

CLCWeb: Comparative Literature and Culture

No abstract provided.

Review: The Persistence Of Realism In Modernist Fiction By Paul Stasi, Chris Gortmaker

CLCWeb: Comparative Literature and Culture

No abstract provided.

Cultural Negotiations In Revisionist Mythmaking: Comparative Reading Of Bahram Beyzaei And Mary Zimmerman, Sepehr Karimi Mr., Bahee Hadaegh

CLCWeb: Comparative Literature and Culture

 Although more than fifty years have passed since feminist scholars pioneered revisionist mythmaking, drama remains underexplored in this field despite its unique potential for cultural and social reinterpretation. This study offers a comparative analysis of revisionist mythmaking in Iranian and American drama, specifically examining Bahram Beyzaei’s play, One Thousand and First Night alongside Mary Zimmerman’s Metamorphoses as examples. This research aims to establish general principles for revisionist mythmaking within drama, spotlighting the complexities that emerge in transnational contexts. It explores how Beyzaei and Zimmerman negotiate cultural narratives and try to reshape traditional stories and reflect contemporary issues, emphasizing gender dynamics …

Between Revolutions: The Leftist Reception Of American Literature In Iran (1905-1979), Behnam Mirzababazadeh Fomeshi

CLCWeb: Comparative Literature and Culture

This paper examines the reception of American literature in Iran during the period between the Persian Constitutional Revolution (1905–1911) and the Iranian Revolution of 1979. Divided into four distinct phases (1905–1922, 1922–1941, 1941–1953, and 1953–1979), this study explores how political and ideological dynamics shaped the interpretation and translation of American literary works. Central to this reception was its inherently political nature, driven by the dominance of leftist ideologies within Iran’s intellectual landscape. The influence of the Tūdih Party and other leftist movements profoundly impacted the ways American literature, particularly the works of Walt Whitman, was translated, interpreted, and disseminated. By …

Christian Motifs In Forough Farrokhzad’S Works: A Comparison With T.S. Eliot’S Poetry, Mona Monsefi

CLCWeb: Comparative Literature and Culture

Forough Farrokhzad’s (1934–1967) film The House is Black (1962) is a visual poem set in a leprosarium in Iran. Farrokhzad was a prominent modernist poet who merged poetry with contemporary art forms, primarily cinema. In this film, she employed a camera to express her poetic vision, highlighting her signature style that prioritizes unique imagery. This emphasis on visual and literary images is often intertwined with themes such as religion. Notably, Farrokhzad recomposed verses from the Old Testament, infusing them with her poetic language to enrich the film’s narrative. This article explores her unique, Western-influenced interpretation of Christian motifs in …

Vision And “Sur-Vision”: Intermediality And Alterity In The Frames Of Abbas Kiarostami, Marjan Mohammadi

CLCWeb: Comparative Literature and Culture

Abbas Kiarostami’s cinema, often compared to Italian neorealism, oscillates between documentation and fiction. Kiarostami’s worlds, replete with a complex network of incomplete and self-reflexive frames, create a new site for perception, reflection, and intervention. This paper studies the intermedial aspect of Kiarostami’s cinema in “The Koker Trilogy” (1987; 1992; 1994), Close-Up (1990), and “Taste of Cherry” (1997). It explores how these moving images are shaped by the specific context of Iranian cinema and how they turn to reshape it. First, it examines Kiarostami’s framing techniques, which expand Iranian cinema and its engagement with Western visual conventions. …

Memory And Identity: A Comparative Analysis Of “Iranian Cultural Identity” In Asghar Farhadi’S Adaptation Of Arthur Miller’S Death Of A Salesman, Raed Faridzadeh

CLCWeb: Comparative Literature and Culture

Recent cultural studies examine the intersection of cultural identity and memory, often viewing culture as a symbolic sign system or "culture as text." Jan Assmann defines "cultural memory" as essential to shaping societal identity. Literature and film contribute to this process by transmitting and evolving cultural meanings, not only reflecting but also constructing knowledge and reality. Iranian cinema has become a powerful medium of cultural expression, particularly post-revolution. Filmmakers like Abbas Kiarostami, Sohrab Shahid Sales, Dariush Mehrjui, and Asghar Farhadi explore the dynamic relationship between literature and film in shaping cultural memory. This article analyzes Asghar Farhadi’s adaptation of Death …

Willy Loman’S Desperate Affair Challenges The Iranian Censorship: Asghar Farhadi’S The Salesman, Adineh Khojastehpour

CLCWeb: Comparative Literature and Culture

This study examines resistance in cross-cultural adaptations, focusing on Asghar Farhadi's The Salesman (2016), an adaptation of Arthur Miller's Death of a Salesman (1949). This research investigates how Farhadi's rewriting of Miller's play within post-revolutionary Iran engages in a dialogue with the Islamic Republic and its dominant discourses. It explores how this adaptation addresses Iran's social, cultural, and ideological complexities by reframing Miller's narrative of 1950s societal change and the failure of the American Dream within the context of post-revolutionary Iran. This analysis uses Bakhtin's concept of the chronotope to reveal how The Salesman uses Miller's unique concept of a …

Cineture: The Trans(Inter)Mediality And Socio-Cultural Mobility Between Iran And The Us, Naghmeh Esmaeilpour

CLCWeb: Comparative Literature and Culture

Literature and film have proven to be influential socio-cultural mediums, facilitating interactions and counteractions between nations where politics often fail to do so. Introducing cineture as a transmedial genre, this article is situated at the intersections of glocalized culture, and Iranian-American studies by considering literature and film as the contact zone between Iranians and Americans. Cineture, the combination of cinema and literature, refers to the circulation of cultures through its specification of film-text transmediation. The application of cineture demonstrates the combination and blending of literary and cinematic works leading to cross the “center and periphery dichotomy.” To study cineture …

Cineture: Shared Narratives And Cultural Exchanges Between Iran And The Us (Introduction), Naghmeh Esmaeilpour

CLCWeb: Comparative Literature and Culture

No abstract provided.

“…You Lost Your Way On That River As You Would In A Desert…”: Spec Ops: The Line As A Post-Imperialist Adaptation And Response To Heart Of Darkness, Logan Grime

Honors Projects

As an adaptation of Joseph Conrad’s Heart of Darkness, the military shooter video game Spec Ops: The Line grapples with adapting the themes and the narrative of an imperialist work into a modern post-imperialist context. By swapping England in Africa for America in the Middle East, the game criticizes America’s conduct of war in the Middle East by showing its similarities to the novella’s imperialism. Furthermore, Spec Ops: The Line focuses on America’s imperialism by adapting Heart of Darkness to an interactive format. “The horror” of violent imperialist action is placed upon the player as Spec Ops: The Line …

William Hope Hodgson And The Rise Of The Weird: Possibilities Of The Dark By Timothy S. Murphy, Timothy R. Granger

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Full Issue Vol. 1 2026

The Penguin Review

No abstract provided.