Metaphysics Of Mania: Edgar Allan Poe's And Herman Melville's Rebranding Of Madness During The American Asylum Movement,
2017
Central Washington University
Metaphysics Of Mania: Edgar Allan Poe's And Herman Melville's Rebranding Of Madness During The American Asylum Movement, Alexis Renfro
All Master's Theses
The “madman’s” place throughout history has tended to be a mystery on both ontological and epistemological levels. From the perception of the madman as a crazed oracle in the sixteenth century to the perception of the madman as a criminal in the seventeenth and eighteenth centuries, the nineteenth-century madman was even more difficult to define. Because insanity was deemed the inverse of bourgeois normativity and conservative moral standards, those categorized as mad in America during mid-1800s were institutionalized in reformed mental asylums, establishments which sought to homogenize human behavior through moral treatment. Both Edgar Allan Poe and Herman Melville drew …
Gender Revolution Of The Jazz Age: The Source Of Disillusionment In The Works Of F. Scott Fitzgerald And Ernest Hemingway,
2017
Central Washington University
Gender Revolution Of The Jazz Age: The Source Of Disillusionment In The Works Of F. Scott Fitzgerald And Ernest Hemingway, Mary Killeen
All Master's Theses
The Lost Generation was forced to develop their own principles regarding gender identity in an environment of ever-shifting cultural norms, which called into question all of their predetermined ideas on femininity, masculinity, and the ways in which members of the opposite sex should interact with one another. Although much of their writing is set amid and seems to embrace the evolving social culture of the early twentieth-century, F. Scott Fitzgerald and Ernest Hemingway largely criticize the gender revolution of the 1920s and blame evolving gender roles for the collapse of their generation. Nevertheless, I argue that Fitzgerald’s and Hemingway’s cultural …
Everybody's Story: Gertrude Stein's Career As A Nexus Connecting Writers And Painters In Bohemian Paris,
2017
University of Mississippi. Sally McDonnell Barksdale Honors College
Everybody's Story: Gertrude Stein's Career As A Nexus Connecting Writers And Painters In Bohemian Paris, Elizabeth F. Milam
Honors Theses
My thesis examines how the combination of Gertrude Stein's career, Paris, and the time period before, during, and after The Great War conflated to create the Lost Generation and affected the work of Sherwood Anderson and Ernest Hemingway. Five different sections focus on: the background of Stein and how her understanding of expression came into existence, Paris and the unique environment it provided for experimentation at the beginning of the twentieth century (and how that compared to the environment found in America), Modernism existing in Paris prior to World War One, the mass culture of militarization in World War One …
Nella Larsen: An Untold Story Of Race Through Literature,
2017
University of Mississippi. Sally McDonnell Barksdale Honors College
Nella Larsen: An Untold Story Of Race Through Literature, Bria Stephens Stephens
Honors Theses
This study explores the life of Nella Larsen, investigating how her unusual childhood and early adulthood provided substance for her to make critical and unique views on race relations and racially dichotomized communities. The study shows how the Harlem Renaissance was essential in providing this outlet to Larsen; it was an era where African American art was lauded. The investigation required research into Larsen's childhood and early adult life using several different pieces of biographical works. After detailing impactful events in her early life, the study developed further with critical analyzation of her fictional short stories and novels. Additional research …
(An) Unsettled Commons: Narrative And Trauma After 9/11,
2017
Wayne State University
(An) Unsettled Commons: Narrative And Trauma After 9/11, Chinmayi Kattemalavadi
Wayne State University Dissertations
This dissertation examines fictional responses to the events of September 11, 2001. It argues for the importance of one kind of fictional response, one which focuses on representing the feeling of "unsettledness" that can be one effect of trauma, with the aim of making that unsettledness itself a locus of a shared common experience. I posit that in articulating the events of 9/11 in the context of, in relation to, and as one in a series of traumas, violences, and histories, these narratives make the unsettlements shareable. Focusing on four works of fiction that were published after 9/11 – Joseph …
Cold War New York: Postmodernism, Lyricism, And Queer Aesthetics In 1970s New York Poetry,
2017
University of Mississippi
Cold War New York: Postmodernism, Lyricism, And Queer Aesthetics In 1970s New York Poetry, Jared James O'Connor
Electronic Theses and Dissertations
This thesis explores the poetry of Joe Brainard and Anne Waldman, two poets of the critically neglected second-generation New York school. I argue that Brainard and Waldman help define the emerging discourse of postmodern poetry through their attention to cold war culture of the 1970s, countercultural ideologies, and poetic form. Both Brainard and Waldman enact a poetics of vulnerability in their work, situating themselves as wholly unique from their late-modernist predecessors. In doing so, they help engender a poetics concerned not only with the intellectual stakes but with the cultural environment they are forced to navigate. Chapter 1 explores Brainard's …
Relocations Of The 'Outraged Slave': Transatlantic Reform Conversations Through Douglass's Periodical Fiction,
2017
Virginia Commonwealth University
Relocations Of The 'Outraged Slave': Transatlantic Reform Conversations Through Douglass's Periodical Fiction, Nikki D. Fernandes
Theses and Dissertations
Through their editorial arrangements of African-American, Euro-American and European poetry, fiction and news, Frederick Douglass’s anti-slavery periodicals (The North Star and Frederick Douglass’ Paper) imagine a cosmopolitan discourse that predates the segregated realities of the antebellum United States. In spite of Southern blockades against the infiltration of Northern texts, Douglass’s material space uniquely capitalized on the limited restrictions of his reprinting culture to relocate the voice of the ‘outraged slave’ onto a global stage. From the poems of Phillis Wheatley and William Cowper to Charles Dickens’s Bleak House and Douglass’s own novella “The Heroic Slave,” this project considers how …
Affective Dissonance: (Post)Feminism And Popular Cultural Expressions Of Motherhood,
2017
Wayne State University
Affective Dissonance: (Post)Feminism And Popular Cultural Expressions Of Motherhood, Judith Lakämper
Wayne State University Dissertations
In “Affective Dissonance: (Post)feminism and Popular Cultural Expressions of Motherhood,” I argue that motherhood in the so-called post-feminist age is structured by a conflicted relationship between affective expectations raised by public discourses of motherhood and the material, embodied experience of maternity, inflected by race, class, age, and sexuality. While recent feminist scholarship has engaged questions of (bodily) materiality, and popular medial discourses increasingly critique unrealistic ideals of motherhood, my dissertation considers these approaches together. Juxtaposing representations of motherhood from various sources – memoirs, digital media, art photography, and television – I demonstrate how the postfeminist rhetoric of female empowerment and …
All Things Loved And Unlovable: Discovering Southern Identity In Black Migration Novels,
2017
University of Mississippi. Sally McDonnell Barksdale Honors College
All Things Loved And Unlovable: Discovering Southern Identity In Black Migration Novels, Michael Holman
Honors Theses
This thesis traces the development of the ways that the South figures in the imaginations of black writers by examining Southern identity in three novels centered around migratory protagonists. The thesis examines the ways in which folk identity, urban landscapes, remigration, and gender shape the migration experience in each novel. The novels discussed here are Nella Larsen's Quicksand, Ralph Ellison's Invisible Man, and Toni Morrison's Song of Solomon. Quicksand posits the South as a place of unique danger, especially for black women, Invisible Man characterizes it as a place defined by oppressive memory that may be utilized as a resource …
Photographic Representations Of The South: Eudora Welty And Doris Ulmann,
2017
University of Mississippi. Sally McDonnell Barksdale Honors College
Photographic Representations Of The South: Eudora Welty And Doris Ulmann, Molly Maher
Honors Theses
Eudora Welty and Doris Ulmann both photographed African Americans living in the South during the 1930s. Ulmann photographed the unique Gullah community in South Carolina, documenting their agricultural work, religious traditions, and lifestyle. Welty photographed the African American community within her home state of Mississippi. Despite a parallel interest in subject matter, Welty stated that she did not like Ulmann's photography. This thesis examines the differences between Welty and Ulmann's techniques and their relationships to the South, their subjects, and literary texts in order to identify why Welty explicitly expressed a dislike for Ulmann's photographs.
"Goo-Prone And Generally Pathetic": Empathy And Irony In David Foster Wallace's Infinite Jest,
2017
Georgia Southern University
"Goo-Prone And Generally Pathetic": Empathy And Irony In David Foster Wallace's Infinite Jest, Benjamin L. Peyton
College of Graduate Studies: Theses & Dissertations
Critical considerations of David Foster Wallace’s work have tended, on the whole, to use the framework that the author himself established in his essay “E Unibus Pluram” and in his interview with Larry McCaffery. Following his own lead, the critical consensus is that Wallace succeeds in overcoming the limits of postmodern irony. If we examine the formal trappings of his writing, however, we find that the critical assertion that Wallace manages to transcend the paralytic irony of his postmodern predecessors is made in the face of his frequent employment of postmodern techniques and devices. Thus, there arises a contradiction between …
The American Pastoral Tradition And The Stories Of Breece D'J Pancake,
2017
Georgia Southern University
The American Pastoral Tradition And The Stories Of Breece D'J Pancake, Christopher Blackburn
College of Graduate Studies: Theses & Dissertations
In the late twentieth century, Breece Pancake carried on the American pastoral tradition by both featuring and modifying characteristics of early American pastoral literature. Breece Pancake does not directly imitate his predecessors, but instead brings the spirit of the nearly 200-year-old tradition in which he participates to a twentieth-century audience. Part of the enduring relevance of the literature in the American pastoral tradition, including The Stories of Breece D’J Pancake, is that at the heart of these stories is a theme that has defined and continues to shape the American experience: the struggle with living in liminal spaces.
“There Was That In Her Face And Form Which Made Him Loathe The Sight Of Her”: Disfiguration And Deformity Of Female Characters In 19th Century American Women’S Literature,
2017
Georgia Southern University
“There Was That In Her Face And Form Which Made Him Loathe The Sight Of Her”: Disfiguration And Deformity Of Female Characters In 19th Century American Women’S Literature, Kelsi E. Cunningham Miss
College of Graduate Studies: Theses & Dissertations
Rebecca Harding Davis, Sarah Orne Jewett, and Mary Wilkins Freeman challenge the way that society treats and views the disabled and deformed. Through different representations of the disabled characters, the three short stories by these authors reveal the realities that women faced in the 19th century in response to rigid beauty standards and expectations. The authors in this study address the marginalized position of the disabled characters and show how society’s attempts to “normalize” the women confine them to a fixed identity. Analyzing the texts in relation to disability studies and the authors’ perceived effectiveness of social charity will …
Female Art And Artisans In Edith Wharton’S The House Of Mirth, The Custom Of The Country, And “Roman Fever”,
2017
Georgia Southern University
Female Art And Artisans In Edith Wharton’S The House Of Mirth, The Custom Of The Country, And “Roman Fever”, Julia B. Welch
College of Graduate Studies: Theses & Dissertations
In early twentieth century old and new New York social circles, the marriage market’s commodification of women acted as the controlling factor for relationships, female power, and personal identity. When considering Wharton’s works for the first-hand viewpoint that she provided of the marriage market, it becomes clear that her interest in art plays heavily into the way women comport themselves within her novels. In order to discuss this relationship in Edith Wharton’s works, I’ve created terms that delineate the various ways female characters respond to the pressures of the marriage market. The best way to analyze Wharton’s women is by …
Literary Creolization In Layachi's A Life Full Of Holes,
2016
Leiden University
Literary Creolization In Layachi's A Life Full Of Holes, Maarten Van Gageldonk
CLCWeb: Comparative Literature and Culture
In his article "Literary Creolization in Layachi's A Life Full of Holes" Maarten van Gageldonk discusses the publication of Larbi Layachi's 1964 book by Grove Press based on a transcription and translation by Paul Bowles. Both Bowles and the editors at Grove Press made numerous alterations to the content and form of Layachi's tales in order to make them more accessible for readers. In the process, Layachi's book became a "cultural creole" (Hannerz). Drawing on archival materials from the Grove Press Records housed at Syracuse University, van Gageldonk examines how in its published form A Life Full of Holes …
The Beat "Pad",
2016
Hildesheim University
The Beat "Pad", Heike Mlakar
CLCWeb: Comparative Literature and Culture
In her article "The Beat 'Pad'" Heike Mlakar analyzes the importance of Joan Vollmer's and Hettie Jones's Manhattan apartments as centers for the upcoming avant-garde movement of the time in order to understand the meaning of "home" in postwar bohemianism in general and specifically for female Beats. In sensationalized late 1950s films and in print media, the Beats were associated with low-rent Beat "pads" in poor urban areas, in which wild all-night parties were held—sites of drug use, destitution, and sexual promiscuity. Both Vollmer and Jones contributed greatly to the formation of the Beat Generation by providing the perfect setting …
Burroughs's Folios As An Archival Machine For Artistic Creation,
2016
Martin-Luther-Universität
Burroughs's Folios As An Archival Machine For Artistic Creation, Tomasz D. Stompor
CLCWeb: Comparative Literature and Culture
In his article "Burroughs's Folios as an Archival Machine for Artistic Creation" Tomasz D. Stompor discusses the significance of archival material as a scholarly resource for the analysis of William S. Burroughs's cut-up experiments. Stompor retraces the history of the author's filing system as both a referential repository and a device for documentation and investigates its function as an eperimental machine for the production of cut-up texts and layouts
Utopia In Progress In Di Prima's Revolutionary Letters,
2016
University of Murcia
Utopia In Progress In Di Prima's Revolutionary Letters, Estíbaliz Encarnación-Pinedo
CLCWeb: Comparative Literature and Culture
In her article "Utopia in Progress in di Prima's Revolutionary Letters" Estíbaliz Encarnación-Pinedo describes Diane di Prima's Revolutionary Letters (1971) within the context of social transformation and spatiality studies. In the context of the socio-political revolt and utopian revival of the 1970s, di Prima's utopia is grounded in reality and in progress; and it needs people's help and strength to be attained. In the first section of the article Pinedo analyzes a group of letters which serve as "tips" or a "how-to" guide to prepare for a revolution and in the second part she considers letters in which glimpses …
Authorship In Burroughs's Red Night Trilogy And Bowles's Translation Of Moroccan Storytellers,
2016
National Chung Cheng University
Authorship In Burroughs's Red Night Trilogy And Bowles's Translation Of Moroccan Storytellers, Benjamin J. Heal
CLCWeb: Comparative Literature and Culture
In his article "Authorship in Burroughs's Red Night Trilogy and Bowles's Translation of Moroccan Storytellers" Benjamin J. Heal discusses Paul Bowles's and William S. Burroughs's varying interrogation of the constructed nature of authorship. In his study Heal focuses on the publication history of Burroughs's Cities of the Red Night (1981), which was written with considerable collaborative influence and Bowles's translation of illiterate Moroccan storytellers, where his influence over the production and editing of the texts is blurred as are the roles of author and translator. Through an examination of Bowles's and Burroughs's authorship strategies in parallel with an explication of …
Burroughs's Postcolonial Visions In The Yage Letters,
2016
Independent Scholar
Burroughs's Postcolonial Visions In The Yage Letters, Melanie Keomany
CLCWeb: Comparative Literature and Culture
In her article "Burroughs's Postcolonial Visions in The Yage Letters" Melanie Keomany discusses the contents of William S. Burroughs and Allen Ginsberg's The Yage Letters which could be dismissed as openly bigoted and racist. Keomany posits that the text reveals valuable connections between the colonial expansion of the eighteenth century and 1950s USA and Latin America. By re-shaping Burroughs's lived experiences in the Amazon into a text where the narrator William Lee mimics sardonically and parodically the colonial scientific explorer, The Yage Letters provides valuable insight into the complex postcolonial context of the mid-twentieth century.
