Cuba Journals Volume I - Transcription,
2019
Georgia College
Cuba Journals Volume I - Transcription, Laura Swarner
Undergraduate Theses
The document is a transcribed version of volume I of the digital copy of the Cuba Journals which can be found online at the New York Public Library Archives. The Cuba Journals were written by Sophia Peabody Hawthorne during her time abroad in Cuba recovering from illness.
Where Was I Going? What Was The Point? Archetypes, Frame, And Social Transgressions In Ovid And Twain,
2019
Andrews University
Where Was I Going? What Was The Point? Archetypes, Frame, And Social Transgressions In Ovid And Twain, Jessica Bates
Honors Theses
The sound of a narrator telling a story can be difficult to depict in written prose, and yet both Ovid and Twain capture the effect of an old man telling a story; Ovid through Nestor's Story in The Metamorphoses and Twain in "The Celebrated Jumping Frog of Calaveras County." They both use this framework to discuss the theme of social transgressions. I maintain that both Twain and Ovid use a variation on the wise-mentor archetype as a frame to discuss, through the use of satire, social transgressions which neither of their narrators condemn. I aim to explore Ovid and Twain's …
American And Iraqi Prose Fiction Of The Iraq War: Traumas Of The Self, Traumas Of The Nation,
2019
University of Arkansas, Fayetteville
American And Iraqi Prose Fiction Of The Iraq War: Traumas Of The Self, Traumas Of The Nation, Ghyath Manhel Alkinani
Graduate Theses and Dissertations
War is so omnipresent in our contemporary world that the story of war is too important to be left to fiction writers to frame and give meaning for. This dissertation provides an analysis of two dominant patterns in contemporary Iraqi and American prose fictional representations of the Iraq War: the individualistic trauma hero narrative and the nationalistic, collective narrative. I argue that the trauma hero myth that dominates American representations of the Iraq War psychologizes and de-politicizes war experience alienating the victim of trauma by decontextualizing their experience and negating the Other. On the other hand, the sweeping nationalistic narrative …
The Anonymous Web In Adichie’S Americanah,
2019
University of Arkansas, Fayetteville
The Anonymous Web In Adichie’S Americanah, Michelle Jude Gibeault
Graduate Theses and Dissertations
Adichie’s Americanah is a novel that elevates anonymous blogging into black cultural performance. The novel follows a young Nigerian, Ifemelu, who arrives in the United States on a student visa and depicts her stressful confrontation with racism in post-slavery America. Through beginning a blog, Ifemelu voices her experiences as a black woman and immigrant in ways that renew the concerns of James Baldwin, an author whom she studies closely. Like Baldwin, her style blends humor and techniques of persuasion that trace to traditional oral folklore. Ifemelu’s success rests partly on Adichie’s construction of her as a character of good ethos, …
"The Weak Are Meat, And The Strong Do Eat"; Representations Of The Slaughterhouse In Twentieth And Twenty-First Century Literature,
2019
University of South Florida
"The Weak Are Meat, And The Strong Do Eat"; Representations Of The Slaughterhouse In Twentieth And Twenty-First Century Literature, Stephanie Lance
USF Tampa Graduate Theses and Dissertations
This dissertation explores how literary representations of the slaughterhouse predict the trajectory of human greed that is fueled by capitalist economic practices that shape environmental policies. I argue that literature brings attention to what is generally hidden from public view: the way humans and animals are erased in the production of food, which includes the inhumane treatment of humans and other animals in the slaughterhouse. The literature in this dissertation provides an avenue through which we can investigate the entangled oppression of humans and other animals in an effort to challenge perceptions that reduce animals, and marginalized humans, to objects. …
Photographic (Over) Exposures In The Nuclear Age In Joyce Carol Oates’S You Must Remember This,
2019
Tel Aviv University, Israel
Photographic (Over) Exposures In The Nuclear Age In Joyce Carol Oates’S You Must Remember This, Sonia Weiner
Bearing Witness: Joyce Carol Oates Studies
Joyce Carol Oates’s novel, You Must Remember This, examines themes of memory, time, and nostalgia through verbal descriptions of iconic and fictional photographs (such as Rocky Marciano, Holocaust Victims, Atomic Mushroom Clouds, Rita Hayworth). An analysis of the photographic imagery in the novel reveals discrepancies between surface appearances and embedded social and cultural ideological contexts within the work. Photographs are shown to undermine the overt conformity and conservatism of postwar America by exposing its underlying uncertainties and tensions. These tensions are explored through the perspective of a rebellious adolescent female, whose struggles highlight Oates’s critique of power, violence, and postwar …
H.P. Lovecraft: Selected Works, Critical Perspectives And Interviews On His Influence, Edited By Leverett Butts,
2019
Fort Hays State University
H.P. Lovecraft: Selected Works, Critical Perspectives And Interviews On His Influence, Edited By Leverett Butts, Perry Neil Harrison
Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature
No abstract provided.
Akron Poetry Catalog And Reader September 2019,
2019
University of Akron Main Campus
Akron Poetry Catalog And Reader September 2019, University Of Akron Press
University of Akron Press Publications
In our mobile-sized poetry catalog and reader, you can read poems from new books by Oliver de la Paz, Joshua Harmon, Brittany Cavallaro, Krystal Languell, Tyler Mills, Caryl Pagel, Emily Rosko, Emilia Phillips, Aimée Baker, Anne Barngrover, Matthew Guenette, Leslie Harrison, Sandra Simonds, Philip Metres, and Jennifer Moore.
The Personal Is Historical: Slavery, Black Power And Resistance In Octavia Butler’S Kindred,
2019
CUNY New York City College of Technology
The Personal Is Historical: Slavery, Black Power And Resistance In Octavia Butler’S Kindred, Megan Behrent
Publications and Research
No abstract provided.
The Influence Of The Law In American Literature And Culture,
2019
Coastal Carolina University
The Influence Of The Law In American Literature And Culture, Emily Johnson, Steven Hamelman
Honors Theses
This piece explores the relationship between law and its influence within American literature and the overall culture. Themes of discrimination, corruption, greed, advocacy, and incriminating evidence, present in the analyzed texts and films, greatly plays into the American public’s perception of their judicial system. Is it truly the law influencing American literature and culture, or is it the sentiments of the masses influencing the legal field itself? This work aims at analyzing this question, while also making a point to explain what American citizens can do with such influence and knowledge.
The Suffering Joker And The Cruel Joke: Nabokov's And Bellow's Dark Laughter,
2019
Gulf University for Science & Technology
The Suffering Joker And The Cruel Joke: Nabokov's And Bellow's Dark Laughter, Gerald David Naughton, Yulia Pushkarevskaya Naughton
CLCWeb: Comparative Literature and Culture
This article interrogates the interrelationship between cruelty, suffering, and laughter in novels by Saul Bellow and Vladimir Nabokov, positing an affective reading of how bodies that suffer come to produce laughter as a confounding, unexpected, and at times inappropriate readerly affect. Nabokov’s Laughter in the Dark and Bellow’s Henderson the Rain King both explore suffering as a form of excessive somatic cruelty inflicted on protagonists who, in experiencing such punishment, engender a strange, troubling, and potentially transformative form of laughter. In order to bring together a discussion of the body, suffering, cruelty, and laughter in Nabokov and Bellow, the essay …
Contemporary Stories Of Female Development And The Outer Limits Of Maternal Sexuality In Susan Choi’S My Education And Amy Sohn’S Prospect Park West,
2019
CUNY Borough of Manhattan Community College
Contemporary Stories Of Female Development And The Outer Limits Of Maternal Sexuality In Susan Choi’S My Education And Amy Sohn’S Prospect Park West, Christa Baiada
Publications and Research
While liberal sexuality has been integrated into contemporary discursive understandings of female possibilities, barriers remain to representing mothers as sexual beings. This essay explores maternal representations in Choi’s My Education (2013) and Sohn’s Prospect Park West (2009) that challenge cultural ideals of good motherhood and invite scrutiny of normative paths and goals of female development. These 21st-century American novels confront and even embrace active maternal sexuality but retreat at the boundary of the maternal/sexual breast to allow protagonists in contemporary alterations of female stories of development to achieve maturity through acceptance of the ideal of good motherhood .Each …
Strangers In The Village: James Baldwin, Teju Cole, And Glenn Ligon,
2019
University of Southern Mississippi
Strangers In The Village: James Baldwin, Teju Cole, And Glenn Ligon, Monika Gehlawat
Faculty Publications
This essay uses Edward Said’s theory of affiliation to consider the relationship between James Baldwin and contemporary artists Teju Cole and Glenn Ligon, both of whom explicitly engage with their predecessor’s writing in their own work. Specifically, Baldwin’s essay “Stranger in the Village” (1953) serves a through-line for this discussion, as it is invoked in Cole’s essay “Black Body” and Ligon’s visual series, also titled Stranger in the Village. In juxtaposing these three artists, I argue that they express the dialectical energy of affiliation by articulating ongoing concerns of race relations in America while distinguishing themselves from Baldwin in terms …
Grace: A Reflection On The Novels Of Marilynne Robinson,
2019
Dordt University
Grace: A Reflection On The Novels Of Marilynne Robinson, Elayne Apol Heynen
Pro Rege
Editor's Note: Elayne Apol Heynen wrote this paper for a Kuyper Scholars Seminar to precede the Prodigal Love of God Conference, held at Dordt, April 2019, and co-sponsored by the Lilly Fellowship Program as a regional conference.
To See Again: Vision And Revelation In American Poetics,
2019
CUNY Graduate Center
To See Again: Vision And Revelation In American Poetics, Emily C. Raabe
Dissertations, Theses, and Capstone Projects
With this project, I am arguing for a particularly American visual poetics that dwells in the state of suspension implied by attention, quivering between wonder and contemplation, immobility and unfixity as it seeks to reveal, as Maurice Merleau-Ponty writes in his 1945 The Phenomenology of Perception, the world which is “always ‘already there’ before reflection begins — as an inalienable presence.”[1] Grounded in visual theory, the project pairs poets and artists, searching not for similitude, but rather examining resemblance, difference, and most important, relation. Susan Howe, one of my guides for this project, writes that, “immense perspectives …
Anxieties Of Incorporation: U.S. Territorialization And The Western Imaginary From The Louisiana Purchase To Moby-Dick,
2019
CUNY Graduate Center
Anxieties Of Incorporation: U.S. Territorialization And The Western Imaginary From The Louisiana Purchase To Moby-Dick, Diana Meckley
Dissertations, Theses, and Capstone Projects
Anxieties of Incorporation: U.S. Territorialization and the Western Imaginary from the Louisiana Purchase to Moby-Dick investigates the impact of territorial expansion on authorial constructions of the continental west during the first half of the nineteenth century. As both a geophysical reality or an imagined space, the west functions as a site in which American writers negotiated their ambivalence over the promises and perils of continental aggrandizement and global imperialism. This project examines representative texts by James Fenimore Cooper, Francis Parkman, Susan Shelby Magoffin, and Herman Melville. In so doing, this dissertation traces how the western imaginaries these Anglo-American authors fashioned …
Through The Mouth: An Essay On Appetite And Ecocide,
2019
CUNY Graduate Center
Through The Mouth: An Essay On Appetite And Ecocide, Iemanja Brown
Dissertations, Theses, and Capstone Projects
This dissertation is an exploration of mourning and resilient joy in the midst of ecocide. Resisting the pervasive classification of the human as inherently destructive, I look to appetite as an aesthetic procedure that includes a material desire for intimacy with the more-than-human. My study considers the intersections of aesthetic production (primarily twentieth-century poetry and visual art), climate science, geology, cultural studies, theory within the contemporary nonhuman turn, and Alfred North Whitehead’s philosophy of organism. I employ an interdisciplinary approach, which helps me explore the various ways that literal and figurative appetite can be a way of sensing and exploring …
Words Are Found Responsible: Poetry's Jurisdiction And The Transformation Of Equal Rights,
2019
CUNY Graduate Center
Words Are Found Responsible: Poetry's Jurisdiction And The Transformation Of Equal Rights, Talia Shalev
Dissertations, Theses, and Capstone Projects
Across various academic fields and from a range of political orientations, scholars note that a pervasive rights discourse shapes the imaginable horizons of identity, politics, and social life in the United States. Many critiques of rights since the 1970s highlight a particular conundrum of this rights culture: existing rights law and ubiquitous rights invocations fail to guarantee equal conditions for thriving across racialized and gendered axes of identity. Words Are Found Responsible: Poetry’s Jurisdiction and the Transformation of Equal Rights emphasizes and complicates elements of these critiques by reading poetry of the 1970s and 1980s in relation to shifting rights …
Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970,
2019
CUNY Graduate Center
Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova
Dissertations, Theses, and Capstone Projects
This dissertation examines literary works by U.S. writers Lillian Smith, Carson McCullers, James Baldwin, and Lorraine Hansberry written in the early part of the postwar period referred to as the “Protest Era” (1944-1970). Analyzing a major work by each author—Strange Fruit (1944), The Member of the Wedding (1946), Giovanni’s Room (1956), and Les Blancs (1970)—this project proposes that Smith, McCullers, Baldwin, and Hansberry were not only early theorists of intersectionality but also witnesses to the deeply problematic entanglements of subjectivities formed by differential privilege, which the author calls intersubjectivity or love. Through frameworks of queerness, racialization, performance/performativity, tragedy, and …
The Meaning In The Music: Music And The Prose Of Chopin, Joyce, Baldwin And Egan,
2019
Lesley University
The Meaning In The Music: Music And The Prose Of Chopin, Joyce, Baldwin And Egan, Colin Perry
Senior Theses
Kate Chopin, James Joyce, James Baldwin, and Jennifer Egan are collectively gifted in the art of prose, yet each author also experiments with music in their literary works. An analysis of Chopin's The Awakening, Joyce's "The Dead," Baldwin's "Sonny's Blues," and Egan's A Visit from the Goon Squad reveals a trend of authors utilizing music to enrich their texts and convey major themes.
