American Literature Commons^™

The Wall That Looks, Bobbi Hudson

Touring Lincolnville: A Celebration of Historic Black Business

No abstract provided.

The Rise Of An Eco-Spiritual Imaginary: Ecology And Spirituality As Decolonial Protest In Contemporary Multi-Ethnic American Literature, Andrew Michael Spencer

English Theses and Dissertations

The Rise of an Eco-Spiritual Imaginary reveals a shared ecological aesthetic among contemporary U.S. ethnic writers whose novels communicate a decolonial spiritual reverence for the earth. This shared narrative focus challenges white settler colonial mythologies of manifest destiny and American exceptionalism to instantiate new ways of imagining community across socially constructed boundaries of time, space, nation, race, and species. The eco-spiritual imaginary—by which I mean a shared reverence for the ecological interconnection between all living beings—articulates a common biological origin and sacredness of all life that transcends racial difference while remaining grounded in local ethnicities and bioregions. The novelists representing …

Unended Middle Passage: The Exhausted Flesh Of A Resistant Enslaved Woman, Yipu Su

Comparative Literature M.A. Essays

The supine position that characterized the existence of the captive Africans on the slave ship, “The Brookes,” haunted the two female autobiographers of the two mid-nineteenth-century slave narratives/autobiographies this essay discusses. Both Sojourner Truth and Harriet Jacobs voluntarily adopted the supine position as their status of living when resisting sexual violence in slavery, which nevertheless exhausted their flesh. This essay draws on Hortense Spillers’ theory of flesh/body antithesis and Saidiya V. Hartman’s theory of gender construction in slavery to discuss the nature of intended exhaustion. This essay examines to what extent was the strategy of intended exhaustion efficient for both …

Examining Katniss Everdeen's Gender Ambiguity In The Hunger Games : How Suzanne Collins Utilizes The Ya Genre To Resist Feminine Stereotypes, Moriah K. Mcdonald

Honors Theses

Even those who passively engage with modern media are likely to notice a binary frequently imposed on young adult women—that of the kind, reputable and trustworthy “good girl” or the mean, scandalous and deceitful “bad girl.” Such themes remain significantly featured in young adult (YA) literature, a genre specifically aimed at teenagers. Thus, in analyzing The Hunger Games trilogy by Suzanne Collins, I undertake a twofold analysis. I illustrate how Collins’s works tackle the specific issue of binary representation of women in the media, thereby validating the usefulness of the YA genre in commenting on current day issues facing teens.

Review Of Fang Tang's Literary Fantasy In Contemporary Chinese Diasporic Women’S Literature: Imagining Home, Lilly Chen

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Wages Of Resistance: A Consideration Of Time In Jessica Hagedorn’S Dogeaters, Laura A. Wright

Asian American Literature: Discourses & Pedagogies

Using the formal elements of Dogeaters, Jessica Hagedorn offers a pointed critique of class. Bringing Karl Marx’s discussion of time from Capital into conversation with Gèrard Genette’s narratological essay “Order, Duration and Frequency” I argue that Hagedorn’s depiction of time deliberately undermines the systems of power in the novel. Drawing particularly on Genette’s conceptualization of duration and frequency, I examine Hagedorn’s depictions of men and women at work, specifically the characters of Romeo Rosales and Trinidad Gamboa. Romeo and Trinidad are seldom mentioned in criticism of Hagedorn’s text, but these characters demonstrate Hagedorn’s attention to the working-class and serve …

Orientalism Restated In The Era Of Covid-19, Joey Kim

Asian American Literature: Discourses & Pedagogies

This essay bridges a gap between an analysis of anti-Asian targeting and an analysis of Orientalism. Because histories of Orientalism and anti-Asian targeting pre-date the current moment, I demonstrate the centrality of Orientalism to the evolution of xenophobic language and sentiment in U.S.-foreign historical relations. I recount instances of anti-Asian, xenophobic, and “Yellow-Peril” rhetoric in the wake of the global COVID-19 pandemic. In doing so, I examine the racialization of COVID-19 as a trope of orientalism. This racialization, I argue, places the Asian-presenting body in a state of heightened visibility, precarity, and susceptibility to plunder. The newfound precarity of the …

Trusting In Narrative: An Interview With Susan Choi, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Introduction To Volume Eleven: Reading, Writing, And Teaching In The Whirlwind, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Cover Of Volume 11, Emily Chan

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Tituba, “Dark Eve” In The Origins Of The American Myth: The Subject Of History And Writing About Salem, Junghyun Hwang

CLCWeb: Comparative Literature and Culture

Recasting the Salem witchcraft trials in light of Walter Benjamin’s theses on historiography, this paper revisits the question of history by examining ways in which Tituba is dis/con-figured as the subject of American history in Arthur Miller’s The Crucible and Maryse Condé’s I, Tituba, Black Witch of Salem. Both stories of persecution revolve around the figure of Tituba, a slave from the Caribbean to whom the beginning of the witch trials is attributed, as the nodal point of different modes of representing the Salem history. The telos in Miller’s drama coincides with the subject-formation of Proctor as the legitimate …

Incorporating One’S Own Literary Criticism Into The Curriculum: The Teachable Essay Via John Updike’S Short Stories, Sue Norton

Books/Book Chapters

University students are approaching literary study at a time when social justice occupies centrality in public discourse, a time when racism, sexism, Eurocentrism, and Americentrism are commanding unprecedented levels of interest and analysis both inside the academy and out of it. If students in the literature classroom are encouraged to postpone ideologically driven readings, just initially, they will be better able to observe how fine literature achieves its artistry. They may then become more ardent, attentive readers who can interpret the world and the word with refined criticality.

Committed To The Fragment: Feminist Literature And The Promise Of Wellness, Lynne Beckenstein

Dissertations, Theses, and Capstone Projects

“I have never been able to blind myself” to the cruelty of a world that “destroys its own young in passing…out of not noticing or caring about the destruction,” Audre Lorde tells us in her 1980 “mythobiography” Zami: A New Spelling of My Name. This quality, Lorde says, “according to one popular definition of mental health, makes me mentally unhealthy.” In rejecting psychological self-possession as a sign of wellness, this passage also rejects it as one of sovereignty’s conditions. At the time of Lorde’s writing, this version of sovereignty already dominated the landscape of therapeutic culture in the United States, …

Elgin's "Native Tongue": A "Me Too" Universe?, Amir Barati

Tête à Tête: Journal of Francophone Studies

Suzette Haden Elgin’s novel Native Tongue (1984) provides a fascinating critique of the ideologies inscribed into patriarchal language and evokes an extremely valuable linguistic and political awareness. This article will examine the liability of the ways the novel revolts against the patriarchal society via the introduction of a gynocentric linguistic intervention. I claim, Elgin’s novel showcases an invaluable instance of how it is possible for women to revolt against the pillars of patriarchy through manipulations at the gestalt and schematic level of language and most specifically, the bodily metaphoric quality of the English. This proposed transformation of the schematic and …

Two Trans-Atlantic Divorce Novels: In Camilla, Elizabeth Robins Counters Edith Wharton’S The Custom Of The Country, Joanne E. Gates

Presentations, Proceedings & Performances

This paper argues that Elizabeth Robins' reading of The Custom of the Country (recorded in her diary, 25 November 1913) impacted the way Robins drafted her very next novel, Camilla. Unlike Wharton’s Undine, whose careers with men might be characterized by the sequence of her last names (Spragg Moffatt, Marvell, de Chelles, Moffatt), Camilla undertakes one long reflective flashback on her early life with her ex-husband, Leroy Trenholme, as she crosses the Atlantic, east to west, having been proposed to by a deeply caring and comforting Englishman. This reliving of the unraveling of her marriage (especially the scene of …

Anonymity As A Bridge From Actress To Author: The Case Of Elizabeth Robins, Joanne E. Gates

Presentations, Proceedings & Performances

Any scholar working on the origins of the feminist journey of the actress turned writer Elizabeth Robins ought to be aware of her two earliest short works of fiction she wrote and published in The New Review under nearly perfect anonymity. This paper will profile these two earlier stories, published in 1894 even before her first novel, George Mandeville's Husband, attracted attention when it appeared under her perhaps thinly disguised pseudonym, C. E. Raimond.

Robins saw the potential and, yes, to her mind, the necessity, of establishing herself as a writer so that she could more securely support herself. …

Olympia, Wilderness, And Consumption In Laird Barron’S Old Leech Cycle, John Glover

VCU Libraries Faculty and Staff Publications

This book chapter considers the cosmic horror fiction of Laird Barron through a blended ecocritical/postcolonial lens, focusing on its representation of the Pacific Northwest and Olympia, Washington. Wilderness and consumption are both strongly represented concepts in Barron’s Old Leech Cycle of stories, aligning with colonial perceptions of the American West as a largely unpeopled space ripe for exploitation. The eldritch horrors of these tales align with well-established traditions in weird fiction, and they are also perfectly suited to locations historically identified with resource extraction.

“I, Too, Am An Occupied Territory”: Border Crossings And Personal Sovereignty In Three Novels By Dominican American Women, Leia M. Lynn

Electronic Theses and Dissertations

Border crossing(s) and personal sovereignty are intimately and complexly connected in novels by and about Dominican American women. Through readings of In the Name of Salomé by Julia Alvarez, Dominicana by Angie Cruz, and The Poet X by Elizabeth Acevedo, I argue that patriarchal forms of authority remove female autonomy by trespassing on personal boundaries, and that the renegotiation of that power is achieved through formations of community, especially with other women, through nonheteronormative relationships that are present inside and extend outside the text. The interplay of patriarchal authority, violence, and alienation on the four protagonists is examined at length, …

Fugitive Knowledge And Body Autonomy In The Folklore And Literature Of Zora Neale Hurston And Gloria Naylor, Renée M. Vincent

Journal of Feminist Scholarship

Amidst battles for Covid-19 vaccine mandates and accessibility, media coverage of judicial proceedings stemming from state-sanctioned racialized violence, and the exacerbation of gendered workplace/space inequality via a new virtual reality, the year 2021 marks yet another conflict over the legality of abortion in the United States, with conservative Supreme Court justices aiming to walk back the legalization of a woman’s constitutional right to terminate pregnancy as per Roe v. Wade. Through an exploration of the historical record in conjunction with Zora Neale Hurston’s Their Eyes Were Watching God and Gloria Naylor’s Mama Day, signifiers of what Marilyn Motz calls “fugitive …

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …