American Literature Commons^™

Beyond Just The Negros’ Art: Langston Hughes And The Poetic Renewal Of Black Musical Tradition, Samuel Adewumi

All Theses

Where do we begin the study of Black music in America? Is there even a beginning to it? As a poet, how does Langston Hughes contribute to its continuance during the Harlem Renaissance? These are some of the questions that shape the trajectory of this research. In it, I set a precedent for African orature in future studies of Black music in America. Essentially, I trace the survival of African orature and Langston Hughes’s role in the sustenance and utility of its style and themes in the early 20th century. Through it, I argue that Hughes’s poetry serves not as …

American Letters: Loren Eiseley

The International Journal of Ecopsychology (IJE)

Except from: The Bird and the Machine, The Immense Journey (1957)

The Mother Of It All (Fiction), Ardis Berghoff

The International Journal of Ecopsychology (IJE)

No abstract provided.

Table Of Contents Vol 10(1) May 2025

The International Journal of Ecopsychology (IJE)

No abstract provided.

Editorial: Vol 10(1), May 2025

The International Journal of Ecopsychology (IJE)

No abstract provided.

American Letters: Albert H. Hochbaum

The International Journal of Ecopsychology (IJE)

Excerpt from: Travels and Traditions of Waterfowl (1955)

Is Love A “Pathological Condition Of The Soul”? Joyce Carol Oates's Beasts And Rape: A Love Story, Nicolas P. Boileau

Bearing Witness: Joyce Carol Oates Studies

This paper seeks to address the question of Oates’s relation to feminist and gender theories by looking at two novellas published consecutively, Beasts and Rape: A Love Story in the beginning of the 2000s. The short texts share a common storyline based on rape, which is far from uncommon in Oates’s fiction. However, I argue that there is something very specific in these two novellas in the way Oates chooses to handle the testimony of the rape, both overtly and covertly, both in graphic details and in repressed forms of expression, giving way to a reflection on women’s vulnerable position …

Magic, Magicians And Detective Fiction: Essays On Intersecting Modes Of Mystery, Edited By Rebecca Josephy, G. Connor Salter

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Magic, Magicians and Detective Fiction edited by Rebecca Josephy considers how magic appears in detective stories, from the seemingly miraculous exploits of Arsene Lupin to the moral dilemmas of occult detective Elvis Infante.

What Will We Do With The Christmas Pudding?: Joy Davidman, William Lindsay Gresham, And "Christmas In The Workhouse", Gabriel C. Salter, Clark Sheldon

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

The poem "Christmas in the Workhouse" archived in William Lindsay Gresham's papers at first appears to be a random transcript in his files. Exploring the work's publication history and Gresham's contributions to War Poems of the United Nations, a book edited by his second wife Joy Davidman, suggests that in fact "Christmas in the Workhouse" is part of the larger story of how they informed each other's work in the 1940s.

La Vida Es Sueno's Segismundo, A Case Study On Isolation, Kiel Garrett

Undergraduate Research Conference

No abstract provided.

Ashes Of Power, Bailey Huffman

FUSION

The objective of this project was to write a creative work using a theme found in an American writer's literary text studied throughout the course and create a visual and/or auditory piece. By doing this, students can further interpret the literary texts, themes, and genres found in American Literature. For my short story, “Ashes of Power,” I chose to focus on the theme of “powerlessness” found in the 1985 play Fences written by August Wilson. The story is told through the point of view of a young and strong woman, Xena, and is set in a fantasy world that is …

How We Survive: A Poem Analyzing Life, Death And Necessity, Pierce H. Dornink

FUSION

This poem is an analysis of the short story "Living Like Weasels" by Annie Dillard. It focuses on life and death, as well as how life is fleeting, and draws on themes expressed in the source work.

This poem was created as part of a multimodal project for an American Literature class in the Fall of 2024 using the following prompt:

You are responding to literature using creative techniques in two phases. In the first phase, you will compose a 2-4 page piece of creative writing that includes a theme we’ve studied in the class that has significance to you. …

A Mirror Of Us, Amber J. Chrones

FUSION

This is a project of empowerment. "A Mirror of Us" embraces patriarchal liberation, while celebrating divine femininity. Inspired by “The Yellow Wallpaper” by Charlotte Perkins Gilman, this multimodal project aims to shatter conformist ideologies that are all too common.

This poem was created as part of a multimodal project for an American Literature class using the following prompt:

You are responding to literature using creative techniques in two phases. In the first phase, you will compose a 2-4 page piece of creative writing that includes a theme we’ve studied in the class that has significance to you. That creative writing …

Just A Memory, Shakila Arab

FUSION

This poem is a response to “I Felt a Funeral, in My Brain” by Emily Dickinson. It was written for a World Literature class using the following prompt:

You will imitate at least five elements of an original text we read this semester. Following your imitation, you will write a paragraph describing the five elements you imitated and how your imitation exemplifies the literary movement of the piece you are imitating.

Controlling The Narrative: How The United Daughters Of The Confederacy Shaped Collective Memory Through Romance Novels, Karie L. Cobb

Department of English: Dissertations, Theses, and Student Research

While existing scholarship on the United Daughters of the Confederacy (UDC) reveals the immense influence the organization wielded in the nineteenth and twentieth centuries, I assert that their legacy has had a broader and more insidious reach than previously believed. Through close analysis of two foundational romance novelists’ works published during the rapid escalation of the genre’s popularity, I contend that the rhetoric of the UDC shaped generations of Southerners as demonstrated through repetitions and parallels of the Lost Cause ideology found in UDC publications and sponsored materials within romance novels written by white Southern women who came of age …

Truth, Fiction, And Abolition, Xiao Wang, Samuel Weiss

Michigan Law Review

A review of Chain-Gang All-Stars. By Nana Kwame Adjei-Brenyah.

Monima: A Novel Of The Immigrant Experience In The Multilingual Early Republic, Betsy Klima, Len Von Morzé

English Faculty Publication Series

First published in 1802, Monima offers a unique look at the lives of the poor in Philadelphia: Describing her novel as "a very plain picture of life," a plea on behalf of the "oppressed, and life-worn children of affliction,'' the author exposes the class fractures within a society we have mythologized as egalitarian (99). Such myths, the novel shows, are based on ignorance; as one character, awakened to the existence of the poor, remarks, "one half of the world don't know how the other half live" (196). Though the identity of Monima's author was not discovered for over 220 years, …

When Dystopia Becomes Political Criticism: Why Margaret Atwood Wrote The Handmaid's Tale, Celeste Deale

Swarthmore Undergraduate History Journal

When Margaret Atwood published The Handmaid’s Tale in 1985, she didn’t think it’d still be relevant nearly forty years later. Yet, her use of historical imagination helped her create a novel that permeates time and space. This essay explores the production and reception of The Handmaid’s Tale, asking how the novel was both a product of the political and cultural context of its production in the 1980s and a critique of Atwood’s own contemporary moment. Atwood drew on biblical themes, Puritan history, and the Romanian dictator Nicolae Ceaușescu to construct Gilead's social and political order and comment on American …

Queen's Pride: A Queer Reading Of Star Wars Character Padmé Amidala, Madeleine Loewen

Mythopoeic Society Seminar Proceedings

Ever since Luke Skywalker and Han Solo first appeared onscreen together in 1977, LGBTQ+ Star Wars fans have harnessed the power of queer reading to write themselves back into a galaxy far, far away, despite Lucasfilm’s long-term disapproval of such practices. Nonetheless, there exists little scholarly literature on queerness in the franchise, and even less on the potentially sapphic characters. Queen Padmé Amidala, first introduced onscreen in Episode I: The Phantom Menace, proves a surprising—but no less salient—queer figure in Star Wars. From her intimate relationships with her handmaidens, to her experimentation with gender performativity, to her quiet yet …

Between Languages And Religions: Omar Ibn Said's Voice In The Arabic Narrative And English Translations, Rumi Coller-Takahashi

Living in Languages

The Life of Omar ibn Said (1831) is a narrative written by an enslaved person in Arabic and went through multiple English translations over the centuries. This article examines the ways in which these translations involve the nineteenth-century Christian agenda as well as the translators’ decisions in the twentieth-first century that multiply Omar ibn Said’s voice. In response to the recent scholarship’s effort to find Omar’s “true self” in his writings, which shows the meshing of Christian and Islamic faith, I aim to foreground his voice as a powerful presence at the intersections of the two languages and religions. My …