Arts and Humanities Commons^™

Sydney Modernism, A Recent Awakening, Ian C. Willis

Faculty of Law, Humanities and the Arts - Papers (Archive)

It is pleasing to see that there has been recent interest in Sydney modernism from a number of prominent Sydney cultural institutions. The origins of modernism can be traced back to the 1880s, while Sydney modernism has be identified from the early years of the 20th century to the 1960s.

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Think, Pig! Beckett At The Limit Of The Human [Table Of Contents], Jean-Michel Rabate

Literature

“Very few critics have all the qualities and competencies required to engage fully with the entirety of Beckett’s work in all genres: a detailed familiarity with Beckett’s texts in both English and French; a sensitivity to his linguistic, stylistic, and thematic maneuvers; an encyclopedic knowledge of his intellectual context; an awareness of the range and detail of Beckett studies; and an ability to write with refinement and wit. It is clear from this remarkable book that Jean-Michel Rabaté is one of those few.” —Derek Attridge, University of York

The Symphony Of State: São Paulo's Department Of Culture, 1922-1938, Micah J. Oelze

FIU Electronic Theses and Dissertations

In 1920s-30s São Paulo, Brazil, leaders of the vanguard artistic movement known as “modernism” began to argue that national identity came not from shared values or even cultural practices but rather by a shared way of thinking, which they variously designated as Brazil’s “racial psychology,” “folkloric unconscious,” and “national psychology.” Building on turn-of-the-century psychological and anthropological theories, the group diagnosed Brazil’s national mind as characterized by “primitivity” and in need of a program of psychological development. The group rose to political power in the 1930s, placing the artists in a position to undertake such a project. The Symphony of State …

Metamorphosis Through Modern Poetry, Emilee D. Kilburn

Senior Honors Projects

I have memories of being in my room with a notebook, scribbling lines and rhymes about cats and fireworks. I have proof of these memories—a staple- bound booklet of poetry, illustrated with clipart and colorful text. I was so proud of the work; it was the project of a third grader’s time, effort, imagination, and mind. Even in my movement from that childhood room to the campus at the University of Rhode Island; and my maturity from nursery rhymes to Chaucer and Shakespeare, I have always carried a passion for language and creativity.

For the Honors Project, I wanted to …

“The World Broke In Two”: The Gendered Experience Of Trauma And Fractured Civilian Identity In Post-World War I Literature, Erin Cheatham

Department of English: Dissertations, Theses, and Student Research

This thesis examines the complexities of civilian identity and the crisis of gender in twentieth century fiction produced after World War I. Of central concern are four novels written by prominent women authors, novels that deal with themes of trauma, violence, and shifting gender roles in a post-war society: Rebecca West’s The Return of the Soldier, Willa Cather’s The Professor’s House, and Virginia Woolf’s Mrs. Dalloway and Jacob’s Room. Although these novels do not directly portray the battlefield experiences of war, I argue that, at their core, they are “war novels” in the fullest sense, concerned with the …

For The Progress Of “Faustus And Helen”: Crane, Whitman, And The Metropolitan Progress Poem, Jeremy Colangelo

Department of English Publications

This essay is meant to invigorate a critical discussion of the progress poem—a genre that, while prevalent in American literature, has been virtually ignored by critics and scholars. In lieu of tackling the genre in its entirety, a project too large for just one article, the author focuses the argument through the well-known alignment between Walt Whitman and Hart Crane on the subject of the modern city. It is through the progress poem genre that Crane and Whitman’s peculiar place in metropolitan poetics can best be understood, and it is through their poetry that scholars can begin to approach the …

Camden Modernism, Ian C. Willis

Faculty of Law, Humanities and the Arts - Papers (Archive)

One of the hidden parts of the history of Camden is the influence of modernism. Few in the community know much about it at all. Yet it has an important influence on the town in a variety of ways from domestic and commercial architecture to host of other areas. Modernism is a vague term that describes a philosophical period from the mid-1800s to the mid-20th century. Many supporters of modernism in Camden and across the world rejected the certainties of the Enlightenment and the dogmas of religious belief. Modernism influenced art, music, architecture, social organisation, daily life and the sciences. …

A Matter Of Class: Sin Yun-Bok’S Depictions Of Kisaeng As Participants Of Everyday Life, Abigail Sease

Undergraduate Research Awards

The eighteenth century within the Korean peninsula, part of the extensive Joseon dynasty (1392-1910), was marked by peace and prosperity after a long period of foreign invasions, war, and factional conflict. After centuries of negatively shifting political and social relations, intellectual and cultural life was flourishing beyond the walls of the palace. Despite prevailing differences in class and education, both the literary and visual arts rapidly developed. Works produced during this time mutually influenced one another, developed into vernacular understandings, and tended towards representing the native and the local, rather than foreign or imaginary subjects. A new nativist form of …

The World In Singing Made: David Markson's "Wittgenstein's Mistress", Tiffany L. Fajardo

FIU Electronic Theses and Dissertations

In line with Wittgenstein's axiom that "what the solipsist means is quite correct; only it cannot be said, but makes itself manifest," this thesis aims to demonstrate how the gulf between analytic and continental philosophy can best be bridged through the mediation of art. The present thesis brings attention to Markson's work, lauded in the tradition of Faulkner, Joyce, and Lowry, as exemplary of the shift from modernity to postmodernity, wherein the human heart is not only in conflict with itself, but with the language out of which it is necessarily constituted. Markson limns the paradoxical condition of the subject …

A "Digital Wasteland": Modernist Periodical Studies, Digital Remediation, And Copyright, Roxanne Shirazi

Graduate Student Publications and Research

The nonlinearity of magazine reading is an important consideration in the emerging field of modernist periodical studies, one that deserves greater attention in the development of digital collections. As modernist scholars begin to generate a theoretical foundation for periodical studies it becomes evident that digital technologies must go beyond reproducing the printed page. This paper reviews recent scholarship and digital projects in modernist periodical studies and introduces non-consumptive research methods as a partial solution to the post-1923 copyright conundrum.

A Reader's Beheading: Nabokov's Invitation And Authorial Utopia, Aaron Botwick

Publications and Research

“A Reader’s Beheading: Nabokov’s Invitation and Authorial Utopia” argues that Invitation to a Beheading polemically outlines Nabokov’s position on the relationship between reader and writer: in other words, that writing and reading are difficult, elite pursuits whose meanings should necessarily be available only to those willing to face and surmount the magician’s challenges. Narratively, it operates as a kind of roman à clef in which Cincinnatus C. follows a trajectory towards artistic freedom (or authorial utopia) where he is liberated from the constraints of poor readers—among them literalists and Freudians—while Nabokov, ever the unaccommodating creator, frustrates that progression with the …

Review Of Spanish New York Narratives 1898–1936: Modernization, Otherness And Nation, By David Miranda-Barreiro, Iker González-Allende

Spanish Language and Literature

This book analyzes the representation of New York City in the Spanish narrative during the first three decades of the twentieth century. Miranda-Barreiro argues that New York emerges in this literature as a symbol of modernity, as an image of Otherness and a threat to Spanish values and society. The author connects this reaction with the crisis of Spanish national identity triggered by the end of the Empire in 1898, but he also points out that the Spanish case was not isolated, since European texts show similar anxieties about US modernization. One positive aspect of the book is the study …

Ex Post Modernism: How The First Amendment Framed Nonrepresentational Art, Sonya G. Bonneau

Georgetown Law Faculty Publications and Other Works

Nonrepresentational art repeatedly surfaces in legal discourse as an example of highly valued First Amendment speech. It is also systematically described in constitutionally valueless terms: nonlinguistic, noncognitive, and apolitical. Why does law talk about nonrepresentational art at all, much less treat it as a constitutional precept? What are the implications for conceptualizing artistic expression as free speech?

This article contends that the source of nonrepresentational art’s presumptive First Amendment value is the same source of its utter lack thereof: modernism. Specifically, a symbolic alliance between abstraction and freedom of expression was forged in the mid-twentieth century, informed by social and …

The Worlds Of Langston Hughes: Modernism And Translation In The Americas By Vera Kutzinski, John Patrick Leary

English Faculty Research Publications

No abstract provided.

Isamu Noguchi's Modernism: Negotiating Race, Labor, And Nation, 1930-1950, Stephanie Takaragawa

Sociology Faculty Articles and Research

In a study that combines archival research, a firm grounding in the historical context, biographical analysis, and sustained attention to specific works of art, Amy Lyford provides an account of Isamu Noguchi's work between 1930 and 1950 and situates him among other artists who found it necessary to negotiate the issues of race and national identity. In particular, Lyford explores Noguchi's sense of his art as a form of social activism and a means of struggling against stereotypes of race, ethnicity, and national identity. Ultimately, the aesthetics and rhetoric of American modernism in this period both energized Noguchi's artistic production …

"Wood For The Coffins Ran Out": Modernism And The Shadowed Afterlife Of The Influenza Pandemic, Elizabeth Outka

English Faculty Publications

Here’s what we already know—during the First World War, soldiers and civilians often had remarkably different experiences of the war corpse. Dead bodies were omnipresent on the front line and in the trenches, an inescapable constant for the living soldier. As critic Allyson Booth notes, “Trench soldiers . . . inhabited worlds constructed, literally, of corpses.”¹ In Britain and America, however, such corpses were strangely absent; unlike in previous conflicts, bodies were not returned. This dichotomy underscores some of our central assumptions about the differences between the front line and the home front: in the trenches, dead bodies and …

Modernism Without Borders, Ian Mclean

Faculty of Law, Humanities and the Arts - Papers (Archive)

In recent times revisionist histories have sought to reposition modernism in the light of today’s postcolonial globalism. In seeking to assess such revisionism, this essay addresses the metaphysics of modernism through the lens of its otherings—in particular its othering of indigenous art—in two bookend moments. The first is at the dawn of modernism, in the cosmopolitan criticism of the critic and poet Charles Baudelaire, whose theory of modernité is widely considered a prototype of classical Western modernism. The second is in the twilight of modernism, mainly in the influential postcolonial critique of Okwui Enwezor. Motivated by the quest to redeem …

The Enchanter's Spell: J.R.R. Tolkien's Mythopoetic Response To Modernism, Adam D. Gorelick

FIU Electronic Theses and Dissertations

J.R.R. Tolkien was not only an author of fantasy but also a philologist who theorized about myth. Theorists have employed various methods of analyzing myth, and this thesis integrates several analyses, including Tolkien’s. I address the roles of doctrine, ritual, cross-cultural patterns, mythic expressions in literature, the literary effect of myth, evolution of language and consciousness, and individual invention over inheritance and diffusion. Beyond Tolkien’s English and Catholic background, I argue for eclectic influence on Tolkien, including resonance with Buddhism.

Tolkien views mythopoeia, literary mythmaking, in terms of sub-creation, human invention in the image of God as creator. Key mythopoetic …

Uncreative Influence: Louis Aragon’S Paysan De Paris And Walter Benjamin’S Passagen-Werk, Václav Paris

Publications and Research

This paper looks at the role Louis Aragon’s 1926 novel Paris Peasant played in the composition of Walter Benjamin’s Arcades Project. How we might theorize the literary appeal of the Arcades Project, as evidenced in contemporary poetry and visual art; and, more broadly, what is the relation between the aesthetics and the philosophy or politics in Benjamin’s text? The model I propose is one of a Bloomian “anxiety of influence.” By looking at Benjamin’s earlier writings and his correspondence with Theodor Adorno and Gershom Scholem, we see not only that Benjamin’s work shared much with Aragon’s brand of Surrealism, but …

Modernist Manipulation: Virginia Woolf's Effort To Distort Time In Three Novels, Carly Fischbeck

Antonian Scholars Honors Program

This paper explores three works by Virginia Woolf, studying her evolution as a modernist writer through Woolf’s experimentations with manipulating time in each novel. Woolf’s techniques are analyzed in the context of the modernist movement, including artistic and scientific influences, as well as being analyzed within the three works to note their development over time. Focusing on one aspect of Woolf’s work, the depiction of time, allows for an understanding of both the modernist techniques used to manipulate time and the author’s developing ability to manipulate those techniques. The seeds of modernism found in Woolf’s early works, particularly The Voyage …

Negotiating Postwar Landscape Architecture: The Practice Of Sidney Nichols Shurcliff, Jeffrey Scott Fulford M.D., M.P.H., M.L.A.

Masters Theses 1911 - February 2014

While documentation of the work of a select group of modernist landscape architects of the mid-twentieth century is available, little is known about the professional contributions of transitional landscape architects active in the period following World War II. Using selected projects framed by existing literature covering contemporary social, economic, political, and artistic influences, this study examines the career of one such transitional figure, Sidney Nichols Shurcliff (1906-1981). Project descriptions and analysis measure the scope of Shurcliff's work and the degree to which he contributed to the discipline and its transition to modernism, thereby augmenting the history of landscape architecture practice.

Manet's Olympia: Changing The Way People View The Nude, Esther Mizel

Student Scholarship

The nude was the epitome of art in the late 1800s in France. They had to follow set rules in order to be considered " art'' and not, as the subject depicted courtesans. Nudes typically were represented as either goddesses or women in historical stories. Modernists were known for seeing things differently than the rest of the artistic community including when considering nude paintings. Edouard Manet( l832-1883) the "Father of Modernism" was not interested in idealizing the female form. He is known for challenging ideas that the bourgeoisie thought to be fact. He showed the nude for what she really …

Nostalgia And Modernist Anxiety, Elizabeth Outka

English Faculty Publications

Here at the end of the collection I want to propose going back to the beginning—not to the beginning of nostalgic desire in the modernist era, but to the start of the anxiety over nostalgia in the modernist era. The discomfort has, I want to argue, two distinct periods: the early twentieth-century anxiety that various modernists had toward nostalgia, and the later uneasiness modernist critics have with nostalgia within the modernist period. Most eras, of course, experience at least some form of nostalgic longing, along with a corresponding distrust and uneasiness about such longing. The apprehension that nostalgia may provoke …

Book Review: Desmond Manderson: Kangaroo Courts And The Rule Of Law. The Legacy Of Modernism. Routledge, Abingdon 2012., Luis Gomez Romero

Faculty of Law, Humanities and the Arts - Papers (Archive)

Kangaroo Courts represents the height of the recent work that Desmond Manderson has developed around the nexus between ‘law and literature’ and the rule of law. Manderson’s approach to this matter is unique in taking seriously both literary theory and the aesthetic aspects of literary texts—strange though it may seem, this is an authentic revolution in the field of law and literature. Manderson rightly observes that back to their very origins the discourses constructed around the conjunction of ‘law and literature’ have suffered from two structural weaknesses: first ‘a concentration on substance and plot’ and second ‘a salvific belief in …

Buñuel’S Impure Modernism (1929-1950), Sebastiaan Faber

Faculty & Staff Scholarship

Agustín Sánchez Vidal has argued that Los olvidados almost perfectly blends the three principal strands of Buñuel’s cinematic career: modernism, commercialism, and a politically committed (documentary) realism. My argument here will be double. First, that this three-way mix can be traced back to the 1930s; and second, that Buñuel’s work invites us to reconsider not only the significance of Spanish cultural production and the Spanish Civil War in the history of modernism, but more generally the importance for its development of the interaction and integration of aesthetics (the identification of cultural value with formal innovation and artistic integrity), politics (the …

Post-War Europe: The Waste Land As A Metaphor, Semy Rhee

Senior Honors Theses

This thesis analyzes the mindset of twentieth-century Europe through the perspective of a modern individual that T. S. Eliot creates in his poem The Waste Land. Although The Waste Land is the greatest modernist poem, it is often criticized for its esoteric nature. A thorough examination of the poem is useful in understanding and appreciating Eliot’s masterful demonstration of the modernist philosophy. This study analyzes the poem in light of the definition of modernism and the poem’s metaphorical nature. It also aims to reconcile the two most confusing elements of the poem—its allusive content and fragmented structure—to the design …

In The Colonies, Nicolas A. Sansone

Masters Theses 1911 - February 2014

In the Colonies is a work of fiction. It tells the story of a young German harpist, C––, who is seduced into a life of luxury by a venal American, Sansone. She is invited to spend a year at his artists’ colony, where she works on composing a transcendent work of music and, in the process, realizes that she has lost sight of the material realities around her. Ultimately, she comes to realize that her single-minded pursuit of an ideal Beauty has driven her away from the very ideals she aspired to in the first place.

Awakening Between Science, Art & Ethics: Variations On Japanese Buddhist Modernism, 1890–1945, James Shields

Faculty Contributions to Books

The half-century between the publication of the Imperial Rescript on Education (kyōiku chokugo 教育勅語, 1890) and the bombing of Pearl Harbor (1941) was one of tremendous institutional and intellectual tumult in the world of Japanese Buddhism. Buddhist sects and scholars were not immune to the changing political and cultural winds. While it is true that by the late 1930s, the majority of Buddhist leaders and institutions had capitulated to the status quo, preaching, in the words of Joseph Kitagawa “the virtues of peace, harmony, and loyalty to the throne,” the previous decades show anything but a continuous progression towards …

Navigating The Fourth Dimension: Nonlinear Narratives In Film, Literature, And Television, Jason R. Boulanger

Senior Honors Projects

Time is often considered the fourth dimension due to the fact that nothing can exist outside the confines of time. Since time is so intrinsic to the very nature of being in the world, creators of film, literature, and television, which are reflective of life, must at least implicitly confront concepts of time and temporality within their work. The intangibility of time presents many difficulties but also a great number of opportunities in accurately portraying its true function within the world.

Many literary works, films, and television programs directly confront concepts of time. Each medium with its own benefits and …