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Transatlantic Print Culture, 1880–1940: Emerging Media, Emerging Modernisms [Review], David Rando
Transatlantic Print Culture, 1880–1940: Emerging Media, Emerging Modernisms [Review], David Rando
English Faculty Research
It appears that the moderns are catching up to the Victorians at last. Ann Ardis and Patrick Collier’s edited volume, Transatlantic Print Culture, 1880–1940, represents the most forceful statement to date about the possibilities and opportunities for print culture studies in the modernist period. While the study of print culture has flourished in Victorian studies for decades, particularly through the Research Society for Victorian Periodicals and its journal, Victorian Periodicals Review, modernist studies has been slower to embrace print culture studies. There are many historical and theoretical reasons for this, but even field nomenclature may make a difference. “Victorian studies” …
Literary Retrospection In The Harlem Renaissance, Claudia Stokes
Literary Retrospection In The Harlem Renaissance, Claudia Stokes
English Faculty Research
In 1925, book collector and Harlem Renaissance patron Arthur A. Schomburg began the essay "The Negro Digs Up His Past," published in Alain Locke's landmark anthology The New Negro (1925), by proclaiming that the "American Negro must remake his past in order to make his future. ... So among the rising democratic millions we find the Negro thinking more collectively, more retrospectively than the rest, and opt out of the very pressure of the present to become the most enthusiastic antiquarian of them all" (231). These words might be surprising to the beginning student of the Harlem Renaissance, seduced by …
Wittgenstein As A Modernist Philosopher, Michael Fischer
Wittgenstein As A Modernist Philosopher, Michael Fischer
English Faculty Research
Much attention has recently been given to Martin Heidegger and his disturbing relationship to fascism. I want here to look at another philosopher in this context: Ludwig Wittgenstein. As a source of insight into the politics of modernism, Wittgenstein would seem to have at least three strikes against him. His explicit political pronouncements are rare; his relationship to literary modernism is unclear; and the political implications of his philosophical writings are notoriously difficult to assess. Perhaps for these reasons, discussions of modernism usually omit Wittgenstein, and discussions of Wittgenstein usually ignore modernism. Stanley Cavell is an important exception to this …