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Full-Text Articles in Arts and Humanities
Prototyping Mina Loy's Alphabet, Margaret Konkol
Prototyping Mina Loy's Alphabet, Margaret Konkol
English Faculty Publications
An important branch of digital humanities involves prototyping the past. This entails approaching material forms of knowledge as sites within which epistemological and ontological problems may be evaluated as physical embodied practices. This essay discusses the interpretive and methodological implications of using 3D printing technologies to prototype the archival diagrams of a proposed but never constructed plastic segmental alphabet letter kit – a game designed by Mina Loy for F.A.O. Schwarz. Although it is intended as a toy for young children, “The Alphabet that Builds Itself,” is also a work of object typography which articulates a theory of language as …
"Wood For The Coffins Ran Out": Modernism And The Shadowed Afterlife Of The Influenza Pandemic, Elizabeth Outka
"Wood For The Coffins Ran Out": Modernism And The Shadowed Afterlife Of The Influenza Pandemic, Elizabeth Outka
English Faculty Publications
Here’s what we already know—during the First World War, soldiers and civilians often had remarkably different experiences of the war corpse. Dead bodies were omnipresent on the front line and in the trenches, an inescapable constant for the living soldier. As critic Allyson Booth notes, “Trench soldiers . . . inhabited worlds constructed, literally, of corpses.”1 In Britain and America, however, such corpses were strangely absent; unlike in previous conflicts, bodies were not returned. This dichotomy underscores some of our central assumptions about the differences between the front line and the home front: in the trenches, dead bodies and …
Nostalgia And Modernist Anxiety, Elizabeth Outka
Nostalgia And Modernist Anxiety, Elizabeth Outka
English Faculty Publications
Here at the end of the collection I want to propose going back to the beginning—not to the beginning of nostalgic desire in the modernist era, but to the start of the anxiety over nostalgia in the modernist era. The discomfort has, I want to argue, two distinct periods: the early twentieth-century anxiety that various modernists had toward nostalgia, and the later uneasiness modernist critics have with nostalgia within the modernist period. Most eras, of course, experience at least some form of nostalgic longing, along with a corresponding distrust and uneasiness about such longing. The apprehension that nostalgia may provoke …
Kinds Of Faulknerians, Peter Lurie
Kinds Of Faulknerians, Peter Lurie
English Faculty Publications
There are, it seems, two kinds of Faulknerians. Or there used to be. Although not contending critical camps per se, these two approaches to the long career of this modernist from the American south nevertheless partake of very different ways of considering the canonical writer. In the process, they seek to maintain Faulkner’s continuing relevance in ways that say much about his contribution to a uniquely American and regional modernism as well as a body of work marked, particularly in his later novels, by post-Second World War—if not also postmodern—practices and concerns.
Robert Scholes. Paradoxy Of Modernism, Alan Blackstock
Robert Scholes. Paradoxy Of Modernism, Alan Blackstock
English Faculty Publications
Readers familiar with Scholes' The Rise and Fall o/English should find his latest book equally engaging. Cyril Connolly's characterization of the work of Dornford Yates, quoted with admiration by Scholes in Chapter Six of this book, might apply equally well to Scholes' own work, as it exhibits "a wit that is ageless united to a courtesy that is extinct." What Scholes finds so admirable in the phrase is "not merely its elegant syntax, but the way that the syntax balances against each other and thus emphasizes the words 'ageless' and 'extinct'-suggesting that the admirable quality of Yates' work derives from …
The Late Modernism Of Cormac Mccarthy (Review), Peter Lurie, Mark A. Eaton
The Late Modernism Of Cormac Mccarthy (Review), Peter Lurie, Mark A. Eaton
English Faculty Publications
David Holloway's titular phrasing "late modernism" has an effective ring. It captures the theoretical underpinnings of his recent book, The Late Modernism of Cormac McCarthy, evoking Fredric Jameson's work, on which Holloway heavily relies, while also situating McCarthy precisely where he wants him to be, historically and culturally. According to Holloway, McCarthy's fiction constitutes an important redoubt against the diminishing of modernism's once-valorous stance by forging a productive opposition to what he sees as a final stage in capitalist expansion. At the heart of Holloway's project is his concern to restore an oppositional vitality to literary production, or what …