Arts and Humanities Commons^™

The Enchanter's Spell: J.R.R. Tolkien's Mythopoetic Response To Modernism, Adam D. Gorelick

FIU Electronic Theses and Dissertations

J.R.R. Tolkien was not only an author of fantasy but also a philologist who theorized about myth. Theorists have employed various methods of analyzing myth, and this thesis integrates several analyses, including Tolkien’s. I address the roles of doctrine, ritual, cross-cultural patterns, mythic expressions in literature, the literary effect of myth, evolution of language and consciousness, and individual invention over inheritance and diffusion. Beyond Tolkien’s English and Catholic background, I argue for eclectic influence on Tolkien, including resonance with Buddhism.

Tolkien views mythopoeia, literary mythmaking, in terms of sub-creation, human invention in the image of God as creator. Key mythopoetic …

Uncreative Influence: Louis Aragon’S Paysan De Paris And Walter Benjamin’S Passagen-Werk, Václav Paris

Publications and Research

This paper looks at the role Louis Aragon’s 1926 novel Paris Peasant played in the composition of Walter Benjamin’s Arcades Project. How we might theorize the literary appeal of the Arcades Project, as evidenced in contemporary poetry and visual art; and, more broadly, what is the relation between the aesthetics and the philosophy or politics in Benjamin’s text? The model I propose is one of a Bloomian “anxiety of influence.” By looking at Benjamin’s earlier writings and his correspondence with Theodor Adorno and Gershom Scholem, we see not only that Benjamin’s work shared much with Aragon’s brand of Surrealism, but …

Modernist Manipulation: Virginia Woolf's Effort To Distort Time In Three Novels, Carly Fischbeck

Antonian Scholars Honors Program

This paper explores three works by Virginia Woolf, studying her evolution as a modernist writer through Woolf’s experimentations with manipulating time in each novel. Woolf’s techniques are analyzed in the context of the modernist movement, including artistic and scientific influences, as well as being analyzed within the three works to note their development over time. Focusing on one aspect of Woolf’s work, the depiction of time, allows for an understanding of both the modernist techniques used to manipulate time and the author’s developing ability to manipulate those techniques. The seeds of modernism found in Woolf’s early works, particularly The Voyage …

Negotiating Postwar Landscape Architecture: The Practice Of Sidney Nichols Shurcliff, Jeffrey Scott Fulford M.D., M.P.H., M.L.A.

Masters Theses 1911 - February 2014

While documentation of the work of a select group of modernist landscape architects of the mid-twentieth century is available, little is known about the professional contributions of transitional landscape architects active in the period following World War II. Using selected projects framed by existing literature covering contemporary social, economic, political, and artistic influences, this study examines the career of one such transitional figure, Sidney Nichols Shurcliff (1906-1981). Project descriptions and analysis measure the scope of Shurcliff's work and the degree to which he contributed to the discipline and its transition to modernism, thereby augmenting the history of landscape architecture practice.

Manet's Olympia: Changing The Way People View The Nude, Esther Mizel

Student Scholarship

The nude was the epitome of art in the late 1800s in France. They had to follow set rules in order to be considered " art'' and not, as the subject depicted courtesans. Nudes typically were represented as either goddesses or women in historical stories. Modernists were known for seeing things differently than the rest of the artistic community including when considering nude paintings. Edouard Manet( l832-1883) the "Father of Modernism" was not interested in idealizing the female form. He is known for challenging ideas that the bourgeoisie thought to be fact. He showed the nude for what she really …

Nostalgia And Modernist Anxiety, Elizabeth Outka

English Faculty Publications

Here at the end of the collection I want to propose going back to the beginning—not to the beginning of nostalgic desire in the modernist era, but to the start of the anxiety over nostalgia in the modernist era. The discomfort has, I want to argue, two distinct periods: the early twentieth-century anxiety that various modernists had toward nostalgia, and the later uneasiness modernist critics have with nostalgia within the modernist period. Most eras, of course, experience at least some form of nostalgic longing, along with a corresponding distrust and uneasiness about such longing. The apprehension that nostalgia may provoke …

Book Review: Desmond Manderson: Kangaroo Courts And The Rule Of Law. The Legacy Of Modernism. Routledge, Abingdon 2012., Luis Gomez Romero

Faculty of Law, Humanities and the Arts - Papers (Archive)

Kangaroo Courts represents the height of the recent work that Desmond Manderson has developed around the nexus between ‘law and literature’ and the rule of law. Manderson’s approach to this matter is unique in taking seriously both literary theory and the aesthetic aspects of literary texts—strange though it may seem, this is an authentic revolution in the field of law and literature. Manderson rightly observes that back to their very origins the discourses constructed around the conjunction of ‘law and literature’ have suffered from two structural weaknesses: first ‘a concentration on substance and plot’ and second ‘a salvific belief in …