Arts and Humanities Commons^™

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Isamu Noguchi's Modernism: Negotiating Race, Labor, And Nation, 1930-1950, Stephanie Takaragawa

Sociology Faculty Articles and Research

In a study that combines archival research, a firm grounding in the historical context, biographical analysis, and sustained attention to specific works of art, Amy Lyford provides an account of Isamu Noguchi's work between 1930 and 1950 and situates him among other artists who found it necessary to negotiate the issues of race and national identity. In particular, Lyford explores Noguchi's sense of his art as a form of social activism and a means of struggling against stereotypes of race, ethnicity, and national identity. Ultimately, the aesthetics and rhetoric of American modernism in this period both energized Noguchi's artistic production …

Negotiating Postwar Landscape Architecture: The Practice Of Sidney Nichols Shurcliff, Jeffrey Scott Fulford M.D., M.P.H., M.L.A.

Masters Theses 1911 - February 2014

While documentation of the work of a select group of modernist landscape architects of the mid-twentieth century is available, little is known about the professional contributions of transitional landscape architects active in the period following World War II. Using selected projects framed by existing literature covering contemporary social, economic, political, and artistic influences, this study examines the career of one such transitional figure, Sidney Nichols Shurcliff (1906-1981). Project descriptions and analysis measure the scope of Shurcliff's work and the degree to which he contributed to the discipline and its transition to modernism, thereby augmenting the history of landscape architecture practice.

The "Modern" Skyscraper, 1931, Carol Willis

The Courier

This article details the history of The Philadelphia Saving Fund Society (PSFS) building, constructed through the partnership of William Lescaze and George Howe in 1932. The author argues the building to this day remains "modern", displaying complexity and a varitey of color and materials. The building is also, the author says, the first skyscraper designed in the International Style. The author also examines the PSFS in the context of other tall buildings of the period, usually described as belonging to the Art Deco style.

The William Lescaze Symposium Panel Discussion, Dennis P. Doordan

The Courier

This article is an adapted form of a panel discussion that took place discussing the architect William Lescaze. Overall, the panel seemed divided between those who judged Lescaze's achievements acoording to the established tenets of orthodox modernism and those who sought a new critical framework for evaluating Lescaze's contribution to the rise of modern design in American based upon typological, professional, and commercial criteria.

William Lescaze And Cbs: A Case Study In Corporate Modernism, Dennis P. Doordan

The Courier

During the period 1934 to 1949, the Columbia Broadcasting System provided William Lescaze with a series of commissions that, considered together, constitute one of the largest, most varied, and most important bodies of work in his entire career.

Lescaze was responsible for the design of a major new broadcasting facility, the interior design of studio and office spaces, the design of a variety of studio furnishings such as microphones and clocks, the design of a mobile broadcasting vehicle, and the graphic design for CBS facilities across the country. A careful review of the material indicates that Lescaze made a major …

William Lescaze Reconsidered, William H. Jordy

The Courier

This article gives a critical look to William Lescaze's architectural career. While he had early success, his later career seems to pale in comparison. Regardless, the author praises Lescaze for remaining eclectic and not adhering too strongly to the orthodoxy of modernism.