Arts and Humanities Commons^™

Visionaries Of The Road, Storm A. Wright

English Department: Traveling American Modernism (ENG 366, Fall 2018)

What is space? It is a personal concept that people develop while on journeys toward discovery. Through means both intentional and not, that space can be shared with the world and make the knowledge gained on the journey available to anyone with the same curiosities. By looking into the travels of Ezra Meeker on the Oregon Trail, Horatio Nelson Jackson across country, and William Least Heat-Moon on the blue highway, space can be conceptualized and understood as these three men allow us to understand them through their own words and experiences.

Tourism And Nationalism In America, Derick J. Knox

English Department: Traveling American Modernism (ENG 366, Fall 2018)

Travel has been regarded as not only a vacation but also a learning experience and for many Americans a process of familiarizing oneself with the history of their country. Technological advancements introduced means of mobility that allowed people to indulge in America’s culture and history. The 20th Century was a turbulent era accompanied by industrialization and an increase in nationalism. Tourist marketing had strategically mapped routes to showcase the highest points in American culture while ignoring some controversial narratives. Once travel became mediated by tourism in the 20th century it lost some elements of freedom and adventure, instead becoming the …

E.M Forster: Discovering Connection In “Mr. Andrews”, Janelle A. Benny

Modernist Short Story Project

E.M. Forster was well accomplished in his career for his novels and their accomplishments. His writing career started early in life and found great success, yet, often his short stories went unnoticed. Dominic Head explains that critics found his stories to be “lack luster” in comparison to his novels (Head 77). However, this exact quality is what makes Forster’s stories memorable. Head argues that Forster’s short stories approach modernism different from his novels and other writers of the time (77). One such forgotten story is called “Mr. Andrews.” Found in the illustrated magazine The Open Window, Forster’s short story …

The Real Captivity In Graham’S “The Captive”, Amanda Breck

Modernist Short Story Project

There are so many fascinating things about R. B. Cunninghame Graham’s short story entitled “The Captive,” and indeed about the author himself. Graham was born in London in 1852 to Scottish parents. After attending private schools in London and Brussels, Graham left for South America when he was seventeen, where he was a cattle rancher, a horse dealer, and an explorer (Watts). He married a woman in 1878 who claimed to be from Chile but was actually from Yorkshire. His travels and adventures in South America and other places around the globe had a heavy influence on his writing, which …

Anti-Feminism In Modernist Literature, Maddie Holbrook

Modernist Short Story Project

After the stifling conventions of the Victorian era, the modernist movement cast a new and surprising light on issues that had previously been ignored or approached only a single way. The rigidity of moral standards was fading, and many authors sought to start conversations about topics that had previously been taboo. Modernism is often credited with progressive attitudes toward issues such as feminism, independence, and homosexuality, but there may not have been as radical a change as there appears. Some modernist works carried the appearance of progressive thinking, but a closer inspection reveals attitudes more similar to their Victorian ancestors. …

[Review Of The Book Pollock's Modernism, By M. Schreyach], Eileen Costello

Art and Art History Faculty Research

In 1950, on one of the few occasions that Jackson Pollock publicly discussed his approach to painting, he remarked that 'technique is just a means of arriving at a statement'. Given Pollock's revolutionary method and unprecedented formal achievements, this declaration has generated an enormous amount of critical attention over the past sixty-five years. The book under review is the most recent contribution, yet it stands apart from earlier studies.

Photography And Modernisms, Ellen Handy

Open Educational Resources

Today we live in a post-modern era, but for most of the 20th century, modernism was the dominant perspective in the arts and culture at large. And photography was the perfect modern medium. It literally provided artists and audiences with a new vision, using the technology of the camera to frame modern experience. As a recently invented medium with ties to mass media, photography departed from many fine art traditions. The drastic multiplicity of avant garde movements within which photography operated produced a constellation of loosely linked modernisms, rather than single avant garde program.

Almost all of the many avant …

Confrontational Continuum: Modernism And The Psychedelic Art Of Martin Sharp, Michael K. Organ

Senior Deputy Vice-Chancellor and Deputy Vice-Chancellor (Education) - Papers

The Australian artist Martin Sharp (1942-2013) produced a series of psychedelic artworks in London between 1966-8, the most famous of which were the Disraeli Gears record cover for rock group Cream and the Bob Dylan Blowin’ in the Mind poster. Sharp’s work exemplifies the connection between early twentieth century Modernist art movements, Pop art and acid-induced psychedelia of the 1960s. In addition, the poster Max Ernst: The Birdman from 1967, represents a homage to Dada and Surrealism, with special reference to anarchy, desire, and freedom of expression. In the spirit of Dada, the poster is meaningfully confrontational, exposing the darker …