U.S. Congressional Committee Hearings On Korea During The 113th Congress 2013-2014: Overseeing Multifaceted Aspects Of Washington's Peninsular Interests,
2016
Purdue University
U.S. Congressional Committee Hearings On Korea During The 113th Congress 2013-2014: Overseeing Multifaceted Aspects Of Washington's Peninsular Interests, Bert Chapman
Libraries Faculty and Staff Scholarship and Research
Numerous U.S. government agencies are involved in developing and implementing U.S. policy toward Korean Peninsula events, trends, and developments. Those studying U.S. government policies toward this region need to pay particular attention to the role played by U.S. Congressional committees in this policymaking. Congressional committees are responsible for approving new legislation, revising existing legislation, funding U.S. government programs and conducting oversight of these programs. This work examines Congressional committee hearings and debate during the 113th Congress (2013–2014) and reveals that multiple Congressional committees with varying jurisdictions seek to shape U.S. government Korean Peninsula policy and that this policymaking covers more …
Kwa Chong Guan [Singapore, Chairman Of National Archives Board, Historian],
2016
Singapore Management University
Kwa Chong Guan [Singapore, Chairman Of National Archives Board, Historian], Kwa Chong Guan
Digital Narratives of Asia
Kwa Chong Guan is a Senior Fellow of S Rajaratnam School of International Studies and was the man who recognised the importance of Oral History Centre and the National Museum. In 1980s, he led the expansion of the old National Museum to its current three museums and their consolidation under the National Heritage Board. He shares with DNA, ISL the importance and functions of archives and offers a glimpse into his career in the public service and Singapore’s history before the era of Sir Stamford Raffles.
Interview With Nermin Peimanović (Fa 1137),
2016
Western Kentucky University
Interview With Nermin Peimanović (Fa 1137), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcript of oral history interview with Nermin Peimanović conducted by Virginia Siegel and Brent Bjorkman on 24 February 2016 at the Pioneer Log Cabin as part of Western Kentucky University's 2017 International Year of Bosnia and Herzegovina.
Click on "Additional Files" to access the audio file of the recorded interview. File may take several minutes to download.
Interview With Azmir Husić (Fa 1137),
2016
Western Kentucky University
Interview With Azmir Husić (Fa 1137), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcript of oral history interview with Azmir Husić conducted by Brent Bjorkman on 23 February 2016 at Husić's place of business as part of Western Kentucky University's 2017 International Year of Bosnia and Herzegovina.
Click on "Additional Files" to access the audio file of the recorded interview. File may take several minutes to download.
Ebusua Fie,
2016
Ghana
Ebusua Fie, Dahlia Roberts Nduom
ATL
Honorable Mention
Inspired by the Fanti of Ghana.
What inspired you to enter this special competition to create a modern architectural language for Africa?
Growing up in the Caribbean and currently living in Ghana, I‘ve been interested in the conversation surrounding the development and definition of both a Caribbean‘ style and African‘ style and the cultural, social, political and historical issues that surround this. The competition seemed like a perfect avenue to continue to investigate these interests.
What did you find most interesting or challenging during the research and development of your prototype?
Trying to study and investigate the traditional …
Sakhile,
2016
Canada
Sakhile, Nicole Nomsa Moyo
ATL
Honorable Mention
Inspired by the culture of the Ndebele and Zulu of South Africa.
Why do you believe African homeowners will be interested in building a home such as the one you have submitted today?
Homeownership and identity are strongly linked. The Sakhile house design embraces and celebrates the present and the past. It is affordable and gives opportunity for growth. The house provides functions that make it sustainable and requires a minimal cost to maintain as the architecture serves and provides from the environment to the family. The house gives the owner independence as the walls act as a …
The Mudina,
2016
Russia
The Mudina, Kseniya Mamaeva
ATL
Honorable Mention
Symbiosis of African traditional design and modern technology.
What inspired you to enter this special competition to create a modern architectural language for Africa?
I am a student, and so for me it was the opportunity to experiment. The process of creating this project was part of my training. I was interested in exploring the culture of African countries and the peoples of Africa, the nature Africa.
What did you find most interesting or challenging during the research and development of your prototype?
The most difficult part in the development of my prototype was to create home elements, …
Umoja,
2016
Nigeria
Umoja, Mark Gomina
ATL
Honorable Mention
Promoting a synthesis of African design.
What did you find most interesting or challenging during the research and development of your prototype?
It was challenging sorting out the so many research materials gathered from diverse sources, yet it was most interesting and fulfilling to find they all corroborated Umoja‘s values of unity, proportion and functionality.
What inspired you to enter this special competition to create a modern architectural language for Africa?
I was inspired by CPDI‘s laudable initiative towards the development of sustainable/successful African Neighborhoods and communities coupled with my passion for promoting African indigenous Art and Architecture …
The Mask,
2016
Russia
The Mask, Marina Ryleeva
ATL
Honorable Mention
Inspired by the symbolism of the African Mask.
What inspired you to enter this special competition to create a modern architectural language for Africa?
The ancient culture of the ethnic groups of Africa. Bright stylized art. Nature. People and indigenous cultures. African masks.
What did you find most interesting or challenging during the research and development of your prototype?
Tracing the history of tribal masks, hard to find good material. Implementing the idea to style.
Why do you believe African homeowners will be interested in building a home such as the one you have submitted today?
I think …
Jali,
2016
Nigeria
Jali, Miracle David-Adjah, Bismark Achodo
ATL
Honorable Mention
Inspired by the music of Africa.
What inspired you to enter this special competition to create a modern architectural language for Africa?
We are interested in creating an African built environment that will intrigue and attract the world at large.
What did you find most interesting or challenging during the research and development of your prototype?
It was interesting to find out that Africans are deeply connected. In search of land, indigenous people migrated and exchanged aspects of culture. One challenge was that African cultural heritage is not extensively documented. And although we as Africans can get information …
The Gojo,
2016
Ethiopia
The Gojo, Kalkidan Tesfaye, Filimon Teshome, Hundaol Girma
ATL
Honorable Mention
Inspired by the Sidama of Ethiopia.
What inspired you to enter this special competition to create a modern architectural language for Africa?
We believe that Africa is the most diverse continent in the world, and with all the different cultures, architecture can be practiced with much more creative expression than the rest of the world.
What did you find most interesting or challenging during the research and development of your prototype?
African spaces are the reflection of nature, and so it was interesting to design something that is in a direct connection with nature.
Why do you believe …
Amai,
2016
Indonesia
Amai, Gratio Ray, Kevin Yamaputra, Cynthia Javanny
ATL
Honorable Mention
Inspired by the people and culture of Zimbabwe.
What inspired you to enter this special competition to create a modern architectural language for Africa?
We are interested to involving ourselves to design prototype of modern architecture of Africa by research on the cultural and philosophical approach.
Why do you believe African home-owners will be interested in building a home such as the one you have submitted today?
We offer a compact living with a flexible space to hold a social activities and emphasizing a sustainability system in water usage.
What did you find most interesting or challenging during …
Noktecture,
2016
Nigeria
Noktecture, Ojile Ameh Godswill
ATL
Honorable Mention
Inspired by the Nok terracotta.
What inspired you to enter this special competition to create a modern architectural language for Africa?
I am of the opinion that original African culture has not been fully portrayed especially in our Architecture, at least that is the reason we still run helter-skelter using / adopting Roman classical forms of cornices (concrete fascia), entablatures in a bit to coining ours. I believe if we could only make move to look inwards; there is richness in African originality that if harnessed would yield unfathomable impact. CPDI Africa is a platform we have craved …
The Mena,
2016
Germany
The Mena, Julia Mauser, Girum Solomon, Minasie Terefe
ATL
Honorable Mention
Inspired by the art of the Konso people of Ethiopia.
What inspired you to enter this special competition to create a modern architectural language for Africa?
Our Africa is a continent with unparalleled cultural richness and stories to be told. However, what we are witnessing today is only the smallest fraction of the vast potential we have got. So much resource just sitting by, time moving fast and we seem to be stuck in the present while the whole world speeding pass by us. Instead of laying back and complaining we took it upon ourselves to do something …
Desert Wave,
2016
Ukraine
Desert Wave, Omelchenko Alisa, Ksenia Bilyk
ATL
Honorable Mention
Inspired by the vernacular architecture of Northern Nigeria.
What did you find most interesting or challenging during the research and development of your prototype?
The most unexpected thing was the huge variety of African architectural typology and forms. Just like any other culture typical for certain area it has its recognizable features, but having examined it deeply we cognized its diversity.
What inspired you to enter this special competition to create a modern architectural language for Africa?
We have always been captivated by Africa’s ancient history and its authentic design, multifaceted culture and the ability to observe it …
Northern Pafta,
2016
Ethiopia
Northern Pafta, Gebrekidan G. Debre
ATL
Honorable Mention
Inspired by the culture of the Konso people of Ethiopia.
What inspired you to enter this competition to create a modern architectural language for Africa?
For the past three years I was working on research called Ethioplugin Add-on Library at my campus (EiABC). There the objective, was digitalizing the heritages of Ethiopia such as furniture and fixtures, patterns and textures, construction details, so that they will be accessible by the professionals like interior designers, architects electronically. This made me familiar with working on cultural elements and extracting designed product out of them. I was excited (about the competition) …
Shebaxumite,
2016
Ethiopia
Shebaxumite, Liuel Hizikias Ketema
ATL
Honorable Mention
Inspired by the Axumite people of Ethiopia.
What inspired you to enter this special competition to create a modern architectural language for Africa?
The evolution of African architecture has almost come to a standstill due to western influence. The potential of construction materials used in African designs have a far greater utility in their specific climates or natural conditions as opposed to western materials. It‘s easy to say my inspiration came from my deep passion to explore the potential of African construction materials for what they are truly worth.
What did you find most interesting or challenging during …
Tata,
2016
Japan
Tata, Tan Boon Chiou
ATL
Honorable Mention
Inspired by the vernacular architecture of the Benin people.
What inspired you to enter this special competition to create a modern architectural language for Africa?
The culturally rich and diverse nature of the African continent has always fascinated me. The long history of construction skills and know-how displayed by different ethnic groups that reflect the harmonious symphony with the various landscapes and terrains have and would continue to exert the potentials to inspire the architecture of the next generations. For example, the use of fractal geometries, which is native to various tribes of the continent, serves an important …
K'Jong,
2016
Uganda
K'Jong, Nakimuli Thatcher, Lawrence Okoth, Brian Murungi
ATL
Honorable Mention
Inspired by the Karamojong people of Northern Uganda.
What inspired you to enter this special competition to create a modern architectural language for Africa?
Studio Manyatta was created with this very vision in mind. As a team of young designers from various design disciplines, and inspired by the Karamojong one of Africa's most intriguing cultures, we set out to explore what kind of environments Africa would have created with minimal influence from the colonization era. This competition was a chance to carry out his goal on a larger platform.
Why do you believe African homeowners will be interested …
The Ije,
2016
Nigeria
The Ije, Izuchukwu M. Amadi
ATL
Honorable Mention
Inspired by the pyramids of Egypt.
What inspired you to enter this special competition to create a modern architectural language for Africa?
The need to promote and create an indigenous African architectural language using our local materials, methods and also to express the rich heritage of the African people both in design and life style.
What did you find most interesting or challenging during the research and development of your prototype?
The most challenging point of my research was how to use recycled pet bottle for the facade cladding in another innovative way, having used it for my …
