Mormon Studies Commons^™

The Legend Of The Bear Lake Monster, Melissa Anderson Asay

All Graduate Reports and Creative Projects, Fall 2023 to Present

The Bear Lake Monster is a legend that has persisted for centuries. This monster is rooted in Shoshone oral traditions and hold the potential to be based off of fossils found in the Shoshone territory. This living legend was later amplified by Mormon settlers. One settler in particular, Joseph C. Rich, played a significant role in shaping its narrative. Though he eventually admitted to fabricating sightings to encourage settlement, belief in the creature remains alive today. The serpent’s presence in local lore has undeniably influenced the Bear Lake region, shaping both its identity and tourism industry. This legend serves as …

"Dark And Loathsome": The Construction And Persistence Of Racial Theology In The Church Of Jesus Christ Of Latter-Day Saints, Margaret Phillips

Electronic Theses, Projects, and Dissertations

The Church of Jesus Christ of Latter-day Saints banned Black men from holding the priesthood until 1978, a policy many mistake for the whole of the faith's engagement with race. This thesis argues that the priesthood ban was only a symptom of a far deeper theology of race, one built into Mormonism's broader theology from its founding. Two intertwined beliefs anchor this theology: the default whiteness of the human body and soul, and twin curse narratives that mark Black and Indigenous peoples alike as bearers of a divine curse— dark skin read as the visible penalty for their ancestors' sin. …

Ammonihah's Allegory Of Damnation: "Fire And Brimstone" In The Book Of Mormon And Doctrine & Covenants, Ella Bethany Sessions

Honors Projects

This paper examines D&C 76, an 1832 revelation penned by Joseph Smith and Sidney Rigdon that details Mormon theology in regards to eternity, salvation, and damnation, and Mosiah 27 and Alma 9–14 from the Book of Mormon to observe and analyze how the D&C 76’s specificity is mirrored and encased in two Book of Mormon stories: Alma the Younger and Ammonihah. The first section synthesizes D&C 76’s doctrinal claims and contextualizes Mormonism’s salvation and damnation as uniquely epistemic—or reliant on knowledge—and oriented around the internal processes of progression towards or away from God as necessary precedents to external and eternal …

Vernacular Religiosity: Liminality, Mentorship, And Communal Reciprocity In Women's Religious Communities, Megan J. Miller

All Graduate Reports and Creative Projects, Fall 2023 to Present

This thesis is a study on women’s religious communities, and the vernacularized traditions practiced by the women themselves from a folkloric perspective. Examining the creative and meaningful ways women find to interact with their faith on a daily basis, this thesis proposes a natural cycle of religious participation which allows the women to move between active and passive participation roles within their religious communities, and creates equitable spaces for women by relying on the communal reciprocity of the group.

By focusing on individual women and their experiences and belief practices as part of a larger community of religious practice, this …

The Divine Feminine Reframed: Dogma And Doctrine, Icon And Flesh, And The Sacred Embodiment Of Reclamation, Natasha Keckley

Dance (MFA) Theses

This thesis interrogates Marian iconography and its role in constructing a moral binary that marks female bodies as either sanctified or sinful. Drawing on feminist and postcolonial theory, iconographic analysis, and historical case studies, the research analyzes how Christian symbology established the Marian Mold: a theological aesthetic apparatus that exalts feminine sanctity through ideals of virginity, obedience, and maternal receptivity while constraining feminine expression. This paradigm, propagated through the British Empire’s colonial regimes, shaped the regulation and reinterpretation of embodied traditions. The thesis investigates these dynamics through two case studies: the Devadasi tradition and Bharatanatyam’s reformulation in South India, and …

Marie Nelson Bennett, Myrna J. Layton

Faculty Publications

Marie Nelson Bennett (June 15, 1926 – November 18, 2018) was an American composer.

Moiselle Renstrom, Myrna J. Layton

Faculty Publications

Katherine Moiselle Renstrom (June 23, 1889 – September 28, 1956) was a Utah educator, author, lyricist and composer of music for children.

Newel Kay Brown, Myrna J. Layton

Faculty Publications

Newel Kay Brown (February 29, 1932 – ) is an American composer, conductor, and arranger. He was chair of the Composition Division in the College of Music at the University of North Texas before his retirement.

Marie Manwaring Anderson, Myrna J. Layton

Faculty Publications

Teresa Marie Manwaring Anderson (July 8, 1913 – February 23, 2002) was an Idaho composer, pianist, music teacher and choral director.

Georgia Mae Wahlin Bello, Myrna J. Layton

Faculty Publications

Georgia Mae Wahlin Bello (February 13, 1924 – November 5, 2007) was an accomplished vocalist and pianist who was also a “one hit wonder” composer.

Earl C. Hazelle, Myrna J. Layton

Faculty Publications

Earl Charles Hazelle (February 1, 1906 – November 22, 1993) was a pianist, organist, accordionist and a composer of music for all three instruments as well as vocal music. He was also an accomplished painter in oils. Hazelle taught both music and art lessons for many years.

Frances K. Thomassen Taylor, Myrna J. Layton

Faculty Publications

Frances Eliza Warren Kingsbury Thomassen Taylor (January 21, 1870 – November 17, 1952) was an organist, composer and member of the General Board of the Primary Associations.

Irene (Christopherson) Tempest, Myrna J. Layton

Faculty Publications

Irene Ellen Nelson Christopherson Tempest (January 19, 1904 – February 9, 1988) was a Utah pianist, organist and composer.

Mildred Tanner Pettit, Myrna J. Layton

Faculty Publications

Laura Mildred Tanner Pettit (August 9, 1895 – April 9, 1977) is best known as the composer of the iconic Primary song, I am a Child of God. Much of the music composed by Sister Pettit was aimed at children and can be found in various publications of the Primary Association of the Church of Jesus Christ of Latter-day Saints. However, Sister Pettit wrote dance music and operettas which were performed widely. She sometimes choreographed and directed the productions as well.

Edwin F. Parry, Myrna J. Layton

Faculty Publications

Edwin Francis Parry (June 11, 1860 – September 16, 1935) was a Utah typesetter, printer and writer who also loved music. He sang, played the organ and piano, wrote song lyrics and composed many songs and hymns.

Maurine Dewsnup, Myrna J. Layton

Faculty Publications

Grace Maurine Dewsnup (February 8, 1909 – February 1, 1998) was a Utah piano soloist, dance accompanist, composer, music theorist and teacher.

Ruth Gatrell, Myrna J. Layton

Faculty Publications

Ruth Josephine Barton was born on December 23, 1921, in Farmington, Utah. Her parents were Lloyd and Edna (Cottrell) Barton. When the Bartons married, Edna already had a five-year-old daughter, Helen, from a previous marriage. Ruth was the first of two children born to Edna’s second marriage. The family was living in Mount Pleasant, Utah, but returned to the home of Edna’s father, Edward Cottrell, for the birth of the baby. She was named Ruth for the biblical heroine, and Josephine because she shared a birthday with the prophet Joseph Smith. A younger sister, Laura Jean, joined the family in …

Vanja Y. Watkins, Myrna J. Layton

Faculty Publications

Vanja Louise Yorgason was born on September 22, 1938 in Ogden, Utah, the daughter of R. Milton and Norma Johns Yorgason. Vanja grew up in a musical home. Her father was a violinist, and her mother a pianist and an organist. Vanja and her four brothers learned to “sing four-part hymns in tune unaccompanied.”1 Their parents felt that music was an important part of their children’s education, and made the necessary sacrifices to provide music lessons.

Peggy Clinger, Myrna J. Layton

Faculty Publications

Catherine Peggy Clinger (January 11, 1949 – August 9, 1975) was an American singer, voice actress and composer.

N. Lorenzo Mitchell, Myrna J. Layton

Faculty Publications

Nephi Lorenzo Mitchell (May 4, 1889 – November 9, 1968) was a pianist, organist, music teacher and composer, whose life and work took place in three countries: England, Canada and the United States. Mitchell was named the Aaronic Priesthood Music Director for the Church of Jesus Christ of Latter-day Saints in 1945, and was the director of the McCune School of Music and Art from 1950-1957. He served on the General Music Committee of the Church from 1938-1968.