Critical and Cultural Studies Commons^™

The Latecoming Of The Posthuman, Or, Why 'We' Do The Apocalypse Differently, 'Now', Ivan Callus, Stefan Herbrechter

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

The paper takes its cue from a brief but pointed passage in Specters of Marx, in which Jacques Derrida describes as latecomers those who discuss the apocalypse in a manner that disregards previous discussions of the theme within philosophy and theory. Especially concerned with tracing Derrida's wariness of the beguilements of narratives of the end, Callus and Herbrecther analyze the implications of that wariness for any study of the vexed relation between the apocalyptic and the posthuman, doing so on the basis of reference to a number of the relevant essays by Derrida, but in particular to …

Cyborg Bodies And Digitized Desires: Posthumanity And Phillip K. Dick, Jennifer Attaway

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

The interaction between human beings and intelligent machines has challenged the traditional understanding of what it means to be human. In his novel, Do Androids Dream of Electric Sheep?, phillip k. dick rethinks human identity through the positioning of human beings within a technologically mediated reality that displaces the biological body and the spontaneity of human sensation. Written in 1968, dick's novel anticipates the effect of a technologically mediated culture on the formation of a posthuman identity. dick's fictional juxtaposition of the human being and the organically anthropomorphic android complicates conventional implications of embodiment. Androids are physically …

Dead Astronauts, Cyborgs, And The Cape Canaveral Fiction Of J. G. Ballard: A Posthuman Analysis, Melanie Rosen Brown

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

In Dead Astronauts, Cyborgs, and the Cape Canaveral Fiction of J.G. Ballard: A Posthuman Analysis, Melanie Rosen Brown explores the ways in which the so-called Cape Canaveral short stories of J.G. Ballard anthologized in the collection Memories of the Space Age exemplify the promises of posthumanity as articulated by posthuman theorists such as Donna Haraway and N. Katherine Hayles. Although Ballard's fiction is viewed by many as a needlessly pessimistic and derogatory portrayal of NASA's space program, viewed through a posthuman lens, Ballard's fiction instead reveals him to be optimistic about the future of space exploration -- cautiously …

On Mitchell's Me++: The Cyborg Self And The Networked City, Davin Heckman

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Reminiscent of books by other MIT luminaries like Neil Gershenfeld's When Things Start to Think (2000) and Rodney Brooks' Flesh and Machines (2002), William Mitchell's Me++ reminds me, yet again, of why it is so exciting to be alive in an age of wireless phones, high-speed data transmission, and cybernetic systems. Unfortunately, after a couple of years of reading Wired and developing a festering cynicism for high-tech solutions to social problems that have been caused by previous high-tech solutions (like titanic ships, combustion engines, splitting atoms, and all kinds of really horrible weapons), I am more interested in …

Post·Hum·An·Ous, C. Jason Smith, Geoff Klock, Ximena Gallardo-C.

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The Death of the Human is in many ways one of those characteristic intellectual bids for attention, in the vein of Lacan's Woman does not exist or Baudrillard's the Gulf War never happened. Flashy and rhetorically misleading, such assertions nevertheless create a discursive space in what otherwise appears to be a closed, natural(ized) system. Posthumanism, like any other movement or -ism, is difficult to introduce, first and foremost, because of this kind of rhetoric: its first infiltrating tactic is to call the time of death on the current age. Perhaps the most salient example of this self-defined loss …

'Who Are You?': Alien/Woman As Posthuman Subject In Alien Resurrection, Ximena Gallardo C.

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

Traditionally considered a monster in outer space series, the four films comprising the Alien saga: Alien, Aliens, Alien³, and Alien Resurrection, contain a vision of the Alien creature as an agent of human evolution that, taken to its logical extreme in Alien Resurrection, produce an uncommon posthuman subject: the Alien/Woman protagonist named Ripley. In the following article, Ximena Gallardo C. explores the introduction of the series' conception of human evolution through fusion with the Alien as a driving theme in Alien. It then briefly follows through Aliens and Alien^{3, …}

Schizophrenics, Cyborgs And The Pitfalls Of Posthumanism, Angela Woods

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

In Schizophrenics, Cyborgs and the Pitfalls of Posthumanism, Angela Woods invites us to revisit two canonical analyses of the postmodern: Fredric Jameson's Postmodernism, or The Cultural Logic of Late Capitalism and Donna Haraway's A Manifesto for Cyborgs: Science, Technology and Socialist Feminism in the 1980s. Jameson and Haraway introduced to contemporary cultural criticism two posthumanist icons: the schizophrenic, a pathologized victim of postmodernity, and the cyborg, a vision of strategic posthuman subjectivity. In her timely and critical analysis of these articles, Woods challenges the established notion of an oppositional relationship between the schizophrenic and the cyborg. She turns …

Toward A Posthuman Ethics, Dongshin Yi

Reconstruction: Studies in Contemporary Culture

[Editor's Introduction]

Setting a posthuman ethics as a goal toward which the collaboration of posthumanism and ethics must move, Yi in his essay, Toward a Posthuman Ethics, points out that the collaboration is detained because current debates on the cyborg harbor on the question of representations and consider how political, social and cultural problems of the human are reconfigured, and possibly resolved, by the cyborg. Thus, the debates are bound to be retrospective in approach and circular in direction, as they fail to recognize new possibilities that the cyborg may present. Arguing that the failure indicates the cyborg is being …

The Infinite Plasticity Of The Digital: Posthuman Possibilities, Embodiment And Technology In William Gibson's Interstitial Trilogy, Tama Leaver

Reconstruction: Studies in Contemporary Culture

[Editors' Introduction]

Ever since William Gibson coined the term cyberspace in his debut novel Neuromancer, his work has been seen by many as a yardstick for postmodern and, more recently, posthuman possibilities. This article critically examines Gibson's second trilogy (Virtual Light, Idoru and All Tomorrow's Parties), focusing on the way digital technologies and identity intersect and interact, with particular emphasis on the role of embodiment. Using the work of Donna Haraway, Judith Butler and N. Katherine Hayles, it is argued that while William Gibson's second trilogy is infused with posthuman possibilities, the role of embodiment is …

Benjamin, Agamben, And The Paradox Of Translation, Paolo Bartoloni

CLCWeb: Comparative Literature and Culture

In his paper, "Benjamin, Agamben, and the Paradox of Translation," Paolo Bartoloni offers a theoretical discourse on translation that goes beyond the traditional precincts of linguistics and literary theory as well as the disciplines of cultural studies and postcolonial theory. Bartoloni argues that more recently, the discourse on translation has begun to incorporate epistemological concerns, dealing not only with language but also with subjectivity and ethics. At the root of this theoretical articulation of translation are the essays "The Task of the Translator" ("Die Aufgabe des Übersetzers") by Walter Benjamin and other reflections on translation by Martin Heidegger, especially in …

Haruki Murakami And The Ethics Of Translation, Will Slocombe

CLCWeb: Comparative Literature and Culture

In his paper, "Haruki Murakami and the Ethics of Translation," Will Slocombe argues that despite the fact that Murakami has gained world-wide popularity recently, there has been little critical attention to his works outside of the comparatively narrow area of Japanese studies. Slocombe proposes that Murakami is too important an author to be limited in this way because of his definition of "translation." For Murakami, translation delineates an operative ethics between Self and Other, a dialogue that is not only between different languages and cultures, but also between the private and political spheres, and between different individuals. Slocombe discusses Murakami's …

Medieval Cosmopolitanism And The Saracen-Christian Ethos, Marla Segol

CLCWeb: Comparative Literature and Culture

In her paper, "Medieval Cosmopolitanism and the Saracen-Christian Ethos," Marla Segol argues that in Floire et Blancheflor and Aucassin et Nicolette, two medieval Occitanian romances, the writers work actively to incorporate Islamic culture and its accomplishments into a hybrid communal identity. The hybrid elements of this identity are demonstrated in two ways: first, through the portrayal of mixed couples and second, through depiction of a biculturally constituted landscape and culture. Intercultural relations between the characters are dramatized through the structures of religious conversion. Each romance features a mixed couple, with one member Christian and the other, formerly Muslim but converted …

The Representation Of 'Race' In Ondaatje's In The Skin Of A Lion, Glen Lowry

CLCWeb: Comparative Literature and Culture

Glen Lowry, in his paper "The Representation of 'Race' in Ondaatje's In the Skin of a Lion" bases his discussion on the observation that critics tend to view Ondaatje's writing in terms of a progression towards complex issues of "race" and post-coloniality. In contrast, Lowry argues that the matter of "race" forms an integral aspect of Ondaatje's oeuvre and Lowry proposes that In the Skin of a Lion is a key site in the development of Ondaatje's engagement with issues of "race" and the cultural politics of post-coloniality. Focusing on Ondaatje's depiction of Toronto in terms of its complex history …

From Commonwealth To Postcolonial Literature, Edward O. Ako

CLCWeb: Comparative Literature and Culture

In his paper,"From Commonwealth to Postcolonial Literature," Edward O.Ako begins by establishing the link between Empire and English-language literature. Drawing on Elleke Boehmer, Gauri Viswanath, and Terry Eagleton, Ako discusses the ideological uses of literature and argues that the textual forms that emerged as "resistance" to imperial domination were referred to by a multiplicity of terms: Commonwealth Literature, New English Literature, Literature in English, Third World Literature, World Fiction, Minority Literature, Multicultural Literature, or Postcolonial Literature. Ako examines the merits and handicaps of each designation and explains why, in his view, the term "postcolonial" is the more appropriate notion and …

Monénembo's L'Aîné Des Orphelins And The Rwandan Genocide, Lisa Mcnee

CLCWeb: Comparative Literature and Culture

In her paper, "Monénembo's L'Aîné des orphelins and the Rwandan Genocide," Lisa McNee discusses Tierno Monénembo's L'Aîné des orphelins, a novel that offers a double discourse and a dual memory of the genocide that took place in Rwanda in 1994. McNee argues that L'Aîné des orphelins presents us with an extraordinary kind of fictional testimonial to genocide. Although Monénembo is not from Rwanda and did not participate in the tragedy, only someone who has paid the price of the clarity needed to distinguish between good and bad faith could have written a novel like L'Aîné des orphelins. Monénembo's characterization of …

Asian-American Literature And A Lacanian Reading Of Maxine Hong Kingston's Tripmaster Monkey, Fu-Jen Chen

CLCWeb: Comparative Literature and Culture

In his paper, "Asian-American Literature and a Lacanian Reading of Maxine Hong Kingston's Tripmaster Monkey," Fu-jen Chen explores the protagonist's subjective progression into the post-Symbolic Real in Kingston's Tripmaster Monkey -- from subject as Demand, through subject as Desire, to subject as jouissance. Tripmaster Monkey records Ah Sing's transformation from a racial paranoiac at the beginning of the novel through a subject as demand to a subject as desire who is learning to target new desires via his engaging in real myth and staging real theater, and finally to a subject as jouissance -- one who is oriented to his …

The Impact Of Perceived Interactivity And Vividness Of Video Games On Customer Buying Behavior, Yi-Lin Yu

Graduate Student Dissertations, Theses, Capstones, and Portfolios

About 60 percent of Americans (145 million people) play video games, and the age of 61 percent of all game players is 18 and over (IDSA, 200 1). As the competition to excel in the video game market increasingly becomes difficult for manufacturers, it is becoming more important for manufacturers and video game developers to understand what makes people play and buy games. The major challenge to the gaming industry is to figure out what features of games can catch the consumers' attention. The purpose of this research was to examine what kinds of video games captivate consumers, determine whether …

The Photocopied Self: Perzines, Self-Construction, And The Postmodern Identity Crisis, Steve Bailey, Anita Michel

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Mike Gunderloy, creator of Factsheet 5, and co-author of The World of Zines, offers the following definition of perzines:

A personal zine, or perzine, is the most intimate kind of zine. It allows the editor/writer many freedoms, not the least of which is spouting off about anything or nothing-in-particular without worrying about editorial policies and other rules of regimented periodicals. It's also a way of corresponding with any number of people simultaneously while maintaining an aura of intimacy and friendship. And something else to remember when you're reading (or writing) a perzine -- because this intimacy …

Plato Means Business In The Republic: A Human Resource Management Critique Of The Philosopher-King, Anton Karl Kozlovic

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Exploring the interface between 20th century management principles and the classical world is innovative and relatively new, but not unheard of in the recent past. For example, Greg Latemore and Victor Callan (1998) used Homer's The Odyssey to illustrate leadership lessons. Charles Handy (1995) used four Greek gods (i.e., Zeus, Apollo, Athena, Dionysius) as role models to show managers how to run their own businesses more effectively. While conventional histories of management thought routinely examined the ancient world for its insights, contributions and other ideational antecedence that underpinned their discipline (George Jr., 1972). However, the value of this …

On Power And Equity: Toward A Working-Class Rhetoric, Omar Schwartz

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The working-class in the United States has been, and continues to be, systematically excluded from normative political representation and is allowed little opportunity to contribute to the terms and conditions of its social existence (Henwood, 1987; Moberg, 1992). While few workers today resist such marginalization, this has not been always the case. During the formative period of U.S. labor consciousness (from the end of the Civil War until the First World War), the political alienation of labor was routinely challenged by workers who relied extensively (and illegally) on collective self-help in their pursuit of economic justice. With this …

Review Of Art And Fear, By Paul Virilio, Davin Heckman

Reconstruction: Studies in Contemporary Culture

No abstract provided.

Review Of Religion And Rationality, By Jurgen Habermas, Nicholas Ruiz Iii

Reconstruction: Studies in Contemporary Culture

No abstract provided.

From Butler To Buffy: Notes Towards A Strategy For Identity Analysis In Contemporary Television Narrative, Rob Cover

Reconstruction: Studies in Contemporary Culture

[First paragraph]

Given the increasing significance of questions of identity, subjectivity and selfhood in contemporary postmodern western cultures, it is important to begin acknowledging how these questions are reflected in contemporary media and television and to develop new strategies by which to analyse television characters in terms of identity and subjectivity. The scope for analysing television series' characterizations through recent postmodern and poststructuralist theories of non-essentialist, non-foundationalist subject/identity performativity has not yet been considerably explored. It is my contention here, however, that such a method both reflects the representation of self and identity transformation in new television series as well …

On Misa, Brey, And Feenberg's Modernity And Technology, Davin Heckman

Reconstruction: Studies in Contemporary Culture

[First paragraph]

In the course of my own research on culture and technology, I have marveled at the vast pool of valuable resources available in both Cultural Studies and Science and Technology Studies. And I have been equally amazed by the disciplinarity that seems to keep each of these approaches from interacting with each other, in spite of the fact that they share common ancestors like Marx, Heidegger, and Mumford. And so I found myself intrigued by the arrival of Misa, Brey, and Feenberg's edited volume, Modernity and Technology -- a deliberate effort to reconcile the theoretical question of Modernity …

Cultural Literacy And The Field Of The Media, Tony Schirato, Jen Webb

Reconstruction: Studies in Contemporary Culture

[First paragraph]

This paper is concerned with the notion of cultural literacy, specifically with regard to the media, and focuses on two interrelated questions. First, what do we mean by the term cultural literacy, and how can this term be extended and applied to the field, texts and practices of the media? Second, what is it about the place and function of the media in the contemporary world that requires us (as citizens, educators or audiences) to be culturally and media literate?

Kurosawa's Throne Of Blood And East Asia's Macbeth, Yuwen Hsiung

CLCWeb: Comparative Literature and Culture

Yuwen Hsiung presents in her paper, "Kurosawa's Throne of Blood and East Asia's Macbeth," a comparative study between Kurosawa's film Throne of Blood and a contemporary Taiwanese play, Kingdom of Desire, both of which are adaptations of Shakespeare's Macbeth. Stepping from Eastern cultural background, both show similar orientation towards the original play, for instance the sizing down of the number of witches and the decreasing of Macbeth's heroic status. Gilles Deleuze's theory of movement image provides an insightful look into Kurosawa's filmology, which emphasizes the interrelatedness of every individual under the same condition. The idea of collectivity could be examined …

Introduction To Shakespeare On Film In Asia And Hollywood, Charles Ross

CLCWeb: Comparative Literature and Culture

No abstract provided.

Shakespeare And The Visualization Of Metaphor In Two Chinese Versions Of Macbeth, Alexander C.Y. Huang

CLCWeb: Comparative Literature and Culture

In his paper, "Shakespeare and the Visualization of Metaphor in Two Chinese Versions of Macbeth," Alexander Huang proposes that, in addition to political uses, visualization is an important dimension of cultural translations of Shakespeare. In recent studies, Shakespeare's global presence has been investigated from various perspectives of critical inquiry, especially with postcolonial theories and in East-West literary relations. Instead of faulting cultural imperialism or foregrounding political statements in theatre, Huang explores the visual dimension of cultural translation found in Kingdom of Desire (a Beijing opera adaptation of Macbeth) and Story of the Bloody Hand (a Kunqu opera appropriation of the …

Reality And Metaphor In Jane Howell's And Julie Taymor's Productions Of Shakespeare's Titus Andronicus, Lucian Ghita

CLCWeb: Comparative Literature and Culture

In his paper, "Reality and Metaphor in Jane Howell's and Julie Taymor's Productions of Shakespeare's Titus Andronicus," Lucian Ghita looks at how Jane Howell's 1985 BBC production of Shakespeare's Titus Andronicus and Julie Taymor's film 1999 adaptation Titus re-fashion the image of Young Lucius. In Ghita's interpretation this happens by structuring the boy as the nexus of a cycle of violence that disturbs not only Andronicus's household, but also the moral and socio-political structures of ancient Rome. Ghita shows how the two directors politicize and ritualize their films by using cinematic techniques to distinguish, on the one hand, the real …

Hamlet's "Globe" And The Self As Performer In England And Japan, Yu Shibuya

CLCWeb: Comparative Literature and Culture

In his paper, "Hamlet's 'Globe' and the Self as Performer in England and Japan," Yu Shibuya argues that Hamlet sees his life as a performance. Shibuya presents examples from Tsuneari Fukuda's Japanese translation to suggest that Fukuda makes choices that emphasize the theatrical side of Hamlet's character. If Hamlet perceives himself as an actor, then his definition of theater or an actor is ultimately a definition of himself. Shibuya uses the theme of self-definition to examine Kenneth Branagh's film version, especially the Mousetrap and the "O what a rogue and peasant slave" scenes. By analyzing Branagh's staging and directorial decisions …