Critical and Cultural Studies Commons^™

Framing Fanart, E J. Nielsen

Doctoral Dissertations

My dissertation, “Framing Fanart,” broadly theorizes media fanart, a form of transformative work that is enormously popular, transnational and transcultural, and at its heart an engaged response to a piece of media. Through physical and digital archival research, discourse analysis, and qualitative research methods, I consider specific examples of how fanart functions within these different framings. This work is some of the first to consider fanart broadly as both a lens through which to view patterns of cultural production and a discrete artefact which merits serious consideration as artwork in its own right.

"I March To The Beat Of My Own Drum": A Critical Discourse Analysis On Mediated Construction Of Aaron Rodgers' Covid-19 Vaccination Disclosure, Patrick Crowe

Doctoral Dissertations

The COVID-19 pandemic has brought suffering throughout society and disruption throughout the sports world. In the U.S., there have been politically polarized debates about the best course of action for handling the pandemic, including vaccinations and the appropriateness of other restrictive measures. Amidst the 2021 National Football League (NFL) season, in which the league imposed differing levels of restrictions based on a player’s vaccination status, former MVP and Super Bowl champion Aaron Rodgers tested positive for COVID-19. After his positive test, Rodgers, who had previously claimed he was “immunized” from COVID-19, revealed that his immunization protocol consisted of “alternate” drugs …

“For The Moment, I Am Not F*Cking,” I Am Tweeting: Platforms Of / As Sexuality, Jacob Johanssen

CLCWeb: Comparative Literature and Culture

This article develops the argument that digital platforms are significantly infused with originary (and unconscious) residues of the sexual. Drawing on Laplancheian conceptualizations of sexuality, I argue that the digital has always been sexual(ised) in itself – a process that precedes and exceeds the erotic or pornographic. For Laplanche, sexuality is constitutive of the human subject as such. Infantile sexuality is shaped and transformed in an enigmatic relation with the caregiver. Drawing on this model as an analogy, I claim that users are drawn to platforms because they (unconsciously) desire to return to infantile sexuality and a holding environment but …

Teaching Feminist Media Studies In A Post-Weinstein Era, Gigi Mcnamara

Feminist Pedagogy

In this critical commentary, I will address the concept of witnessing as it relates to contemporary feminist empowerment while also properly situating Weinstein-produced films as historical mediated texts.

Influencer Celebrification: How Social Media Influencers Acquire Celebrity Capital, Gillian Brooks, Jenna Drenten Ph.D., Mikolaj Jan Piskorski

School of Business: Faculty Publications and Other Works

The digital age has given rise to new pathways for everyday individuals to accrue media attention, which can be translated into promotional endeavors. Such sociocultural currency is referred to as celebrity capital, which can be exchanged within the field of advertising through celebrity endorsements. Traditional celebrities acquire celebrity capital through institutional intermediaries such as sport, television, music, and movies. Research is needed to understand the unique process by which social media influencers (SMIs) acquire celebrity capital. We draw on interviews with 40 global advertising industry practitioners and influencers to better understand how influencers acquire celebrity capital in a saturated media …

Aloha Media: Negotiating Kānaka Maoli Representation And Identity In Television, Film, And Music, Colby Y. Miyose

Doctoral Dissertations

In her work on research and Indigenous communities, Māori scholar Linda Tuhiwai Smith (1999) points out that academic research is a site of contestation, struggle, and negotiation between the West and Indigenous people, and lays the groundwork for Indigenous researchers to write from a cultural perspective that serves their home community. Hawaiian cultural protocols serve as guidelines for my research. This dissertation, then, is simultaneously a critique of settler colonialism in Hawaiʻi and on screen, and as Foucault (1980) puts it, “an insurrection of subjugated knowledges.” (p.81)—an act of decolonial, Indigenous, and anticolonial thought. In this dissertation I argue that …

The Uncanny Swipe Drive: The Return Of A Racist Mode Of Algorithmic Thought On Dating Apps, Gregory Narr

Publications and Research

As algorithmic media amplify longstanding social oppression, they also seek to colonize every last bit of sociality where that oppression could be resisted. Swipe apps constitute prototypical examples of this dynamic. By employing protocols that foster absent-minded engagement, they allow unconscious racial preferences to be expressed without troubling users’ perceptions of themselves as non-racist. These preferences are then measured by recommender systems that treat “attractiveness” as a zero-sum game, allocate affective flows according to the winners and losers of those games, and ultimately amplify the salience of race as a factor of success for finding intimacy. In thus priming users …

Beauty Is Not Black And White: A Content Analysis Of Black Women’S Body Image In Television Media, Alexis Hubbard

Graduate Theses and Dissertations

There are few bodies of literature that look at Black women’s body image in television media. When Black women were studied most research (Falconer & Neville, 2000; Jhally & Kilbourne, 2010; Smith, 2014; Shearon-Richardson, 2011;) compared them to White ideals. However, this study did a content analysis of Black women in predominantly Black or ethnically diverse television shows using qualitative studies that suggest a Black ideal. The researcher examined lead character(s) body shapes, comments about their body, hair texture and comments about their hair. This research looked at protective factors (aspects Black life that allow for more body satisfaction) like …

Zero Textbook Cost Syllabus For Com 3060 (Media Analysis And Criticism), Riann Subijanto

Open Educational Resources

In contemporary society, the media, including the Internet, television, smart phones, radio, magazines, movies, music, newspapers, and books, saturate our everyday lives to an extent unprecedented in human history. Their effects are wide-ranging and transformative, including affecting our perception of reality, influencing how and what we think about, and framing our understanding of the world around us. Yet, due to their pervasiveness, rarely do we seriously consider the media and the issues they raise. This course will introduce you to the seminal theories in media studies. By considering these different approaches, we will situate the media in a broader historical, …

Converging Horror: Analyzing The Importance Of Convergence Culture On A Digital Audience Through An Examination Of The Conventions And Politics Of The Horror Genre, Kelsey M. Fox

Media and Cultural Studies Honors Projects

This thesis draws attention to the genre of horror in new media through a close examination of various digital texts, arguing that these new texts, while built on traditional horror narratives used in cinema, are also examples of Convergence Culture, a mobile, multiplatform, participatory medium that engages professionals and amateur content creators. The thesis begins with a review of scholarly work about horror as a genre, continues with a close analysis of several digital horror texts and their online communities, and ends with the argument that these new texts are good examples of how horror has accommodated Convergence culture, morphing …

Book Review: Making Media Studies By David Gauntlett, Antonio Lopez

Journal of Media Literacy Education

Making Media Studies is a collection of previously published and updated works by David Gauntlett, including his infamous essay, “Media Studies 2.0.” It explores ways in which the traditional media studies paradigm has been disrupted by prosumers and the practices of everyday people and DIY “makers” who are using the internet to learn, make things and share ideas. He argues that media studies practitioners need to learn from the makers movement to encourage more creativity, design thinking and conversation. Gauntlett positions himself as an optimist and criticizes overly negative approaches to internet culture that he sees as common among media …

But What Does “It” Mean: An Analysis Of Feminist & Mainstream Pornographies, Alexandra S. Melnick 2225930

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

In this project, I am interested in how we as a culture talk and make stories about heterosexual non-fetish pornography that contains fellatio scenes. Fellatio, being a site of social power and relation, can be conceptualized and portrayed in different ways based on the ideology and intentions of the context a text portraying fellatio it is created in. In this project I reasoned that mainstream pornography and feminist pornography would show fellatio in different ways, revealing the basic differences in each genre’s content and execution. To this effect, I analyzed six films from both feminist and mainstream pornographies and have …

Strange/Familiar: Rhetorics Of Exoticism In Ethnographic Television, Casey Kelly

Casey R. Kelly

No abstract provided.

Critical Animal And Media Studies: Communication For Nonhuman Animal Advocacy, Nuria Almiron, Matthew Cole, Carrie Freeman

Carrie P Freeman

ABSTRACT: Suitable for a media studies graduate or upper level undergraduate course (or a critical animal studies course), this book aims to put the speciesism debate and the treatment of non-human animals on the agenda of critical media studies and to put media studies on the agenda of animal ethics researchers. Contributors examine the convergence of media and animal ethics from theoretical, philosophical, discursive, social constructionist, and political economic perspectives. The book is divided into three sections: foundations, representation, and responsibility, outlining the different disciplinary approaches’ application to media studies and covering how non-human animals, and the relationship between humans …

The Meaning And Relevance Of Video Game Literacy, Jeroen Bourgonjon

CLCWeb: Comparative Literature and Culture

In his article "The Meaning and Relevance of Video Game Literacy" Jeroen Bourgonjon argues that video gaming deserves scholarly attention as a social practice and a site for meaning-making and learning. Based on an overview of contemporary trends in literacy and cultural studies, he argues that video games cannot be approached like traditional text forms. He contends that video games serve as an important frame of reference for young people and call for informed decision making in the context of culture, education, and policy. Bourgonjon provides an integrated perspective on video game literacy by employing theoretical insights about their distinctive …

A Case Study Of (Inter)Medial Participation, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

In his article "A Case Study of (Inter)medial Participation" Steven Tötösy de Zepetnek presents survey data followed by quantitative and qualitative analysis about the daily intake of media in cultural participation. The survey data of the study are the result of questionnaires conducted 2001-2002 with advanced undergraduate students enrolled in media and communication studies at Northeastern University and with advanced undergraduate and graduate students at the University of Halle-Wittenberg. As the survey was conducted in 2001-2002, the data and the analysis have "historical" relevance with regard to (inter)medial cultural participation in the digital age. The data are from a mid-size …

Bibliography Of Publications In Media And (Inter)Mediality Studies, Geert Vandermeersche, Joachim Vlieghe, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

No abstract provided.

Introduction To New Perspectives On Material Culture And Intermedial Practice, Steven Tötösy De Zepetnek, Asunción López-Varela, Haun Saussy, Jan Mieszkowski

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

No abstract provided.

Feeling Bad: Emotions And Narrativity In Breaking Bad, E. Deidre Pribram Ph.D.

Faculty Works: COM (1993-2016)

In an interview that took place in January 1984, five months before his death, Michel Foucault relates an anecdote to illustrate what he means by 'relations of power':

For example, the fact that I may be older than you, and that you may initially have been intimidated, may be turned around during the course of our conversation, and I may end up being intimidated before someone precisely because he is younger than I am. (292)

His is a simple, almost offhand anecdote but one that has lingered in my mind precisely because of the inadequate means we possess to explain …

Why Don't I Look Like Her? The Impact Of Social Media On Female Body Image, Kendyl M. Klein

CMC Senior Theses

The purpose of this paper is to understand and criticize the role of social media in the development and/or encouragement of eating disorders, disordered eating, and body dissatisfaction in college-aged women. College women are exceptionally vulnerable to the impact that social media can have on their body image as they develop an outlook on their bodies and accept the developmental changes that occurred during puberty. This paper provides evidence that there is a relationship between the recent surge in disordered eating and high consumption of social media. I examine the ways in which traditional advertising has portrayed women throughout history, …

Fernández And Cinematic Propaganda In The U.S. And Mexico, Renae L. Mitchell

CLCWeb: Comparative Literature and Culture

In her article "Fernández and Cinematic Propaganda in the U.S. and Mexico" Renae L. Mitchell discusses the competing ideologies on both sides of the U.S.-Mexican border. As one of the foremost filmmakers of the Mexican Golden Age of cinema, Emilio Fernández established what would is recognized as "Mexicanness" by means of Indigenous characters in his films, most apparent in the film María Candelaria. RKO (Radio-Keith-Orpheum) Pictures, as the principal purveyor of US-American propagandist cinema, led Hollywood into the cinematic market of Mexico revealing its intentions by means of the RKO film The Falcon in Mexico. Fernández sought to …

Digital Humanities In Developed And Emerging Markets, Verena Laschinger

CLCWeb: Comparative Literature and Culture

In her article "Digital Humanities in Developed and Emerging Markets" Verena Laschinger discusses the impact e-culture has on humanities pedagogy both in affluent countries and emerging markets. Claiming that e-literacy training generally offers opportunities to recover the traditional agency of the humanities thus catapulting the disciplines into the educational forefront of the creative economy, special attention is given to the chances digital humanities education offers in Turkey’s emerging market economy. Given that technology promotes the country's economic development, which includes a rapidly growing private educational sector, digital humanities education helps citizens to adjust to critical democratic exchange, to facilitate and …

Old And New Medialities In Foer's Tree Of Codes, Kiene Brillenburg Wurth

CLCWeb: Comparative Literature and Culture

In her article "Old and New Materialities in Foer's Tree of Codes" Kiene Brillenburg Wurth analyzes how intermediality works — not what it "is" — in the analysis of literary texts. How intermedial can texts "do," precisely when they consist only of words? Do such texts compel us to reconsider literature as a verbal art? Her analysis focuses on a recent book by Jonathan Safran Foer: Tree of Codes (2010), a literary work cut out of the remains of Bruno Schulz's Street of Crocodiles (1934). Brillenburg Wurth points out how intermediality works as a productive interaction not only between …

Intersubjectivity And Intermediality In The Work Of Serra, Rocío Von Jungenfeld

CLCWeb: Comparative Literature and Culture

In her article "Intersubjectivity and Intermediality in the work of Serra" Rocío von Jungenfeld examines the intersubjective space in which artworks are conceived and the cross boundaries of media in order to construct a general understanding of intersubjective perception in visual and plastic arts and an understanding of the processes that determine works of art, reflective perception, and intersubjective experience. Although the argument is that perception is subjective and untransferable, (i.e., a unique personal experience) influenced by innumerable factors and bound to a specific context, there are some elements of perception which can be understood intersubjectively as they apply to …

Plotting The Pixel In Remediated Word And Image, Sarah Wyman

CLCWeb: Comparative Literature and Culture

In her article "Plotting the Pixel in Remediated Word and Image" Sarah Wyman argues that art's historic negotiation of culture continues into the new digital media age as it both asserts the materiality of the medium and acknowledges the impact of embodied perception. She demonstrates that however revolutionary, the new digital media still relate to many traditional paradigms of aesthetic expression. Problems of representation and simulation continue to catch on questions of time, space and human perception. The contingent relationships between categories and entities once kept separate — word/image, observer/observed — determine and define the process of globalization. The new …

Towards A Multimodal Analysis Of Da Rimini's Dollspace, Maya Paniagua Zalbidea

CLCWeb: Comparative Literature and Culture

In her article "Towards a Multimodal Analysis of da Rimini's Dollspace" Maya Zalbidea Paniagua analyzes Francesca da Rimini's Dollspace <http://dollyoko.thing.net/> (1997-2001). By analyzing Dollspace Zalbidea Paniagua reinforces the proposition that studies on material aesthetics and intermediality encompass a process of rethinking the notion of boundaries across material structures. This is clearly shown in da Rimini's Dollspace, where ambivalence cuts across discursive genres and distinct material formats of image, text, and audio. Hypertext engages the user/participant in a dialogue with the machine and, in the case of Dollspace, across people's sexual attitudes. Dollspace seeks to do more than …

Video Games As Equipment For Living, Ronald Soetaert, Jeroen Bourgonjon, Kris Rutten

CLCWeb: Comparative Literature and Culture

In their article "Video Games as Equipment for Living" Ronald Soetaert, Jeroen Bourgonjon, and Kris Rutten postulate that with the emergence of new media there is need of a re-evaluation of all modes of communication and the ways in which literacy is conceptualized. Drawing on the concept of multi-literacy they suggest a rhetorical/ anthropological meta-perspective to describe human beings as symbol using animals and focus on particular symbol systems: narrative, drama, and video games. Specifically, they focus on the perspective of drama as a tool to analyze cultural artifacts in general and video games — as a new art form …

Intermediality, Rewriting Histories, And Identities In French Rap, Isabelle Marc Martínez

CLCWeb: Comparative Literature and Culture

In her article "Intermediality, Rewriting Histories and Identities in French Rap" Isabelle Marc Martínez analyzes aspects of French hip hop culture. As an example of resistant cultural manifestations, hip hop scenes all over the world develop strategies to subvert mainstream values and to replace them by new de-localized, contesting identities via intermedial and intertextual processes. In France during the 1990 rap was intended to reassess French national history and national self-perception. Foundational hip hop bands such as Assassin, Ministère AMER, IAM, and NTM aimed at discrediting official narratives concerning the French culture's colonial and social past. hip hop artists, who …

Intermediality As Cultural Literacy And Teaching The Graphic Novel, Geert Vandermeersche, Ronald Soetaert

CLCWeb: Comparative Literature and Culture

In their article "Intermediality as Cultural Literacy and Teaching the Graphic Novel" Geert Vandermeersche and Ronald Soetaert argue for the inclusion of the graphic novel for the teaching of cultural literacy and literature. As the printed book is no longer the sole carrier of cultural literacy, Vandermeersche and Soetaert postulate that literary culture must be repositioned in intermedial culture and practices. In order to do so, Vandermeersche and Soetaert apply Werner Wolf's typology of intermediality, aspects of narratology, and scholarship about comics. Following a theoretical discussion they analyze the graphic novel series The Unwritten, a text that thematizes the …

Digital Media, 419, And The Politics Of The Global Network, Paul Benzon

CLCWeb: Comparative Literature and Culture

In his article "Digital Media, 419, and the Politics of the Global Network" Paul Benzon analyzes advance fee fraud, a scam in which con artists communicate with potential victims via email, promising them a monetary reward in return for financial assistance in extracting an allegedly astronomical (yet ultimately nonexistent) fortune from within a geographical zone often characterized as highly violent and unstable. Advance fee fraud is often referred to simply as 419, in accordance with the section of Nigerian penal code that addresses fraud. Benzon reads advance fee fraud as a practice of epistolary narrative that self-consciously allegorizes central processes …