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Articles 31 - 60 of 77
Full-Text Articles in Critical and Cultural Studies
Discourses And Models Of Intermediality, Jens Schröter
Discourses And Models Of Intermediality, Jens Schröter
CLCWeb: Comparative Literature and Culture
In his article "Discourses and Models of Intermediality" Jens Schröter discusses the question as to what relations do different discourses pose between different "media." Schröter identifies four models of discourse: 1) synthetic intermediality: a "fusion" of different media to super-media, a model with roots in the Wagnerian concept of Gesamtkunstwerk with political connotations, 2) formal (or transmedial) intermediality: a concept based on formal structures not "specific" to one medium but found in different media, 3) transformational intermediality: a model centered around the representation of one medium through another medium. Model 3) leads to the postulate that transformational intermediality is not …
(Inter)Mediality And The Study Of Literature, Werner Wolf
(Inter)Mediality And The Study Of Literature, Werner Wolf
CLCWeb: Comparative Literature and Culture
In his article "(Inter)mediality and the Study of Literature" Werner Wolf elaborates on the "intermedial turn" and asks whether this turn ought to be welcomed. Wolf begins with a discussion about the definitions of "medium" and "intermediality" and the impact these concepts and practices exert on scholarly, as well as student competence. He argues that despite of the fact that literary studies ought not simply turn into media or cultural studies, mediality and intermediality have become relevant issues for both teaching and the study of literature especially in the fields of comparative literature and (comparative) cultural studies. Following his postulate …
Intermediality And Human Vs. Machine Translation, Harry J. Huang
Intermediality And Human Vs. Machine Translation, Harry J. Huang
CLCWeb: Comparative Literature and Culture
In his article "Intermediality and Human vs. Machine Translation" Harry J. Huang analyzes translation as a process of transferring meaning and/or information. The process and the translated text represent a new medium. When machine translation originating from human translation is integrated into the world wide web, it becomes part of global media. Accordingly, machine translation may best be studied within the context of intermediality, especially its quality vs. that of human translation. Based upon data generated from an international survey of 300 translators, writers, editors, and translation scholars, Huang analyses the participants' expectations and their acceptance of imperfection in the …
Bibliography Of Publications In Media And (Inter)Mediality Studies, Geert Vandermeersche, Joachim Vlieghe, Steven Tötösy De Zepetnek
Bibliography Of Publications In Media And (Inter)Mediality Studies, Geert Vandermeersche, Joachim Vlieghe, Steven Tötösy De Zepetnek
CLCWeb: Comparative Literature and Culture
No abstract provided.
Computer Mapping Of Geography And Border Crossing In Scandinavia, Øyvind Eide
Computer Mapping Of Geography And Border Crossing In Scandinavia, Øyvind Eide
CLCWeb: Comparative Literature and Culture
In his article "Computer Mapping of Geography and Border Crossing in Scandinavia" Øyvind Eide discusses computer based methods for enquiry into a set of border protocols created in the mid-eighteenth century based on interviews with inhabitants of northern Scandinavia. Most of the interviews are with common people: semi-nomadic reindeer herders, fishers, and farmers of Sámi, Norwegian, Swedish, and Finnish origin. Eide discusses the value of the interview material as source material which can be used to understand the way people spoke, especially about geographical matters. The data and their analysis suggest the relevance of mediality and materiality with not only …
Dialogue Between Meaning Systems In Intermedial Texts, Cristina Peñamarín
Dialogue Between Meaning Systems In Intermedial Texts, Cristina Peñamarín
CLCWeb: Comparative Literature and Culture
In her article "Dialogue between Meaning Systems in Intermedial Texts" Cristina Peñamarín analyzes visual-verbal texts showing different ways of conceiving and representing the world, that in each case involves certain ways of reinforcing or challenging preconceptions about the object and ways of positioning author and addressee. Peñamarín's aim is to explore a method by which to address presupposed world visions in the texts and to ask how images and plurisemiotic texts are used to confirm, discuss, or expand the boundaries of systems of meaning. She raises the question of the possibilities of dialogue, hybridization, cultural translation, and the change …
Digital Media, 419, And The Politics Of The Global Network, Paul Benzon
Digital Media, 419, And The Politics Of The Global Network, Paul Benzon
CLCWeb: Comparative Literature and Culture
In his article "Digital Media, 419, and the Politics of the Global Network" Paul Benzon analyzes advance fee fraud, a scam in which con artists communicate with potential victims via email, promising them a monetary reward in return for financial assistance in extracting an allegedly astronomical (yet ultimately nonexistent) fortune from within a geographical zone often characterized as highly violent and unstable. Advance fee fraud is often referred to simply as 419, in accordance with the section of Nigerian penal code that addresses fraud. Benzon reads advance fee fraud as a practice of epistolary narrative that self-consciously allegorizes central processes …
Intermediality, Rhetoric, And Pedagogy, Kris Rutten, Ronald Soetaert
Intermediality, Rhetoric, And Pedagogy, Kris Rutten, Ronald Soetaert
CLCWeb: Comparative Literature and Culture
In their article "Intermediality, Rhetoric, and Pedagogy," Kris Rutten and Ronald Soetaert discuss how the notion of intermediality challenges the institutions that traditionally "mediate" culture and they discuss implications for pedagogy. First, they focus on how the museum as an institution is questioned and problematized by describing it as a "medium" that is increasingly influenced by cultural and technological developments. Second, they focus on the implications of new material culture and intermedial practice and how this requires new perspectives on pedagogy. Rutten and Soetaert elaborate on previous work on the curriculum as a "contact zone" (Pratt) by focusing on the …
Intersubjectivity And Intermediality In The Work Of Serra, Rocío Von Jungenfeld
Intersubjectivity And Intermediality In The Work Of Serra, Rocío Von Jungenfeld
CLCWeb: Comparative Literature and Culture
In her article "Intersubjectivity and Intermediality in the work of Serra" Rocío von Jungenfeld examines the intersubjective space in which artworks are conceived and the cross boundaries of media in order to construct a general understanding of intersubjective perception in visual and plastic arts and an understanding of the processes that determine works of art, reflective perception, and intersubjective experience. Although the argument is that perception is subjective and untransferable, (i.e., a unique personal experience) influenced by innumerable factors and bound to a specific context, there are some elements of perception which can be understood intersubjectively as they apply to …
A Case Study Of (Inter)Medial Participation, Steven Tötösy De Zepetnek
A Case Study Of (Inter)Medial Participation, Steven Tötösy De Zepetnek
CLCWeb: Comparative Literature and Culture
In his article "A Case Study of (Inter)medial Participation" Steven Tötösy de Zepetnek presents survey data followed by quantitative and qualitative analysis about the daily intake of media in cultural participation. The survey data of the study are the result of questionnaires conducted 2001-2002 with advanced undergraduate students enrolled in media and communication studies at Northeastern University and with advanced undergraduate and graduate students at the University of Halle-Wittenberg. As the survey was conducted in 2001-2002, the data and the analysis have "historical" relevance with regard to (inter)medial cultural participation in the digital age. The data are from a mid-size …
Video Games As Equipment For Living, Ronald Soetaert, Jeroen Bourgonjon, Kris Rutten
Video Games As Equipment For Living, Ronald Soetaert, Jeroen Bourgonjon, Kris Rutten
CLCWeb: Comparative Literature and Culture
In their article "Video Games as Equipment for Living" Ronald Soetaert, Jeroen Bourgonjon, and Kris Rutten postulate that with the emergence of new media there is need of a re-evaluation of all modes of communication and the ways in which literacy is conceptualized. Drawing on the concept of multi-literacy they suggest a rhetorical/ anthropological meta-perspective to describe human beings as symbol using animals and focus on particular symbol systems: narrative, drama, and video games. Specifically, they focus on the perspective of drama as a tool to analyze cultural artifacts in general and video games — as a new art form …
Intermediality And Aesthetic Theory In Shklovsky's And Adorno's Thought, Oleg Gelikman
Intermediality And Aesthetic Theory In Shklovsky's And Adorno's Thought, Oleg Gelikman
CLCWeb: Comparative Literature and Culture
In his article "Intermediality and Aesthetic Theory in Shklovsky's and Adorno's Thought" Oleg Gelikman places the concept of intermediality in the context of the unresolved conflict between philosophical aesthetics and aesthetic theory. The conflict originated in the response of an influential generation of thinkers to the crisis of the neo-Kantian schools and the emergence of modernism in the 1910s. Despite superficial similarities, aesthetic theory is neither a revamped aesthetics of the subject nor a theoretical vindication of modernism. By severing the connection between subject-object epistemology and theory of artworks, the practitioners of aesthetic theory such as Victor Shklovsky and Theodor …
Old And New Medialities In Foer's Tree Of Codes, Kiene Brillenburg Wurth
Old And New Medialities In Foer's Tree Of Codes, Kiene Brillenburg Wurth
CLCWeb: Comparative Literature and Culture
In her article "Old and New Materialities in Foer's Tree of Codes" Kiene Brillenburg Wurth analyzes how intermediality works — not what it "is" — in the analysis of literary texts. How intermedial can texts "do," precisely when they consist only of words? Do such texts compel us to reconsider literature as a verbal art? Her analysis focuses on a recent book by Jonathan Safran Foer: Tree of Codes (2010), a literary work cut out of the remains of Bruno Schulz's Street of Crocodiles (1934). Brillenburg Wurth points out how intermediality works as a productive interaction not only between …
Intermedial Representations In Asian Macbeth-S, I-Chun Wang
Intermedial Representations In Asian Macbeth-S, I-Chun Wang
CLCWeb: Comparative Literature and Culture
In her article "Intermedial representations in Asian Macbeth-s" I-Chun Wang discusses three Asian versions of Macbeths that exemplify the cultural meanings through the interaction of landscape, body, and spectacles of power. Shakespeare remains one of the most popular playwrights in the Eastern world, and playwrights in the Asian world find Shakespearean plays attractive to the Asian audience. Among Shakespearean plays, Macbeth fascinates its Asian audience with its theme on kingship, territory of social relationships as well as moral and emotional development. These adaptations oftentimes become cross-cultural reproductions because each adapted text manifests not only cross-cultural interpretations but also highlights …
Musical, Rhetorical, And Visual Material In The Work Of Feldman, Kurt Ozment
Musical, Rhetorical, And Visual Material In The Work Of Feldman, Kurt Ozment
CLCWeb: Comparative Literature and Culture
In his article "Musical, Rhetorical, and Visual Material in the Work of Feldman" Kurt Ozment compares early and late scores by Morton Feldman and argues that Feldman's interest in the visuality of the score was not limited to his experiments with graphic notation. More specifically, Projection 3 (1951) and String Quartet (II) (1983) suggest that Feldman experimented with notation from beginning to end. Up until the early 1980s, one of Feldman's main strategies for commenting on his music was to refer to painting. In his essay "Crippled Symmetry" and in an interview with the percussionist Jan Williams, Feldman also turns …
Intermediality As Cultural Literacy And Teaching The Graphic Novel, Geert Vandermeersche, Ronald Soetaert
Intermediality As Cultural Literacy And Teaching The Graphic Novel, Geert Vandermeersche, Ronald Soetaert
CLCWeb: Comparative Literature and Culture
In their article "Intermediality as Cultural Literacy and Teaching the Graphic Novel" Geert Vandermeersche and Ronald Soetaert argue for the inclusion of the graphic novel for the teaching of cultural literacy and literature. As the printed book is no longer the sole carrier of cultural literacy, Vandermeersche and Soetaert postulate that literary culture must be repositioned in intermedial culture and practices. In order to do so, Vandermeersche and Soetaert apply Werner Wolf's typology of intermediality, aspects of narratology, and scholarship about comics. Following a theoretical discussion they analyze the graphic novel series The Unwritten, a text that thematizes the …
Comparativism And Cyberculture: A Review Article Of New Books By Płaszczewska And Zawojski, Michał Ostrowicki
Comparativism And Cyberculture: A Review Article Of New Books By Płaszczewska And Zawojski, Michał Ostrowicki
CLCWeb: Comparative Literature and Culture
No abstract provided.
Japanese Science Fiction And Conceptions Of The (Human) Subject, Maria Poulaki
Japanese Science Fiction And Conceptions Of The (Human) Subject, Maria Poulaki
CLCWeb: Comparative Literature and Culture
In her article "Japanese Science Fiction and Conceptions of the (Human) Subject" Maria Poulaki discusses the crisis that almost all essentialist categorizations have been facing in late modernity, in the context of which science fiction texts offer fertile ground to investigate the transitions brought about with the intensified invasion of the "human self" by its "nonhuman other." The analysis of a Japanese science fiction film draws a seemingly paradoxical connection between the Japanese version of modernity and self-identity with the relevant "Western" articulations found in the work of Bruno Latour and Alain Badiou. This connection points at a broader re-conceptualization …
Authorship, Collaboration, And Art Geography, Martin De La Iglesia
Authorship, Collaboration, And Art Geography, Martin De La Iglesia
CLCWeb: Comparative Literature and Culture
In his article "Authorship, Collaboration, and Art Geography" Martin de la Iglesia explores the connection between geographical spaces and works of art, a connection often made, but hardly theorized, by scholars in the field of art geography. He suggests that the link between space and object is established by the creator of the object. A feasible method is devised to determine the creator's geographical identity, which in turn determines which space is assigned to the object. Particularly, the implications of multiple authorship for such a methodology are considered. The procedure is exemplified by a geographical analysis of the comic book …
The Metaphysics Of Electronic Being, Michał Ostrowicki [Aka Sidey Myoo]
The Metaphysics Of Electronic Being, Michał Ostrowicki [Aka Sidey Myoo]
CLCWeb: Comparative Literature and Culture
In his article "The Metaphysics of Electronic Being" Michał Ostrowicki discusses the electronic environment as a sphere of being. To this end, the notion of the "electronic sphere" is used as a subject of ontological analysis. Ostrowicki postulates that the problematics of the electronic sphere represents a part of ontology and designates it as "ontoelectronics." He makes a distinction made between an electronic image and an electronic being, thus indicating that they differ from each other in their existential status and thereby deny any metaphysical equivalence between the two. This distinction between an electronic image and an electronic being is …
A Talk Show In Hungary And The Question Of "Proper Distance", Lajos Császi
A Talk Show In Hungary And The Question Of "Proper Distance", Lajos Császi
CLCWeb: Comparative Literature and Culture
In his article "A Talk Show in Hungary and the Question of 'proper distance'" Lajos Császi discusses the phenomenon of the talk show in its specific post-communist Hungarian context. During the past few years, Hungarian commercial television programs have been the target of frequent ideological attacks. At the same time, they have become increasingly popular among audiences. In my study I focus on the "Mónika" talk show, one of the most popular programs. Analyzing this new media phenomenon, I attempt to combine the political-economic and the socio-cultural perspectives of tabloid media, which are often opposed to each other. I ask …
Obama, Africa, And The Post-Racial, Michael Janis
Obama, Africa, And The Post-Racial, Michael Janis
CLCWeb: Comparative Literature and Culture
In his article "Obama, Africa, and the Post-Racial" Michael Janis examines aspects of U.S. president Barack Obama's election in the context of the epistemology and history of racism. Following an introduction to the history of racism in Europe and in the U.S., Janis discusses the media in the U.S. and in Africa in relation to African American and African politics. The debates on race ignited by the campaign are considered in the light of Africana perspectives on relations between Africa and the West and on the history of slavery and colonialism. Based on selected data in the media of the …
Towards A Cultural Framework Of Audience Response And Television Violence, Lajos Császi
Towards A Cultural Framework Of Audience Response And Television Violence, Lajos Császi
CLCWeb: Comparative Literature and Culture
In his paper "Towards a Cultural Framework of Audience Response and Television Violence" Lajos Császi argues that media violence is not a reification of social violence; rather, a popular ritual allowing contemporary societies to sublimate, to substitute, and to discuss aggression in the public sphere. Császi reviews the central questions of contemporary debates about television violence including Stuart Hall's thought on this topic and introduces the ideas of Elias, Geertz, Turner, Bettelheim, Benjamin, Girard, and others in order to locate the representation of violence in an interdisciplinary context. Using the genre of the horror film as an example, Császi suggests …
Thompson's And Acosta's Collaborative Creation Of The Gonzo Narrative Style, Shimberlee Jirón-King
Thompson's And Acosta's Collaborative Creation Of The Gonzo Narrative Style, Shimberlee Jirón-King
CLCWeb: Comparative Literature and Culture
In her article "Thompson's and Acosta's Collaborative Creation of the Gonzo Narrative Style," Shimberlee Jirón-King presents an analysis of Hunter S. Thompson's and Oscar Zeta Acosta's works and a correction about the origins of Gonzo Journalism. Jirón-King suggests that Thompson's and Acosta's writings express the authors' disillusionment about the loss of the American Dream and that their texts suggest the revolutionary movements they hoped for would transform a disintegrating culture have only fallen prey to the shortsightedness of US-American culture. The counter culture they observe simply develops its own forms of racism, classism, power-mongering, and corruption that re-inscribe hegemonic discourses …
Literary And Cinematic Responses To The Crime Story In Contemporary France, Deborah Streifford Reisinger
Literary And Cinematic Responses To The Crime Story In Contemporary France, Deborah Streifford Reisinger
CLCWeb: Comparative Literature and Culture
In her paper, "Literary and Cinematic Responses to the Crime Story in Contemporary France," Deborah Streifford Reisinger examines society's relationship to violence in an era of increased media dominance. Reisinger's interdisciplinary approach integrates media, cinema, and literary studies to analyze how the crime story functions as a site of discursive struggle. Reisinger focuses on the sensational Paulin and Succo affairs that became mobile signifiers about crime, insecurity and the Other in France in the 1980s. By situating these crime stories in a larger historical and political context, she analyzes how media and politicians use the crime story as a tool …
Media In A Capitalist Culture, Barbara Trent
Media In A Capitalist Culture, Barbara Trent
CLCWeb: Comparative Literature and Culture
In her article, "Media in a Capitalist Culture," Barbara Trent looks at the negative effects that capitalism has on the media and how those effects may be overcome. Trent intertwines personal experience with socio-historical context to give the reader a genuine feel for political filmmaking in a Hollywood dominated world. She describes how her Academy Award winning film The Panama Deception was removed from a Cineplex, even after out-grossing all of the other films there, because Warner Brothers wanted the screen. After an examination of the impact a dominant Hollywood has on local culture around the world, Trent offers three …
Media, Communication, And The Relevance Of Caragiale's Work Today, Cristian Stamatoiu
Media, Communication, And The Relevance Of Caragiale's Work Today, Cristian Stamatoiu
CLCWeb: Comparative Literature and Culture
Cristian Stamatoiu discusses in his paper "Media, Communication, and the Relevance of Caragiale's Work Today" media structures in the corpus of Romanian writer and thinker Ion Luca Caragiale (1852-1912). Stamatoiu argues that in addition to the artistic sophistication of his work, Caragiale anticipated the impact of new media revolution and its forms as an imitation of "pathological situations" of public discourse and communication per se. Caragiale is, therefore, a writer of surprisingly up-to-date relevance today because, despite his air of the belle époque, in his grotesque farces and in his short stories we discover mental structures found in and characteristic …
A Comparative Analysis Of Website Expressions Of National Culture And Mediation, Paule Salerno-O'Shea
A Comparative Analysis Of Website Expressions Of National Culture And Mediation, Paule Salerno-O'Shea
CLCWeb: Comparative Literature and Culture
In her paper, "A Comparative Analysis of Website Expressions of National Culture and Mediation," Paule Salerno-O'Shea identifies what the official websites of the National Ombudsman in Ireland and France reveal about mediation in those national cultures. The way both national mediators are portrayed indicates how mediation is represented at the national level: 1) these institutions were created by acts emanating from national representative assemblies; 2) the ombudspersons are nominated by representatives of the nation (in Ireland, the appointment is made by the president upon resolution passed by both Houses of the Oireachtas [Parliament] and in France by a presidential decree …
Laying The Foundation For A New Work On The Pseudo-Virgilian Culex, Lisa St. Louis
Laying The Foundation For A New Work On The Pseudo-Virgilian Culex, Lisa St. Louis
CLCWeb: Comparative Literature and Culture
In her paper "Laying the Foundation for a New Work on the Pseudo-Virgilian Culex," Lisa St. Louis discusses work undertaken on a prolegomenon to a new edition of the pseudo-Virgilian poem Culex. Fifty manuscripts are selected according to criteria such as ownership, geographical area or membership in a group defined by previous scholars. The catalogue of manuscripts is carefully structured in order to include all information needed to locate a given manuscript and trace its history. Manuscripts are collated in detail and their variant readings are entered into Adain software which is designed to determine the relationship between manuscripts. The …
New Books In German Media And Communication Studies, Martin Grimm
New Books In German Media And Communication Studies, Martin Grimm
CLCWeb: Comparative Literature and Culture
No abstract provided.