Theatre History Commons^™

Come Back To The Five And Dime, Jimmy Dean, Jimmy Dean, University Of Southern Maine Department Of Theatre

Posters 1991-1992 Season

By Ed Graczyk

Dimensions: 11" x 17"

Flyer included, dimensions 8.5" x 11"

Come Back To The Five And Dime, Jimmy Dean, Jimmy Dean Program [1992], University Of Southern Maine Department Of Theatre

Programs 1991-1992 Season

By Ed Graczyk

Directed by Will Kilroy

Little Malcolm And His Struggle Against The Eunuchs, University Of Southern Maine Department Of Theatre

Posters 1991-1992 Season

Written by David Halliwell Directed by Robert Silvester

Dimensions: 17" x 11"

Program For The Stage Production Measure For Measure, Protheatre Club

Theater Production Programs

This four-page program details the Protheatre of Ursinus College's production of "Measure for Measure", held April 1 to 4, 1992, in the Ritter Center. It includes a story synopsis and information regarding the cast and production crew.

The Fight Master, Spring 1992, Vol. 15 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Little Malcolm And His Struggle Against The Eunuchs Program [1992], University Of Southern Maine Department Of Theatre

Programs 1991-1992 Season

By David Halliwell

Directed by Robert Silvester

The Tempest, Otterbein University Theatre And Dance Department

1991-1992 Season

The Tempest is a play by William Shakespeare, believed to have been written in 1610–1611, and thought by many critics to be the last play that Shakespeare wrote alone. It is set on a remote island, where the sorcerer Prospero, rightful Duke of Milan, plots to restore his daughter Miranda to her rightful place using illusion and skillful manipulation. He conjures up a storm, the eponymous tempest, to cause his usurping brother Antonio and the complicit King Alonso of Naples to believe they are shipwrecked and marooned on the island. There, his machinations bring about the revelation of Antonio's …

The Cutting Edge, March/April 1992, Vol. 3 Issue 2, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

Cosmographicum

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1992 performance of Cosmographicum by Thom Verratti.

Cosmographicum is the story of a frustrated playwright trying to make sense of the life of 17th-century mathematician and astronomer Johannes Kepler. It is an original play written by former Taylor student Thom Verratti ’90. He graduated from Taylor’s computer science program.

Tabou, Agnieszka Taborska, Julie Strandberg, Vivienne Cho, Jennifer Delventhal, Yvonne Roe, Yutaka Sho, Tamira Estes, Rosanna Garcia, Mariví González, Diana Brozek, Stephanie Hall, Jennifer Hayward, Dawn Marie, Michelle Regan, James O. Barnhill, Nonie Close, David Duvall, Jay Haon, Christopher Schaie, Michael Weiss, Jeff Southard, Candice Goldfarb, Charity Macdonald, Jennifer Delvanthal, Sylvie Toux, Gabriel Albarelo, Erika Munro, Aaron Abroff, Jay Haon, Olexa, Ian Smith, Ming Gale

Programs

Program for the fifth annual RISD Cabaret held in the Waterman Building. Design and layout by Nonie Close. View the Performance Recording.

Juno And The Paycock Poster, University Of Southern Maine Department Of Theatre

Posters 1991-1992 Season

Dimensions: 11" x 17"

By Sean O'Casey

Directed by Thomas Power

Juno And The Paycock Program [1992], University Of Southern Maine Department Of Theatre

Programs 1991-1992 Season

By Sean O'Casey

Directed by Thomas Power

Usm Dance Festival Program [1992], University Of Southern Maine Department Of Theatre

Programs 1991-1992 Season

Artistic Director Nancy Salmon

Nunsense, Otterbein University Theatre And Dance Department

1991-1992 Season

Five of the 19 surviving Little Sisters of Hoboken, a one-time missionary order that ran a leper colony on an island south of France, discover that their cook, Sister Julia, Child of God, accidentally killed the other fifty-two residents of the convent with her tainted vichyssoise they were off playing bingo with a group of Maryknolls. Upon discovering the disaster, Mother Superior had a vision in which she was told to start a greeting card company to raise funds for the burials.

The Cutting Edge, January/February 1992, Vol. 3 Issue 1, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

“…Of Things Unseen”

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1991 Advanced Oral Interpretation Class’s performance of …Of Things Unseen adapted by Oliver Hubbard.

Heidi, Otterbein University Theatre And Dance Department

1991-1992 Season

Heidi is a fresh and delightful play of the Swiss Alps. Heidi is one of the happiest characters in all literature to present before children. Lucille Miller's play depicts her vividly as a winning and personable little girl who is full of fun and mischief but whose influence is nevertheless wholesome and good. Her scenes with the calm uncle and with the Sesemann family are especially dramatic and make an eloquent appeal to every heart. The play follows the book closely, retaining all the well-loved episodes that keep this story eternally alive in the hearts of children. https://www.dramaticpublishing.com/heidi-hb2000

Program For The Stage Production The Crucible, Protheatre Club

Theater Production Programs

This four-page program details the ProTheatre of Ursinus College's production of "The Crucible", held November 6 to 8, 1991, in the Ritter Center. It includes information about the cast and production crew as well as a scene synopsis.

The Medea Myth Flyer, University Of Southern Maine Department Of Theatre

Posters 1990-1991 Season

Adaptation by Dan Plato

Translation of Medea by C. Carleton

Directed by Susan Clark

Dimensions: 7" x 11"

The Cutting Edge, November/December 1991, Vol. 2 Issue 6, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

The Medea Myth Program [1991], University Of Southern Maine Department Of Theatre

Programs 1991-1992 Season

Adaptation by Dan Plato

Translation of Medea by C. Carleton

Directed by Susan Clark

Junior Rocha: A Night Of Illusion & Fantasy Program [1991], University Of Southern Maine Department Of Theatre

Programs 1990-1991 Season

Junior Rocha has studied mime in Brazil, in the U.S.A. with Tony Montanaro,
and in Paris, France. He has also performed internationally and regionally from
Rio de Janiero, Brasilia, Natal, Paris, and London to the Maine Festival,
Celebration Bam Theater, Boston Museum of Science, and in New York City.
Junior has recently returned from a tour in Aruba with Tony Montanaro and
Karen Hurill.

Sarcophagus

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1991 performance of Sarcophagus by Vladimir Gubaryev.

Sarcophagus is an exploration of the Chernobyl Disaster, a catastrophic nuclear accident that occurred on 26 April 1986 at the Chernobyl Nuclear Power Plant near the city of Pripyat, Ukraine. The play takes place in the Institute of Radiation Safety, near Moscow, immediately following the Chernobyl Nuclear Disaster.

Rumors, Otterbein University Theatre And Dance Department

1991-1992 Season

Rumors, is a madcap, slamming door farce set in a large home located just outside of New York in the year 1988. The characters are arriving as guests at a 10th Anniversary Dinner. The first couple to arrive discovers that one of their hosts (Charley) has apparently attempted suicide...unsuccessfully. Charley’s wife, Myra, is nowhere to be found and neither are the servants. Through the course of the show, the audience never meets Charley or Myra. As more guests arrive, there are cover-ups, deceptions, mistaken identities, and a lot of huge laughs.

The Fight Master, Fall 1991, Vol. 14 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

A Midsummer Night's Dream Program [1991], University Of Southern Maine Department Of Theatre

Programs 1991-1992 Season

by William Shakespeare

Directed by Will Kilroy

Perlimplín: Lorca's Drama About Theatre, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

The contemplation of a theatrical work as a type of semiotizing machine which generates a network of signification systems, implies, a priori, the task of specifying the boundaries which define the object of analysis. Hence the dichotomy of text and performance has long been recognized as uniquely inherent in the theatre genre and, therefore, a logical preoccupation of the theatre semiotician. As indicated by contemporary theoretical work (such as that of Patrice Pavis and Anne Ubersfeld), it would appear that the role of the spectator in the reception of a performance is finally coming into view as an essential aspect …

1991 - 1992 Season Brochure, Otterbein University Department Of Theatre And Dance

Theatre and Dance Annual Brochures

Annual promotional piece of the upcoming season's shows.

The Cutting Edge, September/October 1991, Vol. 2 Issue 5, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

The Cutting Edge, July/August 1991, Vol. 2 Issue 4, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.