Performance Studies Commons^™

Presence And The Actor's Craft., Casey Richard Moulton

Electronic Theses and Dissertations

The purpose of this thesis is to establish that Presence is essential to an actor’s craft. This thesis makes considerable mention of my own work on Naomi Iizuka’s Polaroid Stories, playing the part of SKINHEADboy, as well as making mention of the theoreticians and practitioners of Acting who have dealt with the subject of Presence. The parallels I draw between actor training and the sources from outside of the field of Acting feed not only into an understanding of how consequential Presence is for the actor, but also how Presence can affect the lives human beings. This thesis also contains …

Love Letters To Illyria: An Actor's Voyage, Stephanie Faatz Murry

Graduate Theses and Dissertations

This thesis outlines the development of the characters of Olivia in William Shakespeare’s

Twelfth Night and Melissa in A.R. Gurney’s Love Letters. It also contains a headshot, resume and link to a website designed to help further my career as a professional theatre artist.

Choral Theatre, Albert Joseph Wolfe Jr.

Dissertations

Jamaica gained its independence from Great Britain in 1962, after some 300 years of colonization. Prior to Independence, the standard arts education curriculum was decidedly British and Western European. That which was labeled Caribbean or Jamaican “folk” by the British was deemed inferior and was not taught, demonstrated, or performed in formal settings. Thus, generations of Jamaicans never observed or imagined a Caribbean aesthetic in the visual and performing arts. Instead, pre-Independence Jamaicans were taught British and Western European music and performed it the “British” way.

Today, Jamaicans boast a number of artistic developments that are instantly recognized across the …

Sweeney Todd, Jay Cranford, Michelle Crouch

2010-2019: All Shows

Sweeney Todd, an unjustly exiled barber, returns to 19th century London seeking vengeance against the lecherous judge who framed him and ravaged his young wife. The road to revenge leads Todd to Mrs. Lovett, a resourceful proprietress of a failing pie shop, above which he opens a new barber practice. Mrs. Lovett's luck sharply shifts when Todd's thirst for blood inspires the integration of an ingredient into her meat pies that has the people of London lining up, and the carnage has only just begun!

The Merchant Of Venice

Theatre Programs

THE MERCHANT OF VENICE by William Shakespeare
Directed by Thomas F. Bradac and starring Michael Nehring as Shylock

Bassanio, needing money to be a suitor to Portia, asks his close friend, Antonio, for a loan. Antonio's money is tied up in shipments away from Venice so he approaches Shylock, a money-lender. After being insulted in the street by Antonio, Shylock agrees to lend the money, jesting that if Antonio does not pay it back by an appointed time, Shylock may cut a pound of flesh from him. Antonio agrees, and so begins one of Shakespeare's most brilliant comedies. The Merchant …

A Tank Full Of Wishful Thinking: Crystallizing The Rhythms Of The Road, Leanna K. Smithberger

Showcase of Graduate Student Scholarship and Creative Activities

This presentation is a personal exploration of American car culture — the roads that enable it, the everyday actions that sustain it, and the values that justify it. I use a constellation of mobilities, autoethnography, and rhythmanalysis in order to tap into the political, personal, and aesthetic ways our road-centered culture shapes and constrains our lives in mundane and extraordinary ways. I argue that our road system of mobility is largely taken for granted, and is stubbornly persistent due to deeply held cultural values. I use a variety of artistic, evocative methods, including narrative, poetry, and music, because I argue …

Exploring Femme Fatale Through Lady Macbeth, Tori Hidalgo

Undergraduate Honors Thesis Projects

I performed the role of Lady Macbeth at a common hour presented to Otterbein University’s Department of Theatre and Dance students. The concept involved presenting a cut of Shakespeare’s Macbeth that highlighted the development of Macbeth and Lady Macbeth’s relationship. In scripting and performing this adaptation, I sought to fully incorporate my body into my acting style and to expand and apply my knowledge of the femme fatale archetype to a well known literary character: Lady Macbeth. Another goal of this project was to determine how and if the femme fatale fits into feminist ideologies.

The Fight Master, Spring 2016, Vol. 38 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Playing With Croxton, Molly Mccann

Selected Honors Theses

The Croxton Play of the Sacrament is an often overlooked, yet highly important piece for understanding the social climate of England in the fifteenth century.

This time period was riddled with religious and nationalist anxieties ingrained in the text of Croxton. This paper is designed to give an overview of these tensions and explain how our production of this drama sought to navigate and translate these tensions for a modern audience.

Lara Salmon, Thesis Statement, Lara Salmon

CGU MFA Theses

My art brings together materials and ideas inspired by personal experience that do not usually exist side by side. My body is the primary mechanism with which I make work, incidentally making me the subject matter of the work. I use my physical self as an instrument to coalesce and transform other materiality. Through live performance and photographic installations I create tension and balance between crude biology and bright, polished formalism. This body of work focuses on Millennial Feminism and the Middle East.

Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Tarian Perdamaian: Enacting Alternative Hindu/Christian Identity Discourses Through "Secular" Balinese Performing Arts, Dustin D. Wiebe

Yale Journal of Music & Religion

This article examines the nature of interreligious relations between Protestants of the Bali Church and Hindus as enacted through dramatic forms of Balinese music and dance. Particular attention is paid to the influence of mass tourism as a contributing factor in this process. Since the early twentieth century these arts have formed a central component of a pan-Balinese identity discourse known as" kebalian." The first Balinese converted to Christianity during the 1930s and were subsequently excommunicated from their ancestral villages for refusing to participate in local customary practices (including the ritualistic use of gamelan music). For this reason, Balinese …

Transkripsi Struktur Penyajian Lakon Rabine Panji Pada Kelompok Wayang Topeng Tradisi Kedungmonggo Malang, E.W. Suprihatin Dyah Pratamawati, Tri Wahyuningtyas, Hartono Hartono

Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya

Malang is popular with one of its traditional dance that is Malang Puppet Mask (Wayang Topeng Malang, shortened into WTM). WTM has several characteristics, they are: (1) retelling Panji stories; (2) all dancers wear puppet mask with its own characters; (3) puppet master is usually performed by male and is responsible to tell stories and narrate the dialogs; (4) the stage has its definite patterns and cannot be changed according to the puppet master’s will. Panji’s stories and narration are based on folk lore so that the form and the structure are based on the puppet master’s memories, perception and …

Hamlet, School Of Theatre Arts

All Production Programs

An IWU School of Theatre Arts production of Hamlet: A National Tragedy by William Shakespeare.

Porch, Dominique Rider

SFA School of Theatre

No abstract provided.

A Flea In Her Ear

Theatre Programs

A new version of Georges Feydeau's farce by David Ives
Directed by Tamiko Washington

Ives’ reimagining of the George Feydeau comedy is a farcical romp set in France at the turn of the 20th century. Raymonde Chandebise suspects her husband Victor is having an affair after he suddenly seems blasé about sex (though it’s actually due to a nervous condition). This sets off a whirlwind of comic mishaps, wild misunderstandings, and hilarious exchanges at the Frisky Puss Hotel!

Waltmar Theater
7:30 p.m. - February 18, 19, 20, 25, 26 & 27
2 p.m. - February 27

To view photos from …

Getting Out, Jeff Coussens

2010-2019: All Shows

Released from prison "Arlene" returns to a rundown apartment in Louisville, intent on starting her life over. Rebellious and disruptive as a young girl, she has found strength in religion and wants to put her youth (as "Arlie") behind her. But her struggle to find her way in the present (as "Arlene") is counterpointed by flashbacks of her past (as "Arlie"), her two personalities being represented by two performers, who sometimes appear on stage simultaneously. We meet the guards and prison officials with whom "Arlie" waged a running battle; and the unfeeling, slatternly mother, the lecherous former prison guard, the …

Rituals And Performance In Gastronomy, Ivan Magrin-Chagnolleau

Presidential Fellows Articles and Research

I would like to explore, in this paper, the performative and ritualistic aspects of gastronomy and sharing meals. Because eating is something we have to do quite often, it is filled with a social function that is very culture dependent. At the same time, in every culture, we find some performative and ritualistic elements associated with eating and sharing a meal.

In this paper, I will interrogate the performative and ritualistic aspects of family meals as well as meals that have a function like a meeting or a reunion. In a second part, I will explore how some chefs articulate …

Presentation Of The Issue On Cuisine & Performance, Ivan Magrin-Chagnolleau

Presidential Fellows Articles and Research

"Gastronomy is an important part of our culture. The way we eat says a lot about who we are, what culture has shaped us, and the choices we have made concerning our food and the way we eat it. Gastronomy is surrounded by many rituals, and we often perform the way we eat. Besides, since we need to eat every day, we are engaged in rituals and performative acts related to gastronomy every day."

Embodied Knowledge And Accessible Community: An Oral History Of ‘Four Rehearsals And A Performance', Liam Oliver Lair, Ashley Mog

Gender Studies Faculty Publications

In this article we discuss how an oral history project emerged through our involvement in a collaborative, creative project at the University of Kansas called Four Rehearsals and a Performance (FRAP). FRAP utilized improvisation in dance and music, bringing together community members across ability to explore how knowledge and community are created. Our analysis explores themes of embodiment, community, and how participants experienced the space of FRAP. We first describe how FRAP became a project, and then we discuss how our oral history project emerged as part of FRAP. After providing specific examples of themes and experiences shared by our …

Ua68/17 Wku Dance: Creating Thinking Artists, Wku Theatre & Dance

WKU Administration Documents

Newsletter created by and about WKU Dance program.

• Welcoming New Professors - Meghen McKinley, Kylene Stephens
• 2015-2016 Performance Season
• Guest Artists - Banning Bouldin, Andrea Shelley, Jon Lehrer, Denise Vale, Brian Grant
• National Dance Education Organization Student Chapter
• National Honors Society for Dance Arts Student Chapter
• Dance Showcase
• Sumer Studies
• WKU Dance Intensive

Freedomland, Lindsey Mantoan

Faculty Publications

Lindsey Mantoan reviews a performance of Freedomland (by Michael Gene Sullivan) for Theatre Journal.

Staging (Within) Violence: A Conversation With Frank Wilderson And Jaye Austin Williams, Jaye Austin Williams

Faculty Journal Articles

No abstract provided.

Devising Performance & Queer Futurity, Brendan F. Leonard

Honors Theses

This project argues that devising performance is an inherently queer and utopian form. In response to recent political movements, such as Occupy Wall Street and Black Lives Matter, which seek to stage dissatisfaction with the systems of late capitalism, I turn to devising performance as a site. Informed by the queer and performance theories of Jose Esteban Munoz, Lee Edelman, and Jill Dolan, I argue that devised theater allows us to process disillusionment, rehearse collectivity, and stage futurity. In conversation with Munoz, I define futurity as an imaginative site that considers what will follow what some scholars suggest will be …

The Link Between American Deaf Culture And Dance: Assessing Nonverbal Communication And Recognizing The Value Of Deaf Dancers., Chloe Edelstein

Undergraduate Honors Thesis Collection

As a dancer, it is of the utmost importance to know the history behind the origins of movement with intent. In a collegiate setting, we are immersed in the different styles and origins that have shaped the refinement and adaptations of dance into the genres that it exists today. But, I have recognized a lack of knowledge in one extraordinary facet; dance performed by those who are deaf. With this project, I have educated a group of dancers on the different aspects and struggles of being deaf within America and through the creation of a dance that mimics the rehearsal …

Movement And Music: Exploring The Relationship Between Movement And Dance, Savannah Dunn

Undergraduate Honors Thesis Collection

This thesis will examine the goals of dance performance, the craft behind choreographic art, and their respective relationships to music. As it would be impossible to rewrite the discourse and philosophy of dance or reach any concrete conclusions in that regard, I merely aim to present some of the primary theories surrounding this topic and discuss the roles they took on in the dance I created as part of this project, titled Ash Fighting Balance. I worked with a composer, Harriet Steinke, over the course of the 2015-2016 school year to choreograph a dance in three parts. I conscientiously pursued …

Realistic Acting Methods In Non-Realistic Theatre: Konstantin Stanislavsky's Theories Applied To Bertolt Brecht's Epic Theatre, Taylor Galloway

Undergraduate Honors Thesis Collection

The path to understanding Bertolt Brecht’s Epic Theatre in any theatre history class is often paved in terms of its contrasts with Konstantin Stanislavsky’s realistic theatre. Two of the most influential theatre practitioners of the 20th century, Brecht and Stanislavsky, are presented as polar opposites and as essentially incompatible. For instance, one learns that Brecht theatre intends to turn its spectators into critical thinkers, to prevent them from emotionally identifying with the play in anyway, and to present them with a picture of the world- recognizable yet strange. Conversely, one learns that Stanislavskian theatre intends to turn its spectators into …