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Articles 241 - 270 of 527
Full-Text Articles in Performance Studies
Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives
Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives
RISD Cabaret 1987-2000 Retrospective
No abstract provided.
Tarian Perdamaian: Enacting Alternative Hindu/Christian Identity Discourses Through "Secular" Balinese Performing Arts, Dustin D. Wiebe
Tarian Perdamaian: Enacting Alternative Hindu/Christian Identity Discourses Through "Secular" Balinese Performing Arts, Dustin D. Wiebe
Yale Journal of Music & Religion
This article examines the nature of interreligious relations between Protestants of the Bali Church and Hindus as enacted through dramatic forms of Balinese music and dance. Particular attention is paid to the influence of mass tourism as a contributing factor in this process. Since the early twentieth century these arts have formed a central component of a pan-Balinese identity discourse known as" kebalian." The first Balinese converted to Christianity during the 1930s and were subsequently excommunicated from their ancestral villages for refusing to participate in local customary practices (including the ritualistic use of gamelan music). For this reason, Balinese …
Hamlet, School Of Theatre Arts
Hamlet, School Of Theatre Arts
All Production Programs
An IWU School of Theatre Arts production of Hamlet: A National Tragedy by William Shakespeare.
Porch, Dominique Rider
A Flea In Her Ear
Theatre Programs
A new version of Georges Feydeau's farce by David Ives
Directed by Tamiko Washington
Ives’ reimagining of the George Feydeau comedy is a farcical romp set in France at the turn of the 20th century. Raymonde Chandebise suspects her husband Victor is having an affair after he suddenly seems blasé about sex (though it’s actually due to a nervous condition). This sets off a whirlwind of comic mishaps, wild misunderstandings, and hilarious exchanges at the Frisky Puss Hotel!
Waltmar Theater
7:30 p.m. - February 18, 19, 20, 25, 26 & 27
2 p.m. - February 27
To view photos from …
Getting Out, Jeff Coussens
Getting Out, Jeff Coussens
2010-2019: All Shows
Released from prison "Arlene" returns to a rundown apartment in Louisville, intent on starting her life over. Rebellious and disruptive as a young girl, she has found strength in religion and wants to put her youth (as "Arlie") behind her. But her struggle to find her way in the present (as "Arlene") is counterpointed by flashbacks of her past (as "Arlie"), her two personalities being represented by two performers, who sometimes appear on stage simultaneously. We meet the guards and prison officials with whom "Arlie" waged a running battle; and the unfeeling, slatternly mother, the lecherous former prison guard, the …
Directing Time Stands Still, Michael Bradley Sheeks
Directing Time Stands Still, Michael Bradley Sheeks
All Graduate Theses, Dissertations, and Other Capstone Projects
This document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in theatre. It is a detailed account of author Michael Sheeks’s artistic process in directing Time Stands Still in the fall of 2015. The thesis chronicles the director’s artistic process from pre-production through performance in five chapters: a preproduction analysis, an historical and critical perspective, a process journal, a post-production analysis and a process development analysis. Exhibits and works cited are included.
Devising Performance & Queer Futurity, Brendan F. Leonard
Devising Performance & Queer Futurity, Brendan F. Leonard
Honors Theses
This project argues that devising performance is an inherently queer and utopian form. In response to recent political movements, such as Occupy Wall Street and Black Lives Matter, which seek to stage dissatisfaction with the systems of late capitalism, I turn to devising performance as a site. Informed by the queer and performance theories of Jose Esteban Munoz, Lee Edelman, and Jill Dolan, I argue that devised theater allows us to process disillusionment, rehearse collectivity, and stage futurity. In conversation with Munoz, I define futurity as an imaginative site that considers what will follow what some scholars suggest will be …
The Naïve Ingénue, The Plucky Everyman's Hero, And The Ingénue Gone Awry: The Satirical Deconstruction Of Theatrical Character Tropes In Urinetown: The Musical, Victoria Montecillo
The Naïve Ingénue, The Plucky Everyman's Hero, And The Ingénue Gone Awry: The Satirical Deconstruction Of Theatrical Character Tropes In Urinetown: The Musical, Victoria Montecillo
Scripps Senior Theses
This thesis looks to explore Urinetown: The Musical through a critical and theoretical framework, analyzing the show's presentation and deconstruction of theatrical character tropes through musical satire. Using the theories of theatre theorists such as Bertolt Brecht, Peter Brook, and Augusto Boal, this thesis discusses the use of theatre as a device for political and social commentary. Additionally, this thesis focuses more specifically on the show's character of Penelope Pennywise as a new kind of character in the theatre: an "ingénue gone awry," within the context of approaching a performance of the character in a performance of the musical.
Staging (Within) Violence: A Conversation With Frank Wilderson And Jaye Austin Williams, Jaye Austin Williams
Staging (Within) Violence: A Conversation With Frank Wilderson And Jaye Austin Williams, Jaye Austin Williams
Faculty Journal Articles
No abstract provided.
The Choreopolitics Of Liberation And Decolonization, Harrison M. Goodall Iii
The Choreopolitics Of Liberation And Decolonization, Harrison M. Goodall Iii
Pomona Senior Theses
This thesis examines dance as a means of social and political revolt in the AIDS epidemic. The course of the AIDS epidemic within the United States was inexorably shaped by the way dancers and choreographers used their art form to rebel against concepts of masculinity, sexuality and disease transmission. Through confronting their audiences with the reality of their loss and humanizing themselves and their loved ones that passed away, dancers were able to change the image of the epidemic and push for necessary political and social reform. This paper also analyzes the ways that norms of masculinity and the stigma …
Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse
Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse
Theses and Dissertations
"Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press and Fluxus," positions Knowles’ Big Book (1966) as a case study of historical methodology and interdisciplinary artistic practice in the post-war period. This comprehensive analysis of Big Book, a work of art no longer extant, contextualizes its publisher, Something Else Press through Dick Higgins’ concept of “intermedia,” and important lesser-known junctures relevant to Fluxus and the group’s leader George Maciunas are illuminated. Knowles' early and lesser-known silkscreen paintings are also examined.
Backwards In High Heels: Examining The Careers And Artistic Contributions Of Fred Astaire’S Female Dance Partners, Fiona Mowbray
Backwards In High Heels: Examining The Careers And Artistic Contributions Of Fred Astaire’S Female Dance Partners, Fiona Mowbray
Mahurin Honors College Capstone Experience/Thesis Projects
This project examines the careers and contributions of three of Fred Astaire’s female dancing partners during the golden age of movie musicals: Ginger Rogers, Vera-Ellen, and Cyd Charisse. These women receive less recognition than their male co-star, due in part to the political and social environment from the 1930s to the 1950s in America, sexism and competition within Hollywood, and personal obstacles. Rogers, Vera-Ellen, and Charisse are all important as individual performers as well as for the part they played in enhancing Astaire’s legacy. My goal is to bring these women back into the musical theatre narrative in a compact …
Eurydice
Theatre Programs
Written by Sarah Ruhl
Directed by Theresa Robbins Dudeck
In Eurydice, Sarah Ruhl reimagines the classic myth of Orpheus through the eyes of its heroine. Dying too young on her wedding day, Eurydice must journey to the underworld, where she reunites with her father and struggles to remember her lost love. With contemporary characters, ingenious plot twists, and breathtaking visual effects, the play is a fresh look at a timeless love story.
Waltmar Theatre
7:30 p.m. - November 12, 13 & 14
2 p.m. - November 14 & 15
To view photos from this production of Eurydice, please …
Machinal, Jennifer Popple
Machinal, Jennifer Popple
2010-2019: All Shows
The play's title means "automatic" or "mechanical" in French and is based loosely on the murder trial of Ruth Snyder and her lover, Judd Gray, who together murdered Snyder's husband. Convicted of murdering her husband, Snyder later received the electric chair. A woman's role during this era in history is confined and regimented to wife, mother, housekeeper, and sexual partner. Love is considered unnecessary, and thus many women are trapped in their dependent status, living a hellish life in a loveless marriage. The relationship between Helen Jones and her husband, George H. Jones, is no different. However, when a man …
The Fight Master, Fall 2015, Vol. 37 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall 2015, Vol. 37 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
Rent
Theatre Programs
Book, Music, and Lyrics by Jonathan Larson; loosely based on Puccini’s La Bohème
Directed by Matthew McCray
Music Direction by Diane King Vann
Impoverished young artists and musicians struggle to survive and create in New York's Lower East Side, under the shadow of HIV/AIDS. The physical and emotional complications of the disease pervade the lives of Roger, Mimi, Tom, and Angel. Maureen deals with her chronic infidelity through performance art; her partner, Joanne, wonders if their relationship is worth the trouble. Benny has sold out his Bohemian ideals in exchange for a hefty income and is on the outs with …
Pinocchio Commedia, Jackie Wynes Mccall
Pinocchio Commedia, Jackie Wynes Mccall
2010-2019: All Shows
This Harlequinade version of Pinocchio is one of his theatre’s most successful productions. Simons uses the original Italian commedia names, such as Arlecchino, who later became the French Harlequin. The name “Pinocchio” may be spoken with its Italian pronunciation as pee-no-kee-o. In true commedia fashion, this wild and uninhibited play begins with a troupe of strolling players exploding into the theatre with their noisy props and crude scenery. Arlecchino plays a Cricket; Pantalone plays Geppetto; Razullo, a fox; Beltrama, a cat; Pulcinella, the wicked puppet master; Pedrolina, a donkey and a fool; Columbina, a spirit and Pinocchio plays himself. The …
"Debate: Millennials Don't Stand A Chance" Devised, Documentary And Immersive Theatre: The Story Of Everymillennial, Sean R. Byrne
"Debate: Millennials Don't Stand A Chance" Devised, Documentary And Immersive Theatre: The Story Of Everymillennial, Sean R. Byrne
Senior Honors Projects, 2010-2019
This thesis aims to discover how communitas can be created through theatrical performances by blurring the line between audience and performer as well as performer and character. The topic of the Millennial generation is used as a thematic element in performance to emphasize the creation of community. A theatrical form will be introduced, called the “Living Biography:” a method of devising based on devising, documentary, and immersive theatre. This form will be shown as one possible option in creating communitas in a performance. While other forms of audience inclusion are frequently used, it will be argued that the “Living Biography” …
As You Like It, Jennifer Popple
As You Like It, Jennifer Popple
2010-2019: All Shows
Comic twists and turns abound when a disguised Rosalind seeks refuge after being wrongfully banished by her uncle. Her unfortunate exile is transformed into a charming adventure when she encounters some of Shakespeare’s most beloved characters - colorful fools, witty rustics, and the handsome, lovesick Orlando. A clandestine, gender-bending courtship ensues, in Shakespeare’s timeless comedy about love, transformation and the roles we play.
The Fight Master, Spring 2015, Vol. 37 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring 2015, Vol. 37 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
Using Solo Drama To Make The Teaching Of Social Studies Engaging For Students, Michael Kemeh
Using Solo Drama To Make The Teaching Of Social Studies Engaging For Students, Michael Kemeh
Faculty Scholarship
Social studies is a major subject taught in schools in the United States. Research shows lack of interest in the subject by most school children. The author reflects on how he prepares teachers in a graduate drama course to use solo drama as another instructional option to address the problem. The paper also examines integrated solo drama projects by four students in their respective classrooms as case studies. The findings are synthesized to demonstrate the efficacy of this drama strategy for classroom teachers and teacher educators to adopt in making social studies meaningful and engaging for learners.
Testimony Coming To Life: Revealing The Lord Through Dance, Rachil L. Reynolds
Testimony Coming To Life: Revealing The Lord Through Dance, Rachil L. Reynolds
Williams Honors College, Honors Research Projects
This honors project is a choreographic work based on a testimony of a woman named Ashley Abercrombie who went from a journey of excellence, to drug abuse, to salvation. The objective of this project was to create an artistic social action piece based on faith. The final work of choreography was movement that was directly related to the story line of Ashley Abercrombie’s testimony, at seventeen minutes in length, and includes a cast of eleven. The final work was publicly presented at the Paul A. Daum Theater, Kolbe Hall, The University of Akron on April 24-25, 2015 as part of …
Dancing Between The Intangible And The Tangible: Investigating Silence And Stillness In The Rehearsal And Performance Process Of Tango/Rouge, Mckenzie Cochran
Dancing Between The Intangible And The Tangible: Investigating Silence And Stillness In The Rehearsal And Performance Process Of Tango/Rouge, Mckenzie Cochran
Dance Undergraduate Theses
No abstract provided.
Cross-Disciplinary Collaboration: Creating The Foundation For Collaboration Amongst The Arts Disciplines, Powered By Tectonic Theatre Project’S Moment Work, Tara B. Weintraub
Cross-Disciplinary Collaboration: Creating The Foundation For Collaboration Amongst The Arts Disciplines, Powered By Tectonic Theatre Project’S Moment Work, Tara B. Weintraub
Theses and Dissertations
During this course, upper-level VCUArts students are invited to join forces to become a part of a cross-disciplinary, ensemble-based exploration. Powered by Tectonic Theatre Project’s Moment Work, students will create new works and gain insight into the philosophies, purposes, and processes of Moment Work and other devised theatre techniques. The class will culminate in short, devised pieces, created and performed by the students. The focus of the class is on the creation of a harmonious ensemble amongst a varied group of young artists. I believe that in order to create a generation of innovative and forward-thinking artists, the segregation of …
The Orphanage Of Things: A Narrative Of Abandonment, Malaz Elgemiabby
The Orphanage Of Things: A Narrative Of Abandonment, Malaz Elgemiabby
Theses and Dissertations
In Sudan, 110 babies are abandoned in the streets of Khartoum every month. The majority of abandoned children are born out of wedlock. Young women with illegitimate pregnancies are often ostracized by their families and society, and the lack of emotional, financial and legal support has led many to take desperate measures, including the abandonment of their children. Relinquishing mothers exist like ghosts in Sudanese society. The only evidence of the mother’s experience is her anonymous, abandoned child. In order to understand and examine this phenomenon, I used ethnographic performance art informed by design research practice (Performative Research Design). I …
One Script, Two Perspectives: Generation Me And The Staging Of Really Really, Kirstin R. Hensley
One Script, Two Perspectives: Generation Me And The Staging Of Really Really, Kirstin R. Hensley
Theses and Dissertations
Really, Really, by Paul Downs Colaizzo, is loosely based on the 2006 Duke University sexual assault scandal resulting from what proved to be a false accusation of rape made against three members of the men’s lacrosse team. After individually reading the play, Jorge Burmudez and I both arrived at differing opinions of who was the true victim, in turn inspiring this thesis, which is an exploration of two separate productions of the play demonstrating contrasting perspectives/outlooks regarding sex crimes within sports organizations in the university setting. It will describe our process from conceptualization to a post-mortem talking about particular …
Through The Eyes Of The Homeless, Aisha M. Soto
Through The Eyes Of The Homeless, Aisha M. Soto
LSU New Orleans Theses and Dissertations
When reviewing the entire project from start to completion, I can honestly say, Through the Eyes of the Homeless is a play about ten women and their plight. It illustrates their dealings with everyday issues of hurt, disappointment, abuse, love, and hope. I believe the true impact of this play is the undeniable prayer for help and hope within each monologue. Despite the horrors that are unveiled and released through hidden secrets, the undertone of betterment is truly resonating. My own expectation for this play is simply to strike awareness and understanding in the eyes of the people. It is …
The Fight Master, Fall 2014, Vol. 36 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall 2014, Vol. 36 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
On And Off The Stage: An Analysis Of Dance In Theater And Performance, Michael Chiaverini
On And Off The Stage: An Analysis Of Dance In Theater And Performance, Michael Chiaverini
Dance Undergraduate Theses
No abstract provided.