Dramatic Literature, Criticism and Theory Commons^™

Big Fish: A Scenic Designer’S Process, Anna K. Schwartz

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis presents a comprehensive exploration of the scenic design process through a case study of the production "Big Fish the Musical" at the Nebraska Repertory Theatre. Drawing on firsthand experience as the scenic designer for the production, the author delves into the multifaceted journey of conceptualizing, designing, and executing the scenic elements of the show. The thesis examines the collaborative nature of the scenic design process, highlighting the interactions between the scenic designer, director, technical team, and other creative collaborators. Key aspects explored include the initial conceptualization phase, the iterative design process, the challenges, and discoveries encountered during rehearsals …

Wole Soyinka: A Life Of Arts And Advocacy, Maggie Feduccia

[Archive] Belmont University Research Symposium (BURS)

The life and work of playwright, novelist, and activist Wole Soyinka (born in 1934) serves as a perfect example of the marriage of the arts and advocacy, through the telling of stories of the Nigerian people. Soyinka grew up surrounded by Christianity, Islam, and the tribal religion of the Yoruba people. Additionally, Soyinka’s parents exposed him to Nigerian and other West African literature, Western literature, and ancient Greek drama. Soyinka’s intellect was formed at the intersection of these various theologies and literary traditions, and further developed through studies at the University of Ibadan and the University of Leeds, from where …

You’Re Invited! Collaborating With Faculty And Students To Create A Successful Library Event, Laura Semrau

Transforming Libraries for Graduate Students

To celebrate the 400^th anniversary of the printing of Shakespeare’s First Folio, the Baylor University Libraries hosted a three-day celebration; “Shakespeare 400” drew faculty members from six academic departments and leveraged the talents of both graduate and undergraduate students. The four main events drew a cumulative crowd of over 200 people. Graduate students contributed to the events through music performance, a dramatic reading, enthusiastic promotion, and engaged participation. This presentation will explore key take-aways for including graduate students in library events.

The success of Shakespeare 400 was largely due to collaborations between the library, faculty members, and graduate …

Epistemic Theatres: The Dramaturgy Of Knowledge In Twenty-First Century Theatre, Amir Farjoun

Dissertations, Theses, and Capstone Projects

In this dissertation, I draw upon theatre and performance literature, science and technology studies, and art theory to attend the distinctive dramaturgical features of lecture-performance and other contemporary examples of epistemic theatres. After theorizing their roots, their causes, and their objectives, I build on the intrinsic and mutual links these performances develop between theatre and knowledge to justify and develop novel academic modes of response that consider theatre as a method, and not merely an object, of humanistic study. I propose that a theatricalization of knowledge—or rather, a more explicit acknowledgement of knowledge’s engrained theatricality—helps in developing intellectual-academic responses not …

Introduction To Theatre Oer Course, Carmen R. Meyers

Open Educational Resources

Study of theatre and performance throughout history and across cultures including an examination of European, Carribean, and North and South American theatrical styles and genres.

This course is organized for a hybrid/asynchronous format. Our class meets on-campus every week for 75 minutes and the other 75 minutes will be completed asynchronously with weekly learning modules on Blackboard.

The first half of the course focuses on the history of theatre from Ancient Greece through Modern Realism. The second half of the course, students engage in the procedures of professional theatre artists through writing and refining a dramatic text; enacting a performance; …

Time, Place, & Purpose: The Performance Of Creole Identity In Louisiana, Rachel N. Aker

LSU Doctoral Dissertations

Though much of the early development of Louisiana Creole culture can be found in New Orleans, the culture spread and continued to grow throughout the rest of South Louisiana in both similar and different ways. Expanding beyond Joseph Roach’s treatment of Creole cultural performances in New Orleans in Cities of the Dead (1996) and journeying across land and water, this project identifies more Creole cultural performance as they emerge across place and time. I present Louisiana and the Gulf South as a kind of inland archipelago, with the currents of culture-creation moving in and around distinct community enclaves. The flow …

Sibelius’S Scaramouche: A Comparative Production History Of A Tragic Pantomime, 1913–1977, Karl E. Toepfer, Eija Kurki

Open Educational Resources

The book describes the historical context for the Scaramouche tragic pantomime created by Poul Knudsen and Jean Sibelius in 1913. The pantomime had numerous productions in various European countries between 1922 and 1977, and the book examines all of them according to all available evidence. The text explains the historical and cultural significance of the pantomime and how it uniquely explores a dark and complex intersection of female sexuality, marriage, and class control of erotic desire. The authors examine all productions of Scaramouche from the premiere production in Copenhagen in 1922 to the last major production in Karl-Marx-Stadt, East Germany …

Portraying Women In Eugene O’Neill Plays: How Life Affects Art And How Art Is Made Manifest, Charity M. Turley

Senior Honors Theses

Throughout his career, Eugene O’Neill wrote plays with strong and compelling female characters which have earned him much recognition. O’Neill’s ability to perceivably tap into a humans’ psyche and portray the deep desires of humanity was done to an extent rarely portrayed on the stage before; especially giving such complex characteristics to women, which was unconventional and unexpected for his time. Many have asked, therefore, what led O’Neill to write women as boldly as he did? It is known that his formative familial and romantic relationships were plagued by hardship, even so, he admitted to writing many of his characters …

Puppy Love And [Information] Play: An Intersection Of Theatre, Queer Kink, And Consent, Emily Kitchens

Faculty Articles

This note from the field centers on a nexus of queer kink subcultures and consent-based intimacy work in theatre. I report, investigate and wrangle with the process of incorporating queer kink aesthetics into the production of Love and Information by Caryl Churchill I directed at KSU February 2023. What I have learned and hope to demonstrate throughout the paper, is that queer kink subcultures are often paradigmatic examples of communities built on consent, and we as performing arts practitioners can more visibly expand the margins of our cultural competency dialogues to not only include them but look to them as …

Behind The Scenes: Shining A Spotlight On Veiled Theatre Workers, Ariel Bradshaw

Student Scholar Symposium Abstracts and Posters

My thesis aims to highlight traditionally underrepresented theatre artists. I wish to dive deeply into the many backstage, or “veiled” workers, who continue to go unacknowledged. Why is there an aspect of “veiled” theatre created to stay hidden? Even in technical theatre, some specialties receive more credit or recognition than others. For example, the Tony Awards offer categories for direction, sound, light, costume, and scenic design, yet no award for stage management. How are institutions working to create more representation in an intentionally hidden space? This project will specifically focus on the representation of stage managers, arguably the most invisible …

In Yellow: A Solo Poem-Play, Emily Kitchens

Faculty Articles

“In Yellow” was developed in the INKubator residency at Art House Productions (Jersey City, NJ) in 2019 with the following blurb:

In Yellow is a solo poem-play about a relationship between a young woman and a ceramic doll her grandmother made that she has just accidentally broken. It is about grief. It is about breaking out of generationally instilled feminine values. It is about the color yellow. It’s all true.

“In Yellow” is an experiment of a poem and play for one voice. I was in New York City for about 10 years, before that The Bay Area, but am …

Laughter In The Shadows: Navigating Comedy And Tragedy In Much Ado About Nothing, Mary Kelly

Conspectus Borealis

No abstract provided.

Gerontology In Bryony Lavery’S A Wedding Story (2000) And Sebastian Barry’S Hinterland (2002), Rania M Rafik Khalil

English Language and Literature

Old age is perceived as a narrative of decline, recently, an alternative perspective was introduced known as positive aging or Gerotranscendance. This paper examines ageing in Bryony Lavery’s A Wedding Story (2000) and Sebastian Barry’s Hinterland (2002) through the theory of gerontology. Gerontology in British and Irish modern theatre, according to Giovanna Tallone (2020) and Heather Ingman (2018), is a new category in literary studies and theory. The paper aims to examine the challenges of retaining agency in old age in comparison to the notion of aging as a process of inner harmony further proving that despite the process of …

Transnational Ritual Poetics Of Blackness In Performance, Nina A. Mercer

Dissertations, Theses, and Capstone Projects

In this dissertation, I investigate transnational ritual poetics of Blackness through a historical, cultural, and spatial lens, centering my exploration on the recurrence of circles, the crossroads, and waterways. I show how these formal poetics activate Africana cosmologies, cosmogonies, and mythologies dramaturgically by centering contemporary New York City performance works that bring together dance, theatre, and music. I contextualize NYC performance case studies in relation to performance practices in contemporary Salvador da Bahia. I am particularly interested in how the recurrence of circles, the crossroads, and water as formal poetics catalyze interventions along contested water-ways and landscapes marked by Black …

Allegedly In Love: A Theatrical Production, Leah Christenson

Theatre Undergraduate Honors Theses

Allegedly in Love: A Theatrical Production details the process of producing and costume designing a fully-realized performance run of an original piece by Madelyn Marks.

A Methodology Of Paradoxes: Investigating Authenticity In The Representation Of Queerness On The Contemporary Stage, Kendall C. Walker

Theses and Dissertations

In my experience as a queer theatre practitioner, performer, and student, I have always had questions of ownership and authenticity when it comes to LGBTQIA+ narratives on the contemporary theatre stage. The question of: “Who is allowed to tell what story?” and the many complex ideas that this leads to, is what has inspired this thesis and my own pedagogy of intersectionality and inclusivity.

The purpose of this thesis is to investigate the relationship between authenticity and queerness on the contemporary stage in order to develop a methodology for how all theatre practitioners—no matter their identity—can effectively tell queer-identifying stories …

The Importance Of Creation: Lessons From The Collision And Performing Justice Projects, Mariah Johnson

Symposium of Student Scholars

The Collision Project is a performance-based project that introduces young artists to an inspiration which drives them to create their own performative art. During my time participating in Kennesaw State University's 2022 New Connections Collision Project, I had the privilege of working alongside the talented youth graduates in the Department of Justice system. Through my first-hand experience and by examining the works through the lens of Megan Alrutz’s book Digital Storytelling, Applied Theatre, & Youth: Performing Possibility, I learned the importance of personal expression through creation. Projects such as our Collision Project and Alrutz’s Performing Justice Project present highly beneficial …

Forbidden Temporalities: The Wayward Aesthetics Of Punchdrunk’S Sleep No More, Thomas Fish

Faculty Articles

Punchdrunk’s Sleep No More is an immersive theatrical adaptation of Shakespeare’s Macbeth and Hitchcock’s Rebecca that has been staged in New York since 2011 with over 2000 performances. Sprawled over a hundred rooms within three intricately designed warehouses, the event offers a visceral exploration of a labyrinthine space and the potential for anonymous—even erotic—one-on-one encounters with a performer in the dark. This paper offers a new angle on Punchdrunk’s immersive style by considering the embodiment of temporality in performance and its concurrent aesthetic politics. Borrowing from queer theory’s temporal turn, it details how the company manipulates time in the space …

Staging Retro-Perspectives: Performing Age, Memory/Loss, And Queer Desire In The Later Works Of Split Britches (2009–2020), Benjamin Gillespie

Dissertations, Theses, and Capstone Projects

This project investigates the later works of the celebrated New York–based lesbian-feminist performance troupe Split Britches made up of founding members Peggy Shaw (b. 1944) and Lois Weaver (b. 1949). Revealing how the duo consciously interlaces aspects of aging and age-based identity into the very fabric of their later performances in both form and content, this project analyzes how Shaw and Weaver integrate an explicitly anti-ageist and overtly queer representation of aging on the experimental stage. Their later performances serve to challenge narratives of decline and debilitation that come with (hetero)normative representations of old age and the life course in …

Operatic Mysticisms: Mountains, Deserts, Waterscapes, Andrew Demczuk

Electronic Theses and Dissertations

Operatic Mysticisms: Mountains, Deserts, Waterscapes examines the ways we encounter environments as readers/viewers of operas, literature, film, and sound recordings, and how each medium requires different detail-gathering techniques. Respective to the previously mentioned mediums, Sun & Sea (2017), Mount Analogue (1952), El Mar La Mar (2017), and Energy Field (2010) are analyzed by engaging with environmental media studies and invention. Reflecting the nature of each landscape—summits of mountains, aporias of deserts, and mysteries of waterscapes—an elemental approach is taken in investigating how these spaces may be noticed, internalized, recorded, and traversed by both the artist and viewer. …

Performance, Theatricality, And Identity In Shakespeare’S The Taming Of The Shrew, Nina Masin-Moyer

College Honors Program

William Shakespeare’s comedy The Taming of the Shrew is a curious and often controversial play due to its depiction of spousal abuse and female subordination. But despite that charged reputation, it continues to be produced on stages around the world, with creative choices that suggest an attempt to change a supposedly un-feminist play into a feminist one. My thesis argues that this play already features notable feminist elements at the level of the text itself, stemming in particular from its thematic and structural investment in performance and theatricality and in the roles that these elements play in constructing gender and …

Death Of A Salesman: A Theatrical Examination Of The “American Dream” On The Human Psyche And The Effects On Aging On The Mind., Kylie Chisnell

Honors Projects

Willy Loman is a salesman who is nearing the end of his life. As his mind begins to deteriorate, the viewer experiences several memories, dreams, arguments, and conversations that Willy has had. The Loman family in the play is in a perpetual cycle of denial, confrontation, and contradictions. Willy is most notably difficulty on his eldest son, Biff, who does not seem to live up to Willy’s expectations. The play tragically ends with Willy’s suicide and funeral. This theatrical version of the play will focus on the problematic issues that arise from chasing the notion of the “American Dream.” It …

Directing With A Historical Perspective For The Current World, John Reynolds Jr.

Senior Theses

This paper charts the path of directing This Is Our Youth by Kenneth Lonergan, which ran from March 24-27. It will explore using the history of the play's setting, New York City in 1982, to keep the production relevant for today's audiences. It also details casting, collaboration with designers, and the rehearsal process. I also give a summary of feedback about keeping the overall environment positive. This experience showed that by leaning into the specific time of the play, the themes resonated strongly with the audiences. A positive environment was also essential to the success of the production.

Let The People Speak: How Verbatim Theater Allows Historically Marginalized Groups Tell Their Stories, Kalala C. Kiwanuka-Woernle

Theatre and Dance Honors Projects

motherhood: the good, bad, and ugly was born out of my research of Verbatim Theater, specifically the practices of Anna Deavere Smith, The Tectonic Theater Project, and Eve Ensler; and the lack of fully fleshed out mother characters represented in theatre. In my research, I focused on how these different playwrights crafted their plays, identified the topic or event they wanted to explore, and the selection of their subjects. During the pandemic, I had the idea to create a theater piece that would tell the good, the bad, and the ugly of motherhood because in the media especially in the …

A Festival Of Form: Score, Anthony Elia

Bridwell Library Research

"A Festival of Form" was both an event at Bridwell and Perkins School of Theology and a conceptual piece of music that lasted several days. In this rendering, the "piece of music" was articulated in a fluid combination of activities that included works by other composers, including John Cage. The activities involved--from lectures, conversations, and meals to actual performances of both short works and especially the world-record breaking rendition of "Organ2/ASLSP" played by Christopher Anderson--comprise the entirety of "A Festival of Form" as performance piece. The challenge of this work is that unlike nearly any other music, it is purposely …

The 2022 Classroom Project: Land Of Ours, Otterbein Theatre And Dance Department

2021-2022 Season Production

LAND OF OURS is a brand-new play devised in rehearsal by an ensemble of Otterbein University actors, designers, stage managers, and directors. The play explores the centrality of travel and journeying to human experience. Drawing on the ensemble's personal experiences, stories of mythical travel from legend and folklore, and travel explorations invented in rehearsal, LAND OF OURS is a theatrical journey that will transport you beyond the theater walls to a destination of the imagination.

Fluchtpunkt Magdeburg: Dokumentation Eines Integrationsorientierten Theaterprojekts Aus Theaterpädagogischer Und Sprachdidaktischer Perspektive, Mona Eikel-Pohen, Sarah Dolbier

Languages, Literatures, and Linguistics - All Scholarship

Macht, Prozess und Poetik/Sprache das theaterpädagogische Modellprojekt Fluchtpunkt Magdeburg 2015 bis2019, an dem dort lebende Jugendliche mit und ohne Fluchterfahrungen unter tanz- und theaterpädagogischer Leitung drei Theaterstücke und einen Film entwickelten mit dem prononcierten Ziel, soziale und sprachliche Integration zu fördern. Ziel dieser Dokumentation ist es, das Projekt systematisch zu beschreiben und gelungene Elemente herauszuarbeiten, die zukünftige Projekte nachhaltig und langfristig plan- und durchführbar gestalten

Internalized Misogyny As Displayed By Aunt March In Little Women, Sydney Lofton

[Archive] Belmont University Research Symposium (BURS)

It seems that more women fight against each other than for one another. Women have developed a reputation for gossiping to disparage the reputation of each other, leveraging terms like “floozie,” “bimbo,” and “slut” against one another. While women will rage against men who support the patriarchy, women are often some of the strictest enforcers of its standards. In Kate Hamill’s playscript Little Women, an adaptation of Louisa May Alcott’s 1868 novel, it is Aunt March, not a man, who places pressure on Jo to assimilate to society’s expectation of women. This push of conformity may reflect Aunt March’s own …

A Virada Performativa Do Grupo Galpão: Presença E Acontecimento No Espetáculo Nós, Fernando Luiz Silva Chagas, Julia Guimarães

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Abstract: This paper analysis the performative extent present in the play Nós (Us), by Grupo Galpão (State of Minas Gerais, Brazil). The approach is through the idea of theater as event and presence, based on concepts of the aesthetics of the performative (Fischer-Lichte), performative theater (Féral), and theater as an ontological event (Dubatti). In this sense, performativity is presented as an instrument of reflection and analysis of the contemporary theater, which has been troubling the traditional paradigms of representation in the performing arts. We depart from practical elements of the theatrical phenomenon to approach the problematization subscribed to …

Los Fantasmas De La Imaginación En El Deseo Más Canalla De Arístides Vargas, Rojo Robles Mejias

Publications and Research

Como motivo del evento crítico teatral Un espacio seguro producido por Caborca y Teatro Público en el Teatro de la UPR en Octubre 2022, este ensayo revisita la obra de Arístides Vargas, El deseo más canalla (2001). El artículo argumenta que la obra divisa la posibilidad de transformar espacios y proyectar seres creativos por medio de la imaginación. La imaginación en la dramaturgia de Vargas es un mecanismo recurrente para establecer una relación entre la realidad interior y la exterior, entre una posible construcción del yo y la otredad. Esa metamorfosis del yo se alcanza por medio del juego literario …