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Full-Text Articles in Dramatic Literature, Criticism and Theory

Josep M. Benet I Jornet I L'Herència De «Desig», Sharon G. Feldman Dec 2013

Josep M. Benet I Jornet I L'Herència De «Desig», Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Corria l'any 1988. El muntatge d'Ai carai! de Josep M. Benet i Jomet acabava de fer temporada amb èxit al Teatre Uiure. Domènec Reixach havia assumit el càrrec de director artístic del Centre Dramàtic de la Generalitat de Catalunya i, des de la seva històrica seu al Teatre Romea, va crear un programa d'ajuts amb la intenció d'estimular i impulsar les naves dramatúrgies catalanes. No va sobtar, doncs, que Reixach convidés Benet i Jornet a participar-hi. Les circumstàncies, però, van agafar un caire una mica sorprenent quan Reixach va demanar al ja consolidat dramaturg català que seleccionés un director perquè …


Almost, Maine: A Director's Journey, Adam S. Crandall May 2013

Almost, Maine: A Director's Journey, Adam S. Crandall

Chancellor’s Honors Program Projects

No abstract provided.


The Bollywood Item Number: From Mujra To Modern Day Ramifications, Avantika Saraogi Apr 2013

The Bollywood Item Number: From Mujra To Modern Day Ramifications, Avantika Saraogi

Scripps Senior Theses

This thesis deals with the “item number” genre of Bollywood song and dance sequences. I argue that the item song has evolved from a combination of the historically rich culture of prostitution in old India and the western influence of modern times; and that it contributes highly to the male dominated patriarchal society perpetuated by Hindi films by means of the voyeuristic male gaze and objectification of the female body. In conjunction with this research I choreographed a dance called Item No. 3 that was performed in Scripps Dances 2013. A discussion of the significance and decisions behind the …


The Art Of Adaptation, Katharine E. Jordan Apr 2013

The Art Of Adaptation, Katharine E. Jordan

Honors Theses and Capstones

My honors thesis The Art of Adaptation discusses the process of adapting old stories and theatrical pieces for modern audiences through the exploration of various adaptations (theatrical, operatic, dance and film) of Euripides' Medea. It also touches on my own short, modern, adaptation; FURY: A Rock Musical Inspired by Medea. All of this research was important in making the performance aspect of my capstone the best it could be.


Fearless: Ratco, Center For Public Service Mar 2013

Fearless: Ratco, Center For Public Service

SURGE

If you haven’t noticed yet, we’ve had some really spectacular visitors from the south with us on Gettysburg’s campus the last few days! The Random Acts of Theater Company (RATCo) is a group that emerged from the Freedom Foundation in Denver, Colorado a few years ago. Their initiative involved using theater as a means for self-expression and communication, but RATCo spread because it was so successful and ultimately reached Selma, Alabama. Selma, although a major site for the Civil Rights movement, and also the site for the last battle of the civil war, has changed very little since the 1960s. …


Class Movements In The New South Africa: Post-Colonial Politics, Neocolonialism, And Mimicry In Pieter-Dirk Uys’S Macbeki A Farce To Be Reckoned With, J. Coplen Rose Mar 2013

Class Movements In The New South Africa: Post-Colonial Politics, Neocolonialism, And Mimicry In Pieter-Dirk Uys’S Macbeki A Farce To Be Reckoned With, J. Coplen Rose

Modern Languages and Literatures Annual Graduate Conference

This paper uses Homi Bhabha’s theory of colonial mimicry to analyze Pieter-Dirk Uys’s MacBeki: A Farce to be Reckoned With. In doing so I posit MacBeki is a colonial mimic, a character who comically imitates European gestures and language. MacBeki’s behaviour throughout the play highlights the dangers of greed and corruption in post-apartheid South Africa and encourages the play’s audience to respond with ridiculing laughter. My paper concludes by arguing that Uys’s play should be read as a hybrid text that draws on European dramatic styles and South African political events, staging a critical response to national uncertainties ahead …