Dramatic Literature, Criticism and Theory Commons^™

Book Review Of Emma Creedon, Sam Shepard And The Aesthetics Of Performance (Palgrave Macmillan, 2015), Katherine Weiss

ETSU Faculty Works

Review of Emma Creedon, Sam Shepard and the Aesthetics of Performance Basingstoke: Palgrave Macmillan, 2015, xi + 199 pp., $90.00.

Acts Of Provocation: Popular Antiracisms On/Through The Twenty-First Century New York Commercial Stage, Stefanie A. Jones

Dissertations, Theses, and Capstone Projects

This is an abolitionist feminist study of the role of liberalism in the twenty-first century political economy. It takes as its object New York City bourgeois cultural productions (in particular Broadway theatre and the New York Times) from approximately 1984 to 2009. It offers insights into important yet widely-misunderstood features of turn-of-millennium US society: class, art, political practice, and war. In order to understand liberalism’s political and economic agenda, I look at how these objects are pitched in the struggle over racism. Sometimes when we say “liberal” we mean it in the philosophical sense, with particular attention to liberal …

Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided for the introduction.

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.

"Daring Propaganda For The Beauty Of The Human Mind:" Critical Consciousness-Raising In The Poetry And Drama Of The Black Power Era, 1965-1976, Markeysha D. Davis

Doctoral Dissertations

This dissertation is a literary and intellectual history of the contributions of black American theorists, poets, and dramatists in the 1960s and 1970s towards the establishment of black critical consciousness in order to lay grounds for black people to experience a fuller existence as human beings through black-centered creations and presentations. Through the following chapters, I establish the framework and evolution of black psyche-liberation theories—spanning Du Bois’s theory of double-conscious through the contributions of black artist-theorists like Baraka, Neal, and Woodie King, Jr., followed by examinations at length of the theories of black liberation in praxis by the poets and …

Harry Potter And Hamilton From The Stage To The Page, Daniel Pollack-Pelzner

Faculty Publications

In this article originally published in Public Books, Daniel Pollack-Pelzner offers commentary on the two best-selling plays on record, Harry Potter and the Cursed Child and Hamilton. Specifically, Pollack-Pelzner examines how the Anglo-American world’s favorite orphans play at home, adopted, as it were, from the stage to the page.

We Are Standing In The Nick Of Time: Translative Relevance In Anne Carson's "Antigonick", Michelle Alonso

FIU Electronic Theses and Dissertations

The complicated issues surrounding translation studies have seen growing attention in recent years from scholars and academics that want to make it a discipline and not a minor branch of another field, such as linguistics or comparative literature. Writ large with Antigonick, Carson showcases the recent Western push towards translation studies in the American academy. By offering up a text that is chaotic in its presentation, she bypasses the rigid idea of univocality. By giving the text discordant images, she betrays the failed efficacy of sign and signification, and by choosing a text to be performed and mutually participated …

Mind The Gap: An Analysis Of The Function Of Love In The Works Of Tom Stoppard And C.S. Lewis., Jacqueline C. Lawler

Pell Scholars and Senior Theses

Writers C.S. Lewis and Tom Stoppard, though philosophically different, both write about love that embodies the natural law. The natural law can be defined as law that is inherent in man and can be discerned by reason rather than by revelation. Both writers use their observational style in order to reason their way to nearly identical laws of love. Stoppard’s The Invention of Love, Arcadia, Rock ‘n’ Roll and The Real Thing will be analyzed using the framework of C.S. Lewis’s book, The Four Loves.

Rain Inside The Elevator: Dualities In The Plays Of Sarah Ruhl As Seen Through The Lens Of Ancient Greek Theatre, Hannah Fattor

Summer Research

Considering the modern playwright Sarah Ruhl’s current body of work through the paradigm of ancient Greek theatrical tradition illuminates many links to Greek theatre and highlights the depth of the emotions within her plays. The ancient Greek playwrights Aeschylus, Sophocles, Euripides, and Aristophanes, along with Ruhl, confront themes of love and death with both sorrow and humor, considering the different ways people cope with traumatic circumstances. They focus in particular on the relationships that form between people after a significant loss, and how humans come together in a community, seeking connection with each other. By theatrically exploring the themes of …

The Cambridge Companion To African American Theatre, Harvey Young

Harvey Young

This Companion provides a comprehensive overview of African American theatre, from the early nineteenth century to the present day. Along the way, it chronicles the evolution of African American theatre and its engagement with the wider community, including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the 'New Negro' and 'Black Arts' movements. Leading scholars spotlight the producers, directors, playwrights and actors whose efforts helped to fashion a more accurate appearance of Black life on stage, and reveal the impact of African American theatre both within the United …

Reimaging A Raisin In The Sun: Four New Plays, Harvey Young

Harvey Young

n 1959, Lorraine Hansberry’s A Raisin in the Sun energized the conversation about how Americans live together across lines of race and difference. In Reimagining “A Raisin in the Sun,” Rebecca Ann Rugg and Harvey Young bring together four contemporary plays—including 2011 Pulitzer Prize for Drama winner Clybourne Park—that, in their engagement with Hansberry’s play, illuminate the tensions and anxieties that still surround neighborhood integration. Although the plays—Robert O’Hara’s Etiquette of Vigilance, Gloria Bond Clunie’s Living Green, Branden Jacobs-Jenkins’s Neighbors, and Bruce Norris’s Clybourne Park—are distinct from one another in terms of style and perspective on their predecessor, they commonly …

The Influence Of Lloyd Richards, Harvey Young

Harvey Young

No abstract provided.

Moral Performances: Melodrama And Nineteenth-Century American Literature, Jeffrey Taylor Pusch

Dissertations

Despite a high number of ticket sales, theater reviews, and innumerable letters and diary entries detailing trips to the theater, the stereotype that theater in nineteenth-century America was almost culturally invisible continued well into the twentieth century. Indeed, a scan of anthologies of American literature fails to yield any examples of nineteenth-century drama, even though figures like Henry James were also theater critics and playwrights. Just as it did in American life, theater exhibits a strong presence in the literature of the time. Considering theater’s pervasiveness, this dissertation seeks to restore it to its proper place in our study of …

Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames

Melissa A. Ames

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.

Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames

Faculty Research & Creative Activity

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.

Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames

Faculty Research & Creative Activity

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.

Writing With Paint, Harvey Young

Harvey Young

No abstract provided.

A Person Of Interest, Jesse Lepre

Master's Theses, Dissertations, Graduate Research and Major Papers Overview

Presents a drama-based screenplay which explores the stereotyping of the modern Italian-American male in contemporary American society.

Embodying Black Experience: Stillness, Critical Memory, And The Black Body, Harvey Young

Harvey Young

In 1901, George Ward, a lynching victim, was attacked, murdered, and dismembered by a mob of white men, women, and children. As his lifeless body burned in a fire, enterprising white youth cut off his toes and, later, his fingers and sold them as souvenirs. In "Embodying Black Experience," Harvey Young masterfully blends biography, archival history, performance theory, and phenomenology to relay the experiences of black men and women who, like Ward, were profoundly affected by the spectacular intrusion of racial violence within their lives. Looking back over the past two hundred years---from the exhibition of boxer Tom Molineaux and …

"... Long Before The Stars Were Torn Down...": Sam Shepard And Bob Dylan's "Brownsville Girl", Katherine Weiss

ETSU Faculty Works

Excerpt: In 1975, Bob Dylan invited Sam Shepard, the young playwright who had ignited the Off-Broadway and London theatre scene, to go on tour with him in order to write scenes and dialogue for a film of the Rolling Thunder Revue.

Racial Contagion, Harvey Young

Harvey Young

No abstract provided.

Sati In Philadelphia: The Widow(S) Of Malabar, Jeffrey H. Richards

English Faculty Publications

No abstract provided.

Sophie Treadwell's Machinal: Electrifying The Female Body, Katherine Weiss

ETSU Faculty Works

Excerpt: The American playwright and journalist Sophie Treadwell dedicated her literary career to exploring the lives and motives of lonely and trapped individuals.

The Black Body As Souvenir In American Lynching, Harvey Young

Harvey Young

This essay reads the collection of body parts, in the aftermath of the lynching spectacle, as souvenirs, fetish objects, and performance remains. Along the way, it spotlights the importance of narrative to the souvenir, challenges the notion that performance disappears through an emphasis on its remains, and asserts that embodied experiences of the past can be accessed in the present.

Cultural Memory And War Trauma In Sam Shepard’S A Lie Of The Mind, States Of Shock And The Late Henry Moss, Katherine Weiss

Katherine Weiss

The Role Of Betrayal In Selected Drama Of Tennessee Williams, Craig E. Sanderson

Masters Theses

Much of the critical analysis of Tennessee Williams' drama concerns itself with the inherent conflict between ideals and reality in the universe as perceived by Williams. Such analysis, however, has not considered this conflict as a source of betrayal, or betrayal as a dominant theme in Williams' drama. In at least four of his plays it becomes evident how each of the individual characters in Williams' drama endures the conflict of reality and ideals, and the extent to which their respective approaches to the resolution of this struggle result in betrayal. Four plays--all regarded as among his most successful and …

A Criticism Of Elder Olson's Poetic Method, Ernest Edward Force Ii

Masters Theses

No abstract provided.

The Church In The Dramas Of T. S. Eliot, Rebecca Ellen Dunn

All Master's Theses

From the desolation of a sterile Waste Land populated by straw men, Eliot's dramas increasingly portray a world of great meaning and hope. His early dramas portray a hostile and insensible world which must be fought and completely rejected by religious persons who are called to martyrdom and sainthood. Eliot's acceptance of the material world and comfort with its society brings a steady transformation of his spiritual vision when at the end of his dramas the world is one of common people who strive to find meaning and "make the best of a bad job," illumined by a vision of …