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Articles 1 - 30 of 52
Full-Text Articles in Dramatic Literature, Criticism and Theory
When Language Fails: A Critical Analysis Essay Of Kathryn Stockett’S The Help:, Evan Mccreary
When Language Fails: A Critical Analysis Essay Of Kathryn Stockett’S The Help:, Evan Mccreary
Black Album Mixtape
A critical analysis essay of Kathryn Stockett's New York Times Bestselling book, The Help, and it's subsequent film adaptation, and how in recent years, particularly following the murder of George Floyd, the story has been used as a classroom tool for teaching students about racism and its effects. Written by a Black student in a primarily white school community, this essay was written as an antithesis to the ideology that the book and movie exceed their intended intentions of being a beneficial teaching tool to youth.
Palestine Without Borders: A Study Of Arab And Western Voices In Theater, Bassem Mohsen Ahmed El-Sayed Ahmed Ibrahim
Palestine Without Borders: A Study Of Arab And Western Voices In Theater, Bassem Mohsen Ahmed El-Sayed Ahmed Ibrahim
Theses and Dissertations
Theater has always been perceived as a way to link different cultures together and bring them under one large domain. Regardless, the genre does not give the needed attention to works written in certain regions that may otherwise fall outside the consensus. One good example is Palestine and any works that deal with it as a setting. The first thing that comes to mind whenever the word “Palestine” is brought up is almost always of a political nature, having to do with the Palestinians’ national conflict with Israel. This thesis undertakes to amend this by probing into plays written by …
Sweat Equity: Lynn Nottage's Radical Dialectic Of Deindustrialization, Jocelyn L. Buckner
Sweat Equity: Lynn Nottage's Radical Dialectic Of Deindustrialization, Jocelyn L. Buckner
Theatre Faculty Books and Book Chapters
"Lynn Nottage has devoted her career to researching and telling stories of Black individuals and communities with expressed interest in laborers, advocating for their agency, humanity, and legacy. In her second Pulitzer Prize-winning play, Sweat, Nottage dramatizes more recent US history, illuminating the lives of workers marginalized by the deindustrialization of the Rust Belt in the early 2000s. Sweat is emblematic of Nottage's sustained effort to deploy playwriting as activism and stand in solidarity with those whose stories she chooses to tell. As a constant theme in her works, Lynn Nottage's stories align with marginalized workers' efforts and histories, …
Elizabeth Robins Portrays Working Women In Suffragette Literature: A Reflection Through The Lens Of The 2015 Film, Suffragette, Joanne E. Gates
Elizabeth Robins Portrays Working Women In Suffragette Literature: A Reflection Through The Lens Of The 2015 Film, Suffragette, Joanne E. Gates
Presentations, Proceedings & Performances
I place the 2015-released film Suffragette within a context of the efforts Elizabeth Robins made to document and, by witnessing, to advocate, the early phases of the British Women’s Suffrage Movement in England. Robins wrote and participated across margins. An expatriate American living in England, she had no personal advantage to gain with a franchise. In her late forties and in ill health, she took perhaps only "safe" opportunities to thrust herself into the fray. But as Jane Marcus points out, with her research on the play that became Votes for Women, she took efforts to experience how working-class …
The Comedy Of Cancel Culture In A Post-Carlin United States: On The Politics Of Cultural Interpretation, Bryant W. Sculos
The Comedy Of Cancel Culture In A Post-Carlin United States: On The Politics Of Cultural Interpretation, Bryant W. Sculos
Class, Race and Corporate Power
Taking the form of a critical review of the HBO documentary George Carlin's American Dream, this essay explores the character of George Carlin's political and cultural criticism, its implications for contemporary debates about so-called "cancel culture," and the broader political significance of cultural interpretation.
135th Street Branch: Librarianship And The Passing Fictions Of Regina Anderson Andrews And Nella Larsen, Caitlin Matheis
135th Street Branch: Librarianship And The Passing Fictions Of Regina Anderson Andrews And Nella Larsen, Caitlin Matheis
Department of English: Dissertations, Theses, and Student Research
In this thesis, I examine how two writer-librarians that worked in the 135th Street Branch of the New York Public Library in the 1920's, Regina Anderson Andrews and Nella Larsen, grappled in their fiction writing with questions of classification, information, and knowledge that encompassed their daily work in the library. I begin by contextualizing the branch within the Harlem Renaissance and Arturo A. Schomburg's call for the preservation of Black history and literature at a time when the field of librarianship was being professionalized by implementing library schools and classification standards. I then provide readings of Andrews's one-act play …
She Speaks Her Truth: Black Female Self-Empowerment In African-American Centric Texts, Britt N. Seese
She Speaks Her Truth: Black Female Self-Empowerment In African-American Centric Texts, Britt N. Seese
Master of Arts in English Plan II Graduate Projects
A Master's Portfolio that looks into African-American Women in African-American literature and theatrical works.
The Imagined Histories And Futures Of The Past: Wwi And The Cultural Imagination, Kelly Aliano
The Imagined Histories And Futures Of The Past: Wwi And The Cultural Imagination, Kelly Aliano
Far West Popular Culture Association Annual Conference
In this paper, I look at various modes of imagining the futures incarnated by the First World War, beginning with artists and writers, like Ernst Ludwig Kirchner and Erich Maria Remarque, who experienced and depicted the war from a firsthand point of view. From here, I expand that framework to include J.R.R. Tolkien, whose masterpiece Lord of the Rings may owe no small debt to his wartime experiences. I consider the Doctor Who episodes, “Human Nature” and “Family of Blood,” as contemporary attempts to reinsert WWI into the cultural consciousness. Finally, I look at the two versions of War Horse …
Between Laughter And Tears: Topsy's Performance In Harriet Beecher Stowe's Uncle Tom's Cabin, Jewon Woo
Between Laughter And Tears: Topsy's Performance In Harriet Beecher Stowe's Uncle Tom's Cabin, Jewon Woo
Research on Diversity in Youth Literature
No abstract provided.
Who Lives, Who Dies, Who Tells Your Story? A Marxist Analysis Of "Hamilton" And Its Relationship To The Broadway Economic System, Alana Ritt
Honors Projects
Lin-Manuel Miranda’s mega-hit Hamilton: An American Musical has been both a critical and academic darling since its premiere in 2015. A historical retelling of America’s inception through the eyes of an oft-ignored founding father, the musical weaves together a diverse cast and hip-hop musical stylings in order to tell the story of “America then, as told by America now.” While many critics and scholars alike have praised the musical for putting an exciting and accessible twist to American history, others have argued that the musical is not nearly as “revolutionary” as it claims to be. This essay is designed to …
Who Lives, Who Dies, Who Tells Your Story? A Marxist Analysis Of "Hamilton" And Its Relationship To The Broadway Economic System, Alana Ritt
Honors Projects
Lin-Manuel Miranda’s mega-hit Hamilton: An American Musical has been both a critical and academic darling since its premiere in 2015. A historical retelling of America’s inception through the eyes of an oft-ignored founding father, the musical weaves together a diverse cast and hip-hop musical stylings in order to tell the story of “America then, as told by America now.” While many critics and scholars alike have praised the musical for putting an exciting and accessible twist to American history, others have argued that the musical is not nearly as “revolutionary” as it claims to be. This essay is designed to …
"With The Commodity In The Hand": A Practical Investigation Of The Intersection Of Material Culture With Performance Theory, Katharine M. Given
"With The Commodity In The Hand": A Practical Investigation Of The Intersection Of Material Culture With Performance Theory, Katharine M. Given
Theses and Dissertations
This thesis examines the intersection of performance theory and material culture through the practices of garment reconstruction. In chapter 1, I examine key theorists in the fields of material culture and performance studies and articulate the connections between the two fields. In chapter 2, Using practice as research, I recount the experience of building reproduction garments from the eighteenth century using historically appropriate tools and methods, as well as the experience of wearing those garments. Finally, in Chapter 3, I walk through a possible historical examination of my encounter with these reconstructed garments, and consider the way in which feminine …
An Actor's Process In Bridging The Gap Between First-Generation And Multi-Generational African-American Identities., Mutiyat Ade-Salu
An Actor's Process In Bridging The Gap Between First-Generation And Multi-Generational African-American Identities., Mutiyat Ade-Salu
Electronic Theses and Dissertations
This thesis reflects my process assimilating into the role of Chelle in the production of Detroit '67 at the University of Louisville. Although there have been instances of actors crossing lines of gender, nationality, race, and even sexuality, to perform roles in contemporary theatre, discussion about generational differences is almost non-existent. Through historical research, first-hand interviews, and conventional acting methods, I explore the world of my role, searching for spirituality, authenticity, and identity. Additionally, I explain my use of The WAY Method ®, a process I began creating in 2014 to help actors be clear with who they are before …
Saving Pocahontas: A Conversation On Gender, Culture, And Power In The Storied Saving Moment, Claire Ehr
Saving Pocahontas: A Conversation On Gender, Culture, And Power In The Storied Saving Moment, Claire Ehr
Undergraduate Honors Papers
Pocahontas is a figure with much cultural capital, even today, and her influence was historically important to Native and European agendas alike. Pocahontas as a person indeed had a life that seemed to influence political relations between Native and European (specifically Powhatan, specifically English). However, the storied construct of Pocahontas has had significantly more cultural sway, influencing (or at least representing changes in) everything from gendered power dynamics to the interplay between the European Colonizer and the Indigenous Other.1 Pocahontas’ image has been re-appropriated over and over throughout time to further political agendas and to represent the female and …
Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova
Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova
Dissertations, Theses, and Capstone Projects
This dissertation examines literary works by U.S. writers Lillian Smith, Carson McCullers, James Baldwin, and Lorraine Hansberry written in the early part of the postwar period referred to as the “Protest Era” (1944-1970). Analyzing a major work by each author—Strange Fruit (1944), The Member of the Wedding (1946), Giovanni’s Room (1956), and Les Blancs (1970)—this project proposes that Smith, McCullers, Baldwin, and Hansberry were not only early theorists of intersectionality but also witnesses to the deeply problematic entanglements of subjectivities formed by differential privilege, which the author calls intersubjectivity or love. Through frameworks of queerness, racialization, performance/performativity, tragedy, and …
Black Men Who Betray Their Race: 20th Century Literary Representations Of The Black Male Race Traitor, Gregory Coleman
Black Men Who Betray Their Race: 20th Century Literary Representations Of The Black Male Race Traitor, Gregory Coleman
Doctoral Dissertations
This dissertation, Black Men Who Betray Their Race, gathers a literary archive in order to identify and introduce the “race traitor” as a heretofore unrecognized yet important trope within 20th century African-American Literature. In addition to coping with the burden of racism, African Americans have had to put considerable energy toward negotiating the possibility of being perceived as race traitors by others within the African American community. This study tracks the possibilities and perils of black group identity in literary representations of black men, neither privileging opposition to the white world, nor celebrating black unity beyond it. Focusing …
Dmt And “The Man Box:” Provoking Change And Encouraging Authentic Living, An Arts-Based Project, Steven Reynolds
Dmt And “The Man Box:” Provoking Change And Encouraging Authentic Living, An Arts-Based Project, Steven Reynolds
Expressive Therapies Capstone Theses
This thesis explores the mind-body experience through an arts-based research approach to examine, and redefine the emotional capacity and usefulness of males through societal determinants that limits and hinders men from living their authentic selves. Through the lens of a metaphoric “Man Box” 112 men participated in a workshop recreating their personal narratives of socialization through, style of dress, coping mechanisms, belief systems and who they should be as men through society's standards. In the “Man Box,” male bonding, and emotional feelings are discouraged, while the objectification of women, material property and physical/emotional strength are encouraged. This research investigates the …
Embodied Nostalgia: Early Twentieth Century Social Dance And U.S. Musical Theatre, Phoebe Rumsey
Embodied Nostalgia: Early Twentieth Century Social Dance And U.S. Musical Theatre, Phoebe Rumsey
Dissertations, Theses, and Capstone Projects
In this dissertation, I claim the collective emotional connections and historical explorations characteristic of musical theatre constitute a nostalgic impulse dramaturgically inherent in the form. In my intervention in the link between nostalgia and musical theatre, I look to an area underrepresented in musical theatre scholarship: social dance. Through case studies that focus specifically on how social dance in musical theatre brings forth the dancer on stage as a site of embodied history, cultural memory, and nostalgia, I ask what social dance is doing in musical theatre and how the dancing body functions as a catalyst for nostalgic thinking for …
The Mixed Reception Of The Hamilton Premiere In Puerto Rico, Daniel Pollack-Pelzner
The Mixed Reception Of The Hamilton Premiere In Puerto Rico, Daniel Pollack-Pelzner
Faculty Publications
In this article originally published in The Atlantic, Daniel Pollack-Pelzner wonders about the challenges of premiering the famed Broadway musical, Hamilton, during a time of political discord in the aftermath of 2017's Hurricane Maria, in Puerto Rico.
"Must Be Heavyset": Casting Women, Fat Stigma, And Broadway Bodies, Ryan Donovan
"Must Be Heavyset": Casting Women, Fat Stigma, And Broadway Bodies, Ryan Donovan
Publications and Research
This article surveys how contemporary Broadway musicals cast fat women and focuses on Hairspray. The use of fat suits and contractual weight clauses figure into the discussion of fat stigma and casting practices. Seemingly body-positive musicals both celebrate and undermine the identities staged in them.
Defending Eulalie, Mimi Ayers
Defending Eulalie, Mimi Ayers
University of New Orleans Theses and Dissertations
No abstract provided.
The Hidden History Of 'Oklahoma!', Daniel Pollack-Pelzner
The Hidden History Of 'Oklahoma!', Daniel Pollack-Pelzner
Faculty Publications
Daniel Pollack-Pelzner explains that contemporary reinterpretations of the classic American musical Oklahoma! may be getting back to its root: it's based on a play by a gay Cherokee man.
In Another Person’S Skin: Adaptations Of To Kill A Mockingbird And The Characterization Of Scout Finch, Eric A. Pitz
In Another Person’S Skin: Adaptations Of To Kill A Mockingbird And The Characterization Of Scout Finch, Eric A. Pitz
Conspectus Borealis
No abstract provided.
Sophie Treadwell's Machinal: Electrifying The Female Body, Katherine Weiss
Sophie Treadwell's Machinal: Electrifying The Female Body, Katherine Weiss
Katherine Weiss
Excerpt: The American playwright and journalist Sophie Treadwell dedicated her literary career to exploring the lives and motives of lonely and trapped individuals.
Book Review Of Emma Creedon, Sam Shepard And The Aesthetics Of Performance (Palgrave Macmillan, 2015), Katherine Weiss
Book Review Of Emma Creedon, Sam Shepard And The Aesthetics Of Performance (Palgrave Macmillan, 2015), Katherine Weiss
Katherine Weiss
Review of Emma Creedon, Sam Shepard and the Aesthetics of Performance Basingstoke: Palgrave Macmillan, 2015, xi + 199 pp., $90.00.
"... Long Before The Stars Were Torn Down...": Sam Shepard And Bob Dylan's "Brownsville Girl", Katherine Weiss
"... Long Before The Stars Were Torn Down...": Sam Shepard And Bob Dylan's "Brownsville Girl", Katherine Weiss
Katherine Weiss
Excerpt: In 1975, Bob Dylan invited Sam Shepard, the young playwright who had ignited the Off-Broadway and London theatre scene, to go on tour with him in order to write scenes and dialogue for a film of the Rolling Thunder Revue.
The Other At War: Performing The Spanish-Cuban-American War On U.S. And Cuban Stages, Juan R. Recondo
The Other At War: Performing The Spanish-Cuban-American War On U.S. And Cuban Stages, Juan R. Recondo
Dissertations, Theses, and Capstone Projects
The Spanish-Cuban-American War, declared by the United States on April 25, 1898, marks a colonial shift in the history of the Caribbean and solidified the expansionist thrust of the United States outside national borders. Theatres in turn-of-the-century New York, which at this point was one of the theatrical centers of the nation, debated for audiences the imperialist character of the U.S. The Cuban struggle and the resulting Spanish-Cuban-American War permeated U.S. drama, thereby portraying a Caribbean in need of salvation by the military intervention of the United States. New York stages of the time became locations where various cultural representations …
"I'S Not So Wicked As I Use To Was:" The Interplay Of Race And Dignity In Nineteenth-Century American Drama And Blackface Minstrelsy, Sam Volosky
HON499 projects
Blackface was an extremely popular and pervasive performance type unique to nineteenth century American performance. For years, the black characters of Uncle Tom’s Cabin and The Octoroon were played by white actors in blackface makeup whereas mixed-raced characters were presented as white. These two plays, each having played a role in affecting public opinion toward slavery, do not stand out from the tradition of blackface minstrelsy and, subsequently, take part in subjugating black entertainers in the realm of theatre as well as society. The playwrights borrowed conventions of contemporary theatrical performance in order to cater to the tastes of their …
The Making Of A Raisin In The Sun, Judith E. Smith
The Making Of A Raisin In The Sun, Judith E. Smith
American Studies Faculty Publication Series
Lorraine Hansberry’s play A Raisin in the Sun premiered on the Broadway stage in January 1959 just as the edifice of national segregation was cracking open. Response to the momentous 1954 Supreme Court decision in Brown v. Bd. of Education included both the important early challenges to long-accepted practices of white supremacy and the intensified mobilization of widespread white defiance to the ruling. Black Bus boycotters in Montgomery, Alabama, and their young minister leader, Martin Luther King, Jr., and Black high school students attempting to attend Little Rock’s Central High and their families faced organized harassment and dangerous forms …
Radical Black Drama-As-Theory: The Black Feminist Dramatic On The Protracted Event-Horizon, Jaye Austin Williams
Radical Black Drama-As-Theory: The Black Feminist Dramatic On The Protracted Event-Horizon, Jaye Austin Williams
Faculty Journal Articles
In this essay, I elaborate my present project, grounded in what I call drama theory, the critical theoretical dimensions of dramatic writing, and address the deeply troubling intramural tensions across Black Studies, between those who read blackness, and black cultural production, through largely futurist, celebratory lenses; and those who apply a structural analysis to blackness as the site against, upon, and through which the world coheres its soci(et)al apparatuses and machinations. I situate myself within the latter constellation, and sample here two plays by Suzan-Lori Parks to demonstrate how I translate the analyses of antiblack violence by black feminist …