Latin American Literature Commons^™

"El Corregidor" At The Crossroads: Desire, Law, And Coloniality In Martel's Zama, Leisa Kauffmann

CLCWeb: Comparative Literature and Culture

In "'El Corregidor at the Crossroads: Desire, Law and Coloniality in Martel's Zama" Leisa Kauffmann discusses Lucrecia Martel's filmic adaptation of Antonio DiBenedetto's 1952 novel, Zama. Highlighting the director's emphasis on the psychoanalytic (as opposed to the existentialist) dimensions of the novel, the essay follows the titular characater's unravelling and shows how Martel's film allegorizes colonial(ist) subjectivity. In Kauffmann's essay, various psychoanalytic theories (such as the work of Bhabha, Fanon, and Žižek), and critiques centering the notion of race in the Lacanian tradition are applied. In addition, differences between the novel and film, particularly regarding Zama's mutilation and …

The Extraction Unconscious: Solar-Powered Utopias In Catching The Sun (2015) And In The Name Of Lithium (2021), Isidora Cortés-Monroy

Critical Humanities

By comparing the depictions of future energy regimes in the two ecodocumentaries, Catching the Sun (2015) and In the Name of Lithium (2021), this article explores representations of post-carbon futures from the US and Argentina. Read closely alongside Frederic Jameson’s notions of utopias, the article delineates the extent to which a solar powered future challenges and reiterates current neocolonial extractivist structures. Basing myself on Patricia Yaeger’s concept of an “energy unconscious,” I argue that these solar utopias maintain an “extraction unconscious” that continues to produce sacrifice zones where primary commodities needed for the energy transition can be found. By analysing …

Between Word And World: Textual Space In Modern Sephardic Literature, Inci Cetin

Comparative Literature M.A. Essays

In the context of modern Sephardic literature, this paper defines “textual space” as the narrative’s self-conscious arrangement of its own textual elements such as time, space, and language to negotiate a position vis-à-vis the nation-state that is neither fully subsumed within nor completely outside of it. Textual spaces neither conform to the nation state’s borders even though they write from it, nor to nationalist temporalities as they continue a narrative thread that reaches back to 15th-century Spain. Through Myriam Moscona’s Tela de sevoya (2012) and Mario Levi’s Istanbul Was a Fairytale (1999), this paper investigates how textual spaces are deliberately …

Voices In The Borderlands: Reimagining Identity, Cultural Belonging, And Dystopian Spaces In Anzaldúa’S Borderlands And Viramontes’S “The Cariboo Café”, Oralia G. Ramos

Theses and Dissertations

This thesis explores how Gloria Anzaldúa’s Borderlands/La Frontera (1987) and Helena María Viramontes’ short story “The Cariboo Café” (1985) portray marginalized individuals navigating liminal spaces of identity, oppression, and survival. Borderlands/La Frontera and “The Cariboo Café” show how systematic violence and displacement shatter the self, pushing characters to navigate trauma in a dystopian space. Sonya, Macky, the café owner, and the grieving mother represent Anzaldúa’s concepts of borderland subjectivity, betrayal, and spectral haunting.

Sonya and Macky, two undocumented children, represent Anzaldúa’s borderlands subjects and reside in a state of nepantla, an in-between space of cultural dislocation. The café owner …

Wide Screen With Critical Essay "Translating A Poetry Of Cinema"., James L. Richie Iv

Electronic Theses and Dissertations

This dissertation combines the creative task of translating Víctor Cabrera’s poetry collection WIDE SCREEN (2009) from Spanish into English with a critical study that analyzes the volume to highlight the uniqueness of his writing, the importance of translating such a work for an Anglophone audience, and the challenges that occur in translating this complex collection. Moreover, Cabrera’s writing engages with a variety of cultural works in ways that challenge preconceived notions of language, culture, and medium. The poetry in WIDE SCREEN draws inspiration from the films of American filmmaker Jim Jarmusch, while frequently putting these films into dialogue with works …

"Quiero Ser Hombre": Grito De Libertad Y Afirmación Feminista En La Obra De Carmen De Burgos Y Julia De Burgos, Lizely M. Lopez Cordero

Vernacular: New Connections in Language, Literature, & Culture

A las escritoras Carmen de Burgos (España) y Julia de Burgos (Puerto Rico) las separa un mar, las clases sociales y el tiempo. Aunque ambas escritoras comparten un apellido que está lejos de parentesco alguno, el denominador común que las une es la transgresión. Una transgresión definida por su desafío a las normas sociales impuestas a la mujer y por penetrar esos espacios que les eran vedados, mediante su producción literaria y el activismo social y político. Las muestras claras de estos actos de transgresión y subversión quedan reflejadas en la última obra de Carmen de Burgos, Quiero vivir mi …

Untangling Memories Of Violence: The Khipu In El Rincón De Los Muertos (Alfredo Pita), Jonathan J. Oliveri

Living in Languages

This research proposes a structural reading of El rincón de los muertos to decode and trace echoes to the khipu which are embedded throughout the novel. Contrary to a graphic writing system, the Incan empire’s khipu (khipu) was a mnemotechnic system—a three-dimensional communicative device, an archive of memory that recorded information using different colored strings, and a system of knots. Our concept of mnemonics is different than that of the indigenous communities who relied on oral tradition and specifically for khipu a khipukamayuq (reader of khipu), in a narrative and discursive manner, to reconstruct the message the khipu contained. …

Poesía Mapuche Y Vasca Como Herramienta De Resistencia Cotidiana, Paula Ruiz Santamaría

Theses and Dissertations--Hispanic Studies

This dissertation examines the work of contemporary Mapuche poets Adriana Pinda, Maribel Mora Curriao and Roxana Miranda Rupailaf, alongside Basque poets Leire Bilbao and Miren Agur Meabe, who write partially or entirely in their native languages— Mapudungun and Basque— as a form of resistance against the historical and ongoing imposition of Spanish. Through their poetry, these poets defend their identities and cultural heritage, invoking their matrilineal lineage to remember and heal. They also subvert traditional Catholic prayers by modifying them into invocations to Goddesses, casting spells of liberation of the female body, denouncing patriarchal violence and recreating alternative worlds. Their …

The Rescue Of Wahutedew’Á And The Epistemological Reforestation: An Analysis Of Time In A Terra Dos Mil Povos, By Kaká Werá Jecupé, Ivo Cruz

The Coastal Review

It is estimated that in 1500, the year the Portuguese arrived in America, there was a population of 2,431,000 inhabitants, according to historian John Hemming (1978), who occupied the lands that we now know as Brazil. These peoples had their own culture whose cosmology was destroyed and erased over time by a violent process of colonization. Even though entire groups were decimated, much of their influence is still alive in Brazilian culture. This influence can be found in vocabulary, cuisine, and even religious practices. With the aim of rescuing ancestral narratives and knowledge of various native peoples, Kaká Werá Jecupé …

Light And Darkness For Aesthetic Pleasure: An Exploration Of J.M.G. Le Clézio’S Early Writings And Jun’Ichiro Tanizaki’S In Praise Of Shadows, Kenichiro Otani

The Coastal Review

Building upon comparative principles, this semantic reading of Jun’ichirō Tanizaki’s essay In Praise of Shadows and J.M.G. Le Clézio’s early writings illustrates how both the Franco-Mauritian author and the Japanese writer problematize modern Western perception laden with concepts stifling flexible imagination through the mysterious worldview of light/darkness. They also simultaneously express the hope that another way of life leading to liberation is possible. Delving into the spiritual confinement of the subject, they demonstrate how keeping rich creativity within one’s heart can be an escape from a stagnant society. Albeit in very different mediums, Tanizaki and Le Clézio assert that the …

Teaching Cuba In Georgia Today, Eric Kartchner

The Coastal Review

This essay details a college professor's approach to teaching a course on Cuban history and culture. The professor's pedagogical choices were influenced by Ada Ferrer's book, Cuba: An American History, and José Antonio Bowen's work on fostering independent thinking. The syllabus covered pre-Columbian Cuba, Spanish rule, the wars of independence, the Castro era, and significant cultural aspects like music and religion. The course emphasized multiple perspectives and encouraged student-led research, challenging preconceived notions about Cuba's complex relationship with the United States. The professor aimed to promote critical thinking and understanding through student-driven inquiry.

2024 Conference Program, Georgia Southern University

South East Coastal Conference on Languages & Literatures (SECCLL)

2024 Conference Program

Más Allá De La Crisis Y La Emergencia: Aproximaciones A Los Movimientos Migratorios Contemporáneos A Través De La Traducción Y La Comedia, Fabiola Fernandez Peer

Dissertations, Theses, and Capstone Projects

Esta investigación propone una reflexión original sobre la migración más allá de los marcos de la crisis y de la emergencia en referencia a acontecimientos concretos de estos últimos diez años de “crisis/emergencias migratorias” en y entre las regiones sur y norte del continente. El análisis del ensayo visual de la escritora/artista visual Verónica Gerber; el ensayo y la escritura ficcional de la escritora Valeria Luiselli y los performances de comedia de los comediantes/influencers George Harris y Jóse Rafael Guzmán revela que estos materiales pugnan con el discurso oficial, mediático, artístico, humanitario referido a la migración. Señala el impacto …

Learning Chinese Vocabulary: Understanding Students' Perspectives, Austin Gasiecki, Zuotang Zhang

The Coastal Review

This study used a survey to investigate self-study and university-enrolled Chinese learners’ habits in studying Chinese vocabulary in order to determine what study methods influence a.) learners’ confidence in learning Chinese vocabulary and b.) what aspects of Chinese vocabulary they consider easy or difficult. We were particularly interested in seeing what the data had to say about students’ attitudes towards characters and the written language, given that the field of Chinese language pedagogy is known for a stronger focus on the written language as opposed to the spoken language. We found that aspects of Chinese vocabulary associated with the spoken …

Between Pain And Glory: Memory Disputes Of The Brazilian Dictatorship In Retrato Calado And O Que É Isso, Companheiro?, Angela R. Mooney

The Coastal Review

This article analyzes Luiz Roberto Salinas Fortes’ Retrato calado (Silent Portrait) published in 1988, considering the theoretical discussions on testimonio's epistemology—addressing the challenge of narrating trauma and the risk of stylization. It compares Fortes' memoir with Fernando Gabeira's O que é isso, companheiro? (What's This, Comrade?) from 1979, examining diverse approaches to capturing historical trauma through literature and its impact on collective memory about Brazilian Dictatorship (1964-1985).

Global Communities: The Potential Of Street Art And The Public Space, Elena Picech

The Coastal Review

This paper highlights the significance of physical proximity and the potentiality of socio-spatial situations as tools to enrich study abroad programs. Particular attention is given to street art and the public space. While, studying on-site can be somewhat uncomfortable, it can potentially prompt unique reflections, enhance student’s learning and encourage introspection. Being on-site provides the opportunity to come into contact and to connect with the physical objects and their environment. It enables a multisensory and immersive embodied experience. Leveraging art for communicative educational activities can facilitate a participatory experience, promote critical thinking and enhance cultural understanding.

The Femme-Fatale “Bear’Ing Her Teeth: The Relation Between Women And Animals In Prosper Mérimée’S Lokis, William B. Holley

The Coastal Review

Abstract: Many French fantastic texts from the nineteenth century employ the use of a femme-fatale to highlight and underscore the dangers inherit with the female figure. This can be seen in vampires, ghosts, fairies, and other supernatural phenomena wherein a female character takes on incredible attributes. Propser Mérimée’s Lokis offers readers a tale wherein those same female figures are given traits that resemble the traditional femme-fatale, but in doing so they highlight the deadly nature of the titular half-man/half-bear creature. This paper offers a reading of Lokis which brings together an understanding of the social and political climate in which …

Decolonizing French: Afrophonics In Ken Bugul’S Aller Et Retour (2013), Hapsatou Wane

The Coastal Review

This article explores the innovative language strategies employed by Senegalese writer Ken Bugul in her novel Aller et retour to construct a dynamic and interconnected linguistic landscape that challenges fixed language boundaries. Ken Bugul's "langue fabriquée" combines elements of French, Wolof, and English, reflecting a transglocal dimension that embodies the essence of afrophonics—a poetics of resistance that empowers local cultures in a globalized context. Through a detailed analysis of Ken Bugul's linguistic choices, including the use of quotation marks, footnotes, and arbitrary transcription, the study reveals how she creates a language that defies categorization and decolonizes French without resorting to …

Cuento De Todas Las Cosas, Mariana Romo-Carmona

Publications and Research

"Este cuento breve tal vez cae en el antiguo género de lo real maravilloso o, lo que se conoce en inglés como especulativo. Explora los efectos de la homofobia, el exilio, la enajenación, a través de personajes en un parque encantado, que puede ser el Parque Central en la ciudad de Nueva York." from the editor, Bilingual Review

This short story was translated into English and published in Review: Literature and Arts of the Americas, Vol. 57, No. 2, Dec. 2024, issue 109

Resistance Narratives: Storytelling Of Transnational Insurgencies In 1960-70s Us And Mexico, Tania Libertad Balderas

English Language and Literature ETDs

Resistance Narratives: Storytelling of Transnational Insurgencies in 1960-70s US and Mexico emphasizes how the narratives from the Mexican Insurgency, the American Indian Movement (AIM), and the leftist faction of the Chicana/o Movement in the 1960s and 1970s articulate intersecting notions of resistance, liberation, and transnational solidarity. The comparative analysis of the testimonial novel Las mujeres del alba (2019) by Chihuahuan novelist Carlos Montemayor, the autobiographies Lakota Woman (1991) and Ohitika Woman (1993) by Sičháŋǧu Lakȟóta writer and AIM militant Mary Brave Bird (formerly Crow Dog), and the memoirs and plays by the San Diego-based group Teatro de las Chicanas, collected …

Deus Ex Machina: Contemporary Argentina's Literature Of Infrastructure, D. Bret Leraul

Faculty Journal Articles

This article traces the growth of representations of literary infrastructure in Argentinean literature parallel to the rise of global finance capital and the successive price and debt crises it has visited upon the Argentinean economy since the restoration of liberal democracy in 1983. I argue that as Argentina’s robust mid-century literary institution has declined, the concrete organizations that constitute its infrastructure—for example publishing houses, educational institutions, cultural bureaucracies—become fodder for literary fiction. In short, literature represents its own infrastructure when that infrastructure comes to present a problem. My claim rests at once on the logics of the literary institution and …

Goats Die, Butterflies Fly: Portrayals Of Dominican Dictator Rafael Trujillo (1891–1961) In Historical Fiction And Non-Fiction, Jocelyn R. Brown

Ramifications

The dictator novel has become a staple of Latin American literature in the 20th century. As the intersection of art, culture, and politics, these novels are interested in painting intimate pictures of their dictator to examine the psychology of power and the lure of authoritarianism. This project focuses on analyzing the the rise and fall of Dominican dictator Rafael Leónidas Trujillo Molina (1891–1961) through literary lenses. This project compares the ways in which Trujillo and his regime (El Trujillato) are portrayed in both non-fiction and historical fiction. Trujillo was an excellent storyteller, known for his cult of personality …

Communicating With The Past Via Javier Cercas’ Las Leyes De La Frontera, Bobby D. Nixon

The Coastal Review

Cercas’ protagonist, Gafitas, narrates his memories of being a member of "el Zarco's" youth gang in the barrio chino of Girona during the summer of 1978, from the vantage point of the early 2000s. The novel is simultaneously viewed through the intertextual lens of José Antonio de la Loma’s cycle of quinqui films based on the life of the famous Catalan delinquent, El Vaquilla, Juan José Moreno Cuenca. There is renewed interest in these films from the Transition period of the late 1970s and early 1980s, with the success of this novel and director Daniel Monzón's film based on Cercas’ …

De Médée À La Sorcière : Reconstruction D’Un Mythe Par Michelet, Caroline Strobbe

The Coastal Review

In La Sorcière, Jules Michelet uses the strength and the myth of the Medea character, which had already fascinated Corneille. In the second part of his work, Michelet creates nominative witches after authentic texts. In the first part, he creates an allegoric witch on the Medea model: the Woman, a victim of arbitrariness, injustice and repression, rises up against her oppressors, figuring the march of Humanity towards Enlightenment and Liberty. The analogies between the Witch and Medea are therefore numerous and necessary, since they help to render the defense of the oppressed against the oppressor. Would the somber Medea, …

La Radical Imperfección Del Mundo: El Crimen Perfecto De Jean Baudrillard Y El Crimen Ferpecto De Alex De La Iglesia, Maria A. Gomez

The Coastal Review

Le parfait crime (1995) by Jean Baudrillard and Crimen ferpecto (2004) by the Basque director Alex de la Iglesia are two works that not only have in common almost identical titles. They both reflect on how in consumer societies, an imperfect real world is substituted for an illusory hyperreality in which the distinction between subject and object has disappeared. While Baudrillard explains how the denial of a transcendent reality in contemporary society is “a perfect crime” that destroys the real, Alex de la Iglesia uses black humor and a mix of genres (mainly grotesque comedy and thriller) to show the …