Aesthetics Commons^™

Ch 2 The Political Agency: The Helmsman, Maurizio Vito

Maurizio Vito

No abstract provided.

Ch 1 The Sea, The Land, The Community, The Individual, Maurizio Vito

Maurizio Vito

My dissertation analyzes the political unconscious of the metaphors of sea and land in works that range from Hesiod to Carl Schmitt, it is a study of how these metaphors, singly and in the interplay between them, are scattered through a wide variety of discourses. It examines the influence that cultural contexts exert on the allegorization of sea and land from ancient Greeks and Romans (Alcaeus, Virgil, Horace, first chapter) to the Italian Renaissance epic (Orlando Furioso and Gerusalemme Liberata, second chapter), and in the “Mediterranean question.” While the third chapter analyzes how nomos – a notion that concerns lawmaking …

Ch 3: Sea And Land: Domains Of Power, Maurizio Vito

Maurizio Vito

No abstract provided.

The Ethical Phenomenon Of Gm-Corn: Anger, Anxiety, And Arrogance In Crossing American Borders, Jules Simon

Jules Simon

In terms of phenomenology, I often wonder about the relevance of what I do as a philosopher for the life of those with whom I come into contact. This ‘coming into contact’ happens for me on several levels: as one human among many, as a husband and father and son and brother, as a teacher, as a neighbor, and as country or city dweller. I remember with fondness those times in the late sultry summer months when, as a youth, I would drive with my father to this or that local farm-stand on some remote back road in the hills …

Making Ethical Sense Of Useless Suffering With Levinas, Jules Simon

Jules Simon

No abstract provided.

The Organismic State Against Itself: Schelling, Hegel And The Life Of Right, Joshua D. Lambier

Joshua D Lambier

Focusing on the political thought of Schelling and Hegel – beginning with the early texts (1796–1802), then moving briefly to Hegel’s well known Philosophy of Right (1821) – this essay revisits the Romantic-Idealist theory of the organic state by returning to its genesis in the turbulent political, cultural and scientific debates of the post-Revolutionary period. Given the controversial nature of its historical (mis)appropriations, the organic idea of the state has become synonymous with totality and closure. This essay argues, however, that the contemporary rejection of organicism relies on narrow interpretations of Romantic and Idealist notions of organic life, interpretations that …

Reflections On Greek Bronze And 'The Statue Of Humanity'. Heidegger's Aesthetic Phenomenology And Nietzsche's Agonistic Politics, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Benjamin In Paris: Weak Messianism And Memories Of The Oppressed, Jules Simon

Jules Simon

No abstract provided.

Always More Than One Art: Jean-Luc Nancy's The Muses, Ann Taylor

Ann Taylor

Jean-Luc Nancy begins The Muses with an essay entitled, “Why Are There Several Arts And Not Just One?” It is an ambitious essay, one which calls into question not only the specific aesthetic theories of Hegel and Heidegger, but essentially the entire Western aesthetic tradition. While Nancy provides some interesting discussions of the problem as he considers some of the more prominent aesthetic theories in Western philosophy, to what extent does it matter that we know (or do not know) whether art is singular or plural in essence, or what “art” is at all? What is the purpose of philosophizing …

Nietzsche’S “Gay” Science, Babette Babich

Articles and Chapters in Academic Book Collections

Offers a reading of the allusion to the 'Provencal' in Nietzsche’s The Gay Science, including the troubadour’s art (or 'technic') of poetic song, an art at once secret, anonymous and thus nonsubjective, but also including logical disputation, for which it is the model, and comprising, perhaps above all, the important ideal of action (and pathos) at a distance: l’amour lointain. But beyond the Provençal character and atmosphere of the troubadour, Nietzsche’s conception of a joyful science, Nietzsche's 'gay' science also adumbrates a critique of science understood as the collective ideal of scholarship, and including classical philology as much as logic, …

Dilthey And Simmel: A Reading From/Toward Buber's Philosophy Of History, Jules Simon

Jules Simon

No abstract provided.

Hegels Familienbegriff – Vermittelt Durch Rosenzweig: Darstellung Einer Eigentuemlichen Geschichte, Jules Simon

Jules Simon

No abstract provided.

Foucault And Habermas, David Ingram

Philosophy: Faculty Publications and Other Works

The article is a comprehensive comparison of Foucault and Habermas which focuses on their distinctive styles of critical theory. The article maintains that Foucault's virtue ethical understanding of aesthetic self-realization as a form of resistance to normalizing practices provides counterpoint to Habermas's more juridical approach to institutional justice and the critique of ideology. The article contains an extensive discussion of their respective treatments of speech action, both strategic and communicative, and concludes by addressing Foucault's understanding of parrhesia as a non-discursive form of truth-telling.

Mousike Techne: The Philosophical Practice Of Music In Plato, Nietzsche, And Heidegger, Babette Babich

Articles and Chapters in Academic Book Collections

After retracing the breadth of the definition of music in antiquity to the end of justifying the sense in which one may speak of 'the music of philosophy' as Plato's Socrates does, this essay re-reads the Platonic distinction between philosophy as the highest kind of music and performative, as heard or played sung music as a lower form. It then turns to an exploration of Nietzsche's writing style conceived on a muscial model precisely qua aphoristic and concludes with a review of Heidegger's thought as musically composed or adumbrated.

Rosenzweig's Messianic Aesthetics, Jules Simon

Jules Simon

No abstract provided.

Getting At The Rapture Of Seeing: Ellsworth Kelly And Visual Experience, Leo J. O'Donovan Sj

Research Resources

Leo J. O'Donovan offers an art-critical account of the American artist Ellsworth Kelly including a comprehensive overview of his career and his attention to color and to vision. O'Donovan explores context and situation to raise questions of painterly color and atmosphere:

Citation:

Leo J. Donovan, "Getting at the Rapture of Seeing: Ellsworth Kelly and Visual Experience." In: Babette Babich, ed., Philosophy of Science, Van Gogh’s Eyes, and God: Hermeneutic Essays in Honor of Patrick A. Heelan, S.J., (Dordrecht: Kluwer, 2002), pp. 295—300.

Notes On David Krell’S The Good European, David B. Allison

Research Resources

So many things come together so beautifully in The Good European, it is hard
to imagine not being moved by it. I discuss what kind of book this is and, more specifically, try to explain, in some detail, just how this work is able to achieve the remarkably performative effect that it has on the reader — at least on this reader. At the outset, it should be said that The Good European is an oversized, illustrated book — a well-known genre — although it is quite unusual to find an example of such work devoted to the life …

On Malls, Museums, And The Art World: Postmodernism And The Vicissitudes Of Consumer Culture, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.