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Articles 1 - 4 of 4
Full-Text Articles in Aesthetics
Philosophische Figuren, Frauen Und Liebe: Zu Nietzsche Und Lou, Babette Babich
Philosophische Figuren, Frauen Und Liebe: Zu Nietzsche Und Lou, Babette Babich
Articles and Chapters in Academic Book Collections
No abstract provided.
On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich
On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich
Articles and Chapters in Academic Book Collections
This essay reviews Nietzsche’s discussion of scholarly judgments of style beginning with his own inaugural lecture at Basel together with David Hume’s stylistic reflections in Hume's “On the Standard of Taste.” This casts light both on the context and the substance of Nietzsche’s own scholarly concern with the question of style and taste in terms of what Nietzsche called the “science of aesthetics” and consequently of scholarly judgment in both classics (or classical philology, here including archaeology and historiography) and philosophy. I also include a brief discussion of Nietzsche’s phenomenological performance practice of dance or playing the “satyr.”
On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich
On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich
Working Papers
No abstract provided.
In The Fullness Of Time: M. M. Bakhtin, In Discourse And In Life, James C. Hall
In The Fullness Of Time: M. M. Bakhtin, In Discourse And In Life, James C. Hall
Electronic Thesis and Dissertation Repository
The phrase “the fullness of time” touches upon one of M. M. Bakhtin’s most consistently upheld tenets; for Bakhtin, philosophical and everyday utterances rely on their historical embeddedness for the material and concrete reality from which they draw their meaning and through which they are conditioned, inflected, and re-evaluated. In his very last work Bakhtin stated that all meanings are in continuous evolution. In this thesis the attempt will be made to interpret Bakhtin’s corpus by concentrating particularly on the movement of historical and philosophical becoming, the art of responding to philosophy and the events of everyday life, and the …