Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- University of the Pacific (47)
- University of Denver (24)
- Liberty University (18)
- City University of New York (CUNY) (14)
- The University of Southern Mississippi (10)
-
- West Virginia University (10)
- University of Nebraska - Lincoln (8)
- University of Lynchburg (7)
- University of Kentucky (5)
- Yale University (5)
- California State University, Monterey Bay (4)
- James Madison University (4)
- Marshall University (4)
- Claremont Colleges (3)
- Fordham University (3)
- Louisiana State University (3)
- Southern Methodist University (3)
- University of Nevada, Las Vegas (3)
- Belmont University (2)
- Berklee College of Music (2)
- Bowling Green State University (2)
- California Polytechnic State University, San Luis Obispo (2)
- Chapman University (2)
- Indiana State University (2)
- Lawrence University (2)
- Pepperdine University (2)
- SAE Institute Australasia (2)
- University of Dayton (2)
- University of New Hampshire (2)
- Washington University in St. Louis (2)
- Keyword
-
- Music (55)
- College of Arts Humanities and Social Sciences (22)
- Lamont School of Music (22)
- Musicology and Ethnomusicology (21)
- Composition (9)
-
- Musicology (8)
- History (6)
- Orchestra (6)
- Guitar (5)
- Jazz (5)
- Music industry (5)
- Timbre (5)
- Violin (5)
- Band (4)
- Copyright (4)
- Ethnomusicology (4)
- Flute (4)
- Notation (4)
- Performance (4)
- Recording (4)
- Religion (4)
- Robert Schumann (4)
- Worship (4)
- Album review (3)
- Art (3)
- Audio (3)
- Classical Music (3)
- Composer (3)
- Composers (3)
- Conducting (3)
- Publication Year
- Publication
-
- Backstage Pass (46)
- Musicology and Ethnomusicology: Student Scholarship (21)
- Masters Theses (13)
- Dissertations (10)
- Graduate Theses, Dissertations, and Problem Reports (ETD) (10)
-
- Undergraduate Theses and Capstone Projects (6)
- Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances (5)
- Theses and Dissertations--Music (5)
- Yale Journal of Music & Religion (5)
- Capstone Projects and Master's Theses (4)
- Dissertations, Theses, and Capstone Projects (4)
- Open Educational Resources (4)
- Electronic Theses and Dissertations (3)
- Honors Projects (3)
- LSU Doctoral Dissertations (3)
- Music Faculty Publications (3)
- Music Faculty Research (3)
- Publications and Research (3)
- Theses and Dissertations (3)
- All-Inclusive List of Electronic Theses and Dissertations (2)
- Articles and Chapters in Academic Book Collections (2)
- Bridwell Library Research (2)
- Dissertations, 2014-2019 (2)
- Dissertations, 2020-current (2)
- Doctoral Dissertations and Projects (2)
- Lawrence University Honors Projects (2)
- Music (2)
- Music & Musical Performance: An International Journal (2)
- Senior Honors Theses (2)
- Soundboard Scholar (2)
- Publication Type
- File Type
Articles 121 - 150 of 229
Full-Text Articles in Musicology
The Roman Catholic Ordinary Mass From Circa 1750 To Circa 1820: A Selected Bibliography, Letícia Gabriele Grützmann Januario
The Roman Catholic Ordinary Mass From Circa 1750 To Circa 1820: A Selected Bibliography, Letícia Gabriele Grützmann Januario
Graduate Theses, Dissertations, and Problem Reports (ETD)
Orchestrated masses from the 18th century and early years of the 19th century provide a valuable source of repertoire for contemporary choral conductors. This project will explore composers and works from circa 1750 to 1820 to provide choral conductors with a list of works suitable for programming based on the practical size of vocal and instrumental forces.
Western choral music was born in a church setting. Among all choral genres, the mass is the only genre composed throughout all eras, from medieval until the 20th century. The mass remained a prominent genre during the 18th century despite the secularizing influence …
Authenticity And Practicality: Evaluating And Performing Multicultural Choral Music, Jesse Noote
Authenticity And Practicality: Evaluating And Performing Multicultural Choral Music, Jesse Noote
Dissertations
Many choral music educators believe that multicultural music is a vital part of any choral curriculum. However, the research shows that these same choral directors are reluctant to select multicultural octavos because they lack training in non-Western music, which prevents them from effectively teaching and performing this music authentically. The purpose of this dissertation is to equip choral directors with the necessary tools for bridging the gap between desiring to perform and actually performing multicultural octavos.
Six authors have provided authenticity checklists that are designed to help music educators evaluate and perform multicultural music. This research synthesizes those lists to …
“Native American Folk Song Suite”: A Study Of Traditional Native American Melodies, The Role Of Music In Native American Society, And Its Translation To The Modern Wind Ensemble, Preston Parker
Electronic Theses and Dissertations
Music holds a sacred place for the many Native American tribes of the United States. Over the past 150 years, ethnomusicologists Dr. Theodore Baker (1851-1934), Dr. Frances Densmore (1867-1957), and John Donald Robb (1892-1989) have preserved these songs by sitting down with indigenous Native Americans and recording their music straight from the source. Through these recordings, these ethnomusicologists created a springboard for composers, including myself, to study the past and create new music that honors the traditions and culture of Native Americans. I have applied my new knowledge of these musical techniques and traditions to create a work for wind …
Industry Profile: Denny Stilwell, Mack Avenue Music Group President, Axel Tanner
Industry Profile: Denny Stilwell, Mack Avenue Music Group President, Axel Tanner
Backstage Pass
No abstract provided.
Insta-Promotion: Here’S Why (And How) You Should Be Using Instagram To Market Your Music, Jennifer Morrow
Insta-Promotion: Here’S Why (And How) You Should Be Using Instagram To Market Your Music, Jennifer Morrow
Backstage Pass
No abstract provided.
A Failure Of The Music Industry: The Frustration Of Women Of Color, Christina Estes-Wynne
A Failure Of The Music Industry: The Frustration Of Women Of Color, Christina Estes-Wynne
Backstage Pass
Throughout the history of the music industry, women of color have not received the same recognition as their male counterparts because males have dominated the industry resulting in lack of female representation. Women have been oversexualized reducing their clout in their fields and the lack of acknowledgement of success, which discourages future generations of colored women from attempting to reach their highest potential.
Social Activism In The U.S. Music Industry, Joey A. Tan
Social Activism In The U.S. Music Industry, Joey A. Tan
Backstage Pass
No abstract provided.
The Trending Killer, Diana Ventura
Big Business In The Music Business, Kortney Burton
Big Business In The Music Business, Kortney Burton
Backstage Pass
No abstract provided.
The Music Industry Has A Mental Health Problem, Manny Manriquez
The Music Industry Has A Mental Health Problem, Manny Manriquez
Backstage Pass
No abstract provided.
Music And Politics: A Potent Combination To Commercial Success?, Veronica Martinez
Music And Politics: A Potent Combination To Commercial Success?, Veronica Martinez
Backstage Pass
No abstract provided.
What Is A Music Supervisor?, June Benoit
Closing The Music Industry Gender Gap, Sami Fong
Gender Inequality In The Music Industry, Issadora Tulalian
Gender Inequality In The Music Industry, Issadora Tulalian
Backstage Pass
No abstract provided.
15 Seconds Of Fame, Graham Mclaren-Finelli
Redemption: A Deep Dive Into The Magnum Opus That Saved Kanye’S Career, Graham D. Mclaren-Finelli
Redemption: A Deep Dive Into The Magnum Opus That Saved Kanye’S Career, Graham D. Mclaren-Finelli
Backstage Pass
No abstract provided.
Sgt. Pepper's Lonely Hearts Club Band: A Journey Inside The Creative Genius Of The Beatles, Kevin Sandri
Sgt. Pepper's Lonely Hearts Club Band: A Journey Inside The Creative Genius Of The Beatles, Kevin Sandri
Backstage Pass
No abstract provided.
Meet Cody Simpson, Veronica Martinez
Childish Gambino Says Goodbye, Diana Ventura
Childish Gambino Says Goodbye, Diana Ventura
Backstage Pass
Childish Gambino ends his music career with his This Is America tour. In this review, we delve into how the audience reacts to his goodbye and how he is determined to give us his most spectacular farewell.
Travis Scott's Astroworld Tour, Prajeet Sandhu
Justin Timberlake's 20/20 Experience, June Benoit
Justin Timberlake's 20/20 Experience, June Benoit
Backstage Pass
No abstract provided.
5 Seconds Of Summer Concert Review, Johanna Stjernström
5 Seconds Of Summer Concert Review, Johanna Stjernström
Backstage Pass
No abstract provided.
Asap Rocky At The Golden 1 Center, S. Mbaye
Vista Kicks & Bad Suns Concert Review, Issadora Tulalian
Vista Kicks & Bad Suns Concert Review, Issadora Tulalian
Backstage Pass
No abstract provided.
Letter From The Editor, Keith Hatschek
A Method For The Measurement Of The Latency Tolerance Range Of Western Musicians, Jorge Medina Victoria
A Method For The Measurement Of The Latency Tolerance Range Of Western Musicians, Jorge Medina Victoria
PhDs
This thesis presents a new systematic method to measure the ability of western musicians to cope with latency. The core of the method is a listening test and the development of a measure. The viability of the method is statistically tested with an empirical observation of 31 test subjects performing on 17 different musical instruments.
The primary goal of the investigation is the development of a systematic, reliable and replicable method that can be applied to different western music instruments, in order to provide data for analysis on latency issues while performing music in non-collaborative performances. In addition, a measure …
Diy In Early Live Electroacoustic Music: John Cage, Gordon Mumma, David Tudor, And The Migration Of Live Electronics From The Studio To Performance, Lindsey Elizabeth Hartman
Diy In Early Live Electroacoustic Music: John Cage, Gordon Mumma, David Tudor, And The Migration Of Live Electronics From The Studio To Performance, Lindsey Elizabeth Hartman
LSU Doctoral Dissertations
This research examines early live electronic works by Gordon Mumma, David Tudor, and John Cage—three influential American experimental music composers who designed, built, and recontextualized electronics for live performance—and the Do-It-Yourself (DIY) aesthetic embodied by their instruments and the compositions written for them. This dissertation serves as a presentation of original research into the earliest composers of live electronic works and the necessary DIY approach used in building independent systems. Previous research on the DIY perspectives in music often touch on the grass-roots nature of contemporary electroacoustic systems but there is not yet research specific to the DIY approach taken …
A Compendium Of Opera In Spain And Latin America, Michelle S. Smith
A Compendium Of Opera In Spain And Latin America, Michelle S. Smith
Graduate Theses, Dissertations, and Problem Reports (ETD)
Spain and Latin America have a rich operatic tradition, however this opulent body of operatic work is mostly overlooked or ignored in mainstream histories of opera. This document focuses on opera in Spain and the Spanish-speaking countries of Latin America. Opera was both composed and performed in Spain and Latin America, and both regions demonstrate the development of national opera traditions. Spanish drama was closely linked to the beginnings of national opera, and Italian influence is evident in opera compositions from both regions. The output of national operas varies by country, with Spain, Mexico, and Argentina claiming the majority of …
Music Is The "Noise Of Remembering" Tracing The Origins, Influences, And Connectivities Of West African Music, Adam Friedman
Music Is The "Noise Of Remembering" Tracing The Origins, Influences, And Connectivities Of West African Music, Adam Friedman
Lawrence University Honors Projects
The popularity and universal reach of music genres such as Jazz and Hip Hop attest to the idea that these forms have been long established as a vital part of global musical culture. For people who are familiar with Afrocentric music, it is clear that styles such as Jazz and Hip Hop are rooted in, and inextricably linked with, African culture and history. What is more difficult to make sense of, however, is how and why transplanted African culture came to have such wide reaching impact in the new contexts in which it was taken up – because the stories …
Electronics And The Music Of Miles Davis, Darren E. Shekailo
Electronics And The Music Of Miles Davis, Darren E. Shekailo
Theses and Dissertations
Miles Davis produced a wealth of music relying on the use of electronic instruments and new technology. With their adoption, the famous trumpeter began his “electric” period. Examining the electric period of Davis’s career helps us trace the profound impact of electronic instruments and technological advances on his music.