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Full-Text Articles in Musicology
The Unifying Strands: Formalism And Gestalt Theory Span Centuries Of Music Philosophy, Amanda N. Staufer
The Unifying Strands: Formalism And Gestalt Theory Span Centuries Of Music Philosophy, Amanda N. Staufer
The Research and Scholarship Symposium (2013-2019)
In every age, musicians and philosophers deal with inquiries concerning musical meaning and the effect of music on the listener. Musical formalism and Gestalt theory—two theories in musical aesthetics—demonstrate that aspects of musical perception and experience are enduring and comprehensive. Musical formalism is the theory that music’s nature is innate, self-evident, able to be systematically deduced, and rational. According to formalism, musical meaning is defined by things objectively ‘there’ in the music, musical experience relies on cognition, and music is less a matter of sense than of mind. Gestalt Theory holds that music is a unified totality—the whole gives meaning …
From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, Katie Victoria Burnopp
From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, Katie Victoria Burnopp
Student Scholar Showcase
Known as the ‘King of Swing’, clarinetist and band leader Benny Goodman (1909-1986) threatened the Nazi cause during WWII. With intent of improving music pedagogy, the purpose of this research was to investigate swing music during World War II. The particular problems of this study were to: (1) identify how the swing music of Benny Goodman (1909-1986) influenced adolescents in the United States of America, United Kingdom, and Germany; (2) explore the Nazi party view on ‘swing’ music of the era; (3) examine how the music of Charlie and his Orchestra became used as a tool for Nazi propaganda; and …
The Triple Harp: The Unsung Hero Of Harp History, Brittany L. Roberts
The Triple Harp: The Unsung Hero Of Harp History, Brittany L. Roberts
The Research and Scholarship Symposium (2013-2019)
Graced with thousands of years of history, the harp has evolved and adapted to many different musical eras. A prime example of this is the triple harp, a precursor of the modern pedal harp. Before the invention of the pedals, harpists found it difficult to adjust to the increasing chromaticism found in the ornamentation and chord progressions of the Baroque era. However, harp builders were not deterred by this challenge. First built by Italian luthiers in the early 1600's, the triple harp featured three layers of strings stretched parallel to one another. The two outer layers were tuned diatonically to …
Music And Athletics: An Inseparable Bond, Alisha Symington
Music And Athletics: An Inseparable Bond, Alisha Symington
The Research and Scholarship Symposium (2013-2019)
Music is so deeply ingrained in nearly every part of our culture, it sometimes passes by unnoticed. However, if one were to remove music from its typical appearance, the resulting silence can be deafening. For example, in a film, such as Star Wars, if the main theme did not exist, the anticipation of the film and the overall reaction to the plot would be far less appealing. If clothing stores did not play spunky electronic music, would consumer’s shopping habits be altered? A strongly universal and historic aspect of culture that a lack of music would dramatically is the world …
An Approach To Undergraduate Research - Developing An Understanding Of The Musical Process Through The Editing Of Early Music, Jared Chance Taylor, Gary W. Cobb
An Approach To Undergraduate Research - Developing An Understanding Of The Musical Process Through The Editing Of Early Music, Jared Chance Taylor, Gary W. Cobb
Seaver College Research And Scholarly Achievement Symposium
This project is an outgrowth of a larger project that involves the eventual compilation of a series of Italian madrigals into a modern performing edition. The purpose of this project was to transcribe and edit a madrigal from Carlo Grossi’s L’Anfione musiche da camera or per tavola (Venice, 1675) in order to better understand and be able to perform an Italian madrigal as it might have been done in the late seventeenth century. Through a process of research, examination and transcription, I was able to not only to transcribe Grossi’s music into modern notation but was also able to also …