Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- Manuscript Studies (10)
- Music (6)
- Aesthetics (2)
- Beethoven (2)
- Music history (2)
-
- Musical iconography (2)
- Romanticism (2)
- 1970s (1)
- AI aided design (1)
- Adorno (1)
- Alte und Neue Kirchenmusik (1)
- Alvin Lucier (1)
- American Experimental Music (1)
- Anthropology (1)
- Antonin Artaud (1)
- Archeoacousitcs (1)
- Aristoxenus (1)
- Arnold Dolmetsch (1)
- Art Rock (1)
- Artificial intelligence (1)
- Arts & Crafts (1)
- Avant-Garde Festival (1)
- Bach performance practice (1)
- Bamberg (1)
- Book review (1)
- Commodity (1)
- Curatorial (1)
- Cymatics (1)
- Das romantische Reich (1)
- Depths (1)
- Publication Year
- Publication
-
- Elizabeth C Teviotdale (10)
- Dissertations, Theses, and Capstone Projects (3)
- Publications and Research (3)
- Clifford Davidson (2)
- Early Drama, Art, and Music (2)
-
- Theses and Dissertations (2)
- ATU Research Symposium (1)
- Articles and Chapters in Academic Book Collections (1)
- Edmond Johnson (1)
- Electronic Thesis and Dissertation Repository (1)
- Honors Scholars Collaborative Projects (1)
- Lawrence University Honors Projects (1)
- Masters Theses (1)
- Seaver College Research And Scholarly Achievement Symposium (1)
- Senior Honors Theses (1)
- Senior Projects Spring 2017 (1)
- The Research and Scholarship Symposium (2013-2019) (1)
- Undergraduate Student Research Internships Conference (1)
- Publication Type
- File Type
Articles 31 - 34 of 34
Full-Text Articles in Musicology
The "Llibre De Franqueses I Privilegis Del Regne De Mallorca": A Source Of Music Iconography, Antoni Pizà, Ramon Rosselló
The "Llibre De Franqueses I Privilegis Del Regne De Mallorca": A Source Of Music Iconography, Antoni Pizà, Ramon Rosselló
Publications and Research
The Arxiu del Regne de Mallorca of Palma de Mallorca, Spain, holds numerous collections of manuscripts that have been assembled at random regardless of their unity in subject or time period. The codices kept at the Arxiu comprise many different types of documents whose provenance and compilation history is yet to be determined. One of the most valuable among these codices is the Llibre de franqueses i privilegis del Regne de Mallorca (Codex 1), also known as Códice de los Reyes.
Musical Inspiration As Seen Through The Artist's Eyes, Antoni Pizà
Musical Inspiration As Seen Through The Artist's Eyes, Antoni Pizà
Publications and Research
The role of inspiration in the creation of a musical work has been a matter for conjecture and research by musicians and psychologists. But the realm of inspiration belongs to the creators themselves, who supply mythology, religion, and science to account for the source of an artwork. Throughout history, painters, too, have given their version of musical inspiration and the process of the creation of the work of art. What is musical inspiration? Where does it come from? What are its effects? The following essay explores some painters' responses by surveying some representative works of art.
The Filiation Of The Music Illustrations In A Boethius In Milan And In The Piacenza Codice Magno, Elizabeth Teviotdale
The Filiation Of The Music Illustrations In A Boethius In Milan And In The Piacenza Codice Magno, Elizabeth Teviotdale
Elizabeth C Teviotdale
Proposes a common prototype from the tradition of illustrated manuscripts of Cassiodorus’s Institutiones as the explanation for the close iconographic relationship between music illustrations in a manuscript (here dated to the 11th century) of the De arithmetica and De musica of Boethius (Milan, Biblioteca Ambrosiana, MS C.128 inf.) and in the 12th-century Codice Magno (Piacenza, Biblioteca Capitolare, MS 65). Suggests that the iconography may have originated in a Carolingian scriptorium.
The Filiation Of The Musical Illustrations In Milano, Biblioteca Ambrosiana, Ms. C 128 Inf. And Piacenza, Biblioteca Capitolare, Ms. 65, Elizabeth Teviotdale
The Filiation Of The Musical Illustrations In Milano, Biblioteca Ambrosiana, Ms. C 128 Inf. And Piacenza, Biblioteca Capitolare, Ms. 65, Elizabeth Teviotdale
Elizabeth C Teviotdale
Proposes a common prototype from the tradition of illustrated manuscripts of Cassiodorus’s Institutiones as the explanation for the close iconographic relationship between music illustrations in a manuscript (here dated to the 11th century) of the De arithmetica and De musica of Boethius (Milan, Biblioteca Ambrosiana, MS C.128 inf.) and in the 12th-century Codice Magno (Piacenza, Biblioteca Capitolare, MS 65). Suggests that the iconography may have originated in a Carolingian scriptorium.