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Articles 271 - 300 of 333
Full-Text Articles in Music Practice
A Metrical Analysis And Rebarring Of Paul Creston's Sonata For Alto Saxophone And Piano, Op. 19, Christopher Kyle Sweitzer
A Metrical Analysis And Rebarring Of Paul Creston's Sonata For Alto Saxophone And Piano, Op. 19, Christopher Kyle Sweitzer
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
The Sonata For Alto Saxophone and Piano Op. 19 is one of the most popular pieces in the saxophone literature, commonly played by professional saxophonists during their training. It features exciting rhythmic devices like irregular and mixed meter, the notation of which is the main focus of this paper. Although Creston often used irregular and mixed meter in his compositions, he rarely specifically notated them, choosing instead to use accents, beams, slurs, and other phenomenal cues at the musical surface to create the effect of these metric plans. Time signatures often remained constant throughout entire movements. Creston believed this would …
A Performer’S Guide To The Original Works For Solo Horn, Horn And Piano, Two Horns, And Two Horns And Piano By Paul Basler, Nicholas A. Kenney
A Performer’S Guide To The Original Works For Solo Horn, Horn And Piano, Two Horns, And Two Horns And Piano By Paul Basler, Nicholas A. Kenney
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
The horn music of Paul Basler, while extremely popular and widely recognized, is relatively unexplored in academia. Basler’s experiences have led him all over the world from Wisconsin, Florida, and New York to Kenya and the Dominican Republic. Because of Basler’s variety of experiences, his music encompasses many styles and media. This document focuses on the life and influences of Paul Basler as a composer for the horn as the featured instrument. It provides a historical context for each of his original pieces for solo horn, horn and piano, two horns, and two horns and piano. Also present is a …
Unlv Magazine, Cate Weeks, Tony Allen, Shane Bevell, Diane Russell, Brendan Buhler, Afsha Bawany, Erin O'Donnell
Unlv Magazine, Cate Weeks, Tony Allen, Shane Bevell, Diane Russell, Brendan Buhler, Afsha Bawany, Erin O'Donnell
UNLV Magazine
No abstract provided.
Woodwind Extension Through The Systematic Use Of Microtonality And Electronic Manipulation Of The Instrument, Seán Mac Erlaine
Woodwind Extension Through The Systematic Use Of Microtonality And Electronic Manipulation Of The Instrument, Seán Mac Erlaine
Conference papers
This research questions how the expressive range of the saxophone / bass clarinet can be extended in new ways by employing both a systematic use of microtonality and electronic manipulation of the instrument.
The use of digital signal processing (DSP) is well advanced among certain music practitioners, most notably electric guitarists, extending that instrument’s expressive powers considerably. Woodwind instrumentalists have a huge unexplored potential to engage with new technologies, furthering the range, polyphonic voicings, loops, reverbs and general signal manipulation.
The marraige of these two disciplines with conventional woodwind practice greatly deepens the expressive range of the instrument while offering …
Summer Opportunities For Music Educators
Musique On The Bluff And Double Bass Symposium
Table Of Contents And Dean's Welcome, Edward Kocher
Mary Jane Schultz Music Center
Guitar Department Award Goes To Martin Ceo
Tempo Magazine Fall 2009 (Spreads)
Sean Jones Performs At White House
Symposium On Upper Limb Health For Musicians Held At Music School
Symposium On Upper Limb Health For Musicians Held At Music School
TEMPO
No abstract provided.
Major Renovations Planned For Music School
Jazz Faculty Members Lead August Wilson Center's Pittsburgh Jazz Orchestra
Jazz Faculty Members Lead August Wilson Center's Pittsburgh Jazz Orchestra
TEMPO
No abstract provided.
Commissioned Work Unveiled At Cello Performance
Guitarists Shine At Summertime Jazz Concert
Music On The Mount And Schumann Celebration 2010
Honorary Doctorate Awarded To Composer John Adams
Musical Tribute To Robert Shankovich And Carolyn Shankovich
Musical Tribute To Robert Shankovich And Carolyn Shankovich
TEMPO
No abstract provided.
Rchard M. Gray, Founder Of Musical Therapy Program
Article: Phrasing...Speaking In Musical Sentences.Blue Grass News, Official Journal Of The Ky Music Educators Association, John M. Cipolla
Article: Phrasing...Speaking In Musical Sentences.Blue Grass News, Official Journal Of The Ky Music Educators Association, John M. Cipolla
Music Faculty Publications & Performances
Tips on the necessary skills for musicians to learn to play convincing phrases.
Article: Phrasing...Speaking In Musical Sentences.Blue Grass News, Official Journal Of The Ky Music Educators Association, John M. Cipolla
Article: Phrasing...Speaking In Musical Sentences.Blue Grass News, Official Journal Of The Ky Music Educators Association, John M. Cipolla
Music Faculty Publications & Performances
Tips on the necessary skills for musicians to learn to play convincing phrases.
Article: Pedagogy Of Master Clarinet And Saxophone Teacher, Joe Allard: A Panel Discussion, John M. Cipolla
Article: Pedagogy Of Master Clarinet And Saxophone Teacher, Joe Allard: A Panel Discussion, John M. Cipolla
Music Faculty Publications & Performances
This is an edited transcription of a panel discussion held at the International Clarinet Association's ClarinetFest 2008 in Kansas City, Missouri about the pedagogy of clarinet/saxophone master teacher, Joe Allard. I participated in the panel, along with another former student of Joe Allard, as well as with an author of a dissertation written about Allard.
Article: Pedagogy Of Master Clarinet And Saxophone Teacher, Joe Allard: A Panel Discussion, John M. Cipolla
Article: Pedagogy Of Master Clarinet And Saxophone Teacher, Joe Allard: A Panel Discussion, John M. Cipolla
Music Faculty Publications & Performances
This is an edited transcription of a panel discussion held at the International Clarinet Association's ClarinetFest 2008 in Kansas City, Missouri about the pedagogy of clarinet/saxophone master teacher, Joe Allard. I participated in the panel, along with another former student of Joe Allard, as well as with an author of a dissertation written about Allard.