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Articles 241 - 270 of 333

Full-Text Articles in Music Practice

Our Graduates Succeed Jan 2012

Our Graduates Succeed

TEMPO

No abstract provided.


Music Down Under Jan 2012

Music Down Under

TEMPO

No abstract provided.


Early Childhood Music Conference Jan 2012

Early Childhood Music Conference

TEMPO

No abstract provided.


Table Of Contents Jan 2012

Table Of Contents

TEMPO

No abstract provided.


New Orchestra Director Jeffrey Turner Jan 2012

New Orchestra Director Jeffrey Turner

TEMPO

No abstract provided.


Go Where The Spirit Sends You Jan 2012

Go Where The Spirit Sends You

TEMPO

No abstract provided.


Interview With Dean Edward Kocher Jan 2012

Interview With Dean Edward Kocher

TEMPO

No abstract provided.


News And Notes Jan 2012

News And Notes

TEMPO

No abstract provided.


Beyond “Air” Guitar Jan 2012

Beyond “Air” Guitar

TEMPO

No abstract provided.


Tempo Magazine Winter 2012 (Spreads) Jan 2012

Tempo Magazine Winter 2012 (Spreads)

TEMPO

No abstract provided.


A Suggested Improvement For The Fisk Organ At Stanford, Mark Lindley Dec 2011

A Suggested Improvement For The Fisk Organ At Stanford, Mark Lindley

Performance Practice Review

The unequal temperaments of Stanford's Fisk organ should be modified to reflect more accurately the characteristics of Renaissance and Baroque keyboard tunings.


An Evaluation Of Compositions For Wind Band According To Specific Criteria Of Serious Artistic Merit: A Second Update, Clifford Towner Aug 2011

An Evaluation Of Compositions For Wind Band According To Specific Criteria Of Serious Artistic Merit: A Second Update, Clifford Towner

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

This study is an update to the 1978 thesis of Acton Eric Ostling, Jr. and the 1993 replication study by Jay Warren Gilbert. These two studies explore a process for evaluating specific compositions, from a selected list, against a set of ten criteria defining serious artistic merit. This study reevaluates those compositions that met the criteria in the previous studies, as well as those compositions that were within ten points of meeting the criteria in the previous studies. Additional compositions, especially those composed since 1993, are also included.

The study utilizes eight procedures for accomplishing its objective, including defining the …


Cognitive Processes For Infering Tonic, Steven J. Kaup Aug 2011

Cognitive Processes For Infering Tonic, Steven J. Kaup

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Research concerning cognitive processes for tonic inference is diverse involving approaches from several different perspectives. Outwardly, the ability to infer tonic seems fundamentally simple; yet it cannot be attributed to any single cognitive process, but is multi-faceted, engaging complex elements of the brain. This study will examine past research concerning tonic inference in light of current findings. First I will survey the recent history of experimental research in cognitive functions for memory retention and expectation as they relate to the recognition and learning of musical schemas. Then I will discuss distributional theories associated with the tonal hierarchy of major and …


David Maslanka's Desert Roads, Four Songs For Clarinet And Wind Ensemble: An Analysis And Performer's Guide, Joshua R. Mietz Apr 2011

David Maslanka's Desert Roads, Four Songs For Clarinet And Wind Ensemble: An Analysis And Performer's Guide, Joshua R. Mietz

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Known primarily as a composer for the wind band, few American composers have received the notoriety and widespread acclaim that David Maslanka has since 1970. His works for wind ensemble are now considered standard repertoire and are played frequently by high school, college-level, and professional ensembles alike. Additionally, his works for chamber groups and soloists have continued to gain in popularity.  As of the writing of this document, Maslanka has composed concertos for saxophone, euphonium, flute, marimba, trombone, and piano.  Early in 2005, he completed his first large-scale work for solo clarinet with wind ensemble accompaniment:  Desert Roads.  Desert …


Tempo Magazine Winter 2011 Jan 2011

Tempo Magazine Winter 2011

TEMPO

No abstract provided.


News And Notes Jan 2011

News And Notes

TEMPO

No abstract provided.


Christine Jordanoff Celebrates 25 Years Jan 2011

Christine Jordanoff Celebrates 25 Years

TEMPO

No abstract provided.


Keys Of Distinction Jan 2011

Keys Of Distinction

TEMPO

No abstract provided.


“Degenerate” Music Recital Jan 2011

“Degenerate” Music Recital

TEMPO

No abstract provided.


Quadratomic Reprise Jan 2011

Quadratomic Reprise

TEMPO

No abstract provided.


Not Fiddling Around Jan 2011

Not Fiddling Around

TEMPO

No abstract provided.


All For A Song Jan 2011

All For A Song

TEMPO

No abstract provided.


Live Lobby Music Jan 2011

Live Lobby Music

TEMPO

No abstract provided.


Pappert Center Dedication Jan 2011

Pappert Center Dedication

TEMPO

No abstract provided.


Tempo Interviews Dean Edward Kocher Jan 2011

Tempo Interviews Dean Edward Kocher

TEMPO

No abstract provided.


One To Watch — Anthony Rankin Jan 2011

One To Watch — Anthony Rankin

TEMPO

No abstract provided.


Table Of Contents Jan 2011

Table Of Contents

TEMPO

No abstract provided.


Tempo Magazine Winter 2011 (Spreads) Jan 2011

Tempo Magazine Winter 2011 (Spreads)

TEMPO

No abstract provided.


Robert Cameron’S Quarter Century Jan 2011

Robert Cameron’S Quarter Century

TEMPO

No abstract provided.


Buddy Defranco, The Standard Bearer, John M. Cipolla Dec 2010

Buddy Defranco, The Standard Bearer, John M. Cipolla

Music Faculty Publications & Performances

Interview with Buddy DeFranco, master jazz clarinetist.