Music Performance Commons^™

Letter From The Editor-In-Chief, Keith Hatschek

Backstage Pass

Outgoing Editor-in-Chief, Keith Hatschek, relates what accomplishments the editors of the journal have achieved, as well as previewing the content from this issue.

Analyzing Non-Strophic Forms Through The Facets Model: The Early Compositional Style And Technique Of Trey Anastasio And Phish, William Mandelbaum

Honors Scholar Theses

While a surprising amount of research has been conducted on the American “jam band” Phish, most academic scholarship that exists regarding the band is concerned of the cultures, rituals, and communities that surround the band and the jam band scene. Of the band’s music that has been analyzed, most analyze the band’s improvisation, leaving little to no scholarship concerning the band’s hyper-complex, fugue-like compositions, especially those composed by Trey Anastasio in the band’s early years from 1983-1989, most of which became Phish’s most popular and most performed songs in concert. This thesis will analyze the early compositional style and technique …

Performing With Purpose: Finding Value In Standard Classical Vocal Repertoire As A Twenty-First-Century Teacher-Performer, Hallie Bisaga

Recital Papers

Performing with Purpose: Finding Value in Standard Classical Vocal Repertoire as a Twenty-first-century Teacher-performer

2020-2021 Performance Forum - May 11, 2021, Davron Ziyodjonov, Sheng Yuan Kuan, Amy Han, Griffin Ives, Zulfiya Bashirova, Mario Zelaya, Mario Rivera, Yunus Rajabiy, Jin Cai, Kari Jenks, Sarah Rodnick, Kelsey Castellanos

Performance Forum

No abstract provided.

Hall-Musco Conservatory Of Music Spring Showcase, Chapman University Hall-Musco Conservatory Of Music

Printed Performance Programs (PDF Format)

No abstract provided.

An Exploration Of Classical Guitar Literature Through The Ages, Sam Burns

Recital Papers

An Exploration of Classical Guitar Literature Through the Ages

57th Annual Holiday Wassail Concert, Chapman University Choir, Chapman University Treble Choir, Chapman University Singers, The Chapman Orchestra, David York

Printed Performance Programs (PDF Format)

No abstract provided.

Tiffany Steinweg Senior Violin Recital, Andrews University

Student Degree Recitals 2019-2020

Tiffany Steinweg in her senior violin recital. Tiffany collaborates with Dr. Kenneth Logan and her brother, Grant Steinweg, on piano.

Recital 4: Program, Peter Bloom

The Timeless Genius of Chopin, Jiayan Sun, piano

No abstract provided.

An Annotated List And Searchable Database Of Works For Trumpet And Piano By Living American Composers, Shelby R. Carico

Dissertations, 2020-current

One of the hallmarks of a trumpet player’s performing experience is the thrill of playing solo works for trumpet and piano. Many of the works for solo trumpet and piano regularly performed today have long been considered canonical, and given the history of the trumpet, tend to be European in origin, and representative of past compositional trends and pedagogical approaches. Numerous players seek out works written by newer composers to include on solo recitals and juries. However, this is often a difficult endeavor to undertake, as the majority of existing trumpet repertoire databases and search engines contain older works. The …

The Underrepresented French Trombone: A Recording And Written Document Of Rarely Performed 20th Century Trombone Literature Of The Paris Conservatory, Kyle A. Remnant

Dissertations, 2020-current

The purpose of this project was to highlight some of the lesser-known trombone solos within the oeuvre of the Paris Conservatory Solo de Concours (Solo Contest). While the output of solo works through the Paris Conservatory has been well documented for over a century-and-a-half, there are numerous compositions that have not reached the canonical status of the works of Tomasi, Guilmant, Castérède, and others. Several Prix de Rome winners composed for the trombone as a solo instrument; among them are Alfred Bachelet, Henri Büsser, Jules Mazellier, Raymond Loucheur, Yvonne Desportes and Claude Pascal. Regrettably, no reference recordings exist for many …

Graduate Piano Recital, Young Eun Jeong

Electronic Theses & Dissertations

My thesis consists of a master’s piano recital and the written document of extended program notes. The recital program features the Prelude and Fugue in B major, BWV 868 from the Well-Tempered Clavier I by Johann Sebastian Bach; Piano Sonata in C Major, Hob.XVI:50 by Franz Joseph Haydn; Fantasy in F Minor, Op.49 by Frédéric François Chopin, Arirang by Yook Gi Sul, and Piano Sonata, Sz.80 by Béla Viktor János Bartók. This thesis will provide discussions on the respective composers, their music styles, and an in-depth analysis of each composition.

Senior Recital, May 8, 2021, Ryan Lauciello

School of Music Programs

Kemp Recital Hall
May 8, 2021
Sunday
2:00 p.m.

Gabriel Palacios Junior Piano Recital, Andrews University

Student Degree Recitals 2020-2021

Gabriel Palacios performs a delightful recital featuring works by Beethoven, Scarlatti, and Liszt.

2020-2021 Performance Forum - May 4, 2021, Niloufar Mirzanabi Khani, Sheng Yuan Kuan, Benjamin Kremer, David Mersereau, Vishnu Ramankutty, Blaise Rothwell, Ting An Lee

Performance Forum

No abstract provided.

Annelise Burghardt, Andrews University

Student Degree Recitals 2020-2021

Annelise Burghardt and pianist, Emily Jurek, perform a mesmerizing journey in song titled, "Nacht und Träume" (Night and Dreams).

Beethoven's 250th Birthday Celebration (Ode To Joy!), Andrews University

Concerts and Event Programs 2020-2021

The Andrews University Symphony Orchestra (together with the University Singers and vocal soloists Sara Emerson, Julie Karpenko Reid, Charles Reid, and Stephen Zork), aim to celebrate the 250th birthday of Ludwig van Beethoven with a performance of his Symphony No.9 on May 1. The concert will open with a complementary world premiere composition by Andrews University graduate student Kaija Perry.

Yellow River Piano Concerto: A Synthesis Of Western And Chinese Characteristics, Jiahe Liu

Dissertations

The Yellow River Piano Concerto is a valuable addition to the piano concerto repertoire for both historical and theoretical reasons. It has been performed frequently by Chinese pianists on many important occasions, such as National Day Concerts, New Year Concerts, and Spring Festival Galas. The Concerto is not only standard repertoire on Chinese stages, but it is also performed and recorded by leading international orchestras, such as the Slovak Radio Symphony Orchestra, Philadelphia Orchestra, and New Zealand Symphony Orchestra. One of the possible reasons that made this Concerto successful is that it combines characteristics of Chinese and Western cultures. The …

Offenbach’S Operetta As Performance Practice: A Pedagogical, Dramatic, And Stylistic Role Guide For Pâris In La Belle Hélène, Peter Lake

Dissertations

This dissertation originated from my personal experience in performing the role of Pâris in Offenbach’s La belle Hélène and the research I conducted in preparation for the performance. Upon examining the score, I discovered the role to contain vocal elements that seemed foreign to my expectations of operatic repertoire. After consulting as many scholarly sources as I could find on the subject, I discovered little to no sense of direction in preparing and performing this unique role or for French operetta as a genre. I decided to compile my experience and research into a usable tool for preparing a French …

A Performer’S Guide To Barbara York’S Four Paintings By Grant Wood, Allen Parrish

Dissertations

In 2012, Barbara York was commissioned by John Manning to write Four Paintings by Grant Wood for solo tuba. The work is based on four paintings by native Iowan painter, Grant Wood. The four paintings are Stone City, Iowa; Young Corn; American Gothic; and Parson Weems’ Fable. York included details from these paintings in each movement. This dissertation includes information about Barbara York, Grant Wood, the programmatic details of Four Paintings by Grant Wood, and technical considerations for the work. The performer should be better prepared to create a well-informed performance after reading this dissertation.

How Music Shapes Our Identities And Why It Matters: Case Studies Of Professional Musicians, Annabelle C. Linker

Rehabilitation, Human Resources and Communication Disorders Undergraduate Honors Theses

Brain research has demonstrated that music uniquely contributes to neural functioning, but little is known about how losing the ability to produce music, which may be inherent to personal identity for professional singers, impacts quality of life. This study explored identity and music in the lives of five well-known vocal music professionals selected because they have publicly talked about the role of music in their lives via books, televised interviews, and documentaries. The careers of three of the individuals were disrupted by neurogenic disease; one lost the ability to sing after treatment for vocal nodules; and the fifth individual remains …

Discovering Two New Solo Works For Trombone: A History, Summary, And Preparation Of Frank Gulino’S Sonata No. 1: The Journey, And Joseph Buono’S Elegy For Trombone And Piano, John Mark Whitfield Jr

Doctoral Projects

This paper will serve as a guide to musicians for the preparation and performance of two recent solo compositions for trombone worthy of study and performance: Frank Gulino’s Sonata No. 1: The Journey (2019) and Joseph Buono’s Elegy for Trombone and Piano (2016). Included will be sections or chapters on the history and background of each work, biographical information about each composer, a detailed performer’s analysis of each work, exclusive interviews with the composers, and interviews with the trombonists who commissioned and/or premiered each work.

Each individual interview will provide insight into the music, including information on personal inspirations and …

The Infusion Of Brazilian Musical Elements And Culture And How These Inform The Collaborative Pianist In Mozart Camargo Guarnieri’S Treze Cancoes De Amor, Luciana Barbosa Simoes

Doctoral Projects

This document studies the Brazilian musical and cultural elements of rhythm, dance genres, and the Portuguese language used by Camargo Guarnieri in his song cycle Treze Cancoes de Amor. The purpose of this project is to inform the reader of performance practices related to Brazilian traditions specific to these songs, and to point out challenges in performance, especially for non-native Brazilian pianists. The research was based on findings of Camargo Guarnieri, such as books, dissertations, and recorded interviews and score study of the song cycle's manuscript. In addition, an Interview was conducted with Maria José Carrasqueira, Brazilian pianist and former …

Emma Riggs, Soprano, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Captain And Stoker: Exploring Tandem Performance Through New Instrument Design And Implementation, Matthew Spady

Capstone Projects and Master's Theses

This paper examines historical examples of two-player, or tandem, instruments and electroacoustic sound manipulation practices beginning in the nineteenth century, addresses design theory and construction principles for modern electroacoustic performance instruments, and investigates practice for such instruments. The paper begins with an exploration of Jean-Baptiste Vuillame’s octobasse, Maurice Martenot’s ondes martenot (including its distinct sound diffusion apparatuses), and Nicolas Collins’ backward electric Hawaiian guitar as progenitors of new, tandem instruments that require collaboration to produce a single, sounding result. The paper poses that while some of the devices mentioned above hold potential as tandem performance instruments, they were not designed …

The Correlation Between Traditional And Modern Day Performance Poetry: Where Music And Poetry Collide, Jaya Hodges

Capstone Projects and Master's Theses

"Music and poetry have similar roots that have made them both into what they are today. From chants to church hymns, they both have kept the Black community intact during times of sorrow and grief. The words that ride along the rhythm and structure of any song brings an unforgettable emotion out of these art forms. This paper will discuss how they have merged themselves together along with the influences they have made within Jame Weldon's "Lift Ev’ry Voice and Sing" and Lauryn Hill's "Doo Wop (That Thing)".

Musical Perspective: An Analysis Of How Musicals Reflect Cultural Discourse, Amosi Morgan

Capstone Projects and Master's Theses

In this paper, I will be analyzing the role musical theatre productions play in reflecting cultural discourse. I will also discuss the impact musicals have on societal discussions regarding topics like race, capitalism, and social justice. The way I seek to do this is by first explaining the origin of musicals as musical comedies. I will also discuss other musical innovations such as the opera that influenced the shift. I will discuss the rise of musical dramas as musicals started incorporating serious themes. The emotional impact of musicals and their use of pathos will be analyzed. I will research the …

The Use Of Social Media For Marketing By Independent Musicians, Jessica E. Martinez

Capstone Projects and Master's Theses

Many musicians have social media presences, but not many know how to begin or how to market their music. Instead, artists find themselves searching for other forms to help them market their music. This leads them to overspend on expensive services in hopes that they can get their names more known. Musicians may feel discouraged when they don’t see the results they hope for, especially online and with other competitors. Because of this, musicians feel less confident in their success in the music industry. There is an imbalance between what the musician wants to achieve and what they need. …

Chasing Expression: Tracing Notated And Performative Devices That Create A Bel Canto Style At The Piano, Paul Zeller

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Discussions of interpretation and performance practice often address specific historical periods, offering analyses of musical practices within a predetermined set of dates, such as ornamentation in the Baroque period, articulation as applied in the Classical era, and phrasing “the long line” in the Romantic era. Such a sectionalized approach yields many valuable insights on how to perform the music of specific composers, but it fails to consider the development of notational practices and performative idioms across different historical eras. Studying the ways in which musicians of different eras applied the same set of musical devices within a specific style could …

Red Note Left Coast Chamber Ensemble, May 1, 2021, Illinois State University School Of Music

School of Music Programs

Online Video Premiere
May 1, 2021
7 PM Central Daylight Time