The Gambler’S Son: A Performance Companion Guide Of Dr. Tyler Goodrich White’S Opera, Patrick Mcnally

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

This document is intended to be a practical tool for anyone interested in performing or developing a deeper appreciation for the opera The Gambler’s Son by Tyler Goodrich White. Premiered and produced by UNL Opera in October, 2019, The Gambler's Son is based on Mari Sandoz’s Son of the Gamblin’ Man and Robert Henri’s The Art Spirit. The document presents brief biographies of the composer Tyler Goodrich White and his wife, the librettist, Laura White. A discussion of the work's inspiration and evolution includes a review of the process by which the two works of literature were melded into …

Full Bloom: Diegetic Ui For Musical Phrases In Virtual Reality, Peter Armstrong, Elliot Cole, Peter Ferry, Joe Geigel, Susan Lakin, Richard Swientonioski, Zachary Talis, Jennie Thomas

Frameless

We propose a novel system for communicating musical note pitch and sequence information to users within a virtual reality environment. Our approach utilizes ‘Blooms,’ objects that resemble flowers with various petal arrangements. These formations, when constructed in view of users, act as diegetic, user-parsable encodings of their inputs. Blooms exist within the virtual space as simulated physics objects that collectively serve the role of a user interface.

The Innocence Of Lennie Small In Carlisle Floyd's Opera Of Mice And Men In Excerpts Presented As A Performer's Guide, Michael Robert Hendrick

LSU Doctoral Dissertations

Of Mice and Men is a 20th century American opera composed by Carlisle Floyd. Carlisle Floyd also served as librettist, as he did with all of his operas. Based on the American novel of the same name by John Steinbeck, Of Mice and Men is Carlisle Floyd's second most performed opera. This project serves to demonstrate the innocence of the role of Lennie Small, as seen through his intellectual shortcomings, enhanced by the vocal line and music of the composer. A performer's guide is also provided.

Variações Sérias Sobre Um Tema De Anacleto De Medeiros - Piano A Quatro Mãos, By Ronaldo Miranda: A Performer’S Guide, Patricia Bretas De O Da Rosa

LSU Doctoral Dissertations

Abstract

This study examines Ronaldo Miranda’s Variações Sérias Sobre um Tema de Anacleto de Medeiros – Piano a Quatro Mãos, 1998, transcribed from the original, which was composed for wind quintet (1991). The piano duet version is well-known and part of the core repertoire of most Brazilian piano duos.

Enhanced by the interview with the composer, the paper starts by addressing the relevant facts of his rich and prolific musical life while tracing four compositional phases through a list of his piano works.

A brief history of the Serious Variations (so named in this paper) deals with its genesis, characteristics, …

“Jeszcze Polska Nie Zginęła”: Discovering The Life And Music Of Zygmunt Noskowski, Filip Starostka

LSU Doctoral Dissertations

Polish music history suffers from a lack of representation. This misleads audiences to the common misconception that Polish music began and ended with Chopin. In reality, there are a number of important figures in 19^th-century Poland whose efforts were seen as vital to the restoration of music culture in a time when conquering nations were actively working on destroying Poland’s history. The purpose of this lecture recital is to bring the biography and works of Zygmunt Noskowski, one of Warsaw’s most important musical figures, to English speaking audiences.

Born in 1846, Zygmunt Noskowski was active as a musician, …

Soundtrack Of A Life: A Musical Narration Of A Military Veteran’S Life, Caroline M. Melcher

Recital Papers

Soundtrack of a Life: A Musical Narration of a Military Veteran’s Life

Tubular!!: Works For Tuba(S), Christian Bush

Honors Projects

Tubular!! is an album that was produced during the Spring and Summer of 2021. It was made possible through the support of many friends, colleagues, and mentors, and will serve as a cornerstone upon which to build my career as a performer and a recording engineer. The album and liner notes can be found on my website: https://www.christianbush.com/tubular. The appendix at the end of this paper contains screenshots of the website.

A Practical Approach For The Applied Voice Instructor Utilizing Limited Piano Skills In The Studio Setting, Lee Whittington Ousley

Theses and Dissertations

Providing a process for reducing accompaniments to commonly assigned undergraduate vocal repertoire could aid instructors with limited piano skills in the applied studio setting. Through the use of questionnaires and an online survey, it was determined that there is a population of undergraduate instructors of voice that do not have an accompanist present to play during student lessons. Without an accompanist, many teachers are unable to play the pieces as written, which warrants the creation of reduced scores as useful alternatives to pre-recorded tracks.

An online survey was distributed to determine if the population of teachers was significant enough to …

An Introduction To Jazz Performance Skills And Techniques For Trombone: The Bordogni Jazz Project, William Ford

LSU Doctoral Dissertations

The Bordogni Jazz Project are arrangements of eight Bordogni Vocalises using harmonic and rhythmic elements from the jazz style, and new, original etudes that were composed based on the reharmonizations of the original Bordogni etude melodies. The material is intended to provide a comprehensive, but attainable resource for trombonists and educators which is inclusive of the stylistic nuances, performance practices, and cultural backgrounds associated with the jazz idiom. These are to be used as a resource to introduce classically trained trombonists to jazz playing and performance practices. Through study of this material, trombonists will ultimately be able to take advantage …

Features Of The Organization Of Dialogue Between The Teacher And Students In The Class Of Variety Vocal At The University During The Period Of Preparing The Student For Participation In The Executive Competition, Nokhida Fazel

Eurasian music science journal

The article analyzes the specifics of one of the most important components of communication between the teacher and students in any musical performing class - dialog. The author proposes to consider dialog as an extremely effective tool to unleash the student's creativity and consistently proves the particular difficulty of acquiring the art of dialog in the classrooms of variety vocals, the class of training of performers in the most competitive sphere of music culture. The author also argues that the process of preparing a student to perform an arts vocal competition is the most difficult component of the training from …

Jacksonville Jazz Festival Stationery With Logo, Jacksonville Jazz Festival

Jacksonville Jazz Festival Collection Materials

Official Jacksonville Jazz Festival letterhead stationary.

Preparing To Perform: Brillance, By Ida Gotkovsky, Connor Fast

University Honors Theses

For a musician, preparing music for performance is a task undertaken daily. While the audience will only see the completed product, dozens of hours of dedicated work went into preparing that product. This thesis pulls the curtain back on preparing music and gives an insight on the type of preparation and work a musician might do to get a piece to the stage. Brilliance by Ida Gotkovsky is used as an example for how performance is developed. From the early stages of practicing, through rehearsal, and culminating with a performance, Preparing to Perform encompasses all of the steps in musical …

Review Of Coherence In New Music: Experience, Aesthetics, Analysis, By Mark Hutchinson. (New York, Ny: Routledge, 2016)., Orit Hilewicz

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

A review of Mark Hutchinson's book from 2016, Coherence in New Music: Experience, Aesthetics, Analysis.

Developing Variation In The Late Work Of Morton Gould And Why It Matters, J. Wesley Flinn

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

American composer Morton Gould (1913-1996) was remarkably consistent stylistically over the course of his compositional career; this project examines certain motivic transformational techniques used in two of his last works, Stringmusic (1993, winner of the Pulitzer Prize) and Remembrance Day (Soliloquy for a Passing Century) (1995). These techniques, which can generally be filed under the principle of developing variation, are: 1. Mirroring and reversal; 2. Rotation; 3. Motivic expansion and contraction; 4. Additive sets; and 5. Asymmetric injection. After an overview of each technique, I give a full analysis of the fourth movement of Stringmusic using the approaches described …

Twenty Years Of Opera Chapman: A Gala Farewell Celebration, Opera Chapman

Printed Performance Programs (PDF Format)

No abstract provided.

Sacred Music In Colonial Era Hispaniola: The Evangelization Of The Taino People, Tito J. Gutierrez

Student Theses

During the 15th-18th centuries, the major European religious orders; the Franciscans, Dominicans, Jesuits, and Jeronymites, journeyed to the newly colonized American territories in an attempt to convert the multitudes of natives peoples living there. Along with prayer books, crucifixes, and religious images, these missionaries brought sacred European music to American shores in an attempt to attract the native people to the Catholic faith.The use of music as a tool for conversion of native people in places such as Mexico, South America, California, and the South West United States, have been well researched and documented. However, the research of the spiritual …

Listening To The Internet: Cultural Discourses, Vicente FernáNdez, And Hearing Youtube Comments, Alex Miguel Medina

Lawrence University Honors Projects

Here’s a story: It’s well after midnight. I sit there, at my laptop, tequila in hand.Like a good machista(if I could ever become one), I don’t drink my tequila with much in it: a single ice cube, a squirt of lime, and a dash of tajín. I can feel my cheeks warming up as the alcohol kicks in. I remember what my mom told me about tequilaonce, “you feel it in your chest.” Rancheramusic isn’t for sober listening—for sober ears—you feel it in your chest. No charro(Mexican cowboy)would sing “Por Tu Maldito Amor” sober. Like any goodMexican, I too contemplate …

The Art Of Listening: A Conversational Approach To Lecture Recitals, Javor Bracic

Dissertations, Theses, and Capstone Projects

Lecture recitals as the practice of pairing live music performance with verbal explication have been around since at least the end of the eighteenth century, but research on them is surprisingly scarce despite how ubiquitous they have become. What exactly are lecture recitals? Where did they originate? How are they conducted? Is there anything we could do to improve upon them?

In this dissertation I not only consider these questions but also propose a new kind of lecture recital I call a conversation concert. After a brief historical overview of lecture-recitalists from Johann Nikolaus Forkel to Rob Kapilow, I showcase …

"I Can't Breathe": Toward A Pneumatology Of Singing And Missional Musicking For Racial Justice In Jacksonville, Florida, Thomas Shapard

Doctor of Pastoral Music Projects and Theses

This thesis develops a philosophy of musicking that intersects with missional ecclesiology and expands the role of music-making beyond the church walls. The central hypothesis assumes that predominantly white congregations in the Free Church tradition located in the southern United States incorporate ways of singing that reinforce, albeit inadvertently, attitudes toward others that buttress white ethnocentricity. Musical practices arising from a Western European heritage can promote cultural exclusivity as well as a perceived—yet false— sense of superiority. Is there an implicit theology of singing in white churches that engenders a culture of complicity and apathy in matters of racial injustice, …

The Rise Of The Rock Star, Derik Sibit

Recital Papers

A history and analysis of hard rock and heavy metal from the 1960s through the 1980s, the musical elements that make these genres unique, and an evaluation of the sound and style of songs, vocalists, and instrumentalists of some of the most important bands of this era and the techniques and methods they used to achieve their sounds and styles. A pedagogical analysis of some of the greatest singers in hard rock and heavy metal helps the reader better understand the anatomy and physiology of the voice and of heavy belting and screaming in rock and metal music.

Villa-Lobos’S Segunda Sonata-Fantasia For Violin And Piano: An Analysis And Performance Guide, Maira Braga Cabral

LSU Doctoral Dissertations

This study focuses on Villa-Lobos’s Segunda Sonata-Fantasia for Violin and Piano, written between 1913 and 1914. A brief biography of Villa-Lobos until 1915 provides the context of the period during which he composed the piece. Next, Villa-Lobos’s main influences are presented, a list that includes European nineteenth-century aesthetics, Impressionism, Brazilian popular music, Wagner’s motivic treatment, and Brazilian indigenous music. Next, the main compositional devices used by the composer are discussed, providing examples from the Segunda Sonata-Fantasia and from other pieces by Villa-Lobos. A structural analysis of the piece is presented, focusing on the form, thematic approach, and harmonic processes.

The …

"It's The Way You Sing It": Translating Music Therapy For Isolated Older Adults Affected By Covid-19 To The Television Screen, Eunice Wong

Expressive Therapies Capstone Theses

The current Covid-19 pandemic has increased the likelihood of loneliness and social isolation among older adults due to the restrictions on movement and visitations in care facilities. Loneliness and social isolation have consistently been identified as risk factors for poor mental and physical health in older people. Meanwhile, a growing number of older adults are utilizing technological resources to enhance their interpersonal relationships and overall quality of life. In the winter of 2020/2021, an innovative music therapy-informed television program was designed and produced for isolated older adults in need of mental and emotional support. This project, produced jointly by a …

Music Video Review: "O Superman" - Laurie Anderson, Jacob Thomas (Kiko) F. Yago

Backstage Pass

Laurie Anderson's "O Superman" music video is a commentary about the progression of technology. https://www.youtube.com/watch?v=Vkfpi2H8tOE

A Line In The Sand Album Review, Robert N. Moore

Backstage Pass

On July 3rd, 2020, American Arson released their first full-length album. A Line In The Sand has a tight and powerful sound while still feeling raw and untamed, thanks to the help of high production standards. The lyrics somehow find a balance between bold, catchy, and beautiful. Their message mainly revolves around the current American socio-political sphere, challenging their listeners to seek compassion and unity instead of giving into apathy and ignorance.

Click the Download button to read the rest of the review!

Ishmael Album Review, Robert N. Moore

Backstage Pass

This is an extensive review of the metal album Ishmael, written, performed, mixed, mastered, and released all by Jared Smith. The album combines religion, intricate guitar riffs, and metal to create an avant-garde piece of art.

Copyright And Copywrong, Noah Granard

Backstage Pass

This paper attempts to offer a critique of the music industry and modern copyright law via analysis/individual case study in order to provide suggestions for possible reform. Topics include: background information and commentary on the status of the public domain, why the current laws/statures hamper creativity, and what steps should be taken next to remedy these issues. In order to both promote new music, while also respecting the intellectual property of artists and groups with existing content, there must be genuine reform at the highest levels; copyright and music industry laws must stem from the basis of supporting artists and …

The Heart Sutra, Brian Bùi

Backstage Pass

The Heart Sutra is one of the most recited texts in the Mahayana Budddhist tradition. Traditionally, it is chanted rhythmically on a single pitch with a wooden drum. This setting of the Heart Sutra instead expresses the text through harmony and text painting.

The piece opens with a Hindustani-style invocation, referencing Buddhism’s Indian roots. Following that, a solo alto recounts a story of the Bodhisattva Avalokiteshvara before all voices deliver his Insight, addressed to his disciple Shariputra.

In the first movement, lush harmonies are contrasted with open fifths, which represent “Shunyata,” or emptiness. This portion of the text discusses the …

Producer Interview: Teak Underdue, Kris Jones

Backstage Pass

This interview is with three-time Grammy-nominated music producer Teak Underdue of Hallway Productions. He discusses his background and the path he has taken to become a well respected music creator and producer. The interviewee offers advice for aspiring producers on how to build their reputation and credits in the music industry.

Industry Profile: Tour Manager, Lisa Policaro, Elizabeth Shearrow

Backstage Pass

Lisa Policaro is a Tour Manager from Long Island, New York with over 20 years of experience in the music business. She has worked in all areas of the industry from Interning for Columbia Records to working her way up to being Tour Manager. In this interview, Lisa talks with Elizabeth Shearrow (‘23) about how she got her start in the industry, what qualities students need to have to become a Tour Manager, and how COVID-19 has impacted her career.

Interview With Bonnie Gallanter, Dylan Bliss

Backstage Pass

Bonnie Gallanter, President of Muse Artist Management, is a talent manager, music consultant and event producer for high profile music, film, and television clients. Gallanter is currently the Director of the Women’s International Music Network and Co-Producer of the She Rocks Awards, Events and Showcases. She Co-Produced CMJ Music Marathon, New York’s largest and longest running music festival, for over 20 years as well as numerous festivals, events, panels and symposiums, trade shows, concerts, personal appearances and tours. As a manager, she has specialized in artist development, tour production and management, music development, film and commercial production, distribution, marketing and …