Music Performance Commons^™

190— Punk Prayer: The History Of The Riot Grrrl Movement, Soleil Rivera, Hailey Martin, Quentin Wall

GREAT Day Posters

The “riot grrrl” movement was an underground subculture of music that began in Washington State (Particularly in Olympia) in the early 1990s. It consisted of all female bands that combined feminist values and politics in the form of punk music. It spread quickly across the nation, and the US, where it went on to influence the globe, and their society and politics, becoming a much more international movement. Here, we will be covering the foundations of the “riot grrrl” movement, list a few bands and their impacts on the nation, and the significance of the movement on aspects of society, …

Establishment Of The Classical Saxophone: The Evolution Of Instrumental Design And Performance Into The 20th Century, Emily Nicol, Art Bouton

DU Undergraduate Research Journal Archive

The instrumental design of the saxophone has evolved dramatically from its original patent in 1846. Referencing instruments from the St. Cecilia’s Hall Music Museum at the University of Edinburgh, this article explores the historical origins of the saxophone and traces the evolution of its design into the 20th century. Original research was completed through analysis of unique antique saxophones at St. Cecilia’s Hall and historical source materials in order to determine how, despite its intention to be used as a classical instrument, many factors such as politics, instrument structure, finances, and musician attitude at the time of the saxophone’s invention …

Bridging The Gap: An Academic Recital For Solo Voice Featuring The Music Of Underrepresented Female Composers Throughout History, Keiley Vieau

Honors Theses

Keiley Vieau, mezzo-soprano, presented her honors thesis senior academic voice recital on Friday, April 19th, 2019 at 3pm. The performance took place at the Lee Honors College in the lounge. This recital was put on in collaboration with pianist Molly Sanford. Music performed included works by all female composers, such as Barbara Strozzi, Clara Schumann, Fanny Mendelssohn Hensel, Nadia Boulanger, Augusta Holmès, Liza Lehmann, and Amy Beach. This abstract will provide a brief overview of the theme of this recital as well as address the basic musical characteristics of certain pieces from the repertoire programmed.

The recital was based solely …

Lucky Dragon No. 5 - A New Music Drama, Spencer Stern

Undergraduate Distinction Papers

I was commissioned in the summer of 2018 by the singer and librettist Daniel Neer to collaborate on a piece entitled Lucky Dragon No. 5. It was to be roughly an hour long, and was scored for baritone voice and percussion quartet.

The Use Of The Alexander Technique As A Practice Tool For Horn Performance, Centria Deondra Brown

LSU Doctoral Dissertations

The purpose of this study is to present how the Alexander Technique can be used as a practice aid for horn players. In this document, I have proposed that the Alexander Technique can be a tool students use to achieve efficient and effective practice sessions. Students who have a clear understanding of the Alexander Technique would be aware of their body and mind, such as physical tension and mental thought processes, while performing. The intention of this dissertation is to use standard repertoire as a means of learning how the Alexander Technique can assist a student practicing these works.

I …

2019-2020 Senior Recital - Nicole Cortero (Piano), Nicole Marie P. Cortero

Junior and Senior Recitals

No abstract provided.

Instrument Construction: An Examination Of The Effect Of Lead Pipe Design Variability On Tuba Response, Larry James Heard

LSU Doctoral Dissertations

The document begins with a brief description of the main parts of the tuba: the mouthpiece, the valves, the body and the bell; in addition to a short explanation of the different types of material used to construct brass instruments. This study will function as the first installment of a bigger series exploring the variations in tuba sound when the different main parts are physically altered or swapped for other designs of the same part. This first installment of the series seeks to examine the section of the tuba known as the lead pipe in relation to the implications of …

Ua12/2/2 Talisman: Zeitgeist, Wku Student Affairs

WKU Administration Documents

2020 Talisman yearbook:

• Mohr, Olivia. Zeitgeist
• Disrupted – Photo Essay, COVID-19
• Brandt, Jess. Cut Short – Edward Games, Grace Jones, Jarred Corona, Joshua Crask
• Zambrano, Max. Point of No Return? – Stuart Foster, Climate Change
• Francis, Kristina. Weapons Women Carry
• Steele, Emma. Now & Again – Talisman
• Gordon, Zora. Not Just Numbers – Sam Aldrich, Social Media
• Christensen, Nicole. The K-Pop Phenomenon – Music
• Hornsby, Morgan. Everything Starts with Mama – Warren County Regional Jail
• McCormick, Dillon. Evolving Sport – Esports, Video Games
• Sheffield, Catherine. Perfect Match – Travis Hudson, Volleyball
• Dozer, Claire. Follow the Signs – Deafness, American Sign …

Time’S Up: How Opera Is Facing Its Own Me Too Reckoning, Craig Price

Theses and Dissertations

Opera as an artform has a very misogynistic history. Many of the most beloved works in the standard repertory involve female characters as victims of violence, or an abuse of power by male characters. These works have recently been cast in a different light, in part due to a greater cultural awareness inspired by the “Me Too” movement. This study was executed to explore productions of standard repertory operas around the world, and how they have been handled in light of current culture. The study examines popularly performed operas Carmen, Don Giovanni, Le Nozze di Figaro, and …

The World Is About To Turn: Imagining A New Ecclesiology For Emerging Adults Through Missional Music Ministry, Kevin A. Turner

Doctor of Pastoral Music Projects and Theses

How can ministry leaders in the twenty-first century provide guidance for those who are the leading edge of the church's next generation? How might emerging adults become contributors to congregations where they are given space to offer and plan for themselves rather than passively acquiesce to traditional church structures where a strict, top-down leadership style dominates? In conversation with author Letty Russell, this paper will describe a more democratic vision of ecclesiology for music ministry and ministries of the larger church. The methodology employed in this thesis involves a case study examining the creation of a choral ensemble focusing on …

The Mathematics Of Rubato: Analyzing Expressivetiming In Sergei Rachmaninoff’S Performances Of Hisown Music, Meilun An

Theses and Dissertations

The purpose of this paper is to quantitatively investigate the nature of Rachmaninoff’s playing, with a specific focus on his own compositions. The primary source of data for this study is inter-onset intervals, which will be captured through the use of Sonic Visualiser. Inter-onset intervals are calculated by taking the difference between the onset of two adjacent notes, and can be used to calculate an instantaneous tempo. Various statistical methods will be used, including the variance, moving average, Pearson correlation coefficient, and a custom defined metric. The calculation of variance is especially useful in detecting major deviations from the average …

Natural Reed Enhancement: Establishing The First Universal Reed Break-In Process Through Hydro-Stabilization, Steven Isaac Christ

Theses and Dissertations

Reed players know the favorable sound of their cane does not last. Furthermore, students and educators who lack the reed pedagogy necessary to achieve any longevity and consistency suffer financially. In this study, a hydro-stabilization methodology is tested to analyze the systematic compression of parenchymatic cells within clarinet reeds. By compressing the parenchymatic cells of the cane, this project proposes that saliva will saturate the reed at ineffective/inefficient rates compared to fresh, non-stabilized reeds. 1,836 data points, collected from 17 reeds, comprised the overall study; 324 data points, collected from three reeds, represented the control group; and the remaining 1,512 …

The Role Of The Piano In The 12 Poems Of Emily Dickinson By Aaron Copland, Krista Benesch

Honors Program: Senior Projects (Public)

In the song cycle 12 Poems of Emily Dickinson by Aaron Copland, one may observe the interplay between the piano and the narrator. Throughout all twelve songs, the piano plays different roles. In several songs, the piano plays a certain character: in “Nature, the gentlest mother,” the piano is personified as Nature, while in “Dear March, come in!” the piano is March. In other songs, the piano reacts to the narrator—for example, in “Going to Heaven!”, the narrator announces a statement, and the piano follows with fast, tumbling eighth notes that portray the narrator’s scattered thoughts. Every song in the …

Five Pieces For Piano By Isang Yun And Piano Etude No.1 By Unsuk Chin: An Analysis, Inhye Cho

Theses and Dissertations

Isang Yun (1917-1995) is a well-known Korean-German contemporary classical composer known for incorporating both East Asian and Western musical elements in his music. Despite his fame in Germany, he had little recognition in other countries including his home country, South Korea when he was alive.

Korean composer Unsuk Chin (b.1961) is one of the leading female contemporary composers of the 21st century living in Germany. After being awarded famous international prizes, her compositions gradually became well-known for combining her own musical style with other art forms.

This study provides a biography and background of these two composers and their music. …

Performance Edition Of Franz Simandl’S 30 Etudes For The String Bass With Critical Commentary, Austin Gaboriau

Theses and Dissertations

More than 100 years after František, “Franz,” Simandl’s (1840–1912) death, his pedagogical works are still widely used by aspiring double bassists. Simandl’s methodology codified in these works standardized lower position left-hand technique for most modern bass players. His 30 Etudes for the String Bass is still commonly studied, but existing editions don’t provide adequate instruction to students who haven’t already worked through Simandl’s New Method. With many more recent beginner method books available to present day students, it can’t be expected that students always work through the New Method before moving on to 30 Etudes for the String Bass as …

A Trumpet Player’S Performance Guide Of Three Selected Works For Trumpet, Cello, And Piano, Justin Wayne Robinson

Theses and Dissertations

This document explores, in detail, three works for trumpet, cello, and piano. These works were performed on a chamber recital before the writing of this document. The three selected works are Statements, Commanding by Robert J. Bradshaw, Elegy by Alex Shapiro, and Trio for Trumpet, Violincello, and Piano by Eric Ewazen. This document focuses on the musical performance of these three works, ways to prepare specific sections, and issues the author and his trio experienced during the preparation of these works. To the author’s knowledge, no previous documents have explored these three works. The field of study focusing on the …

A Stylistic Analysis Of Alexander Tcherepnin's Piano Concerto No. 4, Op. 78, With An Emphasis On Eurasian Influences, Qin Ouyang

Theses and Dissertations

Russian-born Alexander Nikolayevich Tcherepnin (Jan 23, 1899-Sept 13, 1977), a contemporary of Virgil Thomson, Henry Cowell, Igor Stravinsky, and Arnold Schoenberg, made far-reaching contributions as a pianist, conductor, and composer. His unique contrapuntal system “Interpoint,” employment of rhythmic variation, adoption of polyphonic structure, and use of the nine-step scale secured his place in music history as a celebrated composer of the twentieth century.1 Throughout his life he traveled to various countries. 1928-1947 is a period during which Tcherepnin came under the influence of “Eurasian” ideas (the synthesis of Russian and Eastern cultures). He developed new musical formulas by exploiting musical …

Sara Mitnik, Voice: Senior Recital, Sara Mitnik

Setnor School of Music - Performance Programs

No abstract provided.

2019-2020 Ppc Recital - Georgiy Khokhlov (Cello), Georgiy Khokhlov, Sheng Yuan Kuan

PPC/PSDP Recitals

No abstract provided.

Graduate Recital: Miguel Lumbao, Guitar; March 22, 2020, Miguel Lumbao

School of Music Programs

Kemp Recital Hall
March 22, 2020
Sunday Afternoon
3:00 p.m.

2019-2020 Junior Recital - Xiaoxiao Wang (Piano), Xiaoxiao Wang

Junior and Senior Recitals

No abstract provided.

2019-2020 Ppc Recital - Yiming Tang (Piano), Yiming Tang

PPC/PSDP Recitals

No abstract provided.

2019-2020 Senior Recital - Yingpeng Wang (Piano), Ying Peng Wang

Junior and Senior Recitals

No abstract provided.

2019-2020 Senior Recital - Chase Decarlo (French Horn), Chase Decarlo, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

2019-2020 Junior Recital - Christa Rotolo (French Horn), Christa Rotolo, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

F. Ludwig Diehn Concert Series: Rod Gilfry, Baritone With The Norfolk Chamber Consort; Andrey Kasparov And Oksana Lutsyshyn, Artistic Co-Directors -- Prince Igor And Poulenc, Rod Gilfry, Norfolk Chamber Consort, Andrey Kasparov, Oksana Lutsyshyn

Guest Performances

No abstract provided.

Katie Short's Senior Voice Recital, Katherine Short

Honors Theses

For my honors thesis, I used my Senior Voice Recital. When starting the process, I met with my thesis chair, Dr. Karen Kness to discuss which repertoire I wanted to perform for the recital. We focused on picking song selections ranging from the Baroque musical era to the mid- 1900s. As part of my requirement, I needed to select at least thirty-five minutes of music to present and this music needed to be in at least five different languages. Half of my repertoire was selected from my previous semester of Applied Voice lessons and the other half I learned over …

Senior Viola Recital, Kennedy Dixon

Honors Theses

Coming to the end of my Viola Performance Degree at WMU was a milestone that I have been looking forward to since stepping foot on campus, yet a moment that felt so far away. Preparing for my Senior Viola Recital/Honors Thesis was one of the most exciting, difficult, and overall most rewarding experiences that I will never forget. I’ve had the honor of knowing my currently Viola Professor/Thesis chair since my Freshmen Year of Highschool, where I attend a summer music camp here at WMU, and I can say that I have learned so much about music, responsibility, courage, and …

A Conductor's Guide To Amass By Jocelyn Hagen, Matthew J. Myers

LSU Doctoral Dissertations

Contemporary American composer Jocelyn Hagen grew up in Valley City, North Dakota, where she found an early love for singing, playing instruments, and composing. After completing degrees at St. Olaf College and the University of Minnesota, Hagen began a career as a full-time composer. Her appointment as Composer-in-Residence for The Singers led to her first major multimovement work, amass (2011).

Though Hagen planned to write a traditional setting of the Catholic Mass, she struggled to accept the text of the “Credo” as the only path to salvation. Thus, she substituted spiritual poems from a variety of faith traditions to create …

2019-2020 Scholarship Fund Concert At The Country Club Of Florida, Friends Of The Consevatory, David Brill, Askar Salimdjanov, Tom Wong, Georgiy Khokhlov, Feruza Dadabaeva, Xiaoxiao Wang

Friends of the Conservatory Events

No abstract provided.