Music Performance Commons^™

Concert Recording 2020-02-26, Matthew Shipes, Cody Hutchison

Concert Recordings & Programs

[00:00]. Sonata no.2, II pastor fido I. Adagio ; II. Allegro assai ; III. Sarabanda ; IV. Allegro / Antonio Vivaldi -- [08:48]. Three furies. Fury I - decidedly jocular ; Fury II - very clean, gently inebrieted ; Fury III - relentless throughout / James Grant -- [19:50]. Sonata for tuba and piano, op.43 ; I. Andante sostenuto ; II. Allegro energico ; III. Allegor moderato / Trygve Madsen -- [32:15]. Concertino, op.107 / Cecile Chaminade -- [40:29]. Three more furies. Fury VII - exuberant ; Fury II - expressive, lyrical ebb and flow ; Fury III - doggedly …

Concert Recording 2020-03-05, Carson Vanduch, Chris Scherer, Fernando Valencia, Chalon L. Ragsdale, Jackie Tavernaro, Colton Townsend, Tanna Walman, Nolan Miller, Connor Gott

Concert Recordings & Programs

[00:00]. Mallet quartet. I. Fast ; II. Slow ; III. Fast / Steve Reich -- Pocket grooves. II. Samai / Gene Koshinski -- [07:15]. Greenpoint / Mike Roe -- [15:25]. Pocket grooves. III. Choro / Gene Koshinski -- Spitfire / Nathan Daughtrey -- Pocket grooves. I. Joropo / Gene Koshinski -- [20:10]. Night of moon dances / Eckhard Kopetzki -- [34:31]. Xylophonia / Joe Green.

An Exploration Of Smetana’S Z Domoviny (From My Homeland), Two Pieces For Violin And Piano, Jb 1:118, Yeseul Kim

Theses and Dissertations--Music

Z domoviny (From My Homeland), by Bedřich Smetana (1824-84), is among the most colorful and effective works for violin and piano of the 19^th century, and yet it is not as well-known, nor as often performed, as many other works by Antonín Dvořák, Johannes Brahms, Pablo de Sarasate, Henryk Wieniawski and their contemporaries. This document will attempt to balance the work’s place in the repertoire and provide a performer’s guide. It consists of an historical background of the composition, including a biography of Smetana; a discussion of his compositional technique and style, along with an exploration of his nationalistic …

Singing Out: Gala Choruses And Social Change, Heather Maclachlan

Books and Book Chapters by University of Dayton Faculty

Can you change the world through song? This appealing idea has long been the professed aim of singers who are part of choruses affiliated with the Gay and Lesbian Association of Choruses (GALA). Theses choruses first emerged in the 1970s, and grew out of a very American tradition of (often gender-segregated) choral singing that explicitly presents itself as a community-based activity. By taking a close look at these choruses and their mission, Heather MacLachlan unpacks the fascinating historical and cultural dynamics behind groups that seek to change society for the better by encouraging acceptance of LGBT-identified people and promoting diversity …

Julien Wilson: Improvisation And Timbral Manipulation On Selected Recordings With The Julien Wilson Trio, Maximillian Wickham

Theses : Honours

This dissertation analyses the playing style of Australian jazz saxophonist Julien Wilson. More specifically, the investigation focuses on his recordings with the Julien Wilson Trio – arguably Wilson’s best known and most original group – featuring Wilson on tenor saxophone, Stephen Grant on piano accordion, and Stephen Magnusson on nylon-string and electric guitars. Although Wilson has received many accolades throughout his career and has been highly lauded by critics, fans and fellow musicians, there is very little academic research investigating his playing style. This dissertation seeks to address this imbalance through an analysis of Wilson’s recordings with his most distinctive …

A Study On Performing The Hungarian Rhapsodies In The Liszt Tradition, Nicholas Mark Williams

Theses: Doctorates and Masters

Franz Liszt’s Hungarian Rhapsodies (1851, 1853) have long been among the most popular collections of piano music. They have also long garnered a reputation for “superficial brilliance and effect” which seems to have influenced the way that famous pianists play the works in public. But would a performer immersed in the Liszt tradition have approached them differently? This dissertation aims to promote a re-evaluation of the Hungarian Rhapsodies from this perspective: considering Liszt’s own ideas on music and performance, the writings and recordings of his pupils, and Liszt’s book Des Bohémiens et de leur musique en Hongrie (1859).

Sergei Prokofiev's Third Piano Sonata, Op. 28: Stylistic Analysis And Performance Suggestions, Youngju Lee

Graduate Theses, Dissertations, and Problem Reports (ETD)

Sergei Prokofiev (1891-1953) was one of the greatest Russian pianists and composers of the twentieth century. He established his own musical style by combining classical form and modern compositional techniques. He composed a variety of piano music including nine piano sonatas. This paper is a study of the third piano sonata in A minor, op. 28.

Prokofiev’s music can be classified into three periods: a Russian Period, a Foreign Period, and a Soviet Period. It is possible to identify Prokofiev’s compositional styles by studying his piano sonatas because he composed piano sonatas during the entire course of his life. In …

Concert Recording 2020-01-18, Felix Olschofka, Tomoko Kashiwagi, Dominic K. Na, Josquin Larsen, Eun Seo Park

Concert Recordings & Programs

[00:00]. Sonata for two violins in E minor, Op. 3, No 5 I. Allegro ma poco ; II.Gavotte - andante grazioso ; III. Presto / Jean-Marie Leclair -- [12:58]. Eight pieces for violin and cello, Op. 39. Prelude ; Intermezza ; Gavotte ; Berceuse ; Canzonetta ; Scherzo / Reinhold Gliere -- [26:40]. Piano quintet in A minor, Op. 84 I. Moderato - allegro ; II. Adagio ; III. Andante - allegro / Edward Elgar.

Concert Recording 2020-01-19, Lisa Auten, Elizabeth Perry, Hannah Martin

Concert Recordings & Programs

[00:00]. Sonata in A minor, D, 821 "Arpeggione" I. Allegro moderato ; II. Adagio ; III. Allegretto / Franz Schubert -- [23:20]. La flute de pan I. Pan et les bergers ; II. Pan et les oiseaux ; III. Pan et les nymphes / Jules Mouquet -- [39:47]. Deep blue / Ian Clarke -- [46:01]. Winter spirits / Katherine Hoover -- [50:30]. Maya / Ian Clarke.

Concert Recording 2020-02-01, Stephen Page, Eric Troiano, Miroslava Panayotova

Concert Recordings & Programs

[00:00]. Lessons of the sky / Rodney Rogers -- [10:05]. Rhapsodie / Claude Debussy ; arranged by Rousseau -- [21:37]. Aeolian song / Warren Benson -- [26:43]. Suite Rhapsodica I. Introduction ; II. Aria / Jindrich Feld -- [31:34]. Hocket / Meredith Monk -- [35:18]. Holy Roller / Libby Larsen.

Concert Recording 2020-02-12, Eric Troiano, Miroslava Panayotova

Concert Recordings & Programs

[00:00] Sonata, Op.29. I. Andante maestoso ; II. Altegro energico / Robert Muczynski -- [07:13]. Aeolian song / Warren Benson -- [12:40]. Lilith. ; I. The female demon; II. Succuba ; III. Will-O'-the-wisp ; IV. Child stealer ; V. The night dance / William Bolcom -- [29:44]. Sonata for alto saxophone and piano. I. Moderato ; II. Very expressive ; III. Very fast / David Maslanka.

A Performance Analysis Of Cloud Folk For Percussion Octet And Piano By John Psathas, James Vilseck

Theses and Dissertations--Music

John Psathas is the one of the most forefront, living New Zealand composers and is considered to be one of the three most important living composers of the Greek Diaspora. His music is performed across the globe, most notably as the opening and closing ceremony music for the 2004 Olympic Games in Athens, Greece. His percussion music has been championed by percussionists for three decades, starting with Dame Evelyn Glennie with the work Matre’s Dance. Psathas still receives regular commissions for percussion instruments, having released multiple works in the last few years and multiple works still to be premiered.

The …

A Performer’S Guide To Norman Bolter’S Morning Walk For Trombone And Piano, Justin Croushore

Theses and Dissertations--Music

For the past 45 years, Norman Bolter has been one of the most prolific and important composers, performers, and educators for the trombone. Born in Minnesota in 1955, Bolter held the position of Second Trombone of the Boston Symphony Orchestra and Principal Trombone of the Boston Pops from 1975 until 2009. He has taught at leading conservatories, universities, and festivals around the world and continues to teach as trombone faculty at the New England Conservatory and the Boston Conservatory today. His compositional output is large and wide-ranged, including works for solo trombone, trombone and piano, trombone ensemble, chamber ensemble, band, …

Songs In The Heart: The Cornet Solos Written For Derek Smith, Jeffrey Barrington

Theses and Dissertations--Music

Derek Smith stands as one of the most talented cornet soloists of his generation. From the 1940s to the early 1970s, Smith wowed audiences all over the world with the ease of his technique and the simple vibrato of his beautiful expressive sound. While much has been documented regarding Smith’s later years as the conductor of The Salvation Army’s New York Staff Band, there is a gap in written biographical knowledge concerning his career as a cornet soloist. During his influential career, there were several solos written specifically for him. The purpose of this research is two‐fold. First, it is …

An Understanding Of Style Of Baroque Ornamentation In Handel’S Operatic Arias: A Study Of Selected Recordings (1950s – 2010s), Junghyun Lee

Theses and Dissertations--Music

From the early 20^th century to the present, new discoveries in Handel scholarship and changing ideas of Baroque performance practice have greatly affected the manner in which Handel’s operas and individual arias have been performed. Since the appearance of the first volumes of the Hallische Handel-Ausgabe in 1958, Handel’s works have experienced a renewed appreciation among performers and scholars alike, including countless opera productions. Since the introduction of the CD, many talented singers have published recordings of his operas and individual arias, influenced by a greater under-standing of period-performance practices and audience expectations. As such, performers are expected to …

Steven Bryant’S The Automatic Earth: A Conductor’S Analysis And Performance Perspectives, Corey S. Bonds

Theses and Dissertations--Music

The purpose of this research is to present a conductor’s analysis and performance perspectives of The Automatic Earth, composed by Steven Bryant for the Arizona State University Wind Orchestra, and premiered by its conductor, Professor Gary Hill, at the 2019 College Band Director’s National Association National Conference. Through the conductor’s analysis and performance perspectives, the author seeks to provide future conductors and performers with necessary musical interpretations and technical guidance. The four-part process of research includes: 1. detailed analysis of the musical score of The Automatic Earth, 2. observation of rehearsals and world premiere of the work, 3. in-depth …

Passacaglia And Its Related Forms: Before, During, And After 18th Century Baroque And Program Notes, Austin Han

Theses and Dissertations--Music

The purpose of this project is to inform readers of the importance musicology has in informing one’s own learning experience as a performer and listener. As an expression of this exercise, I’ve focused on the history of the passacaglia in Europe from its origins in Spain to its culmination in the music of Paul Hindemith (1895-1963). Through the process of learning about different renditions of passacaglia through musical analysis and comparisons with contemporary art movements and their legacies, I hope the results of what are shown displays an urgent appreciation for applying a more nuanced and openminded approach to the …

Engaging The Eclectic Bulgarian Soul In Viola Concerto No. 1 By Marin Goleminov (1908-2000): A Faceted Analysis With New Pedagogical Studies, Lubitza Braikova

Theses and Dissertations--Music

The main purpose of this monograph is to provide a faceted study of Marin Goleminov’s Concerto for Viola No.1, a work of art complexly revealing its creator’s constructive study of style – including national style. It is hoped that this will, among other things, assist in deepening relevant performances and researches.

This document examines the M. Goleminov Concerto for Viola and Orchestra no.1, 1950 (Концерт за Bиола и Oркестър Hомер 1 Марин Големинов, р.1908–п.2000). It would bring essential features of it to the attention of a broader audience, perhaps beginning with inquisitive violists. If, with the necessary selectivity, …

“You Crossed My Mind … Before?”: An Intertextual Analysis Of Songs From 'To Pimp A Butterfly', Colin Outhwaite

Theses : Honours

Popular music often refers to, evokes and includes elements of other music from the past. This kind of intertextuality in popular music provides artists and audiences with short-cuts to making and interpreting meaning. It draws on nostalgia, past listening experiences and idealised perceptions of the past. Artists engaging in this practice risk criticism for being too derivative. Conversely, artists who are too innovative and forward-looking run the risk of not connecting to listeners. Kendrick Lamar’s hip-hop album of 2015 To Pimp A Butterfly is lauded as being simultaneously innovative and steeped in the recent history of African American music. Lamar …

Ictus Or Rebound? The Experience Of Behind-The-Beat Playing In Orchestral Conducting, Sey Ahn

Theses and Dissertations--Music

The origin of playing behind-the-beat is attributed to the Hungarian conductor Arthur Nikisch (1855-1922), who is one of the most important figures in the history of the art of conducting. Nikisch, serving as Music Director of the Boston Symphony Orchestra, the Berlin Philharmonic, and the Leipzig Gewandhaus Orchestra during a critical moment in the development of orchestral playing, influenced a generation of conductors who followed. Behind-the-beat playing, as many conductors and musicians refer to in describing experiences of top professional orchestral musicians, is a prevailing characteristic of theirs, not often observed in amateur orchestras and their conductors. It is an …

The Vespers Psalms Of Baldassare Galuppi, Scot Buzza

Theses and Dissertations--Music

Although Baldassare Galuppi was arguably the best known and most successful Italian composer of the eighteenth century, his name, his history, and his works have been relinquished to the periphery of the historiographical narrative. While Galuppi's masses, operas, and solo motets have been examined, his vespers psalms have been neglected by previous musicologists; most of the existing studies have been superficial, with little consideration of important questions such as formal approach, stylistic development, compositional idiosyncrasies, questions of authenticity, or what those factors might collectively tell the twenty-first-century musicologist about music in settecento Venice.

The bulk of this work consists of …

The Taiwanese Violin System: Educating Beginners To Professionals, Yu-Ting Huang

Theses and Dissertations--Music

The purpose of this study is to provide scholars information concerning of the Taiwanese violin educational system from the introduction of the violin in Taiwan to its current status as one of the most popular instruments to study.

The first chapter of this dissertation will discuss the most influential violin educators in Taiwan, about which very little has been published. The key figures such as Fu-Xing Zhang and Shu-De Li capitalized on the opportunities provided them by the Japanese occupation, playing a crucial role in the development of the Taiwanese music education system. The accomplishments of these musicians continue to …

"A Performing Artist's Journey...Begins" (Senior Showcase), Jennifer Boswell

Williams Honors College, Honors Research Projects

As a Theatre major, my sponsor and I decided that my Honors Research Project would be a one-person, twenty-minute performance. Originally, this showcase was going to be a live theatre event. Due to coronavirus and social distancing, I had to adjust and adapt as I transformed my piece into a virtual performance.

In choosing the content that would be performed, I carefully selected pieces that represented my journey as a performing artist the past four years. I wanted to showcase my growth and range as a performer. I chose one monologue from each of the six MainStage Theatre productions I …

Brothers, Sing On: The Story Of Nuance, Kyle Reynolds

Williams Honors College, Honors Research Projects

For this project, I have elected to create a documentary detailing the chronological history of the University of Akron’s all-male contemporary pop a Cappella group, Nuance. The Documentary is titled: “Brothers, Sing On: the Story of Nuance” as a reference to the song “Brothers, Sing On!” by Edvard Grieg, and was named such because of the theme of brotherhood I have showcased in the documentary. I have been a member of Nuance since the Spring Semester of 2018 and have served as the president of the group since Spring Semester 2019. Nuance was founded in 2004, making it one of …

Around The World In 18 Songs, Elizabeth Rickel

Williams Honors College, Honors Research Projects

For my research project, I will be creating a concert of 18 songs in 18 different languages. The questions I will attempt to answer through my research are "What makes art and folk songs so important to their respective cultures?", "How are they similar to each other?", "How are they different?" "What is is about this kind of music that is enjoyed by many, no matter the origin of the person or piece?" The motivation for this project is to shine light on some lesser-known folk pieces, build upon my two passions (Music and Languages), and to illustrate the power …

Concert Recording 2020-01-26, Megan Beard, Fernando Valencia, Chalon L. Ragsdale, Chris Scherer, Carson Vanduch, Tanna Walton, Jackie Tavernaro

Concert Recordings & Programs

[00:00]. Four pieces for timpani (1963) I. Recitative ; IV. Finale / John Bergamo -- [03:35]. A cricket sang and set the sun (2006) / Blake Tyson -- [10:02]. 2+1 (2013) / Ivan Trevino -- [15:50]. Glamour (2012) / Casey Cangelosi -- [25:51]. Chromatic fox trot (1984) / George Hamilton Green.

Concert Recording 2020-03-10, Brandon Garrett, Savannah Ellis, D. J. Talbot, Heather Thompson, Christian Leon, Will Fettig, Benjamin Grief, Nolan Miller, Jordan Alimena, Peter Scott, Aaron Smelley, Matthew Swerts, Harrison Goertz, Derrick Rassinier, Kendyll Garvin, Lily Fuentes, Samantha Ellis, Katelyn Barry, Emily James, Nicholas Liebl, Savannah Ellis, Tomoko Kashiwagi

Concert Recordings & Programs

[00:00]. Three miniatures. I. Allegro vivace ; II. Freely ; III. Allegro vivace / Anthony Plog -- [06:43]. Concerto in one movement / Alexander Lebedev -- [13:37]. Concerto for bass tube and orchestra. I. Prelude ; II. Romanza ; III. Finale rondo alla Tedesca / Ralph Vaughan Williams -- [25:27]. Tuba duet no. 2. Toccate / Walter Sear -- [28:12]. Fantasy for flute and tuba / Ben Miles -- [37:50]. Go the distance (from "Hercules") / Brandon Garrett.

L’Ètica De L’Estètica ¿Caldria Debatre L’Antijudaisme Del ‘Misteri D’Elx’?, Antoni Pizà

Publications and Research

Al final de la representació de la segona jornada del Misteri d’Elx hi ha un moment d’indescriptible intensitat emocional. La catarsi que experimenten els espectadors, actors i músics sol manifestar-se en aclamacions, víctors i fins i tot llàgrimes. Els ventalls de les dones aletegen agilíssims, pràcticament posseïts. Primer tímidament —per a no interrompre la màgia del moment— però gradualment amb gran intensitat, comencen, ja al final de la representació, els aplaudiments, sempre in crescendo, acompanyats, poc després, per la coneguda i emfàtica expressió: «Visca la Mare de Déu!».

Concert Recording 2020-10-16, Xiao Yang

Concert Recordings & Programs

[00:00]. Piano sonata no. 30 in E major, op. 109. I. Vivace ma non troppo-Adagio espressivo ; II. Pretissimo ; III. Gesangvoll mit innigster Ernpfindung. Andante molto cantabile ed espressivo / Ludwig van Beethoven -- [16:50]. Vier Klavierstucke, op. 119. I. Intermezzo in B minor ; II. Intermezzo in E minor ; III Intermezzo in C major ; IV. Rhapsody in Eb major / Johannes Brahms -- [31:31]. Estampes. I. Pagodes ; II. La Soirée dans Grenade ; III. Jardins sous la pluie / Claude Debussy.

Sunday Series: Aires Tropicales, Department Of Music

Concerts and Event Programs 2019-2020

Andrews University Department of Music presents the first Sunday Music Series of the new year: Aires Tropicales. Betania Canas, flute; Pedro Falcon, oboe; Byron Graves, clarinet; Erin Penrod, horn; and Alexandra Castro, bassoon, perform quintet works by Coleman, Arnold, Arrieu, and D'Rivera.