Music Performance Commons^™

An Exploration And Analysis Of The Unaccompanied Viola Sonatas Of Günter Raphael, Gregory K. Williams

Dissertations, Theses, and Capstone Projects

Günter Raphael (1903–1960) was a skillful German-Jewish composer, organist, pianist, violinist and violist largely unknown outside of Europe. Although he is best known for his sacred choral and keyboard music, he was prolific in composing for strings, especially for his beloved viola. Raphael's unaccompanied viola sonatas are particularly fascinating to study and perform because of their complex harmonies and sonorities, and rhythmic and technical challenges.

This dissertation offers the first significant English-language biographical account of Raphael’s life, a thorough analysis of his unaccompanied viola literature, and performance issues through annotated passages and notes on interpretation. This dissertation also examines the …

A Performance Analysis Of Scriabin’S Early Piano Works: Sonata-Fantaisie (1886), Allegro Appassionato, Allegro De Concert, And Fantaisie, Soyeon K. Lee

Dissertations, Theses, and Capstone Projects

The piano works of the fascinating and enigmatic Alexander Scriabin have become an integral part of twentieth-century concert repertoire. A prolific composer, these works span his entire compositional life beginning from his adolescent years. Scriabin’s output consists of more than a hundred works for solo piano, mostly miniatures in the form of mazurkas, poems, preludes, waltzes, etudes, nocturnes, impromptus, character pieces, and dances. The ten sonatas have found an enduring place in the repertoire, and have been championed by pianistic giants of the twentieth century, including Horowitz, Rachmaninoff, and Richter. There have been numerous recordings and research devoted to the …

Jazz Bass Method Books Versus Actual Performance : The Case Study Of Charlie Haden., Hamilton Pinheiro

Electronic Theses and Dissertations

The objective of this research is to compare what jazz bass method books teach with an actual performance. For this end, I analyzed and summarized several bass method books regarding bass line construction and compared them to transcriptions of Charlie Haden’s bass lines, trying to find considerable discrepancies. Firstly, I found that Charlie Haden used all the techniques that all authors teach in their books. Beyond that, I found that Haden extensively applied two techniques the authors cover superficially (implied harmony and sequences) and also expanded the concepts of chromaticism and building tension and release that are found in the …

Score Study Procedures And Processes Among Instrumental Music Teachers And Students Of Varying Experience., Jacob Mark Mitchell

Electronic Theses and Dissertations

Score study is agreed to be an essential part of musical preparation by professional conductors. However, no single method for score study has been established. This thesis examines the score study habits of undergraduate music majors, graduate students with a minimum of five years of instrumental teaching experience, and highly-qualified instrumental music teachers with a minimum of ten years of experience. Qualitative methods are employed, and interview transcriptions are the primary sources of data. Findings showed that instrumental music teachers and those with instrumental teaching experience base many of their score study decisions on the abilities and needs of students …

University Of Northern Iowa Wind Ensemble, May 2018 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Splendid Disarray: The Music Of Andrew Mckenna Lee, Nina Berman

Dissertations, Theses, and Capstone Projects

The music of composer Andrew McKenna Lee spans multiple genres and styles, and does so in a way that draws parallels to the New York City downtown new music scene as well as the progressive and experimental rock scenes. These connections are especially apparent when looking at his 2013 song cycle The Knells, written for Lee’s ensemble, also called The Knells, which he assembled expressly for the purpose of performing this work. The band consists of three female singers singing without vibrato, backed by a rock group, plus percussion and string quartet. Lee deploys these forces to create a sound …

Leonard Bernstein's Piano Music: A Comparative Study Of Selected Works, Leann Osterkamp

Dissertations, Theses, and Capstone Projects

Much of Leonard Bernstein’s piano music is incorporated in his orchestral and theatrical works. The comparison and understanding of how the piano works relate to the orchestral manifestations validates the independence of the piano works, provides new insights into Bernstein’s compositional process, and presents several significant issues of notation and interpretation that can influence the performance practice of both musical versions.

The chronological and historical significance of his piano music has been sometimes inaccurately recorded and/or generalized. In understanding the factual chronological, social, and political relationships behind the piano works and their orchestral manifestations, I argue that the piano works, …

Finding Euridice: A Singers Introduction To Jonathan Dove's L'Altra Euridice, Cody Laun

Dissertations

Orphean mythology continues to fascinate musical and literary scholars to this day. The thematic elements originally presented in the Greek myth of Orpheus and Euridice continue to be written about and studied, and this interest in antiquity plays a critical role in solidifying the myth’s importance and value to today’s musical and literary scenes. Dove’s L’altra Euridice presents the traditional Orphean mythology, but in a radically altered account of the transpiring events, reversing Orpheus’ and Plutone’s roles as hero and villain. Dove wrote two seemingly divergent ethea, which causes elements of the emotional content within the narrative are lost …

The Flutists Of The John Philip Sousa’S Band: A Study Of The Flute Section And Soloists, Ramon Da Silva Moraes

Dissertations

The Sousa Band is widely known because of its leader and his compositions. Although it was one of the most successful ensembles in history, most of the instrumentalists and individuals who contributed to its success have had their legacies forgotten. The flute section of the Sousa Band is an example of a group of musicians who were recognized as some of the best in the United States during their time, but are neglected by the present flute community.

My research focused on gathering data about the flute section and the individuals who were instrumental for the creation and development of …

Male Belting: An Exploration Of Technique And Style From 1967 To Current, Bruce Earnest

Dissertations

Male belting is found in many different stylistic forms of musical theatre repertoire. Its evolution began in the late 1960s with the emergence of the rock musical phenomenon and the early musicals of Andrew Lloyd Webber. Belting is a musical theatre singing technique that achieves specific vocal tone qualities derived from speechlike tones. These tone qualities can resonate through a performance space without the use of amplification.

Belting technique has also evolved to support the singing of musical theatre repertoire that requires an extended male vocal tessitura and honest communication of text. The advance of belting as a legitimate vocal …

A Conductor's Guide To Christian Wind Band Literature, Wesley Dykes

Dissertations

The purpose of this study was to provide a conductor’s guide of the highest quality high school, collegiate, and professional Christian wind band literature readily available to those wind band conductors desiring to perform such works. Before this study, wind band conductors who wished to program sacred works did not have a convenient way to find such works, nor obtain pertinent information about them. The National Band Association Selective Music List was used as the source for all of the works in this conductor’s guide to help ensure the quality of the literature included; the list contains works of Grades …

Ministry Through Musical Performance: Establishing Biblical, Historical, And Pedagogical (Educational) Precedent For The Christian Performing Artist, Lindsey Graham

Doctoral Dissertations and Projects

As a performing artist, the author suggests in an “American Idol” culture, Christian artists have largely lost their identity as worshipers with a ministry of the Gospel through music. The Christian performing artist has the responsibility to commit to spiritual maturity and personal growth. This thesis project proposes the artist is a communicator of the Gospel through music and seeks to substantiate the Christian performing artist through biblical, historical, and educational rationale and precedent. Biblical rationale of the Christian performing artist is considered in Old Testament and New Testament principle and precedent. Historical rationale and precedent is established through the …

Ricardo Reyna - Junior Trumpet Recital, Department Of Music

Student Degree Recitals 2017-2018

Ricardo Reyna featuring works by Goedicke, Hubeau, Mendez, and Pezel.

Storytelling Through Hip Hop, Brandon Donohoe

Senior Honors Projects

90’s but has changed drastically over the years. Styles have evolved and new sub-genres have emerged but the opportunity for compelling storytelling has remained. Over the course of this past semester with the guidance of my sponsor, I explored this rich tradition. I listened to several albums with release dates that spanned from the 90s to 2000s to get a feel for what techniques some of the most well-known storytellers in hip-hop have used. The albums that I found to be particularly useful were ‘Ready to Die’ by Notorious B.I.G., Kendrick Lamar’s ‘Good Kid, m.A.A.d City’ and ‘Because the Internet’ …

A Pedagogical Study Of The "Four Lauds For Solo Violin" By Elliott Carter, Heesun Shin

Dissertations, Theses, and Capstone Projects

Elliott Carter was one of the most influential composers of the past century, leaving a diverse and prolific body of over 150 works to posterity. Along with the Violin Concerto and “Mnemosyné,” the Four Lauds are the only works written for solo violin. Literature on these pieces is not extensive thus far, and this dissertation will provide an introduction to any student who is interested in learning about Carter’s violin music. In the first chapter, I will discuss relevant aspects of Carter’s musical language such as his use of all-trichord hexachord, all-interval trichord, complement union property, and his ideas on …

New Horizons Band, April 30, 2018 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2017-2018 Junior Recital - Luke Schwalbach (Trumpet), Luke Schwalbach, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

Faculty Chamber Recital, April 29, 2018, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Student Recital: Logan Kenison, Baritone, Logan Kenison, Bobbie Kesler-Corleto

Student Recitals

No abstract provided.

John Oliveira String Competition 2018 - Winner's Recital, Tinca Belinschi, Guzal Isametdinova

John Oliveira String Competition

Winner

• Tinca Belinschi, violin

Mindfulness And Musicians: An Overview, Stephen Dubetz

Honors Projects

This overview of mindfulness begins with a basic history of the practice and filters chronologically to the application of mindfulness in the lives of modern musicians. From its origins in ancient India to its acceptance into Western culture and its eventual use in clinical, professional, and educational settings, this paper touches briefly on the story of mindfulness as it developed through time. The main questions addressed within are: What is mindfulness? Where does it come from? What use does it have? What fields of Western professional culture have adopted it so far and to what extent? and How can it …

Theta Chapter Of Phi Mu Alpha Sinfonia Fraternity, Phi Mu Alpha Sinfonia

Setnor School of Music - Performance Programs

No abstract provided.

Concerto And Aria Winner's Concert: Tommy Nakashima, Violin; Sonia Richman, Flute; Syracuse University Symphony Orchestra; James Tapia, Director, Syracuse University Symphony Orchestra, Setnor School Of Music, James Tapia, Tommy Nakashima, Sonia Richman

Setnor School of Music - Performance Programs

No abstract provided.

Kit Yee Tang, Piano: A Graduate Recital, Kit Yee Tang

Setnor School of Music - Performance Programs

No abstract provided.

Concerto-Aria Concert, April 29, 2018, Glenn Block, Rachel Ann Miller, Devin Cano

School of Music Programs

Center for the Performing Arts
April 29, 2018
Sunday
7:00 p.m.

Heidi Ordaz In Organ Recital, Andrews University

Student Degree Recitals 2017-2018

Heidi performs her graduate recital in Organ, a beautiful evening filled with beautiful selections of music.

Choral Collage, April 29, 2018, School Of Music

School of Music Programs

Center for the Performing Arts
April 29, 2018
Sunday Afternoon
3:00 p.m.

Senior Recital: Riley A. Carter, Saxophone; April 29, 2018, Riley A. Carter

School of Music Programs

Kemp Recital Hall
April 29, 2018
Sunday Evening
6:00 p.m.

Chamber Studio Recital, Department Of Music

Concerts and Event Programs 2017-2018

Students of the Department of Music featuring works by Mozart, Arensky, Dvorak, and Sibelius.

Student Recital: Elisabeth Bjork, Piano, Elisabeth Bjork

Student Recitals

No abstract provided.