Music Performance Commons^™

Guest Recital, Paul Wolfram '05, Cello, September 22, 2016, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

2016-2017 Sanctuary Series - September 22, 2016, Lynn University, Mark Luttio, Harry Murphy, Yaroslava Poletaeva, Darren Matias, Tom Ferstle, Jasmine Knowls, Demetrios Ingram, Taryn Hamill, Trevor Mansell, Walker Harnden, Cameron Hewes, Robert Garner, Michael Pittman, Sebastian Castellanos, Erika Andersen, Robert Williams, Molly Flanagan, James Currence, Akmal Irmatov, Evan Musgrave

Snyder Sanctuary Series

No abstract provided.

Keyboard Conversations: The Golden Age Of The Piano, Jeffrey Siegel

Printed Performance Programs (PDF Format)

No abstract provided.

Fall Concert - Symphony Orchestra, Department Of Music

Concerts and Event Programs 2016-2017

Symphony Orchestra featuring works from Schubert, Grieg and Sibelius

2016-2017 Performance Forum - September 22, 2016, Jiaxian Li, Soojung Kwon, Matthew Calderon, Darren Matias, Suhao Bai, Feruza Dadabaeva, Alfonso Hernandez, Tinca Belinski, Axel Rojas, Yana Lyashko, Alla Sorokoleova, Natalie Smith, Guillermo Garcia Cuesta, Robert Williams, Mariana Cisneros, Benjamin Joncas

Performance Forum

No abstract provided.

Whitcomb Towers Recital Series, Department Of Music

Concerts and Event Programs 2016-2017

Performing Chi Yong Yun, Department of Music faculty and featuring works by Haydn, Schummann and Lizt.

Faculty Recital, Michael Mizrahi, Piano, Adam Friedman, Percussion, Dan Reifsteck, Percussion, September 18, 2016, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Faculty Recital, Sumner Truax, Soprano Saxophone, Joe Connor, Alto Saxophone, Dan Reifsteck, Percussion, September 17, 2016, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Guest Recital, Trios For Two, September 16, 2016, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

2016-2017 Five Centuries Of Bassoon Music, Eric Van Der Veer Varner, Lisa Leonard, Manuel Capote, Sebastian Castellanos, Scott Davis, Juanmanuel Lopez

Faculty Recitals

No abstract provided.

2016-2017 Performance Forum - September 15, 2016, Nicole Marie P. Cortero, Sohyun Park, Soojung Kwon, David Brill, Xiaoxiao Wang, Sergei Skobin, Feruza Dadabaeva

Performance Forum

No abstract provided.

Faculty Recital, Bill Carrothers, Piano, With Jazz Faculty Featuring New Trombone Professor Tim Albright, September 14, 2016, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Richmond Piano Trio, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Andrew Dahlke, Alto And Soprano Saxophone, September 13, 2016 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Harbison, Kay (Fa 874), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 874. Paper titled: “Uncle Bozo Carver: World’s Oldest Living Country Musician and Entertainer.” Project details the life of Noble “Uncle Bozo” Carver as an entertainer. Project includes lengthy interview, lists of songs, and some stanzas.

"America Singing:" Grit.Glory., Department Of Music

Concerts and Event Programs 2016-2017

On the 15th anniversary of 9/11. Recognizing and celebrating American sprit and heritage.

Featuring:

Charles Reid, tenor

Kenneth Logan, pianist

Rachel Goff, violist

Student Recital: Benjamin Legaspi, Tenor, Benjamin Legaspi, Bobbi Kesler-Corleto

Student Recitals

No abstract provided.

2016-2017 Performance Forum - September 8, 2016, David Brill, Sheng Yuan Kuan, Alfonso Hernandez, Trace Johnson, Anastasia Tonina, Teresa Villalobos, Walker Harnden, John Weisberg, Jacqueline Gillette, Robert Garner, James Currence, Shaun Murray, Michael Pittman, Erika Andersen, Trevor Mansell, Cameron Hewes, Sebastian Castellanos, Robert Williams, Molly Flanagan, Akmal Irmatov, Evan Musgrave

Performance Forum

No abstract provided.

David Esleck Trio, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Prism Showcase, September 7, 2016 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2016-2017 Performance Forum - September 1, 2016, Elizabeth Lee, Jared Harrison, Sheng Yuan Kuan, Matthew Calderon, Bailey Michelle Collins

Performance Forum

No abstract provided.

Randy Grabowski, Trumpet, August 30, 2016 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

"Clavichord For Beginners" By Joan Benson, Bernard Brauchli

Performance Practice Review

Bernard Brauchli reviews and discusses Joan Benson's 2014 work.

Benson, Joan. Clavichord for Beginners. Bloomington: Indiana University Press, 2014.

ISBN: 978-0253011589

Choros N. 10 By Heitor Villa-Lobos: Analyzing The Themes And Compositional Techniques Of Brazilian Modernism, Andre Oliveira Campos-Neto

Master's Theses

Heitor Villa-Lobos (b. March 5, 1887 - d. November 17, 1959) can be considered the most important composer in Brazilian music history. Although the composer is listed as one of the most influential composers in the history of the guitar, he reached his peak in his works for piano and symphonic groups. Works such as A Prole do Bebê (1 and 2), and the series of Chôros, came out during an extremely convoluted time, where Brazilian artists engaged in seeking an artistic representation of a unique Brazilian identity. Those works not only satisfied the hunger, but pushed the movement …

"Beyond The Score: Music As Performance" By Nicholas Cook, Aron Edidin

Performance Practice Review

Aron Edidin reviews and discusses Nicholas Cook's 2013 work. Cook, Nicholas. Beyond the Score: Music as Performance. Oxford: Oxford University Press, 2013. ISBN: 978-0-19-935740-6.

Marimba Four Hands, Daniel Desimone, Ayami Okamura, Tyler Tsunekawa, Christina Cheon

Printed Performance Programs (PDF Format)

No abstract provided.

A Grand Night For Singing, Otterbein University Theatre And Dance Department

2016 Summer Theatre

A Grand Night for Singing is a musical revue showcasing the music of Richard Rodgers and the lyrics of Oscar Hammerstein II.

Featuring songs from such lesser-known works as Allegro. Me and Juliet, State Fair and Pipe Dream, modest successes like Flower Drum Song and hits like Carousel, Oklahoma!, The King and I, South Pacific, Cinderella, and The Sound of Music.

https://en.wikipedia.org/wiki/A_Grand_Night_for_Singing

Creating And Implementing Community-Based Performance Programs: A Guide For The Applied Studio Teacher, Lauren Watkins

Theses and Dissertations

As performers, many professionals in the fields of chamber music and orchestral playing participate in educational and community programming. In an effort to help graduates meet these new challenges, 21st century music schools are creating diverse performance and education experiences for their students to gain skills for success beyond graduation. Until recently, not many music schools offered opportunities for students to learn and develop skills in the area of community programming. In the current music school curriculum, there exists a largely untapped potential for applied teachers to create and institute community performance-based programs for their students. Participation in these programs …

A History Of The Plagal-Amen Cadence, Jason Terry

Theses and Dissertations

Beginning in the mid-nineteenth century, most hymns in the Anglo-American tradition ended with the congregation singing amen following the original stanzas, almost always framed within a plagal cadence. Helping this tradition take root was Hymns Ancient & Modern (1861), an Anglican hymnal that published the “amen” cadence after every modern hymn. This practice was heavily adopted among other denominational hymnals throughout England and the United States, peaking around the turn of the century. By the middle of the twentieth century, a decline in the number of hymnals including this cadence was noticeable; however, it would take until the end of …

A Comprehensive Examination Of The Saxophone Chamber Music Of John Fitz Rogers, Gabriel Michael Anthony Fadale

Theses and Dissertations

The body of classical saxophone chamber repertoire is an ever-evolving collection of music. Presently, many contemporary composers endeavor to write for the saxophone, some more successfully than others. Modern musical language can be overly obtuse and convoluted with avant-garde techniques and sounds that, when performed, may cause an emotional and intellectual disconnect between the performer and the audience. When new pieces are composed that are of high quality and use language that is accessible to performers and audiences alike, it is important for saxophonists to be aware of these compositions and the composers creating them. This document presents the music …