Music Performance Commons^™

Songs Of Passage And Sacrifice: Gabriella Ghermandi’S Stories In Performance, Laura Dolp, Eveljn Ferraro

Modern Languages & Literature

In this time and on this page, Spivak's island seems an apt place to begin a discussion about storytelling, resistance, and belonging. This chapter documents a conversation originating from two disciplinary perspectives-literature (Ferraro) and music (Dolp). We explore how spoken-word performance in a global context can facilitate social empowerment, craft a cultural past, and invigorate political consciousness. Although our analytical strategies and some of our conclusions differ, we share the assertion that the notion of artistic citizenship as it is defined elsewhere in this collection is considerably complicated, and even requires redefinition, in the context of non-Western cultures. Our present …

Syracuse University Symphony Orchestra; James Tapia, Director, Syracuse University Symphony Orchestra, Setnor School Of Music, James Tapia

Setnor School of Music - Performance Programs

No abstract provided.

Guest Recital, Northeast Wisconsin Collegiate Brass Choir, October 2, 2016, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Faculty Recital, October 1, 2016, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

The Rhythm And Blues (R&B) Protest Songs Of The Civil Rights Movement: Outlining The Natural Alignment Between The Foundational R&B Recordings Artists And The African-American Church During The Movement, Michelee Jones

Masters Theses

This study examines the R&B protest songs performed during the Civil Rights Movement and outlines their stories and musical characteristics for the purposes of highlighting a natural alignment that existed between several of the R&B recording artists that laid the foundations of R&B music and the agendas of the African-American church during the Civil Rights Movement. This study includes lyric and music analyses of some of the more popular R&B songs released during the Civil Rights Movement between 1960-1968 in which these analyses are compared with one another to form some general themes as to how these songs outlined the …

Waiora, School Of Theatre And Dance, School Of Music

Programs - Theatre, Dance, and Film

Productions took place September 30 - October 1, October 5-9, 2016

Resistances In Group Music Therapy With Women And Men With Substance Use Disorders, Susan Gardstrom, James Hiller

Department of Music Faculty Publications

In this paper, we explore client resistances in group music therapy with women and men in residential treatment for substance use disorders (SUDs). We describe how we have encountered resident resistances on women's and men's units within a gender-specific treatment facility and offer suggestions for pre-empting and addressing such resistances, offering both nonmusical and musical strategies and techniques. We emphasize a person-centered approach and an experience orientation, in which we view our primary responsibility as providing opportunities for the men and women to engage meaningfully with music, self, therapists, and other residents in order to identify problems and explore alternatives …

Alumni Gala Concert, Department Of Music

Concerts and Event Programs 2016-2017

The annual gala Concert for the 2016 Homecoming Weekend features the Andrews University Wind Symphony under the direction of Alan Mitchell, and the Andrews University Singers and Chorale under the direction of Stephen Zork.

The musical entertainment from wind and vocal areas will include a wide range of moods from the festive to the reflective.

Ten Etudes For Solo Cello By Sofia Gubaidulina, Julia A. Biber

Dissertations, Theses, and Capstone Projects

Sofia Gubaidulina is regarded as one of the most original and highly respected voices in contemporary music today. Her use of the Fibonacci and its related series to structure her compositions has become a defining feature of her music and, therefore, most analysis has focused on pieces that incorporate this method, which she calls “rhythm of form.” Consequently, works written prior to her adoption of this method have garnered much less analytical attention. However, in her earlier works­––from the late 1960s through the early 80s––Gubaidulina not only explores new sounds and colors, but also found creative ways to structure these …

The Relation Of Analysis To Performance Of Post-Tonal Violin Music: Three Case Studies, Karen E. Rostron

Dissertations, Theses, and Capstone Projects

This dissertation investigates analytical and performance relationships through studies of three post-tonal pieces for solo violin: Élégie by Igor Stravinsky (1944), Riconoscenza per Goffredo Petrassi by Elliott Carter (1984), and Melismata by Milton Babbitt (1982). The challenge of interpretation is especially evident in non-tonal music, as performers are unlikely to have any knowledge of the relevant relationships between pitches, functions of harmonies, or formal features in the pieces they play. In this respect analysis can contribute to an understanding needed to form a meaningful interpretation. I will attempt to show that even the most seemingly abstract theoretical concepts can have …

Anton Arensky’S String Quartet In A Minor, Op. 35, For Violin, Viola, And Two Celli, Miho Zaitsu

Dissertations, Theses, and Capstone Projects

My dissertation consists of an in-depth analysis and study of Anton Arensky’s Quartet in A minor, op. 35, for violin, viola, and two celli. It also includes a short biography, a historical background of the work, and an exploration of thematic material. Perhaps the only piece written for this unique combination of instruments, the Quartet in A minor, published in 1894, was written in the months following Tchaikovsky’s death. It was first premiered on January 20, 1894, at the Imperial Music Society, Moscow, in remembrance of Arensky’s great friend and mentor. The unusual instrumentation was a curious attempt to …

Edwin Fischer And Bach Performance Practice Of The Weimar Republic, Bradley V. Brookshire

Dissertations, Theses, and Capstone Projects

Edwin Fischer (1886-1960) provided a synthesis of approaches to Bach pianism that resolved dialectical tensions of long standing between schools that opposed one another throughout the nineteenth century. I argue that Fischer’s synthesis––which permits exegetical interpretation while maintaining a preservationist stance toward the integrity of the text––resembles both Felix Mendelssohn’s bifurcated approach to Bach’s music and Moses Mendelssohn’s description of a similar duality within modern Judaism. Such resemblance may not be coincidental or superficial, given that Fischer married into the Mendelssohn family at the height of its cultural influence in Weimar-Era Berlin. Although pieces of the Mendelssohnian construct were in …

The Versatile Singer: A Guide To Vibrato & Straight Tone, Danya Katok

Dissertations, Theses, and Capstone Projects

Straight tone is a valuable tool that can be used by singers of any style to both improve technical ideals, such as resonance and focus, and provide a starting point for transforming the voice to meet the stylistic demands of any genre. By employing a resonant, minimally vibrated, balanced sound as the core of the voice, the versatile singer can stylistically unbalance the voice by layering colors and effects in ways appropriate for many types of singing. In order to fully understand the inner workings of vibrato and how it can be healthily minimized, my discussion of vibrato and straight …

Performing El Rap El ʿArabi 2005-2015: Feeling Politics Amid Neoliberal Incursions In Ramallah, Amman, And Beirut, Rayya S. El Zein

Dissertations, Theses, and Capstone Projects

This study is about politics in Arabic rap. Specifically, it is about affective dynamics and material negotiations during rap concerts in three cities in the Levant. I analyze Arab hip hop culture in the context of three different but related histories of cosmopolitan, middle class growth, and gentrification. Using an ethnomusicological framework rooted in participant observation and performance theory, I compare concert conditions, audience behavior, and accessibility of music production in Ramallah, Amman, and Beirut.

In Chapter One, I elaborate the discursive and theoretical frameworks that have pinned the political valences of Arab youth, Arab artists, and Arab rappers in …

Examining Relationships Between Basic Emotion Perception And Musical Training In The Prosodic, Facial, And Lexical Channels Of Communication And In Music, Jamie Twaite

Dissertations, Theses, and Capstone Projects

Research has suggested that intensive musical training may result in transfer effects from musical to non-musical domains. There is considerable research on perceptual and cognitive transfer effects associated with music, but, comparatively, fewer studies examined relationships between musical training and emotion processing. Preliminary findings, though equivocal, suggested that musical training is associated with enhanced perception of emotional prosody, consistent with a growing body of research demonstrating relationships between music and speech. In addition, few studies directly examined the relationship between musical training and the perception of emotions expressed in music, and no studies directly evaluated this relationship in the facial …

Court Musician: Four-Year Starter Sam Willson Is Composed On The Basketball Court - And At The Keyboard, Charles Eichacker

Colby Magazine

Four-year starter Sam Willson is composed on the basketball court—and at the keyboard

Covalence: Rhapsody, September 29, 2016 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2016-2017 Performance Forum - September 29, 2016, Xiaonan Huang, Sheng Yuan Kuan, Alberto Zilbertstein, Alfonso Hernandez, David Brill

Performance Forum

No abstract provided.

Julia Ebner, Soprano And Ida Tili-Trebicka, Piano, Julia Ebner, Thomaidha Tili-Trebicka

Setnor School of Music - Performance Programs

No abstract provided.

Old Dominion University Jazz Combo And Old Dominion University Jazz Orchestra, Old Dominion University Jazz Combo, John Toomey (Director), Old Dominion University Jazz Orchestra, Douglas T. Owens (Director)

Ensemble Performances

No abstract provided.

Recital And Masterclass, Charles Fierro

Printed Performance Programs (PDF Format)

No abstract provided.

F. Ludwig Diehn Concert Series: Ethos Percussion Group, Ethos Percussion Group, Trey Files, Michael Lipsey,, Eric Phinney, Yousif Sheronick

Guest Performances

No abstract provided.

Faculty Recital, John Daniel, Trumpet, September 25, 2016, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Faculty Recital, Bill Carrothers, Piano, José EncarnacióN, Saxophones, September 25, 2016, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

Old Dominion University Wind Ensemble, Old Dominion University Wind Ensemble, Dennis J. Zeisler (Director), Kevin Clasen (Guest Conductor), Yvonne Daye (Graduate Conductor), Catherine Frances (Graduate Conductor), Jamie Payne (Guest Conductor)

Ensemble Performances

No abstract provided.

Guest Recital, Chad Burrow, Clarinet, September 24, 2016, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

2016-2017 Philharmonia No. 1, Lynn University Philharmonia, Guillermo Figueroa, David Jonathan Rogers

Philharmonia

Concert Date & Time : September 24, 2016 at 7:30 PM | September 25, 2016 at 4:00 PM

Sponsored by Rosalie and Jack Schlegel

Program

• Overture to Die Zauberflöte (The Magic Flute), K. 620 / Wolfgang Amadeus Mozart
• Symphony no. 3, op. 12 "Symphony for the Twenty-First Century / David Rogers - Winner of the 2016 Composition Competition
• Till Eulenspiegels lustige Streiche (Till Eulenspiegel's Merry Pranks), op. 28 / Richard Strauss
• L'Oiseau de feu (The Firebird) Ballet Suite for Orchestra (1945) / Igor Stravinsky

"Werke Für Klavier Zu Vier Händen" By Franz Schubert, Kassel: Bärenreiter, 2013, Su Yin Mak

Performance Practice Review

Su Yin Mak discusses Bärenreiter's 2013 edition of Schubert's work.

Schubert, Franz. Werke für Klavier zu vier Händen, Band III, ed. Walburga Litschauer (Nos. 2-5) and Werner Aderhold (No. 1); Urtext of the New Schubert Edition, BA 9645. Kassel: Bärenreiter, 2013.

ISMN: 9790006539871.

Family Weekend Concert, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Music Department Vespers, Department Of Music

Concerts and Event Programs 2016-2017

The Department of Music Club hosts a Friday night vespers.

"The Composition of Life"