Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- Gardner-Webb University (769)
- University of North Florida (125)
- Columbia College Chicago (90)
- University of Kentucky (51)
- Claremont Colleges (32)
-
- City University of New York (CUNY) (29)
- Louisiana State University (28)
- The University of Southern Mississippi (28)
- Berklee College of Music (27)
- James Madison University (25)
- West Virginia University (22)
- Grand Valley State University (20)
- University of Nebraska - Lincoln (13)
- University of Denver (12)
- California State University, Monterey Bay (11)
- Marshall University (10)
- Liberty University (9)
- SAE Institute Australasia (9)
- The University of Akron (9)
- Belmont University (8)
- Technological University Dublin (8)
- Yale University (8)
- Edith Cowan University (7)
- University of New Hampshire (6)
- Georgia Southern University (5)
- Bowling Green State University (4)
- University of the Pacific (4)
- Wilfrid Laurier University (4)
- Nova Southeastern University (3)
- Pittsburg State University (3)
- Keyword
-
- Music (144)
- Jack Kleinsinger’s Highlights in Jazz (123)
- Jack Kleinsinger presents Highlights in Jazz (122)
- Piano (79)
- Tribeca Performing Arts Center (78)
-
- Christmas issue (71)
- Methods (Music) (64)
- Beethoven (56)
- Pace Downtown Theater (45)
- Chopin (40)
- Liszt (37)
- Piano--Instruction and study (35)
- Performance (33)
- Violin music (33)
- Mozart (32)
- Piano music (32)
- Piano--Studies and exercises (32)
- Violin--Instruction and study (32)
- Violin--Studies and exercises (32)
- Music teacher (30)
- Christmas music (26)
- American music (24)
- Music Teachers' National Association (24)
- Improvisation (22)
- Pianoforte (22)
- Women in music (22)
- Mendelssohn (21)
- Schumann (21)
- Bach (19)
- German music (19)
- Publication Year
- Publication
-
- The Etude Magazine: 1883-1957 (769)
- Jack Kleinsinger Presents Highlights in Jazz (123)
- Theses and Dissertations--Music (50)
- Piano Courses (32)
- Violin Courses (32)
-
- Performance Practice Review (31)
- LSU Doctoral Dissertations (28)
- HAYDN: Online Journal of the Haydn Society of North America (27)
- Dissertations (23)
- Dissertations, Theses, and Capstone Projects (23)
- Graduate Theses, Dissertations, and Problem Reports (ETD) (22)
- The IASJ Journal of Applied Jazz Research (20)
- Dissertations, 2020-current (16)
- Siegel-Myers Correspondence School of Music (15)
- Capstone Projects and Master's Theses (11)
- Commencement Programs (11)
- Music Faculty Research (10)
- The 21st Century Guitar (10)
- Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances (9)
- Williams Honors College, Honors Research Projects (9)
- Dissertations, 2014-2019 (7)
- Yale Journal of Music & Religion (7)
- Doctoral Projects (5)
- Exemplars (5)
- Masters Theses (5)
- Music & Musical Performance: An International Journal (5)
- Electronic Theses and Dissertations (4)
- Honors College Theses (4)
- Honors Projects (4)
- Music Faculty Publications (4)
- Publication Type
- File Type
Articles 361 - 390 of 1452
Full-Text Articles in Music Performance
March Performance Practices Of Henry Fillmore With Style Guides And Historical Editions Of Selected Works, James Robert Daughters
March Performance Practices Of Henry Fillmore With Style Guides And Historical Editions Of Selected Works, James Robert Daughters
Theses and Dissertations--Music
With a career spanning over four decades, Henry Fillmore earned wide recognition as an important and prolific composer of marches and trombone smears in the wind band medium. While he contributed significantly to chamber music, solo literature, vocal settings, and arrangements for band, his compositions for wind band have arguably provided his most universal acclaim. Fillmore’s published marches are unique in that scores rarely had performance markings and contained little more than notes and repeat signs. Fillmore conducted most of his marches and altered march strains, changed orchestration, and added stylistic markings that were not indicated in the original printed …
"The Art Of Re-Enchantment: Making Early Music In The Modern Age," By Nick Wilson, Geoffrey Burgess
"The Art Of Re-Enchantment: Making Early Music In The Modern Age," By Nick Wilson, Geoffrey Burgess
Performance Practice Review
Geoffrey Burgess discusses Nick Wilson's 2013 work.
Wilson, Nick. The Art of Re-enchantment: Making Early Music in the Modern Age. Oxford: Oxford University Press, 2013. ISBN: 978-0199939930.
Anton Arensky’S String Quartet In A Minor, Op. 35, For Violin, Viola, And Two Celli, Miho Zaitsu
Anton Arensky’S String Quartet In A Minor, Op. 35, For Violin, Viola, And Two Celli, Miho Zaitsu
Dissertations, Theses, and Capstone Projects
My dissertation consists of an in-depth analysis and study of Anton Arensky’s Quartet in A minor, op. 35, for violin, viola, and two celli. It also includes a short biography, a historical background of the work, and an exploration of thematic material. Perhaps the only piece written for this unique combination of instruments, the Quartet in A minor, published in 1894, was written in the months following Tchaikovsky’s death. It was first premiered on January 20, 1894, at the Imperial Music Society, Moscow, in remembrance of Arensky’s great friend and mentor. The unusual instrumentation was a curious attempt to …
The Versatile Singer: A Guide To Vibrato & Straight Tone, Danya Katok
The Versatile Singer: A Guide To Vibrato & Straight Tone, Danya Katok
Dissertations, Theses, and Capstone Projects
Straight tone is a valuable tool that can be used by singers of any style to both improve technical ideals, such as resonance and focus, and provide a starting point for transforming the voice to meet the stylistic demands of any genre. By employing a resonant, minimally vibrated, balanced sound as the core of the voice, the versatile singer can stylistically unbalance the voice by layering colors and effects in ways appropriate for many types of singing. In order to fully understand the inner workings of vibrato and how it can be healthily minimized, my discussion of vibrato and straight …
"Werke Für Klavier Zu Vier Händen" By Franz Schubert, Kassel: Bärenreiter, 2013, Su Yin Mak
"Werke Für Klavier Zu Vier Händen" By Franz Schubert, Kassel: Bärenreiter, 2013, Su Yin Mak
Performance Practice Review
Su Yin Mak discusses Bärenreiter's 2013 edition of Schubert's work.
Schubert, Franz. Werke für Klavier zu vier Händen, Band III, ed. Walburga Litschauer (Nos. 2-5) and Werner Aderhold (No. 1); Urtext of the New Schubert Edition, BA 9645. Kassel: Bärenreiter, 2013.
ISMN: 9790006539871.
"Clavichord For Beginners" By Joan Benson, Bernard Brauchli
"Clavichord For Beginners" By Joan Benson, Bernard Brauchli
Performance Practice Review
Bernard Brauchli reviews and discusses Joan Benson's 2014 work.
Benson, Joan. Clavichord for Beginners. Bloomington: Indiana University Press, 2014.
ISBN: 978-0253011589
"Beyond The Score: Music As Performance" By Nicholas Cook, Aron Edidin
"Beyond The Score: Music As Performance" By Nicholas Cook, Aron Edidin
Performance Practice Review
Aron Edidin reviews and discusses Nicholas Cook's 2013 work. Cook, Nicholas. Beyond the Score: Music as Performance. Oxford: Oxford University Press, 2013. ISBN: 978-0-19-935740-6.
Highlights In Jazz Concert 328- Trio Time, Jack Kleinsinger, Danny Gottlieb
Highlights In Jazz Concert 328- Trio Time, Jack Kleinsinger, Danny Gottlieb
Jack Kleinsinger Presents Highlights in Jazz
Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, June 16th, 2016 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Dick Hyman, Jay Leonhart, Howard Alden, Nilson Matta, Duduka Da Fonseca, and Romero Lubambo.
Searching For Sounds: Instrumental Agency And Modularity In Electroacoustic Improvisation, Stephen (Red) Wierenga
Searching For Sounds: Instrumental Agency And Modularity In Electroacoustic Improvisation, Stephen (Red) Wierenga
Dissertations, Theses, and Capstone Projects
In their radical departure from conventional instrumental technique and standardized instruments themselves, the practices of electroacoustic improvisation present a particular challenge to prevalent Western concepts of musical instruments. These concepts—which generally treat instruments as fixed objects—are ill-equipped to account for the ways in which electroacoustic improvisers foreground the agency of their instruments and abandon the quest for “mastery” typical especially of classical attitudes. Additionally, electroacoustic improvisers often approach instruments not as singular, self-contained, and static in their materiality, but rather as modular instrumentaria capable of myriad states and ever in flux, similarly problematizing conventional conceptions that view the physical constitutions …
Music And Language Development: Traits Of Nursery Rhymes And Their Impact On Children's Language Development, Ashley Lauren Gonzalez
Music And Language Development: Traits Of Nursery Rhymes And Their Impact On Children's Language Development, Ashley Lauren Gonzalez
Music
From birth--possibly even before birth--the amount and array of external stimuli profoundly affect a child’s cognitive and linguistic development. In addition to verbal communication from parent to child, singing proves to be an integral aid to a child’s development of speech and language, allegedly due to repetitions of words and rhythms. Nursery rhymes are, from infancy, among the most commonly presented forms of musical stimulus for children. The repetitive nature of the nursery rhymes undoubtedly supports language and speech development, but various characteristics of nursery rhymes, specifically pitch interval, meter, phrase length, contour, and harmony, also contribute substantially to the …
Highlights In Jazz Concert 327- Highlights In Jazz Audience Favorites, Jack Kleinsinger, Danny Gottlieb
Highlights In Jazz Concert 327- Highlights In Jazz Audience Favorites, Jack Kleinsinger, Danny Gottlieb
Jack Kleinsinger Presents Highlights in Jazz
Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, May 12th, 2016 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Bucky Pizzarelli, Wycliffe Gordon, Alexis Cole, Nicki Parrott, Bria Skonberg, Frank Vignola, and Alvin Atkinson.
Pilot Study To Assess Breathing During Sight-Read Stringed Instrument Performance, Collin T. Erickson, Clark Potter, Gregory Bashford
Pilot Study To Assess Breathing During Sight-Read Stringed Instrument Performance, Collin T. Erickson, Clark Potter, Gregory Bashford
UCARE: Research Products
For many musicians, one common occurrence during a performance is the presence of stage fright. Stage fright, though not always expressed can influence the confidence and self-esteem of a performer, and thus can affect the quality of the performance. Every day musicians are affected by stage fright, and there has been no exact solution as to how to lessen the feeling of anxiety musicians feel before performing. No data has been collected to find the correlation between the regularity of breathing and the level of stage fright that a person feels during their performance. A way to quantify regularity of …
The Origins And Development Of The Euphonium Concerto With Brass Band, Joel M. Collier
The Origins And Development Of The Euphonium Concerto With Brass Band, Joel M. Collier
Dissertations, 2014-2019
Since shortly after its invention, the euphonium has been utilized as a solo instrument, both in chamber music settings with piano, and with large ensembles such as brass bands and wind bands. However, it was not until the composition of Joseph Horovitz’s Euphonium Concerto in 1972 that the euphonium was genuinely regarded as a serious solo instrument in the brass band, capable of performing large-scale, substantial works.
In the following two decades, several composers wrote concerti for euphonium and brass band, each building on the technical demands of their predecessors. Their contributions established the basis of the genre, and also …
Choral Theatre, Albert Joseph Wolfe Jr.
Choral Theatre, Albert Joseph Wolfe Jr.
Dissertations
Jamaica gained its independence from Great Britain in 1962, after some 300 years of colonization. Prior to Independence, the standard arts education curriculum was decidedly British and Western European. That which was labeled Caribbean or Jamaican “folk” by the British was deemed inferior and was not taught, demonstrated, or performed in formal settings. Thus, generations of Jamaicans never observed or imagined a Caribbean aesthetic in the visual and performing arts. Instead, pre-Independence Jamaicans were taught British and Western European music and performed it the “British” way.
Today, Jamaicans boast a number of artistic developments that are instantly recognized across the …
A Reception History And Conductor’S Guide To William Grant Still’S ...And They Lynched Him On A Tree, Harlan Zackery Jr.
A Reception History And Conductor’S Guide To William Grant Still’S ...And They Lynched Him On A Tree, Harlan Zackery Jr.
Dissertations
William Grant Still’s lynching drama …And They Lynched Him on a Tree is a rarely performed work for white choir, black choir, contralto soloist, narrator and orchestra. The title and subject matter of the work have been significant hurdles for many conductors who have considered the piece for performance. Additionally, the piece exists in several editions, and among each edition there are inconsistencies in terms of scoring and text, further making the piece difficult to program. Further, the piece, published as a choral ballad, is often labeled as a cantata, oratorio, ballad or play. It is true that the piece …
Cello Technique: A Result Of Cello Construction And Its Effect On Virtuosic Playing In The Works Of Dvořák And Pärt, Mineo P. Yasutake Mr.
Cello Technique: A Result Of Cello Construction And Its Effect On Virtuosic Playing In The Works Of Dvořák And Pärt, Mineo P. Yasutake Mr.
Music: Student Scholarship & Creative Works
No abstract provided.
Highlights In Jazz Concert 326- Salute To Paquito D'Rivera, Jack Kleinsinger, Danny Gottlieb
Highlights In Jazz Concert 326- Salute To Paquito D'Rivera, Jack Kleinsinger, Danny Gottlieb
Jack Kleinsinger Presents Highlights in Jazz
Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, March 3rd, 2016 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Paquito D'Rivera, Peter Anderson, Will Anderson, Ken Peplowski, Jason Brown, David Wong, Diego Urcola, Alex Brown, Eric Doob, and Zach Brown.
Highlights In Jazz Concert 325- Highlights In Jazz 43rd Anniversary Gala, Jack Kleinsinger, Danny Gottlieb
Highlights In Jazz Concert 325- Highlights In Jazz 43rd Anniversary Gala, Jack Kleinsinger, Danny Gottlieb
Jack Kleinsinger Presents Highlights in Jazz
Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, February 4th, 2016 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Catherine Russell, Jon-Erik Kellso, Mark Shane, Mark McLean, Evan Arntzen, Tal Ronen, Matt Munisteri, Ted Rosenthal, Warren Vache, Scott Robinson, and Alvester Garnett.
Missa Yielu: Music In The Dagara Mass, Karin Rau
Missa Yielu: Music In The Dagara Mass, Karin Rau
Masters Theses
This paper explores the music of Dagara Masses in Ghana. The Dagara people are defined and described according to the geography of their land and linguistic dialects spoken in the region. A discussion of cultural indicators highlights traditional occupations, family structure, and social practices. Dagara musical practices are outlined by function and include descriptions of instruments and how they are played. Examination of indigenous religious beliefs describe the behaviors, values, and symbols that permeate Dagara life. A summary of the Dagara's encounter with Christianity sets the scene for present-day celebrations of the Mass. Through observation and interview, research was conducted …
Making A Mess Of Everything: Excursions Through Communities, Musics, Academics, Longing, And Belonging, Kiera Galway, Deanna Yerichuk
Making A Mess Of Everything: Excursions Through Communities, Musics, Academics, Longing, And Belonging, Kiera Galway, Deanna Yerichuk
Music Faculty Publications
This project—what we have termed a collaborative autoethnographic mapping project—grew out of conversations between two researchers who also work as choral conductors and teachers in community contexts. We found ourselves constantly struggling with the stubborn fact that we, as community musicians, engage in the very practices that we, as academics, critique. As we considered our roles as musicians and academics, we quickly realized that who we are is deeply entwined with where we are and who we are with. While we initially considered only the relationship between our professional roles as academics and musicians, we also began to realize that …
La Voix Humaine: A Technology Time Warp, Whitney Myers
La Voix Humaine: A Technology Time Warp, Whitney Myers
Theses and Dissertations--Music
In 1959 French composer Francis Poulenc composed the opera La Voix humaine based on Jean Cocteau’s original play (1928). La Voix humaine is a one-act opera for soprano. The main character, Elle, spends the opera on the phone with her ex-lover who is marrying another the next day. Many musicians believe this opera is difficult or impossible to update, due to the use of the telephone and its dated operator system, which is a large aspect of the action and drama.
This document provides the reader with a new interpretation of the opera with modern technology. Chapter One begins with …
Robert Nelson's A Room With A View: The Creation Of A Contemporary Opera, Marcello Cormio
Robert Nelson's A Room With A View: The Creation Of A Contemporary Opera, Marcello Cormio
Theses and Dissertations--Music
My recent engagement as music director and conductor of Robert Nelson’s A Room with a View (1992, rev. 2004) has offered me the valuable opportunity to work on an opera side by side with its composer. The purpose of this dissertation is to reconstruct the various stages of the process of creation, interpretation, and performance of a contemporary opera, addressing aspects of the collaboration between the composer and the conductor.
The methodology used in my research is based primarily on direct observation and interview. The investigation is conducted from the perspective of a “participant-observer,” due to my personal involvement in …
The Art And Science Of Becoming A Successful Studio Teacher, Teresa A. Bellamy
The Art And Science Of Becoming A Successful Studio Teacher, Teresa A. Bellamy
Williams Honors College, Honors Research Projects
For most professional musicians, it is important to possess the skills necessary to be a studio teacher. While it is crucial to be confident in the actual pedagogical technique required of an instrumental teacher, it is imperative that music teachers also have a thorough knowledge of proper business and marketing tools. In this project, a close examination of the methods used to acquire and use such skills has been made. The research for this project was done in the form of interviews. Four professional music teachers were interviewed on the above topics.
The History Of The Guitar, Júlio Ribeiro Alves
The History Of The Guitar, Júlio Ribeiro Alves
Music Faculty Research
Conceived as instructional material for the guitar students at Marshall University (or anyone interested in the subject), it presents the historical process of the guitar in a clear and attainable fashion. Several topics related to the guitar will be discussed in detail throughout the book: the postulates associated with its origins, its evolution through the centuries, its repertoire, composers, performers, techniques, etc., culminating with the achievement of the privileged status of a respected concert instrument which it currently possesses.
Music Theatre Directing For The Vocal Performance Student: A Practical Application Of Knowledge And Skills, Samuel Martin Snyder
Music Theatre Directing For The Vocal Performance Student: A Practical Application Of Knowledge And Skills, Samuel Martin Snyder
Honors College
As an application of skills acquired in the course of a four-year Bachelor of Music program, this thesis constitutes the physical documentation of the creative process for Jeanine Tesori’s Violet, the musical production selected for this project. Encompassing in a linear format license contracts, casting, creative development, rehearsal planning and conducting, administrative duties, musical analysis, and artistic instruction, the contents of this document represent in part the steps and components required to realize a full musical production – each one accomplished by the student director. In addition to the physical elements, a full recording of the final performance is available, …
The Production Of Sticky Notes And Bible Quotes: Godly Answers For Sticky Situations A Children’S Musical As Directed By Julie Brinkman, Julie Elizabeth Brinkman
The Production Of Sticky Notes And Bible Quotes: Godly Answers For Sticky Situations A Children’S Musical As Directed By Julie Brinkman, Julie Elizabeth Brinkman
Honors College
This thesis reflects upon a director’s experience while directing her first production: Sticky Notes and Bible Quotes: Godly Answers for Sticky Situations by Dennis and Nan Allen. This children’s musical was produced in cooperation with Wylie United Methodist Church of Abilene, TX. Over forty children, with the help of ten adult volunteers, shared the importance of memorizing scripture and looking to God’s Word in times of trouble through song, skits, and the recitation of scripture. While reflecting upon the production process after each rehearsal, the director makes connections between her experiences as director, the content of her music education undergraduate …
"The Rameau Compendium" By Graham Sadler, Mary Cyr
"The Rameau Compendium" By Graham Sadler, Mary Cyr
Performance Practice Review
Mary Cyr discusses and reviews Graham Sadler's 2014 work.
Sadler, Graham. The Rameau Compendium. Suffolk: Boydell Press, 2014.
ISBN: 978-1-84383-905-1
About This Issue, Michael E. Ruhling
About This Issue, Michael E. Ruhling
HAYDN: Online Journal of the Haydn Society of North America
No abstract provided.
Singing The Sermon: Where Musicology Meets Homiletics, Emmett G. Price Iii
Singing The Sermon: Where Musicology Meets Homiletics, Emmett G. Price Iii
Yale Journal of Music & Religion
From the beginning of the Christian Church, singing and preaching have served as major tools of communication. In fact, they remain the most utilized methods of articulating and explicating personal and communal theologies across the diverse and expansive expressions of Christianity.
From the life, ministry, and legacy of Jesus Christ through the teachings of the Apostle Paul, the roles and functions of singing and preaching are well known but not well studied as a unit. From the foundational writings of the early Church Fathers through the various theses of the reformers, the acts of singing and preaching have been studied …
A Jamaican Voice: The Choral Music Of Noel Dexter, Desmond A. Moulton
A Jamaican Voice: The Choral Music Of Noel Dexter, Desmond A. Moulton
Dissertations
As we approach the twenty-first century, the world generally is moving away from the dominance of the European aesthetic towards a world music that owes much to the musical resources of the African-American tradition. Jamaica’s social and philosophical music belong mainly to that tradition, which includes the use of rhythms, and timbral and melodic resources that exist independently of harmony. Already in this century, Jamaicans have created two totally new music - Nyabinghi, which performs a philosophical function and Reggae, which performs a social function. The choral music of Noel Dexter is important because it is uniquely Jamaican/Caribbean in its …