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Articles 331 - 360 of 1452
Full-Text Articles in Music Performance
Towards The Recovery Of Authentic Organ Continuo Practice In Haydn's Concerted Sacred Music, Tom Mueller
Towards The Recovery Of Authentic Organ Continuo Practice In Haydn's Concerted Sacred Music, Tom Mueller
HAYDN: Online Journal of the Haydn Society of North America
During the classical era, full-size church organs were used in the performance of concerted sacred music. Historical evidence such as treatises and surviving organs offer useful information that can be used to reconstruct organ continuo performance practices. In spite of this evidence, modern performances and recordings of this repertoire often make use of small positive organs that cannot match the capabilities, timbre, and dynamics of larger instrument. Furthermore, the continuo realizations published in modern performance editions rarely reflect the style and techniques of historic practice.
This article explores issues in the performance practice of continuo playing on large church organs …
Worlds Of If: Analyses Of The Composed And Improvised Works Of Robert Dick, Melissa Keeling
Worlds Of If: Analyses Of The Composed And Improvised Works Of Robert Dick, Melissa Keeling
Dissertations, Theses, and Capstone Projects
Considered one of the most important publications in twentieth-century flute pedagogy, Robert Dick’s seminal method book, The Other Flute (1975),[1] is an extensive catalogue of multiphonic fingerings, microtonal fingerings, glissandi, circular breathing, and other extended techniques. The Other Flute and a handful of his published solos are widely studied, but these works only represent a fraction of Dick’s creative energies.
Equally comfortable in classical, jazz, rock, electronic, and world music, Dick’s oeuvre demonstrates a sophisticated, musical use of contemporary techniques and his pieces have become standard repertoire. Though Dick was not the first flutist to use or notate these …
Innovation In Digital Music: A Customized Program For Barcelona Sae, Daniel E. Childs
Innovation In Digital Music: A Customized Program For Barcelona Sae, Daniel E. Childs
Capstone Collection
Barcelona SAE is a third-party study abroad provider that facilitates study and intern abroad experiences for college-age students from around the world. One branch of Barcelona SAE is its Customized Programs Department, which offers over 45 customized programs to students studying everything from public health to the culinary arts to engineering. They currently have a gap, though, in their portfolio of program offerings: they have never offered a program geared toward students studying music. Through interviews with staff members from Barcelona SAE, this paper demonstrates a need for a music-based customized program in Barcelona. Furthermore, it fills this need with …
Music, Politics, And Sociality: Ethnic Tensions And The Performance Of Gikuyu Nationalism, Peter Njagi Mwangi
Music, Politics, And Sociality: Ethnic Tensions And The Performance Of Gikuyu Nationalism, Peter Njagi Mwangi
Foreign Languages & Literatures ETDs
This thesis examines how some selected Gikuyu popular music propagates ethnic tensions in Kenya by promoting Gikuyu nationalism at the expense of Kenyan nationalism. This music derives its themes from the historical period of the Mau Mau armed struggle against British colonists and connects this struggle with everyday experiences of the Gikuyu people. Memory and the performance of everyday life in this music solidifies the Gikuyu community as tied to a common destiny and distances other Kenyan communities from this destiny. The music consolidates Gikuyu ethnic nationalism and authenticates the position of the community as superior and a dominant force …
At The Center Of Things: How An Academic Library Built A Bridge Between Art And Science On Campus, Michelle Catalano, Catherine Essinger, Suzanne Ferimer, Stephanie Lewin-Lane, Porcia Vaughn
At The Center Of Things: How An Academic Library Built A Bridge Between Art And Science On Campus, Michelle Catalano, Catherine Essinger, Suzanne Ferimer, Stephanie Lewin-Lane, Porcia Vaughn
Collaborative Librarianship
The University of Houston Libraries sponsored an interdisciplinary event for students, faculty, and the public, titled the Artists’ Health and Wellness Colloquium and Resource Fair. Aspiring and working artists were instructed in how to maintain good health and to avoid overstressing their bodies as they practice their art. Scholars presented both historical and trending perspectives on the intersection of art and health science. The event was held in order to facilitate learning in two key research areas and to demonstrate the library's ability to bridge disparate disciplines and forge new partnerships with multiple academic units simultaneously. This article presents planning …
The Iconic One-Hit Wonder: The History And Reception Of Franz Biebl's Ave Maria, Matthew Oltman
The Iconic One-Hit Wonder: The History And Reception Of Franz Biebl's Ave Maria, Matthew Oltman
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
Franz Biebl’s Ave Maria is one of the most well-known small-scale choral pieces written in the latter half of the twentieth century. Since its introduction to American choirs in 1970, it has become an important part of the standard choral repertoire and is often performed perennially, especially at Christmas. It was integral to the rise in popularity of Chanticleer, the American professional male chorus, and remains closely associated with the ensemble thanks to it being recorded and published in the United States under Chanticleer’s auspices. Despite these facts, very little has been written about the composer or his iconic setting …
"Composers’ Intentions?: Lost Traditions Of Musical Performance," By Andrew Parrott, Colin Lawson
"Composers’ Intentions?: Lost Traditions Of Musical Performance," By Andrew Parrott, Colin Lawson
Performance Practice Review
Colin Lawson discusses Andrew Parrott's 2015 work.
Parrott, Andrew. Composers’ Intentions?: Lost Traditions of Musical Performance. Suffolk: Boydell and Brewer, 2015. ISBN 978-1-783-27032-3.
The Art Songs Of Zachary Wadsworth: A Guide To Style Performance, And Literature, Jordan R. Davidson
The Art Songs Of Zachary Wadsworth: A Guide To Style Performance, And Literature, Jordan R. Davidson
Dissertations, 2014-2019
This Doctor of Musical Arts Document explores the role Zachary Wadsworth plays in the development of American Art Song. Born in 1983, composer Zachary Wadsworth has written over forty songs. His music is complex and challenging, with influences from all musical eras, with much of his work focusing on the techniques and sounds of twentieth-century modernism. Wadsworth’s choice of poetry focuses on English literature from many different musical eras, embracing a broad range of themes subjects, and emotions.
Following a brief biography of Wadsworth’s early life and career, the document surveys Wadsworth’s contributions to contemporary American art song regarding his …
A Musical Crusade: Reviving The Music Of Berlioz’S Benvenuto Cellini Through A Comparative Statistical, Pedagogical, And Theoretical Analysis, Jessica R. Spafford
A Musical Crusade: Reviving The Music Of Berlioz’S Benvenuto Cellini Through A Comparative Statistical, Pedagogical, And Theoretical Analysis, Jessica R. Spafford
Dissertations, 2014-2019
Abstract
Much of the operatic music of the eccentric French composer Hector Berlioz (1803-1869) is overlooked, especially from his first full opera Benvenuto Cellini. This is due in part to many misconceptions surrounding Berlioz’s vocal compositional style, which stem from the political atmosphere at the time of the opera’s premiere in 1838 Paris when ill-willed critics renamed it Malvenuto Cellini. A general ignorance of this work and its music pervades the world of vocal pedagogy, having been excluded from the standard repertoire anthologies, where it can ironically be the most useful. The research presented in this project comprises …
The Development Of A Fach System For The Tenor Oratorio Repertoire, Randall C. Ball
The Development Of A Fach System For The Tenor Oratorio Repertoire, Randall C. Ball
Dissertations, 2014-2019
Classical singers learn about the European Fach System early in their career. By determining which Fach a voice type fits, one can then understand which operatic repertoire is suited to study and perform. It is a reliable guide, protecting singers as they grow and function in their workplace. Since oratorio roles are predominantly not included in this system, it can sometimes be challenging for singers and pedagogues to place these roles unambiguously into a Fach. Without the security of a pedagogical system or guide, singers may be miscast in oratorio productions, which can result in a less effective performance, …
Worship Renewal Through Discipleship: How Discipleship And Mission Affects Our Worship, Kevin Haglund
Worship Renewal Through Discipleship: How Discipleship And Mission Affects Our Worship, Kevin Haglund
Masters Theses
Numerous articles, blogs, and books have been written in recent years about the lessening of congregational participation in singing and many have called for a renewal of worship and changes in worship practice within the church. Yet, most of the solutions offered are aimed at bettering what happens inside the worship event—singing songs with more theologically rich lyrics, incorporating more scripture and prayer, striving for more creative ways to engage the congregation, more resources and training for worship leaders, and many other valuable ideas. As excellent as those solutions may be, they are incomplete unless we also focus on that …
Music Therapy’S Impact On Substance Abuse Recovery, Justin Bishop-Williams
Music Therapy’S Impact On Substance Abuse Recovery, Justin Bishop-Williams
Capstone Projects and Master's Theses
Music therapy has been a viable means of treatment for various medical conditions such as; treating PTSD, mental illness and even used alongside cognitive behavior therapy practices. Since the 70’s licensed therapists have been utilizing music therapy to combat the effect of addiction caused by substance abuse disorders. Addiction impacts the lives of one in ten Americans and only eleven percent seek help in forms of addiction treatment centers or 12-step-programs. With the combination of music therapy, addiction patients can discover feelings and emotions that have been suppressed through years of substance abuse. Forms of music therapy being examined for …
Love Sick The Musical - A Reflection Of My Undergraduate Studies, William Kelly
Love Sick The Musical - A Reflection Of My Undergraduate Studies, William Kelly
Senior Theses
No abstract available
The Drums Throughout Time: Rethinking The Beat, Sal Alamillo
The Drums Throughout Time: Rethinking The Beat, Sal Alamillo
Capstone Projects and Master's Theses
This paper will examine a variety of ways that drum makers approach their craft by comparing the processes of distinct forms of drum construction as well as the philosophies and aspirations of these artists. This dissertation will review the various choices of drum makers by: (1) providing a brief history of the drum set, (2) comparing the processes of manufacturers, both prominent and independent, and (3) narrating a firsthand project of making a drum with an independent drum builder while incorporating a handmade drum into original compositions and recordings. The paper will also explain the creative decisions of drum makers …
The Benefits Of Music In Child Development, Dulce-Paola Ixtupe
The Benefits Of Music In Child Development, Dulce-Paola Ixtupe
Capstone Projects and Master's Theses
Music is a subject that does not limit children to simply having fun, although “fun” is an essential component when trying to engage children in learning activities. Music further enhances a series of transferable skills and can help children with their learning experience in other subjects. By being part of a fun activity such as music, children are able to acquire affective, cognitive, and evaluative skills, which will further reinforce a variety of areas of their development. When engaged in an activity where recognition and expression of feelings are required, they learn that having feelings is perfectly normal and that …
The Idiosyncratic Language Of Brazilian Music: Strategies For Performing Villa-Lobos Choros No. 10, Dennis Paz Leoni
The Idiosyncratic Language Of Brazilian Music: Strategies For Performing Villa-Lobos Choros No. 10, Dennis Paz Leoni
Dissertations
Heitor Villa-Lobos’ Choros No. 10 is a composition with many cultural and symbolic inclusions. This work seeks to support a conductor’s informed performance of the piece by providing historical and technical context from the conductor’s life and influences. The first section examines the ethnographic and sociopolitical factors in Brazil during the conductor’s life, and then the personal influences on Villa-Lobos’ career, in order to establish the foundation for a section-by-section analysis of the work which illuminates the idiosyncratic nature of the composer’s masterpiece.
"Performance Practice In The Music Of Steve Reich," By Russell Hartenberger, Pwyll Ap Siôn
"Performance Practice In The Music Of Steve Reich," By Russell Hartenberger, Pwyll Ap Siôn
Performance Practice Review
Pwyll ap Siôn discusses Russell Hartenberger's 2016 work.
Hartenberger, Russell. Performance Practice in the Music of Steve Reich. Cambridge: Cambridge University Press, 2016. ISBN 978-1-107-15150-5.
"The Accompaniment In 'Unaccompanied' Bach: Interpreting The Sonatas And Partitas For Violin," By Stanley Ritchie, David Schulenberg
"The Accompaniment In 'Unaccompanied' Bach: Interpreting The Sonatas And Partitas For Violin," By Stanley Ritchie, David Schulenberg
Performance Practice Review
David Schulenberg discusses Stanley Ritchie's 2016 work.
Ritchie, Stanley. The Accompaniment in “Unaccompanied” Bach: Interpreting the Sonatas and Partitas for Violin. Bloomington: Indiana University Press, 2016. ISBN 978-0-25-302198-4 (ebook: 978-0-25-302208-0)
Expressions Of Madness In Coloratura Mad Scenes Of Bel Canto Operas, Rachel G. Christenson
Expressions Of Madness In Coloratura Mad Scenes Of Bel Canto Operas, Rachel G. Christenson
Senior Honors Theses
This thesis will explore the musical innovations in the mad scenes of the bel canto composers in the 1800s. It will analyze Gaetano Donizetti’s mad scenes in Anna Bolena (1830) and Lucia di Lammermoor (1835), and Vincezzo Bellini’s mad scenes in I Puritani (1835) to discover how each composer expresses madness through the high and virtuosic voice of the coloratura soprano. The subject of madness is not a new idea in opera. However, the mad scenes of Donizetti and Bellini are the most successful and are often performed in opera houses around the world. Specific attention is given to the …
New Compositions For Percussion Duo, Andrea Venet
New Compositions For Percussion Duo, Andrea Venet
Showcase of Faculty Scholarly & Creative Activity
The submitted videos are a representation of recent performances and world premieres of commissions by Dr. Andrea Venet’s percussion duo, Escape Ten. Escape Ten is an ensemble in residence at the UNF School of Music with Dr. Annie Stevens (Virginia Tech). The first video is of a new composition, 2300 Degrees, by Ivan Trevino. Trevino held a musical residence at the Corning Museum of Glass in Corning, NY and was greatly affected by observing glass blower Lino Tagliapietra work. Ivan states “In order to recreate the feelings I felt while watching Lino work, I decided to create a piece with …
About This Issue, Michael E. Ruhling
About This Issue, Michael E. Ruhling
HAYDN: Online Journal of the Haydn Society of North America
No abstract provided.
Theatre In Worship: A Curriculum For Teaching Theatre In The Local Church Music Ministry, Brandon Cox
Theatre In Worship: A Curriculum For Teaching Theatre In The Local Church Music Ministry, Brandon Cox
Masters Theses
Music has been a part of church worship for many ages, and no doubt, music education programs can produce leaders within the church who are capable and effective within music ministry. Even so, many are expected to not just lead worship and music, but to develop a program and direct seasonal productions. Many worship leaders have been trained through music programs, but may not have extensive experience in theatre. Typically, part of a worship leader’s weekly duties entail preparing orders of worship, music rehearsals, staff meetings, visiting members of the congregation, studying, reading, writing music, communicating with the pastor, scheduling …
"Performance Practices In Johannes Brahms's Chamber Music" By Clive Brown, Neal Peres Da Costa, And Kate Bennett Wadsworth, Michael Musgrave
"Performance Practices In Johannes Brahms's Chamber Music" By Clive Brown, Neal Peres Da Costa, And Kate Bennett Wadsworth, Michael Musgrave
Performance Practice Review
Michael Musgrave discusses Clive Brown, Neal Peres da Costa, and Kate Bennett Wadsworth's 2015 work.
Brown, Clive, Neal Peres da Costa, Kate Bennett Wadsworth. Performing Practices in Johannes Brahms's Chamber Music. Kassel, Basel, London, New York, Praha: Bärenreiter, 2015 [2nd printing 2016].
Developing A Natural And Relaxed Approach To String Playing - Part 1, Tomás Cotik
Developing A Natural And Relaxed Approach To String Playing - Part 1, Tomás Cotik
School of Music + Theater Faculty Publications and Presentations
Portland State University professor Dr Tomas Cotik gives an introduction to kinesthetic feelings and demonstrates techniques and exercises.
Grains Without Territory: Voicing Alexander Garsden’S [Ja] Maser And The De-Centralized Vocal Subject, Jessica Aszodi
Grains Without Territory: Voicing Alexander Garsden’S [Ja] Maser And The De-Centralized Vocal Subject, Jessica Aszodi
Directions of New Music
The singing subject is both site-of and author-of her practice. This practice-based, artistic research unpacks the entangled process of making new music, conscious that the performer-author is the site where embodied problem solving takes place. The principal focus of the paper is the author’s realization of Alexander Garsden’s [ja] Maser, for voice and electronics, created by recording and reconstituting vocal elements using traditional compositional and performative methods as well as studio recording and granular synthesis. The author approaches the realization of this new work as an experimental practice in dialogue with theoretical frames that inform and situate the research. …
Codex: Embodied Communication In Richard Barrett’S Scores For Improvisation, Hannah Reardon-Smith
Codex: Embodied Communication In Richard Barrett’S Scores For Improvisation, Hannah Reardon-Smith
Directions of New Music
This paper examines the process of preparing Barrett’s codex V (2007) and codex XV (2015) and their performance on Saturday 18 June, 2016, as part of the Ghent Advanced Master in Contemporary Performance Practice (ManaMa) academy examinations in Brussels, Belgium. This project involved the development of deep collaborative relationships with a number of other performers, the study and interpretation of alternative notational practices, and the invention of a variety of ad hoc solutions to issues of coordination and ensemble unity, with a particular focus on clear physical communication. Reflections on my own process of preparation and rehearsal are supplemented by …
A Performer's Guide To Works For Trumpet And Synthesizer By Meg Bowles, Steven Siegel
A Performer's Guide To Works For Trumpet And Synthesizer By Meg Bowles, Steven Siegel
Theses and Dissertations--Music
The trumpet and electronics genre of music has been in existence since 1965. While various dissertations have discussed other composers and their works in this field, there is still a need for a treatise exploring appropriate performance practice for the electroacoustic trumpet music of Meg Bowles. There has been no study of the compositional process nor trumpet techniques required for performance of these works and other electronic compositions.
This dissertation will study the compositions for trumpet and electronics by Bowles, develop strategies for performing these works, and explore compositional techniques used to create them. Interviews have been conducted between the …
Duende: Four Preludes For Symphonic Wind Ensemble By Luis Serrano Alarcón: Conductor’S Guide, Spanish Historical Background And Influence, Kenneth Javier Iyescas
Duende: Four Preludes For Symphonic Wind Ensemble By Luis Serrano Alarcón: Conductor’S Guide, Spanish Historical Background And Influence, Kenneth Javier Iyescas
Theses and Dissertations--Music
Luis Serrano Alarcón is one of the most important and relevant composers of our time. He is sought after as a composer, lecturer, and conductor throughout the world. His works have been performed in over 30 countries worldwide by some of the leading musical ensembles in the United States, Europe, and Asia, as well as being highly decorated by winning many prestigious composition contests including the International Band Competition Contest of Corciano, Italy.
Born in Valencia, Spain, Alarcón is relatively self-taught in composition, which is a testament to his natural-born gift for composition. His compositional output ranges from the traditional …
Redefining The Performance Degree Curriculum For The Crossover Saxophonist, Ian M. Cruz
Redefining The Performance Degree Curriculum For The Crossover Saxophonist, Ian M. Cruz
Theses and Dissertations--Music
Many collegiate saxophone performance degree programs are overwhelmingly classical, adopting from other performance programs in the Western music tradition. However, there is a growing number of saxophone compositions that are “crossover” in nature. Crossover is a term used to describe the fusion of popular music styles in a classical setting. There is also evidence that collegiate music education as a whole is moving towards a more diverse curriculum, which emphasizes ethnomusicology. Due to this trend in composition and education, it is becoming increasingly important that saxophonists have the training of both classical and jazz disciplines.
The problem is that while …
When Unexpected Beauty Burns Like Sunlight On The Sea: Songs Of Wintter Watts, Composer And Sara Teasdale, Poet, Casey A. Huggins
When Unexpected Beauty Burns Like Sunlight On The Sea: Songs Of Wintter Watts, Composer And Sara Teasdale, Poet, Casey A. Huggins
Theses and Dissertations--Music
This document is an overview of Wintter Watts’ song settings of Sara Teasdale poems. Watts set 15 Teasdale poems as a part of his repertoire of approximately 200 art songs, both published and unpublished. Included are a thorough investigation of the culture of the period of American history of which Watts and Teasdale emerged as artists, biographies of each artist, with particular emphasis placed on Watts’ life and work, and theoretical and poetic analyses of each piece. Additionally, teachers of singing will find the appendix useful to explore options for student repertoire.