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Articles 91 - 120 of 1432
Full-Text Articles in Music Performance
A Performance-Based Exploration Of Vocal Anatomy And Pedagogy: Maximizing Technical, Stylistic, And Physiological Frameworks For Superlative Vocal Technique In Artistic Function, Michael J. Civitano
A Performance-Based Exploration Of Vocal Anatomy And Pedagogy: Maximizing Technical, Stylistic, And Physiological Frameworks For Superlative Vocal Technique In Artistic Function, Michael J. Civitano
LSU New Orleans Theses and Dissertations
This study investigates the influence of specific frameworks in performance and vocal pedagogy on artists' capacity to enact evidence-based learning outcomes, with emphasis on vocal physiology and educator-performer relationships. Employing an experimental design, five philosophies that support capacity-building were tested across two trial settings, varying in intensity. The participant utilized narrative reasoning, diversified methods, and mentorship from specialized educators to apply frameworks. Findings indicate that, in practicing evidence-based learning and maximizing anatomic foundations of the voice, substantial developments in artistic capacity ensued. Educator-performer relationships mediate this process through reciprocal collaborations that foster capacity-building. Performers display optimal artistic capacity by effectively …
Exploring The Collegiate Choir Participant's Values Within Ensemble Performances, Kaelyn Hunter
Exploring The Collegiate Choir Participant's Values Within Ensemble Performances, Kaelyn Hunter
Honors Theses
This study examined how collegiate choral ensemble participants viewed their highest quality performance and their favorite performance. Examining characteristics of performances may encourage conversations about performance values between directors and students. Limited research has been done about musicians’ views, as getting accurate and in-the-moment documentation of how musicians feel about their performances is challenging. To provide more insight into this previously understudied topic, this study aimed to explore the musicians’ perspectives on their performances and how their emotions and repertoire are intertwined.
The Primary Investigator (PI) conducted an anonymous study among the 2022–2023 choral ensemble participants at The University of …
An Annotated Bibliography Of 45 Select 21st-Century Electroacoustic Pieces For B-Flat Clarinet Suitable For The Undergraduate Clarinetist, Emily Jean Rose
An Annotated Bibliography Of 45 Select 21st-Century Electroacoustic Pieces For B-Flat Clarinet Suitable For The Undergraduate Clarinetist, Emily Jean Rose
Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–
Electroacoustic literature for the clarinet is bountiful and accessible, though many students do not experience working with this genre until they become a graduate student, if even then. Utilizing a detailed rubric, each of these 45 works in this document are graded according to their accessibility, techniques explored, and overall difficulty to approach to better serve the educator and assist the undergraduate clarinetist in performing this genre of repertoire.
With the accessibility of electronics and electronic equipment coming more readily available to composers and performers at the start of the 21st-century, electroacoustic literature found a sense of deliverance in the …
Making Czech Art Song Accessible For Novice Singers, Rachel Jane Sweeney Green
Making Czech Art Song Accessible For Novice Singers, Rachel Jane Sweeney Green
Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–
Czech art song is often overlooked by vocal instructors while assigning music for the novice singer. The repertoire of Czech art song is vast, yet seldom used in vocal studios in America. Though some consider the language difficult, when approached in the correct manner it is easy for a novice to sing in Czech. This document advocates for Czech art song to be assigned and selected for the novice singer. Each chapter serves as a tool to understand and navigate Czech repertoire. The last chapter provides five examples of Czech art song selected because they align with the guidelines of …
Jazz Ensemble One At The University Of North Florida, University Of North Florida
Jazz Ensemble One At The University Of North Florida, University Of North Florida
Flyers, Playbills, Posters, and Programs
Flyer for the 36th Annual Great American Jazz Series presenting Jazz Ensemble One at the University of North Florida, Lazzara Performance Hall.
Mr. J.B. Scott, artistic director
Seeking A Uniform Approach To Trumpet Sound Concept, Coleman T. Scott
Seeking A Uniform Approach To Trumpet Sound Concept, Coleman T. Scott
LSU Doctoral Dissertations
One of the most challenging aspects of trumpet playing that pedagogues must teach is how to produce a professional tone. Trumpet students are often good musicians, play correct notes and rhythms, and even have proficient technique. However, many are unable to consistently produce a tone comparable to that of a professional. There are a number of methods that can be utilized to improve a student’s tone quality. In my own teaching and in the teaching of many professionals, tone concept has been used as a catalyst for the improvement of tone quality. A students’ exposure to a professional-quality trumpet tone …
Soundscape - A Guided Approach To Post-Tonal Horn Repertoire, Selena B. Boyda
Soundscape - A Guided Approach To Post-Tonal Horn Repertoire, Selena B. Boyda
LSU Doctoral Dissertations
More modern post-tonal works are being composed and it is imperative that horn players interpret the music as accurately as possible. Analyzing the music is a way one can interpret the music accurately. The purpose of this research is to develop a guided approach for interpretation of post-tonal horn repertoire using analytical techniques. Selected works analyzed and used are Olivier Messiaen’s “Appel Interstellaire,” Stanley Friedman’s Topanga Variations, and Jenni Brandon’s Dawn. Analytical techniques used include set theory, limited modes of transposition, contour relations, motivic patterns, modal analysis, and motifs.
City Boy By Judd Greenstein: A Transcription From Chamber Quintet To Full Wind Band, Emmanuel Rodriguez
City Boy By Judd Greenstein: A Transcription From Chamber Quintet To Full Wind Band, Emmanuel Rodriguez
LSU Doctoral Dissertations
The goal of this project is to create a wind band transcription of the chamber work City Boy by Judd Greenstein. Greenstein describes his own music as being “built on contrasts and juxtapositions between the jittery, competing pulses of the New York City streets where he grew up and the placid landscapes of the rural farm land he now calls home.”1 His music is also influenced by his passion for contemporary popular music genres, specifically hip-hop and rap. This duality is a major aspect of Greenstein’s musical language, which he describes as “a genre- fluid musical infrastructures that endeavors to …
Sequencing Orchestral Repertoire For Collegiate Orchestras: Addressing The Educational Needs Of Students In Various Stages Of Development, Cheuk Nok Francis Ku
Sequencing Orchestral Repertoire For Collegiate Orchestras: Addressing The Educational Needs Of Students In Various Stages Of Development, Cheuk Nok Francis Ku
LSU Doctoral Dissertations
Sequencing is a fundamental aspect of music education, not only in individual instrumental teaching but also in large-ensemble instruction. Collegiate orchestras, like other educational ensembles, experience turnover of students each academic year, and face unique challenges in repertoire selection due to the diverse skill levels and experience of their members. This document presents a case study of the LSU Symphony Orchestra program spanning from 2021 to 2024, and complements a performance featuring works by Amy Beach, Ludwig van Beethoven, Joseph Haydn, and José Pablo Moncayo. The document also delved into the study of performance practice during the Classical period and …
Terry Riley's "In C" For Mobile Ensemble, David B. Wetzel, Griffin Moe, George K. Thiruvathukal
Terry Riley's "In C" For Mobile Ensemble, David B. Wetzel, Griffin Moe, George K. Thiruvathukal
Computer Science: Faculty Publications and Other Works
This workshop presents a mobile-friendly Web Audio application for a “technology ensemble play-along” of Terry Riley’s 1964 composition In C. Attendees will join in a reading of In C using available web-enabled devices as musical instruments. We hope to demonstrate an accessible music-technology experience that relies on face-to-face interaction within a shared space. In this all-electronic implementation, no special musical or technical expertise is required.
Hidden Meanings In Elementary Instrumental Music Method Books: A Multimodal Critical Discourse Analysis, Mara Hope Thompson
Hidden Meanings In Elementary Instrumental Music Method Books: A Multimodal Critical Discourse Analysis, Mara Hope Thompson
Education Doctorate Dissertations
Textbooks serve as the primary resource utilized to deliver curriculum in a variety of subject areas and educational contexts. However, much previous research has found that texts often convey concealed meanings in the form of hidden and null curricula. This Multimodal Critical Discourse Analysis (MCDA) explored the musical discourses and cultural contexts of musical examples in two elementary instrumental music textbook series to investigate whose values, cultures, perspectives, and knowledge are conveyed by the texts and whose are excluded or misrepresented. Framed by the social theory of Postcolonialism, the research revealed binary ideologies of exoticism embedded in many aspects of …
Music Performance Anxiety: Should It Be Addressed In Music Curricula And By Whom?, Kaitlynn Kamer
Music Performance Anxiety: Should It Be Addressed In Music Curricula And By Whom?, Kaitlynn Kamer
Honors Projects
Music performance anxiety (MPA) impacts musicians of all skill levels, as demonstrated by existing research on both student and professional musicians. Although most musicians experience MPA, it is not formally addressed in music curriculum. This study seeks to evaluate the views and discourse around MPA in the collegiate music community through a survey of 66 college music students, 17 faculty members, and a series of secondary interviews. Through the results of the surveys and interviews, the thoughts on MPA from both the faculty and student perspective will be discussed. Upon reviewing the results of study, possible avenues for addressing MPA …
Reflection, Reflexivity, Learning And The Influence Of Formalised And Experiential Piano Training, Dorothy Li
Reflection, Reflexivity, Learning And The Influence Of Formalised And Experiential Piano Training, Dorothy Li
The Qualitative Report
This autoethnographic study examines how music learning is influenced by teachers and socio-cultural environments and how this influences not only our musical journeys but the way we view our lives, of the progress we have made, the goals in which we hope to achieve, and the way we perceive we will achieve them. This study explores how my musical background, understanding, learning, music-making abilities, and skills have shaped my present beliefs, attitudes and identity as a musician, educator, and researcher. Focusing on teacher pedagogy and practice, the study reveals how prevailing teacher-centred and didactic approaches to teaching impact the perspectives …
Surviving Pandemic Practicum: Early Career Music Teachers' Perceived Self-Efficacy Following The Covid-19 Pandemic, Aubree Pacifico Windish
Surviving Pandemic Practicum: Early Career Music Teachers' Perceived Self-Efficacy Following The Covid-19 Pandemic, Aubree Pacifico Windish
West Chester University Doctoral Projects
This qualitative study examines early career music teachers’ perceived self-efficacy following teacher practicum during a global pandemic. I conducted focus group conversations with undergraduate music education alum (N=16) from Southeastern State University (SSU) at the end of 2023. Participants described the impact of the COVID-19 pandemic on their music teacher practicum and overall experiential learning at SSU. The focus group questions, and subsequent deductive coding of their answers, aligned with the four roles of Bandura’s (1977) Self-Efficacy Theory. Participants reported low perceived self-efficacy in their first year of in-service teaching, with variations based on the stages of the COVID-19 pandemic …
Piano Wisdom From Two Great Masters: Heinrich Neuhaus And Walter Gieseking, Xiaohan Hu
Piano Wisdom From Two Great Masters: Heinrich Neuhaus And Walter Gieseking, Xiaohan Hu
Graduate Theses, Dissertations, and Problem Reports (ETD)
This dissertation explores the pedagogical insights and piano techniques of Heinrich Neuhaus (1888-1964) and Walter Gieseking (1895-1956), two iconic figures in 20th-century piano performance and education. Through a detailed analysis of their writings and teaching methods, the research highlights their shared focus on the foundational principles of piano technique, as well as their unique contributions to interpretation and musical expression.
Neuhaus’s The Art of Piano Playing provides an in-depth discussion on the importance of artistic imagery, posture, sound production, and emotional depth in performance. Gieseking, along with his former teacher Karl Leimer, emphasizes ear training, mental visualization, and technical precision …
An Analysis And Conductor's Guide To Allen Webber'sThree American Poets, John Wayne Weatherspoon
An Analysis And Conductor's Guide To Allen Webber'sThree American Poets, John Wayne Weatherspoon
Theses and Dissertations--Music
Allen Webber’s Three American Poets is a three-movement choral work based on texts by several American poets. This monograph shines light on the compositional style of Webber by means of an in-depth score analysis of this work. Webber’s experience as a written theory and aural skills professor informs his writing style. Frequent correspondence and interviews with the composer informed the study through qualitative data. Though the piece is accessible to advanced high school choruses and beyond, it will at times challenge those choirs with unexpected chromatic movements. This study provides conductors with a guide to develop a creative and scholarly …
Dimitris Kafyris: The Legacy And Pedagogy Of A Trailblazing Greek Trumpeter, Stephen M. Wadsack
Dimitris Kafyris: The Legacy And Pedagogy Of A Trailblazing Greek Trumpeter, Stephen M. Wadsack
Theses and Dissertations--Music
Dimitris Kafyris (Δημήτρης Κάφυρης, 1932–2020) is regarded as one of the most talented trumpeters of the twentieth century, within his native homeland of Greece. From the early 1950s into the mid-1980s, Kafyris performed with the Athens State Orchestra (Greece’s premier orchestral ensemble), the Greek Radio Symphony, and the National Opera. During this period, Kafyris also maintained a teaching position at the Hellenikon Conservatory (Ελληνικόν Ωδείον) in Athens. Following what many would already consider to be a robust career, Kafyris returned home to the Greek island of Corfu, where he assumed the roles of Bandmaster and Director of the Corfu Philharmonic …
Understanding The Effects Of Hormone Treatments On The Transgender Singer: A Pedagogical Study And Voice Studio Guide, Erin M. Hannon
Understanding The Effects Of Hormone Treatments On The Transgender Singer: A Pedagogical Study And Voice Studio Guide, Erin M. Hannon
Theses and Dissertations--Music
Transitioning from one gender to another can be an arduous and emotionally charged experience, accompanied by many physical and mental transformations. The journey of self-discovery and vocal explorations is both unique and deeply personal. Modifications that emerge in an individual's vocal characteristics have a profound influence on their capacity to communicate and express themselves.
Transgender vocal students and professional singers must navigate the delicate balance between their vocal and gender identities while considering the possible risks of Gender Affirming Hormone Therapy. Though these therapies may significantly alter one's appearance and overall well-being, they are also capable of causing notable declines …
Ecuadorian Vocal Anthology In Four Rhythms, Wagner Mauricio Pástor Pazmiño Dr.
Ecuadorian Vocal Anthology In Four Rhythms, Wagner Mauricio Pástor Pazmiño Dr.
Theses and Dissertations--Music
Ecuador is a pluricultural and multilingual territory with four natural regions, several musical genres, and interpretations. Amazon, Galápagos, Mountain Range, and Coastal region. In the following dissertation, the author develops concepts of four traditional rhythms, their composers, and harmonic and phonetic characteristics from the mountain range region of his homeland, Ecuador.
The present document is a descriptive study of vocal Andean music and the application of the operatic style in classical vocal technique for performance practice.
The dissertation will support a lecture recital to fulfill the doctoral program's requirement in voice performance from the University of Kentucky.
Response To “Spontaneous Wellsprings Of Music” By Nicholas Mcnair, Michael Hamman
Response To “Spontaneous Wellsprings Of Music” By Nicholas Mcnair, Michael Hamman
Turning Toward Being: The Journal of Ontological Inquiry in Education
No abstract provided.
The Spontaneous Wellsprings Of Music, Nicholas Mcnair
The Spontaneous Wellsprings Of Music, Nicholas Mcnair
Turning Toward Being: The Journal of Ontological Inquiry in Education
Western Classical Music has traditionally been described in terms of fixed structures, carefully built up by the composer and presented to the performer in the form of a score. This has crystallised over the centuries into an ideological position which, in the last analysis, gives absolute authority to the composer over the performer, severely limiting the freedom of expression of the latter. In this article I seek to reverse this position by pointing to the essential spontaneity, represented by improvisation, that lies at the heart of all music-making, albeit fiercely opposed by the fundamentalism of an endless number of structural …
The Art Of Sustaining Orchestras Through Intentional Educational Experiences, Kimberly Souther
The Art Of Sustaining Orchestras Through Intentional Educational Experiences, Kimberly Souther
Dissertations, 2020-current
The purpose of this study is to identify the most current and successful advances in audience engagement that champion connection and result in sustainability through purposeful educational experiences.
The Symphony Orchestra currently serves an audience which represents a multiplicity of perspectives, background, and understanding. In an era of expanded canon and outreach to local communities, the orchestra must acknowledge that change is necessary if we are to truly create fulfilling experiences for our listeners. Unfortunately, many orchestras fail to connect their outreach to the concert hall, woefully categorizing their patrons into pre-determined subsets. What if all patrons were trusted with …
The Reed-Above Embouchure: History, Geography And New Avenues For Clarinet Pedagogy, Gregorio Maria Paone
The Reed-Above Embouchure: History, Geography And New Avenues For Clarinet Pedagogy, Gregorio Maria Paone
Dissertations, 2020-current
Clarinet is a versatile and expressive instrument that can be used in a variety of musical genres. This document is intended to investigate its versatility, how to develop it, and whether there are benefits from the adoption of an old approach, which today is generally considered obsolete.
Chapter 1 explores major issues involved in clarinet playing and tone production. I will discuss the physics of clarinet tone, as well as secondary approaches to tone production, such as double-lip embouchure. I will also devote a section of this chapter to clarinet equipment, especially the mouthpiece and the reed, and their mutual …
Aria Ascending
DePaul Magazine
DePaul University alumna Janai Brugger (SOM ’05) scales the opera world’s heights with a soaring voice, perseverance and dedication to collective creativity.
Hey, Teacher, Leave Them Kids Alone: Facilitation In Modern Band, Warren Gramm
Hey, Teacher, Leave Them Kids Alone: Facilitation In Modern Band, Warren Gramm
Visions of Research in Music Education
The purpose of this investigation was to examine a single modern band ensemble to discover how an ensemble director/facilitator implemented student-centered pedagogical approaches. Examinations of practical applications of facilitation were found due, in part, to an educational approach that promoted the opinions and decisions of students. The facilitator encouraged students to share their knowledge, opinions, and suggestions for the ensemble’s direction. Findings include the significance of sharing knowledge between students in a relaxed atmosphere in which student agency, autonomy, and democratic decision-making were key tenets. Data analysis revealed musical and social benefits with a facilitator who championed a democratized and …
A Senior Recital: Choral And Instrumental Works On Caring, Acceptance, Decorum, David Patterson
A Senior Recital: Choral And Instrumental Works On Caring, Acceptance, Decorum, David Patterson
Compositions of David Patterson
A Senior Recital. David Patterson, Professor of Music, Performing Arts Department. Choral and Instrumental Works on caring, acceptance, decorum. University Chamber Singers, Alumni, Faculty & Guest Artist. Friday, October 20th, 2023 7:30pm. University Recital Hall, University of Massachusetts Boston.
"Being Able To Play For A Wider Audience": Student Musician Perspectives On Performing In The Library, Gisele Schierhorst, Christine Fena
"Being Able To Play For A Wider Audience": Student Musician Perspectives On Performing In The Library, Gisele Schierhorst, Christine Fena
Library Faculty Publications
In the United States, the library-as-concert-space has a substantial history and has been a way for libraries of all types to build partnerships and create community, while providing free, educational, and shared experiences for patrons. Less discussed, however, is the impact that informal concerts have on student musicians who perform in academic library spaces. Conventionally, student musicians perform well-rehearsed repertoire in recital halls for an audience that consists of their peers, teachers, family, and friends. These formal performances are often part of the required academic curriculum for music majors. There is little opportunity, however, for them to experience what it …
Conference Report: Reassessing Haydn’S Sacred Music, 12–14 June 2023, Eisenstadt, Austria, Robert B. Wrigley
Conference Report: Reassessing Haydn’S Sacred Music, 12–14 June 2023, Eisenstadt, Austria, Robert B. Wrigley
HAYDN: Online Journal of the Haydn Society of North America
A conference entitled "Reassessing Haydn's Sacred Music" took place in Eisenstadt 12-14 June, 2023. Historical, political, and religious contexts, reception, compositional and religous influences upon Haydn, and stylistic characteristics of specific works were all discussed.
Concert Programming Simplified For The Overwhelmed School Conductor, Adam L. Compton
Concert Programming Simplified For The Overwhelmed School Conductor, Adam L. Compton
Electronic Theses & Dissertations
This document is a basic guide for preparing and programming a concert. It contains five chapters, each of which covers one aspect to consider while going through the process of concert preparation. Some key points are an analysis of the Audience, an analysis of the Ensemble and the selection process of music. It also contains steps of putting together a viable order to a concert. The last two chapters give insight on different approaches to concert programming and some of the aspects of concert programming that does not deal primarily with the music and therefore is often found lacking in …
A "Rock To Lean On": Young Singers' Experiences In A Community Choir In Louisiana, Yulene Velásquez
A "Rock To Lean On": Young Singers' Experiences In A Community Choir In Louisiana, Yulene Velásquez
LSU Doctoral Dissertations
The purpose of this intrinsic case study was to investigate young singers’ experiences in the Livingston Parish Children’s Choirs organization (LPCC), a community-based children’s choir program in Denham Springs, Louisiana. I investigated the impact of those experiences on the children’s lives inside and outside of the ensemble from the perspective of the artistic director and co-director, parents, and the singers themselves.
The LPCC was founded in 1991 by Barbara Walker and her mother, Regina Walker. According to Barbara Walker, the mission of the organization is “to prepare children to go out and be lifelong singers.” This choral community is characterized …