Music Education Commons^™

Junior High School Student Preference: Teaching Taiwanese Folk Songs Using Orff Activites Vs Traditional Teaching, Mei-Chi Wu

Electronic Theses and Dissertations

This research explores the development of the Orff approach in Taiwan and its applications in the teaching of singing. The researcher seeks to examine the effects of Orff activities in raising the interest of junior high school students in singing. The literature review includes the historical background of the Orff approach and the examination of potential creative adaptations in the teaching of folk songs. In this research, the following are discussed: music education in Taiwan, the development of the Orff approach in private schools, comparisons and contrasts between the New and the Old Curricula in Taiwan, the nature of folk …

The Origins Of Western Music And Its Influence On Modern Popular Music: Teaching Music Through A Musical Exploration Of Seven Countries, Johanna Katelyn Hatt

Masters Theses

The topics of music history and music appreciation cover a wide range of composers and musical contributions that at times, can be overwhelming to a student who does not have any musical knowledge. Through limiting the music appreciation course to the discussion of composers’ works from various countries, students are able to learn about the important contributions those composers and countries had to music, including modern popular music. This topic will bring value to the field of music education as it offers an alternative approach to the traditional method of teaching a music history course. With this holistic approach to …

Arvo Pärt's "Berliner Messe": An Approach To Understanding And Instructing Serial Techniques In A Minimalist Framework, Jesse Miller

Masters Theses

The music of Estonian composer Arvo Pärt is something of a phenomenon. Pärt’s music has made a profound connection with audiences, granting Pärt immense popularity and making him the most performed living composer in the world.1 Equally a phenomenon is his own unique tintinnabuli technique that lies at the heart of Pärt’s music and draws as much upon serialism as it does Gregorian chant. While much has been written on Pärt and his original tintinnabuli technique, this qualitative case study focuses on a major work ostensibly overlooked in scholarship, Arvo Pärt’s “Berliner Messe.” The study focuses on the serial aspects …

Muzic Appreciation: Bridging The Gap Between Generation Z & Classical Music, Timothy Green

Masters Theses

Today’s music educators stand in a strategic position in the history of classical music in America. At a time when symphony orchestras are struggling to survive due to an aging and declining customer base, a generation of musical omnivores are ripe for a connection to the world of classical music. Generation Z has a vast, eclectic musical appetite, choosing to listen to a variety of genres and styles of music instead of adopting a generational style. However, they have limited interaction with classical music due to certain non-musical attitudes and values. It is possible the disconnect between Generation Z and …

Mindfulness And Musicians: An Overview, Stephen Dubetz

Honors Projects

This overview of mindfulness begins with a basic history of the practice and filters chronologically to the application of mindfulness in the lives of modern musicians. From its origins in ancient India to its acceptance into Western culture and its eventual use in clinical, professional, and educational settings, this paper touches briefly on the story of mindfulness as it developed through time. The main questions addressed within are: What is mindfulness? Where does it come from? What use does it have? What fields of Western professional culture have adopted it so far and to what extent? and How can it …

A Causal-Comparative Analysis Of Performance-Based Music Classes And Act Scores, Russell Courson

Doctoral Dissertations and Projects

Educational leaders at the state and district level are struggling to provide adequate funding for schools due to the uncertainty of the economic outlook throughout the country. Although several states have requested and received waivers for the No Child Left Behind Act of 2001 (NCLB), many school systems still find themselves in the difficult position of providing enough instructional time dedicated to the four primary core content areas (language arts, math, science, and social studies) to allow students to be successful in high stakes standardized testing. While NCLB stated the fine arts, including performance-based music classes, such as band, choir, …

Music Education For Mental Health: Creating A Participatory Music After School Program, Nicole A. Shively

Honors Program: Senior Projects (Public)

This thesis project, titled “Music Education for Mental Health: Creating a Participatory Music After School Program,” consists of a research paper and curriculum guide for the creation of a nonprofit after school program that will use music education to help youth with depression and anxiety. This program provides participatory music experiences to students in a supportive, cathartic environment. The paper details the research behind the psychological benefits of music, the activities that would be done with the students, and why there is a need for this program in current society. The curriculum guide consists of the addressed national music education …

The Influences Of A Mariachi Education On Student Perceptions Of Academic Achievement, Academic Attainment, And Student Engagement, Victoria Lynn Smith

University of the Pacific Theses and Dissertations

The purpose of this research study is to examine the influences of mariachi education on student perceptions of their academic achievement, academic attainment, and student engagement. The study involved students attending schools in California, Oregon, and Texas with mariachi programs that consented to be a part of the study, whose districts approved their participation. The students were approached to participate in this study, as they are a part of their school’s mariachi program in middle or high school throughout the Western half of the United States. A convergent parallel (mixed-methods) design and descriptive statistical analyses were used to investigate the …

Towards A More Inclusive Music Education: Experiences Of Lgbtqqiaa Students In Music Teacher Education Programs Across Pennsylvania, Edward J. Holmes, Brent C. Talbot

Sunderman Conservatory of Music Faculty Publications

During the past decade, the field of music education has seen an increase in the amount of scholarship surrounding LGBTQ studies in music teaching and learning. For example, the University of Illinois hosted three symposia for the field of music education dedicated to LGBTQ studies (2010, 2012, 2016), and proceedings from these symposia were published in three separate issues of the of the Bulletin of the Council for Research in Music Education (2011, 2014, 2016). Other notable scholarship has been published in Action, Criticism, and Theory for Music Education (Gould 2005); the Music Educators Journal (Bergonzi, 2009; Carter, 2011; McBride, …

Research Practices Of Music Educators: A Review Of The Journal Of Research In Music Education, Clifton Brent Mcreynolds

Dissertations

Music Education researchers face the same challenge of producing valid, reliable, and thorough work as any field in education. A content analysis was conducted on the Journal of Research in Music Education from 2011-2016 to determine what research trends were occurring and whether or not those trends are continuations of existing literature. Investigation included distributions of research designs as well as the four components Crotty recommended for quality research. Findings supported previous research indicating more qualitative studies within the journal. Also, for those articles having three or four of Crotty’s components, qualitative coding of these components were categorized into constructive-where …

Preparation For Collegiate Music Theory And Aural Skills Through Repertoire, Caroline E. Dunmire

Senior Honors Theses

Music majors often struggle in first-year music theory and aural skills coursework. These struggles have lead to increased dropout rates among music students. Even those students who succeed in music theory course work often are not able to apply theory concepts to music literature. Some universities have identified this problem and sought to rectify it through offering remedial course work, however the universities should not bear this burden. Success in theory and aural skills is linked to mastery of music fundamentals and basic aural skills. Pre-college studies should focus on these subjects and not place too much emphasis on advanced …

A Classroom's Evolution, Brooke E. Maskin

Student Publications

Based on the four texts that we read in Social Foundations of Music Education, I took some of the main points and concepts from each of these books and incorporated them into an original poetic monologue. The main question I was trying to answer was: How should teachers as transformative intellectuals navigate through the current educational system in the age of accountability to pursue equity among, in, and through education? Teachers must work to completely defy the stereotypical boundaries of education and inspire students to become investigators in the world, both in and out of the classroom.

Creating And Performing A Composition For Tuba And Piano, Joel A. Ragona

Undergraduate Honors Theses

In this creative thesis, I compose and perform a six movement art composition for tuba and piano. The reason for this performance and composition is two-fold. First, I am able to express myself in a way that other methods do not allow. Second, I reinforce important skills that will be vital in my future teaching career. To create the composition, I use various compositional methods, but I mainly adjust the composition by listening to it using piano and online compositional software. Preparing the composition for performance requires that I practice for multiple hours and find an accompanist who will perform …

Music For Caroline: Including Students With Autism In The Elementary General Music Classroom, Meredith B. Dayoub

Theses and Dissertations

The purpose ofthis paper is to research and analyze the history ofspecial education, special education in music, and Autism. The goal is to provide elementary general music educators with a detailed understanding ofthe history ofspecial education and ways to modify lessons to accommodate students with special needs, specifically Autism. Through an analysis of special education history and the legislation that has impacted special education, music educators may find new ways to teach students of varying learning levels. Understanding the medical definition and characteristics of Autism should help educators modify existing lessons or develop new lessons that allow all students, including …

Diva Diversity: National Vocal Schools And Qualities, Emma Plotnik

Student Scholar Symposium Abstracts and Posters

Hearing the term “opera singer” for many triggers an image of a German dramatic soprano bearing viking horns and powerfully bursting into a high C. Yet, what is it that perpetuates this stereotype that German singers possess weighty instruments with dark timbres? Why are classically trained North American vocal students told by their teachers to sing lightly and delicately when performing French mélodie, and not any other genre?

Research in vocal pedagogy has demonstrated that singers from particular regions have been typified by their vocal qualities in terms of size and color. These qualities by nation mainly stem from contrasting …

Dissecting Dialogue: The Value Of Music Education In Esl/Ell Programs, Kyle R. Furlong

Student Publications

Among educators and philosophers alike, critical dialogue is widely regarded as one of the most effective ways to communicate and educate in the classroom. In his quintessential work, Pedagogy of the Oppressed, Paulo Freire reflects upon the importance of dialogue stating, “Only dialogue, which requires critical thinking, is also capable of generating critical thinking. Without dialogue, there is no communication, and without communication there can be no true education.” This point is reinforced in other notable texts such as Teaching as a Subversive Activity, which describes the “new education” as not only student and question centered, but “language-centered” as well. …

Letters To Mr. Carter, Jasmin S. Eddy

Student Publications

This final project synthesized discussion and learning from four different books: "To Teach: The Journey in Comics" by W. Ayers and R. Alexander-Tanner, "Musician and Teacher: An Orientation to Music Education" by P. S. Campbell, "Teaching as a Subversive Activity" by N. Postman and C. Weingartner, and "Pedagogy of the Oppressed" by P. Freire. Through a series of letters to a teacher, Mr. Carter, the letter writers demonstrate the important ideas presented in each of the books.

Notes From Mrs. Hadgu's Class: Conceptualizing Music Education Curriculum For A Changing World, Logan B. Santiago

Student Publications

How can we conceptualize curriculum and school knowledge to better address important questions of social change, contingency of knowledge, life in mediated worlds, and inequalities? To answer this question I wrote fictional stories from students about their favorite moments from their 8th grade music class. Each account deals with a specific activity or instance in which the teacher included social change and/or student centered knowledge in the curriculum. The explanation at the end of the accounts details the reasons for creating each activity and the relation of the stories to texts utilized in class.

Equity In The Classroom, Robert L. Napoli

Student Publications

When discussing how teachers should pursue equity among, in, and through education in their current educational system, many go straight to discussing the lessons. These are very important, and the planning of these lessons can very much influence students to think more openly about equity, but there is something that must be established first before even thinking about executing a lesson plan, and that is the classroom itself. After all, “a large part of the work of teaching is constructing the laboratory for learning.” (Campbell & Demorest, 2008, p. 87). Postman & Weingartner also say that “the most important impressions …

High School Musicians And Their Perceptions Of Music In Academic And Non-Academic Settings, Matthew J. Rescsanski

Honors Scholar Theses

Contemporary research has shown that school music programs have increasingly struggled with relevancy in recent years (Boon, 2014; Green, 2006; Woody, 2007) as students primarily experience music outside of school through informal practices of popular music and culture. It is therefore extremely important for music educators to better understand the perceptions their students have of music in both of these settings. In this study, students were asked via survey and interview about their perceptions of the music they make in school and in other settings, such as at home, with friends, or as a part of a religious activity. Findings …

Social Justice Issues And Music Education In The Post 9/11 United States, Cynthia L. Wagoner

Research & Issues in Music Education

The purpose of this paper is two-fold: first, to examine the impact of historical socio-political events on music education, particularly post 9/11 with the intent of establishing a context for social justice issues; and second, how we might examine the broad implications to further music education research focusing on social justice. Issues of social justice are inextricably woven into the fabric of post-9/11 U.S. education, as evidenced through reform efforts aimed at job-related skill sets, standardized testing, national standards, and economic gridlock resulting in the diminished access or elimination of the arts in the public schools, including music. Traditionally music …

Effects Of Criteria-Referenced Formative Assessment On Achievement In Music, Christopher Valle

Legacy Theses & Dissertations (2009 - 2024)

The purpose of this study was to investigate the effects of criteria-referenced formative assessment on music achievement. Archival data from 1,173 students who participated in the first two years of the Arts Achieve project were used to examine the overall and school level effects of criteria-referenced formative assessment on music achievement, as well as its effect on content knowledge, listening, and performance achievement tasks. The relationships between sources of feedback from formative assessment – self, peer, teacher – and music achievement were also investigated. Unbiased causal treatment effects were derived after employing propensity score analysis to minimize selection bias and …

Faculty Perception Of Department Chairs' Leadership Style And Perceived Effects On Music Faculty's Self-Reported Productivity, Jessie Lee Primer

Electronic Theses and Dissertations

The purpose of this study was to examine the perceived effectiveness of the leadership styles of music department chairs and the responses to the leadership styles by faculty. This study specifically investigated the leadership styles of music department chairs serving in public higher education institutions with NASM accredited music units in the states of Arkansas and Mississippi. The study examined the perceived types of leadership styles used by music department chairs and their relationship with music faculties' self-reported productivity as seen by faculty members within the department. The need for this study is to assist universities in recruiting and developing …

The Historical Impact Of Philosophical Naturalism On American Aesthetic Education: Bennett Reimer’S Philosophy Of Music Education As Aesthetic Education, Jeremy Edwin Scarbrough

Electronic Theses and Dissertations

Philosophical naturalism is the view that all of reality reduces to natural explanation. The resulting so-called fact-value split biases language against universal, objective values—where empirical observation is said to determine truth, while values are reduced to private emoting or socio-cultural human construction. This research questioned the definition of aesthetic value as determined by the music education as aesthetic education (MEAE) movement in the United States, and the justification of aesthetic education as a universally applicable and comprehensive approach to a course in general music/music appreciation. As the MEAE movement seems to have been largely defined by Bennett Reimer, his philosophy …

Opera Education In The Upper Elementary Music Classroom, Carmen Louise Taylor

Electronic Theses and Dissertations

Adults are increasingly becoming uninvolved with the arts and it is therefore important to cultivate a new audience, beginning with a well-rounded musical education for elementary-age children. Opera can easily be implemented as a part of a well-rounded musical education and can be taught in conjunction with multiple subjects. Anecdotal evidence suggests that children are exposed to negative stereotypes about opera without receiving proper education on the subject and are thus more likely to not be interested in opera as they grow older. A short survey was sent to fourth and fifth grade music teachers around the state of Mississippi …

A Guide To Recruitment And Retention For A Band Program, Kara Kordella

Honors Projects

A Guide to Recruitment and Retention for a Band Program is a resource for teachers to establish a comprehensive recruitment and retention plan in their band program. This booklet outlines a recruitment program that can be implemented into a school band program in part or in whole. Also included in this booklet are lesson plans, student assessment worksheets, example recruitment documents, and ideas to be implemented as part of a retention program. All of the activities are backed by research into current recruitment practices, educational psychology, and instrument history and pedagogy. Interviews were also conducted with current and retired band …

Preparing Music Educators To Work With Students With Diverse Abilities: An Introduction To Music Therapy, Elizabeth Mitchell

Music Faculty Publications

Music education programs are uniquely situated within Canadian universities as most disciplines do not offer honours education programs at the undergraduate level. Within faculties of music, honours music education students engage in both practical and philosophical preparation for their teaching careers prior to acceptance and enrolment at a Faculty of Education. These students often return to departments of music education to pursue graduate work after having taught music within public or private school systems.

Music teachers regularly teach children with special needs within self-contained as well as integrated or inclusive classrooms. Research indicates that music educators are enthusiastic about the …

From Segregation To Integration: A Historical Study Of Music Education In The Colored School In Louisville, Mississippi Through 1970, Jeremy S. Thompson

Electronic Theses and Dissertations

What was music like, if it existed, in black schools before integration, and what happened to black music educators after integration? To properly address this, the history of segregation, major court rulings and other noteworthy attempts at integration, must be mentioned. This study reveals the untold history of the music department of Louisville Colored School in Louisville, Mississippi. This study will open the door for further, in-depth dialogue on the subject of music education in black schools before integration. Five years before the 1970 integration of public schools in Louisville, MS, Louisville Colored School, sometimes referred to as Camile Street …

The Band At Little Rock Central High School Before, During, And After Integration In 1957-1958, Brandon Earl Robinson

Electronic Theses and Dissertations

The purpose of this dissertation was to investigate the history of the Little Rock Central High School band before, during, and after integration in 1957-1958. A review of related literature in the areas of civil rights, Brown v. Board of Education, integration of schools, integration of Little Rock Central High School, and integration of school music programs provided the rationale for this study. Based on the related literature, research questions for this study included: What was the history of the Central Band before, during, and after integration in 1957-1958? Who was the first African American in the Central band? When …

The Same Person, Jeffrey C. Binner

Student Publications

How can we conceptualize curriculum and school knowledge to better address important questions of social change, contingency of knowledge, life in mediated worlds, and inequalities? This question was given to me by Dr. Brent Talbot for my final presentation in Music 149, Social Foundations of Music Education. The purpose of this assignment was to synthesize the knowledge of various philosophies and models of music education covered in this course while utilizing the course material given to us throughout the semester. After Dr. Talbot’s emphasis on creativity and having already written too many papers to count, I decided to write and …