Music Commons^™

Senior Recital: Mason Riedel, Bass Trombone; April 1, 2019, Mason Riedel

School of Music Programs

Kemp Recital Hall
April 1, 2019
Monday Evening
7:30 p.m.

Red Note New Music Festival Program, 2019, Carl Schimmel, Roy Magnuson

Red Note New Music Festival

The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.

Red Note New Music Festival Poster, 2019, Carl Schimmel, Roy Magnuson, School Of Music

Red Note New Music Festival

The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.

Red Note New Music Festival Composition Competition Announcement, 2019, School Of Music, Carl Schimmel, Roy Magnuson

Red Note New Music Festival

The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.

Community Music Can Happen Anywhere: A Field Report, Lorenzo Gapud

Honors Capstones

No abstract provided.

Composing Activism: Case Studies In Artist Advocacy, Taylor Goss

Honors Capstones

No abstract provided.

Exploring The Relationship Between Physiological And Emotional Stress In Viola Players, Hannah Keller

Honors Capstones

No abstract provided.

Music Therapists’ Knowledge Of And Attitudes Towards Sustainability: Instruments, Sarah Whitehouse

Honors Theses

Sustainability has become a common point of conversation and concern in today’s society. The purpose of this project was to explore salient issues, attitudes and practices in music therapy sustainability. Information was gathered through an in-depth review of the materials used in the make and manufacturing of commonly used instruments in music therapy practice. In addition, a survey was sent to music therapy professionals with the MT-BC (Music Therapist – Board Certified) credentials to ascertain current knowledge of and attitudes toward sustainability within the profession.

Mal_Functions For String Quartet And Live Electronics, Elliott Andrew Lupp

Masters Theses

Mal_Functions is a four-movement work for string quartet and live electronic that takes as its subject the timbrally rich and expansive acoustic capabilities of a string quartet and twists, warps, and expands upon them with the addition of the live electronic processing. The addition of electronics acts as only an extension of the performer, and therefore, appears to be generated by the performers themselves - as opposed to the computer. The overall goal of this piece is to take a well-established object of the musical past (the string quartet) and add to it something from the present day (live electronic …

Key Notes: The Newsletter Of The Department Of Music, Georgia Southern University

School of Music: News & Publications (2017-2023)

• Georgia Southern Chorale Fundraiser
• Student Accomplishments
• Upcoming Events in Statesboro
• Upcoming Events at Armstrong

Traditional Vs. Tagaq: Exploring The First Nations Relations In Canada Through Punk Inuk Throat Singer, Tanya Tagaq, Bridget S. Haines

Student Publications

This research essay will be situated within the throat singing traditions of the Inuit First Nations people of Canada. As both Paula Conlon’s entry in the Grove Music Refernce and Elaine Keillor’s book describe, Inuit throat singing began as a tradition for women and children to play as a game for when the men are away hunting. This tradition has evolved into quite a complex art form as Claude Charron describes in “Toward Transcription and Analysis of Inuit Throat-Games: Microstructure”. In 2005, Inuk throat singer Tanya Tagaq released her first album which began her career of a solo throat singer …

Fire And Skye: The Magic And Misadventure Of Filming Traditional Music Videos In Scotland, Katie Daniels

Mahurin Honors College Capstone Experience/Thesis Projects

As part of my study-abroad experience during the fall of 2018, I was awarded a Benjamin H. Gilman Scholarship. One of the components of this nationally competitive scholarship was to complete a follow-on service project to share my experiences abroad with a wider audience and give back to the community. My project was to bring my harp and a DSLR camera and film 4-5 music videos, contextualizing Scottish music in the Scottish landscape and capture, at least a little bit, a sense of what it was to be abroad. The final project consists of four videos, each one highlighting a …

Developing A Model For Clinical Song Analysis, Or Why Music Therapists Still Need Music Theory And Musicology, Lesley Wray

Honors Theses

In the music therapy literature, there is a distinct lack of research on clinical song analysis. Analyzing songs can be beneficial for music therapists when choosing songs to use in a session, when discussing songs with a client, and when arranging songs to play with or for clients. In this thesis, I start to bridge the fields of music therapy, music theory, and musicology to create a language of analysis upon which music therapists can draw for clinical song analysis. I focus first on foundational concepts such as timbre, style, and form, which I explain through the analysis of four …

The Vocaloid Phenomenon: A Glimpse Into The Future Of Songwriting, Community-Created Content, Art, And Humanity, Bronson Roseboro '19

Honor Scholar Theses

No abstract provided.

Senior Recital, Flute And Alto Flute, Brenna Wiinanen

Honors Theses

Senior Recital

Brenna Wiinanen, flute and alto flute

Eva Chang, piano

Friday, May 24, 2019, 4 p.m.

Edwards Recital Hall

Sonata in B-minor J.S. Bach (1685-1750)

Andante

Largo e do1ce

Presto

Allegro

Nocturne and Allegro Scherzando Philippe Gaubert (1879-1941)

from Eight Pieces for Solo Flute Lowell Liebermann (b. 1961)

1. Ophelia

4. Etude

8. March

Fantaisie brillante sur "Carmen" Bizet/F. Borne (1840-1920)

Au-Dela du Temps pour deux flute Yuko Uebayashi (b. 1975)

I. La lumière lointaine de nuit

II. La lumière dansante

Brenna Wiinanen, flute

Amy Tully, flute

To Prelude (V.): The Art Of Preluding And Applications For The Modern Classical Guitarist, Christopher Schoelen

Theses and Dissertations

In Western classical music, there are many types of compositions; some examples include sonatas, symphonies, fugues, and motets, each with a particular form. The prelude stands out as one of the few classical music forms in which the title can also be used as a verb. This is not frequently seen with other compositional types; there is never a case of “sonata-ing,” and an orchestra cannot suddenly burst into “symphony-ing.” However, there is a practice known as preluding. Historically, preluding was a common improvisational practice although many musicians today are unfamiliar with the tradition. Generally unexplored, preluding has played an …

A Performance Guide And An Examination Of Selected Saxophone Works By Stacy Garrop, Yi-Chia Tu

Theses and Dissertations

In the past decade, there have been numerous new works written for the saxophone in a variety of styles, including pieces that utilize avant-garde and other contemporary techniques as well as traditionally tonal melodic and harmonic structures. This document explores five saxophone works composed by American composer Stacy Garrop and provides a brief analysis of Garrop’s compositional style. It examines how Garrop tells stories by using her own unique compositional style to make a connection with her audience and performers. Furthermore, this document includes a performance guide to help the saxophonist understand and master the techniques required to successfully perform …

Bruce Stevens, Organ, Department Of Music, University Of Richmond

Music Department Concert Programs

You may listen to the performance here: Romantic works from four countries / Bruce Stevens, organ.

The Anxious Musician: Coping Strategies Used To Combat Music Performance Anxiety, Abigail Lockhart

Senior Honors Theses

Music Performance Anxiety, or MPA, affects over 20% of musicians, regardless of age, experience, or nationality. MPA is a form of social anxiety that causes the performer great distress before and during a performance experience, often causing the performance to have a less favorable outcome. As this is such a common occurrence in the field of music, it is important for teachers and students alike to understand the basis of anxiety as well as how to deal with its effects. Unfortunately, there is no simple solution to conquer anxiety, but through the implementation of various coping strategies, musicians can have …

Matthew Andreini, Percussion, April 1, 2019 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Douze Préludes- Poèmes, Op. 58 By Charles Tournemire: A Stylistic Analysis, Mengdi Li

Theses and Dissertations

Douze Préludes-Poèmes, Op. 58 is a composition for solo piano by French composer Charles Tournemire (1870-1939). The object of this study is to help musicians have a better understanding of Douze Préludes-Poèmes through a stylistic analysis of the work.

The study provides background and biographical information on Tournemire. It also traces influences from which the composer drew inspiration. Since Tournemire created a unique musical language for the work by combining the Melakarta ragas from Southern India with the French symbolist and impressionist styles, this study identifies each raga used in the set and provides information on structure, harmony, melody, tempo, …

Bel Canto To Punk And Back: Lessons For The Vocal Cross-Training Singer And Teacher, Lara C. Wilson

Theses and Dissertations

Most singing studied and taught before the 20th century was based on western European classical forms. The continual development of opera and its increase in popularity caused singers to adjust vocally as orchestras grew in size and theaters became larger. As a result, the pedagogy of classical vocal styles has been studied, developed and described in print for hundreds of years.

With the invention of both recorded and amplified sound however, new styles of singing emerged, allowing singers to be heard without the need to project over large orchestras in huge spaces. These new singing styles, developed for the most …

Codification Of Terminology And Procedure In Mental Practice With Applications To Piano Pedagogy, Anna Beth Rucker

Theses and Dissertations

Mental practice has been discussed among piano pedagogues from the nineteenth century until the present. Over time, many terms have been used to describe different kinds of mental practice. This variety can make it challenging for the independent teacher to consolidate the information and effectively apply mental practice to the private lesson. For this reason, a codification of the terms associated with mental practice is presented in this thesis. Terms are classified into four groups: Visualization (kinesthetic imagery and musical imagery), Aural (aural imagery and audiation), Psychological (mental wellness and guided imagery), and Hybrid (practice away from the piano and …

Music As A Cultural Gateway: A Short-Term Folk Music Program In Albania, Catherine Pierattini

Capstone Collection

Folk songs have been described as a musical representation of a society’s entire culture. The field of ethnomusicology combines aspects of music and anthropology, and the study of folk music can give considerable insight into worldviews, histories, and traditions. Yet there are few study abroad program providers using this discipline as an approach to cultural analysis and exploration.

The proposed Middlebury Music Studies in Albania program would introduce diverse folk music traditions in three distinct cities, giving students the chance to learn the basics of the Albanian language, understand the historical, geographical, and social influences on the music in the …

V.1 Spring 2019, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Spring 2019 issue contains articles on studio practice, a Sculpture studio that uses Fort Adams as an installation site, Harvard Art Museum's pigment collection, a student's recollections of the British Club in Bahrain, creativity in Sri Lanka, gender agnosticism/transgenderism, RISD Provost Ken Kleinman, Vice-President of Social Equity and Inclusion Matthew Shenoda, reflections from the workshops "Urgency Lab," the Sunrise Movement, a RISD Museum performance "Strand," a counter-protest to the "Unite the Right" rally in Charlottesville, religion …

La Preservación Y Evolución De La Música Tradicional Andina Y Una Modernización De La Identidad Indígena, Evan Tannenbaum

Independent Study Project (ISP) Collection

La música es una componente clave de la cultura, y en los andes la música siempre ha constituido un gran identificador y definidor del espíritu indígena y autóctona. Pero la música no es estática: es un ser vivo que cambia en conjunto con la sociedad que se representa. Por lo tanto, por estudiar la música, podemos aprender sobre la cultura y como ha cambiado—como ha transformado, modernizando con una globalización de la identidad. Entonces, en esta investigación, exploro la música indígena en los andes, hablando con músicos y musicólogos, además de leyendo y estudiando sobre la música para aprender cómo …

The Big Five Personality Types And Music Performance Anxiety In Collegiate Piano Students, Lindsey Brooke Chattin

Theses and Dissertations

The purpose of this study is to determine if relationships exist between the Big Five personality types and levels of music performance anxiety (MPA) in collegiate piano majors. Fifty-five (N = 55) collegiate music majors enrolled in private lessons in the fall 2017 semester participated in this quantitative study. Participants completed a survey consisting of three sections: demographic questions, the “International Personality Item Pool Big Five Factor Markers” questionnaire (Pettersson and Turkheimer, 2010), and the “Three-Dimensional Performance Anxiety Inventory” (Cheng, Hardy, and Markland, 2009).

The questionnaire had three primary focuses: (1) to collect demographic data and information of collegiate …

Tracing The Genesis Of The English Requiem Through Selected Works, V. Dwight Dockery, Jr.

Theses and Dissertations

This document investigates the “English Requiem,” coined by the present author as a subgenre of the broader compositional genre of the Requiem. This subgenre demonstrates certain characteristics including grandeur in scale, implementation of non- standard religious text(s), especially the English Burial Service, and/or the utilization of (often secular) English poetry. The subgenre’s genesis is found in English composers’ response to the dead from the First World War (1914-1918), which coincided with the English Musical Renaissance of the late-nineteenth and early-twentieth centuries. The purpose of this document is to provide a clear understanding of the development of the English Requiem within …

The Effectiveness Of Video Modeling With Video Feedback On A Given Piece For Mid-To-Late Elementary Piano Students, Huiyun Liang

Theses and Dissertations

The primary purpose of the study was to investigate the effectiveness of video modeling with video feedback for developing mid-to-late elementary piano students’ motor skills in learning the piece “Polka” by Dmitri Kabalevsky. The secondary purpose was to evaluate the benefits of this method for other aspects of performance and performance retention. Five (N=5) piano students, 8 to 9 years old, at mid-to-late elementary level were selected to participate in this study. The results of the study summarized the performance progress of four participants who demonstrated similar levels of technical and reading skills and completed the test requirements.

The full-scale …

Instrumental Gendering: A Case Study Of Convent Bajón Tradition In Early Modern Spain, Taylor Danielle Gable

Theses and Dissertations

It is generally accepted by Western music epistemologies that women did not perform on wind instruments during the early modern era. Recent organological and convent research has discovered a female bajón tradition in Spanish convents. This tradition lasted from the mid-15th century through the early 20th century. This document discusses the implications of this tradition and explores why similar traditions did not exist throughout early modern Europe. Capitalism, church law, and early modern medical theories are all discussed to give a fuller context of gender and music performance in the early modern era.