Music Commons^™

The Experience Of Live And Recorded Music: A Cello Solo, Sarah Hunter

Honors Projects

Americans experience 98.5% of their music in a recorded medium such as radio, online streaming, TV, CDs, or other physical mediums. As a composer of classical concert music, I challenged myself to compose music that offered audiences a meaningful experience as a live performance and as a recorded piece of music.

Golden In Glass, Emily Price

Honors Projects

The hymn chosen for this glass piece is “Jerusalem the Golden” which was written by Bernard of Cluny in the 12^th century and set to music by John Neale in the 19^th century. The original tune given to the hymn is known as “Ewing” and was written by Alexander Ewing. Although this hymn is not used in all hymnals and is not as widely known as hymns like “Amazing Grace,” it is a lovely, hopeful one that paints a picture of the wonders of heaven.

Hymn singing is an important part of the Christian church service and has …

2017-2018 Junior Recital - Luke Schwalbach (Trumpet), Luke Schwalbach, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

Oops!... I Infringed Again: An Analysis Of U.S. Copyright And Its Intended Beneficiaries, Gabriele A. Forbes-Bennett

Student Theses and Dissertations

This paper seeks to establish the reasons why federal copyright protection was created, discuss the shifts in reasoning behind major amendments, and explore its effects on copyright holders and the public, with a slight focus on the music industry. Federal copyright has existed in the United States since the late 1700s, with the creation of the Copyright Act in 1790. Adopted from the first copyright law ever created, the English Statute of Anne (1710), the Copyright Act was meant to protect citizens from piracy in a world where the risk of such a thing was rapidly increasing. The stated objective …

New Horizons Band, April 30, 2018 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Hear We Are: Investigating Sonic Inequality Within Bowling Green, Ohio, Declan Wicks

Honors Projects

Using the framework of Steven Feld’s “acoustemology,” Hear We Are examines the sonic structures of Bowling Green and their effects on, and representation of, diverse communities within Bowling Green. Through modeling the sonic landscape of Bowling Green, Ohio in relation to aggregated census data, Hear We Are explores how the city of Bowling Green has been spatially and sonically organized – whether along lines of class, race, or education. Ultimately, Hear We Are offers a narrative of sound within Bowling Green while reflecting on the consequences of living within different soundscapes, i.e., sonic inequality

Using the theoretical framework of placemaking …

Hip-Hop In Africa : Prophets Of The City And Dustyfoot Philosophers, Msia Kibona Clark

Ohio University Press Open Access Books

Throughout Africa, artists use hip-hop both to describe their lives and to create shared spaces for uncensored social commentary, feminist challenges to patriarchy, and resistance against state institutions, while at the same time engaging with the global hip-hop community. In Hip-Hop in Africa, Msia Kibona Clark examines some of Africa’s biggest hip-hop scenes and shows how hip-hop helps us understand specifically African narratives of social, political, and economic realities.

Clark looks at the use of hip-hop in protest, both as a means of articulating social problems and as a tool for mobilizing listeners around those problems. She also details the …

Faculty Chamber Recital, April 29, 2018, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

Student Recital: Logan Kenison, Baritone, Logan Kenison, Bobbie Kesler-Corleto

Student Recitals

No abstract provided.

John Oliveira String Competition 2018 - Winner's Recital, Tinca Belinschi, Guzal Isametdinova

John Oliveira String Competition

Winner

• Tinca Belinschi, violin

Mindfulness And Musicians: An Overview, Stephen Dubetz

Honors Projects

This overview of mindfulness begins with a basic history of the practice and filters chronologically to the application of mindfulness in the lives of modern musicians. From its origins in ancient India to its acceptance into Western culture and its eventual use in clinical, professional, and educational settings, this paper touches briefly on the story of mindfulness as it developed through time. The main questions addressed within are: What is mindfulness? Where does it come from? What use does it have? What fields of Western professional culture have adopted it so far and to what extent? and How can it …

Theta Chapter Of Phi Mu Alpha Sinfonia Fraternity, Phi Mu Alpha Sinfonia

Setnor School of Music - Performance Programs

No abstract provided.

Concerto And Aria Winner's Concert: Tommy Nakashima, Violin; Sonia Richman, Flute; Syracuse University Symphony Orchestra; James Tapia, Director, Syracuse University Symphony Orchestra, Setnor School Of Music, James Tapia, Tommy Nakashima, Sonia Richman

Setnor School of Music - Performance Programs

No abstract provided.

Kit Yee Tang, Piano: A Graduate Recital, Kit Yee Tang

Setnor School of Music - Performance Programs

No abstract provided.

Concerto-Aria Concert, April 29, 2018, Glenn Block, Rachel Ann Miller, Devin Cano

School of Music Programs

Center for the Performing Arts
April 29, 2018
Sunday
7:00 p.m.

Chamber Studio Recital, Department Of Music

Concerts and Event Programs 2017-2018

Students of the Department of Music featuring works by Mozart, Arensky, Dvorak, and Sibelius.

Heidi Ordaz In Organ Recital, Andrews University

Student Degree Recitals 2017-2018

Heidi performs her graduate recital in Organ, a beautiful evening filled with beautiful selections of music.

Choral Collage, April 29, 2018, School Of Music

School of Music Programs

Center for the Performing Arts
April 29, 2018
Sunday Afternoon
3:00 p.m.

Senior Recital: Riley A. Carter, Saxophone; April 29, 2018, Riley A. Carter

School of Music Programs

Kemp Recital Hall
April 29, 2018
Sunday Evening
6:00 p.m.

Student Recital: Elisabeth Bjork, Piano, Elisabeth Bjork

Student Recitals

No abstract provided.

Wright State Percussion Festival - Poster, Celia

Wright State Percussion Festival

A poster advertising the Wright State Percussion Festival No. 2 that happened on April 28th, 2018.

2017-2018 Class Of 2018 In Concert, Huyen Anh Nguyen, Sheng Yuan Kuan, Darren Matias, Benita Dzhurkova, Nolan Carbin, Olga Konovalova, Elizabeth Lee, Alfredo Cabrera, Natalie Smith, Mario Zelaya, Feruza Dadabaeva, Akmal Irmatov, Khosiyatkohn Khusanova, Yue Yang

Other Student Recitals

No abstract provided.

Wright State Percussion Festival - Vista Poster, Celia

Wright State Percussion Festival

A poster advertising a the Wright State Percussion Festival No. 2 featuring a list of performers and attendees as well as other information.

Wright State Percussion Festival - Program, Celia

Wright State Percussion Festival

A program for Wright State Percussion Festival No. 2 that features a full schedule and information about the presenters.

Senior Recital: Duncan Sinclair Trawick, Baritone, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Journey To Knowhere: A Swan Song/Cd Release Concert; Bob Washut Dodectet, April 28, 2018 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Wind Symphony, April 28, 2018, Anthony C. Marinello, Marykatheryne E. Kuhne, Mark Babbitt

School of Music Programs

Center for the Performing Arts
April 28, 2018
Saturday Evening
8:00 p.m.

Flute Studio Recital, April 27, 2018, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

“Alexander Hamilton Embodies Hip Hop.”: The Words That Sparked A Revolution, Lindsey Garrant

The Review: A Journal of Undergraduate Student Research

This paper focuses on Alexander Hamilton, one of the most influential founding fathers, and how he embodies a genre of music known as hip hop. There are many aspects of hip hop culture that Alexander Hamilton embodied. The examples of hip hop culture used in this article are the Tupac Shakur and Biggie Small rivalry, Nas writing his way out of the Queens housing project, the “Ten Crack Commandments”, and “Fight the Power” by Public Enemy. Examples from Alexander Hamilton’s life consist of his rivalry with Aaron Burr, writing his way out of poverty, the duel code of honor, the …

Kexin Pan, Violin: Graduate Recital, Kexin Pan

Setnor School of Music - Performance Programs

No abstract provided.