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2016

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Articles 1261 - 1290 of 1681

Full-Text Articles in Music

Dmitri Vorobiev, Piano: Complete Solo Piano Works By Ludwig Van Beethoven Concert #8, February 4, 2016 [Program], University Of Northern Iowa. School Of Music. Feb 2016

Dmitri Vorobiev, Piano: Complete Solo Piano Works By Ludwig Van Beethoven Concert #8, February 4, 2016 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.


2015-2016 Performance Forum - February 4, 2016, Munkhshur Enkhbold, Anastasia Tonina, Sheng Yuan Kuan Feb 2016

2015-2016 Performance Forum - February 4, 2016, Munkhshur Enkhbold, Anastasia Tonina, Sheng Yuan Kuan

Performance Forum

No abstract provided.


New Music At Lawrence, David Kaplan, Piano, February 3, 2016, Lawrence University Feb 2016

New Music At Lawrence, David Kaplan, Piano, February 3, 2016, Lawrence University

Conservatory of Music Concert Programs

Harper Hall


2015-2016 Master Of Music Recital - Zachary Brown (Trumpet), Zach Brown, Sohyun Park Feb 2016

2015-2016 Master Of Music Recital - Zachary Brown (Trumpet), Zach Brown, Sohyun Park

Master of Music Recitals

No abstract provided.


Guest Artists In Recital: Ning An, Ning An Feb 2016

Guest Artists In Recital: Ning An, Ning An

Printed Performance Programs (PDF Format)

No abstract provided.


2015-2016 Junior Recital - Jordan Nashman (Double Bass), Jordan Nashman, Sheng Yuan Kuan Feb 2016

2015-2016 Junior Recital - Jordan Nashman (Double Bass), Jordan Nashman, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.


Concert Recording 2016-02-02, Helena Aung Feb 2016

Concert Recording 2016-02-02, Helena Aung

Concert Recordings & Programs

[00:00]. Prelude and fugue in E-major, book 1, BWV 854 / J.S. Bach -- [03:02]. Sonata no. 13 in B-flat major, KV 333 / W.A. Mozart -- [19:47]. Ballade in F major, no. 2 op. 38 / F. Chopin -- [27:37]. Etude op. 25 no. 2 in F minor / F. Chopin -- [29:19]. Sonata no. 1, op. 22 / Alberto Ginastera.


Elisabeth Bieber, Mezzo-Soprano And Korey Barrett, Piano, February 2, 2016 [Program], University Of Northern Iowa. School Of Music. Feb 2016

Elisabeth Bieber, Mezzo-Soprano And Korey Barrett, Piano, February 2, 2016 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.


HéCtor Del Curto Tango Quintet, World Music Series, February 1, 2016, Lawrence University Feb 2016

HéCtor Del Curto Tango Quintet, World Music Series, February 1, 2016, Lawrence University

Conservatory of Music Concert Programs

Harper Hall


Ua94/6 Gemini 14 Memories, Nancy Cron Feb 2016

Ua94/6 Gemini 14 Memories, Nancy Cron

Student/Alumni Personal Papers

Answers given by Nancy (Hill) Cron to WKU Gemini jazz bands questionnaire in spring of 2016. See Gemini Jazz Bands online exhibit for more information.


Holy Cross Choirs Newsletter (February 2016), Choir, College Of The Holy Cross Feb 2016

Holy Cross Choirs Newsletter (February 2016), Choir, College Of The Holy Cross

Holy Cross Choirs Newsletter

No abstract provided.


School Of Music Faculty/Staff Newsletter, February 2016, School Of Music Feb 2016

School Of Music Faculty/Staff Newsletter, February 2016, School Of Music

School of Music Faculty/Staff Newsletter

Accomplishments and news from the faculty and staff of the School of Music at Illinois State University.


From The Margins: The Underrepresentation Of Black And Latino Students/Teachers In Music Education, Lisa C. Delorenzo, Marissa Silverman Feb 2016

From The Margins: The Underrepresentation Of Black And Latino Students/Teachers In Music Education, Lisa C. Delorenzo, Marissa Silverman

John J. Cali School of Music Scholarship and Creative Works

There is an alarming gap between rising numbers of minority students and a shrinking minority teaching force. The purpose of this research was to explore the question: Why are so few students of color preparing to teach music in the public schools? Black and Latino music students and teachers who graduated from urban high schools in northern New Jersey were interviewed about their race/ethnic related experiences in college along with their ideas about the scarcity of music students of color in music teacher education. Data, presented in narrative form, indicated a complex web of factors that discourage high school students …


Uni Faculty And Guest Trio Recital, February 1, 2016 [Program], University Of Northern Iowa. School Of Music. Feb 2016

Uni Faculty And Guest Trio Recital, February 1, 2016 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.


Le Pianiste: Parisian Music Journalism And The Politics Of The Piano, 1833–35, Shaena B. Weitz Feb 2016

Le Pianiste: Parisian Music Journalism And The Politics Of The Piano, 1833–35, Shaena B. Weitz

Dissertations, Theses, and Capstone Projects

This dissertation examines the French music journal entitled Le Pianiste, published in Paris from 1833 to 1835. Through an analysis of the journal’s contents, it reconsiders the nature of music journalism and musical life in Paris at the time it was in print, focusing in particular on canon formation and the power of the press. Le Pianiste’s remarkably detailed descriptions and analysis of the French music world challenge long-held perceptions of the era about taste and reception history, yet it remains an unstudied document. While past work on the music press has focused on criticism and reception, this …


The Motivic Economy In Nikolai Medtner's Sonata Romantica, Nellie S. Seng-Quinn Feb 2016

The Motivic Economy In Nikolai Medtner's Sonata Romantica, Nellie S. Seng-Quinn

Dissertations, Theses, and Capstone Projects

This dissertation focuses on the motivic aspect of Medtner’s Sonata Romantica Op. 53, No. 1. Medtner, in his book, The Muse and the Fashion, has stressed through numerous statements why the initial theme is of utmost importance to him and how the entire work should be derived from the theme. The goal is to trace the journey of Medtner’s themes through the course of the sonata. Using various methods of musical analysis, I will determine whether the theme is indeed the source of latter material found within the sonata.


The Gĩkũyũ Mũtũrĩrũ: Preserving A Piece Of Kenya's Agrarian Past Through Flute Music, Jennifer Larue Feb 2016

The Gĩkũyũ Mũtũrĩrũ: Preserving A Piece Of Kenya's Agrarian Past Through Flute Music, Jennifer Larue

Masters Theses

The Agĩkũyũ people of Kenya are one of the largest people groups in Kenya. However, systematic repression of Gĩkũyũ culture led to many traditional elements being forgotten, put aside, if not lost completely. The mũtũrĩrũ, a bark flute used when herding and in certain ritual dances, was one such element. The mũtũrĩrũ was initially a temporary instrument, which evolved into more permanent bamboo versions. These may have between two and six finger holes. Another version, called a "spider web mũtũrĩrũ" has no finger holes but has a paper membrane over one end to create a buzzing timbre effect. Research was …


Missa Yielu: Music In The Dagara Mass, Karin Rau Feb 2016

Missa Yielu: Music In The Dagara Mass, Karin Rau

Masters Theses

This paper explores the music of Dagara Masses in Ghana. The Dagara people are defined and described according to the geography of their land and linguistic dialects spoken in the region. A discussion of cultural indicators highlights traditional occupations, family structure, and social practices. Dagara musical practices are outlined by function and include descriptions of instruments and how they are played. Examination of indigenous religious beliefs describe the behaviors, values, and symbols that permeate Dagara life. A summary of the Dagara's encounter with Christianity sets the scene for present-day celebrations of the Mass. Through observation and interview, research was conducted …


Speaking Of Consequences: Contemporary Music For Political Discourse, Elizabeth Adams Feb 2016

Speaking Of Consequences: Contemporary Music For Political Discourse, Elizabeth Adams

Dissertations, Theses, and Capstone Projects

This dissertation reads politically works by Georges Aperghis, Rick Burkhardt, Mark Enslin, and Elizabeth Hoffman. Chapter 1 argues that suspending intelligibility stimulates the audience to imagine alternative meanings and ways the music might go, in an orientation that is politically desirable. Synthesizing theorizations by Herbert Brün, Joseph Dubiel, Shoshana Felman, and Enslin, it catalogues four techniques for suspending intelligibility, and analyses Enslin’s Sonata Quijada. Chapter 2 suggests that we read politically metaphors of agency and power sharing in chamber textures, and translate those metaphors into our social and political lives. It draws on Elisabeth Le Guin’s reading of Boccherini, …


Issues Of Rhythm, Symmetry, And Style In Alfred Schnittke's Concerto For Piano And Strings, Ilya Mayzus Feb 2016

Issues Of Rhythm, Symmetry, And Style In Alfred Schnittke's Concerto For Piano And Strings, Ilya Mayzus

Dissertations, Theses, and Capstone Projects

This dissertation takes as its subject of study Schnittke’s Concerto for Piano and Strings and seeks to examine several interconnected issues in Schnittke’s music: the problem of unification of disparate and conflicting forces that generally describe his style; the wave-like shape of intensification followed by a pullback that can be seen as acting on different temporal levels; and one of narrative meaning. Particular attention is given to symmetry in various manifestations, which the composer considered a necessary ingredient, comparing rhythmic regularity to periodicity found in nature, while at the same time undermining it through the use of asymmetries in order …


Guest Artist: J. Adam Briggs, Saxophone; February 1, 2016, J. Adam Briggs Saxophone Feb 2016

Guest Artist: J. Adam Briggs, Saxophone; February 1, 2016, J. Adam Briggs Saxophone

School of Music Programs

Kemp Recital Hall
February 1, 2016
Monday Evening
7:30 p.m.


Faculty Recital, Anthony Padilla, January 31, 2016, Lawrence University Jan 2016

Faculty Recital, Anthony Padilla, January 31, 2016, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel


Guest/Faculty Recital, Duo Penumbra, January 31, 2016, Lawrence University Jan 2016

Guest/Faculty Recital, Duo Penumbra, January 31, 2016, Lawrence University

Conservatory of Music Concert Programs

Harper Hall


At The Movies, Lawrence Wind Ensemble, January 30, 2016, Lawrence University Jan 2016

At The Movies, Lawrence Wind Ensemble, January 30, 2016, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel


Student Recita:L Kelby Schnepel, Cello, Kelby Schnepel, Bobbie Kesler-Corleto Jan 2016

Student Recita:L Kelby Schnepel, Cello, Kelby Schnepel, Bobbie Kesler-Corleto

Student Recitals

No abstract provided.


Syracuse University Opera Theater Presents "Die Fledermaus (The Bat) 1874", Opera Workshop, Setnor School Of Music, Eric Johnson, James Tapia, Martha Sutter Jan 2016

Syracuse University Opera Theater Presents "Die Fledermaus (The Bat) 1874", Opera Workshop, Setnor School Of Music, Eric Johnson, James Tapia, Martha Sutter

Setnor School of Music - Performance Programs

No abstract provided.


Le Concert Et La Tournée. Perspectives Sur La Direction De Concerts Albert Gutmann, Laetitia Corbière Jan 2016

Le Concert Et La Tournée. Perspectives Sur La Direction De Concerts Albert Gutmann, Laetitia Corbière

Artl@s Bulletin

In the nineteenth-century, transformations in the musical economy led to the development of international tours, and the appearance of the first managers for artists. By analyzing the business strategies of Albert Gutmann in Vienna, Munich and Paris, this paper will show that such impresarios, in order to move from their local institutions to the international arena, had to adapt to the tastes and habits of each audience. Professional middlemen had a decisive influence on these aesthetic choices and, in the context of European tours, they contributed to the reassertion and strengthening of national identities on the musical stage.


Life In The Fishbowl, Brittany N. Barry Jan 2016

Life In The Fishbowl, Brittany N. Barry

Blogging the Library

I was never quite certain what went on in those offices behind the glass windows on the second floor of Musselman Library, but two weeks into my Fortenbaugh Music Librarian Internship I am beginning to get an idea. After talking with some of the staff that work in the fishbowl I have gotten a glimpse at some of the goings on behind the scenes of the librarian. If you’ve ever wondered how all these books and resources came to be or how in the world you are able to find a single thing in this place (maybe with some assistance), …


Tuba And Euphonium Ensemble: Illinois Music Educators All-State Conference, January 28, 2016, Andy Rummel Director, Ben Stiers Percussion, Paul Nolen Saxophone Jan 2016

Tuba And Euphonium Ensemble: Illinois Music Educators All-State Conference, January 28, 2016, Andy Rummel Director, Ben Stiers Percussion, Paul Nolen Saxophone

School of Music Programs

Peoria Civic Center
January 28, 2016
Thursday Evening
4:15 p.m.


Concert Recording 2016-01-27, Pierre Réach Jan 2016

Concert Recording 2016-01-27, Pierre Réach

Concert Recordings & Programs

[00:00]. Six moments musicaux D. 780, op. 94 / Franz Schubert -- [25:19]. Piano sonata no. 17 in D minor, op. 31, no. 2. The tempest / Ludwig van Beethoven -- [49:08]. Carnaval op. 9 / Robert Schumann -- [01:19:37]. Encore.