Music Commons^™

Concert Recording 2016-01-29, Leo H. Davis, Curtis Goolsby, Aya Rowe

Concert Recordings & Programs

[00:00]. Impromptu no. 1 in F major, op. 78, no. 1 / S. Coleridge Taylor -- [04:49]. Go down Moses / Fela Sowande -- [12:13]. Retrospection / Florence B. Price -- [16:13]. Suite for organ, violin and violoncello. Theme and variation / Josef Rheinberger -- [26:47]. Improvisation on "We shall overcome" / arranged by Carl Haywood.

Faculty And Guest Artist Recital, January 27, 2016 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Illinois State University Concerto-Aria Competition Finals, January 27, 2016, School Of Music

School of Music Programs

Center for the Performing Arts
January 27, 2016
Wednesday Evening
7:00 p.m.

We Need A Church That's Inside-Out, Heather Josselyn-Cranson

Northwestern Review

This hymn gives voice to one frustration that many Christians feel: a despair over watching Christian factions argue about doctrine while the poor suffer outside of church walls. This hymn calls us to see the self-obsession which prevents us from attending to those in need (first stanza), confess our neglect of Jesus' mandate to care for others (second stanza), and turn away from the distractions of petty bickering toward the expression of Christ's peace, grace, and love to all those outside the church (third stanza).

Days Will Come That Sap Our Vigor, Heather Josselyn-Cranson

Northwestern Review

"Days Will Come that Sap our Vigor" speaks encouragement to individuals and congregations in the face of exhaustion (the first stanza), depression (the second stanza), and even death (the last stanza). In each case, God restores to us strength, hope, and life. The tune for this text, FALLS PARK, alludes to the fact that the author wrote the hymn text after visiting Falls Park in Sioux Falls, South Dakota.

Full, Conscious, And Active…Listening?, Heather Josselyn-Cranson

Northwestern Review

Active participation by Christian laity in singing is a goal assumed by all liturgical leaders, scholars, and musicians. Is singing, though, the only form of active participation in liturgical music? What about listening? Drawing on discussions of listening by Aaron Copland, Frank Burch Brown, and Ronald J. Allen, it becomes clear that listening well is an active task, one for which musical leaders must prepare their congregations. Lay people should be encouraged to both receive music as a gift and to search out what it means in relationship to the congregation, the day, and the liturgical context. Congregations also need …

Faculty Recital: Stephen Coxe With Jeanne Dedominick, Paul S. Kim, Monique Melchor, Dennis Northerner, Suzanne Oberdorfer, Jeffrey Phelps And The Camerata Choristers, Stephen Coxe, Jeanne Dedominick, Paul S. Kim, Monique Melchor, Dennis Northerner, Suzanne Oberdorfer, Jeffrey Phelps, The Camerata Choristers

Faculty Recitals

No abstract provided.

2015-2016 Junior Recital - Amy Nickler (Double Bass), Amy Nickler, Sheng Yuan Kuan

Junior and Senior Recitals

No abstract provided.

2015-2016 Senior Recital - Chance Israel (Piano), Chance Israel

Junior and Senior Recitals

No abstract provided.

Concert Recording 2016-01-26, Christopher Macrae, Tomoko Kashiwagi

Concert Recordings & Programs

[00:00]. Three poems of Fiona MacLeod, op. 11. Three poems of William Sharp / Charles T. Griffes -- [09:22]. South of north, images of Canada. Eight poems of Richard Outram / Srul Irving Glick -- [27:33]. Songs of eternity and sorrow, op. 36a. Four poems of A.E. Housman / Ian Venables -- [42:37]. Another reason why I don't keep a gun in the house. Six songs on poems of Billy Collins / Tom Cipullo -- [56:45]. Encore.

In The Deep Heart’S Core: A Mystic Cabaret By Joseph Sobol, Lee Bidgood

ETSU Faculty Works

A cycle of songs and spoken pieces from the verses and essays of Ireland's master poet, W. B. Yeats, In the Deep Heart’s Core is a stunning evening of musical theatre. The Chicago Tribune called it "A joy--poetry to the ears, alternately tender and rousing." Featuring Joseph Sobol and original cast member Kathy Cowan. Performers include Lee Bidgood, Dominic Aquilino, Clara Ray Burrus, and Robbie Link.

Duo Pianists: Sean Botkin And Dmitri Vorobiev, A Midwest International Piano Competition Preview Event, January 26, 2016 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

F. Ludwig Diehn Concert Series: Jim Walker, Flute, Jim Walker, Oksana Lutsyshyn, John Toomey, Russ Helm, Randall Pharr

Guest Performances

No abstract provided.

Jury Recognition Recital, January 25, 2016, School Of Music

School of Music Programs

Kemp Recital Hall
January 25, 2016
Monday Evening
8:00 p.m.

John Oliveira String Competition 2016 - Winner's Recital, Yaroslava Poletaeva, Darren Matias

John Oliveira String Competition

Winners

• Yaroslava Poletaeva, violin
• Darren Matias, piano

Student Recital: Trumpet Studio, January 24, 2016, School Of Music

School of Music Programs

Kemp Recital Hall
January 24, 2016
Sunday Afternoon
3:00 p.m.

Five Showpieces, Lawrence University Symphony Orchestra, January 23, 2016, Lawrence University

Conservatory of Music Concert Programs

Memorial Chapel

2015-2016 Piano Passion: From The Studio Of Roberta Rust, Alfonso Hernandez, Hikari Nakamura, Jiaxian Li, Yu Lu, Matthew Calderon, Jasmine Xiong, Chen Liang, Munkhshur Enkhbold, Chance Israel

Studio Recitals

No abstract provided.

Franz Schubert's Die Winterreise: Jonathan English, Tenor; Sar-Shalom Strong, Piano, Jonathan English, Sar-Shalom Strong

Setnor School of Music - Performance Programs

No abstract provided.

2015-2016 Mostly Music: Ravel And Friends, Munkhshur Enkhbold, Carol Cole, Deborah Fleisher, David Cole, Alfonso Hernandez, Zach Brown, Luke Schwalbach, Robert Williams, Zongxi Li, Sodienye Finebone, Eric Van Der Veer Varner, Lisa Leonard, Steve Elmore, Marshall Turkin

Mostly Music Series

No abstract provided.

Concert Recording 2016-01-21, Patrick Howle, Reena Berger Natenberg

Concert Recordings & Programs

[00:00]. Années de Pelèrinage : première année.3. Pastorale ; 8. Le mal du pays / Franz Liszt -- [07:39]. Es rauschen die Winde ; Über allen Gipfeln ist Ruh ; Im Rhein im schönen Strome / Franz Liszt -- [19:19]. Dichterliebe. Im wunderschönen Monat Mai ; Aus meinen Tränen spriessen ; Die Rose, die Lilie, die Taube ; Wenn ich in deine Augen seh' ; Ich will meine Seele tauchen ; Im Rhein, im heiligen Strome / Robert Schumann -- [28:30]. Novelette op. 21, no. 8 / Robert Schumann -- [39:51]. Banalités. Chanson d'Orkenise ; Hôtel ; Fagnes de Wallonie …

Robert Dunn, Classical And Electric Guitars, January 21, 2016 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Jesse Orth, Tuba And Polina Khatsko, Piano, January 21, 2016 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Trumpet Transcription Of Frederic Chopin’S Nocturnes For Piano, Opuses 9, 15, 27, And 32, Logan Anderson, David Brown

Journal of Undergraduate Research

The art of trumpet playing has existed for thousands of years, but today’s trumpet is a relatively new instrument. The addition of piston valves in the early 19th Century (see figure 1) allowed the trumpet to play in every key, while its predecessor (see figure 2) was limited to the harmonic series of only one key. The piston trumpet came about at the start of music’s Romantic period, but little Romantic music was written for the new instrument. As a result, there is a large gap in the trumpet repertoire. There are a number pieces for trumpet without valves from …

String Project Honors Recital, January 21, 2016, School Of Music

School of Music Programs

Kemp Recital Hall
January 21, 2016
Thursday Evening
7:00 p.m.

Studio Orchestra Club, Dallas Crane, Ron Saltmarsh

Journal of Undergraduate Research

Studio Orchestra Club was successfully initiated and its first stages of implementation were successful. We were able to accomplish the following goals:

1. Establish Studio Orchestra Club as an Academic Association under the Commercial Music program. This lends official recognition to the group, as well as funding from the Commercial Music program (ideally, see below). This also allowed Studio Orchestra Club to schedule room usage as an independent unit, instead of relying of faculty.
2. Record various projects, including two film scores, a graduate audition and a concept album. Link to the audio files: https://soundcloud.com/studio-orchestra-club.
3. Create a growing roster of BYU …

An Introduction To Baroque Interpretation For The Modern String Player, Molly Cowley, Alexander Woods

Journal of Undergraduate Research

Historically informed performance, or playing music how we think it would have sounded within the era that it was written, is becoming increasingly popular. Because recordings are not available for anything played in the 17th or 18th century, we rely on books and treatises of that era to determine style (phrasing, tempi, pitch, articulations, etc.) Although many scholars have published on the subject of Baroque Era playing, I have discovered that these, often large, books can be intimidating to the average music student. Watching students avoiding the texts and attempting to learn the style from mere imitation has motivated me …

Dr. Gordon Childs And The Viola D’Amore, Caryn Jackson, Dr. Claudine Bigelow

Journal of Undergraduate Research

The viola d’amore, a unique instrument that many are not familiar with, is more important than we give it credit for, not only musically but also for the research opportunities it presents. I was first introduced to the viola d’amore two years ago when I received my mission call to the Scotland/Ireland mission. As a music major and violist at BYU, I became deeply interested in Scottish and Irish music both before and after my mission. Around that time, I learned of Irishborn Garth Knox, a prominent violist/viola d’amore player and composer who has written many Scottish/Irish pieces for the …

2015-2016 Master Class - Margarita Shevchenko (Piano), Margarita Shevchenko, Chen Liang, Hikari Nakamura, Axel Rojas, Carina Inoue, Yu Lu

Master Classes

No abstract provided.

Whitcomb Towers Recital Series, Chi Yong Yun

Whitcomb Tower Series 2015-2016

Whitcomb Tower Recital Series

A series of recitals presented by students the 3rd Wednesday of every month.