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Articles 1591 - 1620 of 3332
Full-Text Articles in Music
Introducing The Learning Portfolio Into Music Theory Core Pedagogy, Anna Ferenc
Introducing The Learning Portfolio Into Music Theory Core Pedagogy, Anna Ferenc
Music Faculty Publications
Undergraduate music programs at North American institutions of higher learning typically require music majors to complete successfully a core grouping of theory courses in order to fulfill degree requirements. These courses are considered foundational not only for further study of music theory, but for all areas of music specialization because they provide students with basic analytical and musicianship skills necessary to understand musical organization in the western tradition. Although specific curricular content may vary from one institution to another, the theory core usually includes the study of diatonic and chromatic harmony, form and analysis, aural skills and possibly instruction in …
New Mexico Musician Vol 59 No 1 (Fall 2011)
Retention Of Music Teachers Working With High Concentrations Of At-Risk Students In Metro Atlanta Schools: A Qualitative Case Study, Theron Roy Petway Iii
Retention Of Music Teachers Working With High Concentrations Of At-Risk Students In Metro Atlanta Schools: A Qualitative Case Study, Theron Roy Petway Iii
Dissertations
Hiring and retaining teachers in the field continues to be an educational dilemma as 50% of all teachers leave their positions in the first 5 years. The statistics are similar for those specifically in the field of music education. Although teachers at schools with high concentrations of at-risk students face more difficulties in the classroom and are at greater risk of leaving their positions, little research has been conducted in this area. The purpose of this study is to provide a base of data related to music teacher retention in schools with high concentrations of at-risk students through a case …
Highlights In Jazz Concert 308- Remembering Hank Jones, Jack Kleinsinger, Danny Gottlieb
Highlights In Jazz Concert 308- Remembering Hank Jones, Jack Kleinsinger, Danny Gottlieb
Jack Kleinsinger Presents Highlights in Jazz
Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, May 5th, 2011 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Joe Lovano, Jon Faddis, Junior Mance, Steve Turre, George Mraz, Winard Harper, and special guest Frank Wess.
The Tardy Recognition Of J.S. Bach's Sonatas And Partitas For Violin Solo, Di Su
The Tardy Recognition Of J.S. Bach's Sonatas And Partitas For Violin Solo, Di Su
Publications and Research
J. S. Bach’s Sonatas and Partitas for Violin Solo (BWV 1001-1006) are among the most important masterpieces in the literature of violin music. They are included in standard repertoire for serious violin students; they are frequently performed in solo recitals; they are recorded by numerous virtuosi; and they are required in major violin competitions. The vast amount of editions also indicates the importance of the works. In Edlund’s catalogue, one finds as many as seventy-seven editions ranging from Simrock (1802) to Henle (1987)
However, the Solos did not enjoy such a prominent status in Bach’s own time and even in …
A Systematic Analysis Of Risks To Adolescent Vocal Health, Debra P. Anderson
A Systematic Analysis Of Risks To Adolescent Vocal Health, Debra P. Anderson
Theses and Dissertations
The purpose of this study was to identify and analyze risks that threaten adolescent vocal health. Qualitative interviews revealed risks associated with vocal over-use, lack of scientific vocal pedagogy, poor tonal ideals, inadequate choral procedures, and vocal difficulties in high school musical theater productions. Anonymous student surveys (N=60) from two rural high schools in West Georgia revealed over-use and lack of knowledge about chest voice singing as risky to adolescent vocal health. Anonymous choral director surveys (N=2) from the same high schools indicated that choral directors may be uncomfortable teaching chest voice production, allowing students to use their chest voice …
Reinventing The Classical Recital: Examining The Connections Between Performer And Audience, Kimberly R. Dinicola
Reinventing The Classical Recital: Examining The Connections Between Performer And Audience, Kimberly R. Dinicola
Renée Crown University Honors Thesis Projects - All
Reinventing the Classical Recital: Examining the Connections Between Performer and Audience was a project intended to create a dialogue between the performer and audience about the kind of experience a classical recital typically is versus what it can be. Recitals given at Syracuse University, and in the classical music community in general, generally have strict guidelines for the amount, type, and quality of music to be performed. Certain composers or types of song are considered more appropriate than others, depending on the instrument and length of the recital. In creating a recital to evaluate in what ways the performer can …
Multicultural Education In The Music Classroom: Definitions, Methods, And Motives, Candace Rhnea Stafford-Davis
Multicultural Education In The Music Classroom: Definitions, Methods, And Motives, Candace Rhnea Stafford-Davis
Graduate Theses and Dissertations
This study aimed to understand the multicultural teaching experiences of music teachers in the Fayetteville and Springdale public school districts through the lens of James Banks' four approaches to curriculum reform. The research was intended to add to the limited literature presently found on the definition of multicultural music education and how this type of education is implemented. The study also increased knowledge of teacher motives for implementing multicultural education in the music classroom and highlight challenges that lie within implementation. Purposive sampling was used and in an attempt to get an information rich sample, two schools were chosen from …
Highlights In Jazz Concert 307- Jazz- The Next Generation, Jack Kleinsinger, Danny Gottlieb
Highlights In Jazz Concert 307- Jazz- The Next Generation, Jack Kleinsinger, Danny Gottlieb
Jack Kleinsinger Presents Highlights in Jazz
Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, April 7th, 2011 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Edward Ellington II, Virginia Mayhew, Norman Simmons, Joe Temperley, Anderson Twins, Jake Hertzog, Ryland Kelly, Dylan Meek, Jonathan Russell, Jesse Simpson, Tim Veeder.
New Mexico Musician Vol 58 No 3 (Spring 2011)
New Mexico Musician Vol 58 No 3 (Spring 2011)
New Mexico Musician
No abstract provided.
Highlights In Jazz Concert 306- Salute To Derek Smith, Jack Kleinsinger
Highlights In Jazz Concert 306- Salute To Derek Smith, Jack Kleinsinger
Jack Kleinsinger Presents Highlights in Jazz
Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, March 10th, 2011 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Derek Smith, Dick Hyman, Ken Peplowski, Warren Vache, Houston Person, Aaron Weinstein, Nicki Parrott, Jackie WIlliams, Randy Sandke, and surprise guest James Chirillo.
Applying Brain Research To Classroom Strategies, John W. Flohr, Diane C. Persellin
Applying Brain Research To Classroom Strategies, John W. Flohr, Diane C. Persellin
Walden Faculty and Staff Publications
Research in the field of neuroscience has exploded in the past decade. The word brain appears in the title of nearly 40,000 books and CDs indicating intense interest in this area of study. What can music educators learn from recent investigations—often termed brain research—to guide music teaching and learning? The following ideas are intended to have broad applications and may inspire you to investigate this fascinating area of literature more thoroughly. While some findings are new, other studies affirm what music educators have previously found to be effective.
Highlights In Jazz Concert 305- The Return Of Highlights In Jazz, Jack Kleinsinger, Danny Gottlieb
Highlights In Jazz Concert 305- The Return Of Highlights In Jazz, Jack Kleinsinger, Danny Gottlieb
Jack Kleinsinger Presents Highlights in Jazz
Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, January 6th, 2011 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Bucky Pizzarelli, Howard Alden, Jay Leonhart, Wycliffe Gordon, Anat Cohen, and Rossano Sportiello.
Christine Jordanoff Celebrates 25 Years
Tempo Interviews Dean Edward Kocher
Tempo Magazine Winter 2011 (Spreads)
Robert Cameron’S Quarter Century
Making Music Together : A Music Handbook For An Early Childhood Classroom, Shana Hope Frankel
Making Music Together : A Music Handbook For An Early Childhood Classroom, Shana Hope Frankel
Graduate Student Independent Studies
This paper discusses the importance of music in Early Childhood classrooms. It is meant to be a resource for the classroom intended to be used by teachers, however; it can also be used by families and caregivers who want to add more music in to their homes. The songs are organized to follow a typical daily schedule in a classroom. The readers do not need background knowledge of music and can make up their own tunes to most of the songs provided. I have suggested the music to go along with most of the songs however other melodies could work …
Notes From The Editor, Bruce Gleason
Notes From The Editor, Bruce Gleason
Research & Issues in Music Education
As the editorial board presents the ninth issue of Research and Issues in Music Education, I’m reminded that teaching and learning have been going on for a very long time, and that there are all kinds of ways to undertake these tasks with new ways of teaching being constantly developed—but that the musical functions with which Merriam challenged us remain as true now as they did when he published them in 1964. An examination of the variety of this issue’s topics indicates that student, teacher, composer, conductor, professor and audience member all have much at stake as we continue …